Latest news with #Rebellion
Yahoo
19-07-2025
- Entertainment
- Yahoo
A sci-fi sequel 13 years in the making is now closer than ever – with a Marvel director at the helm
When you buy through links on our articles, Future and its syndication partners may earn a commission. Quick Summary A new Judge Dredd movie is in the pipeline, with Taika Waititi set to take the director's chair. Not much else is known about the sci-fi sequel/reboot for now, but the fact it exists will be enough for many fans. After years of fan requests and failed starts, it seems a sci-fi sequel we've all prayed for is finally back on the cards. What's more, the director of Thor: Ragnarok, The Mandalorian and What We Do in the Shadows is reportedly attached. It's been 13 years since Dredd hit cinemas (in 3D, no less) and even though its star Karl Urban (Star Trek, The Boys) was keen to get cracking on a sequel, it sadly never happened. The owner of iconic British comic 2000AD (in which Judge Dredd appears), Rebellion, even created its own TV and movie production company, and announced a TV spin-off: Judge Dredd: Mega-City One. But news on that went quiet too. Now it seems the plans have reverted to making another film, with Taika Waititi set to direct (via Deadline) and the writer of The Fall Guy, Mission: Impossible – Rogue Nation, and Iron Man 3, Drew Pearce, tasked with writing the screenplay. Not much else is known about the movie yet – whether it's going to head to cinemas first or will be for one of the big streaming services. However, the fact that it's finally in the works again is enough reason to celebrate. With Waititi on board it is likely to have more of a sense of humour than 2012's Dredd. And it doesn't have to try very hard to be better than Stallone's portrayal of the Judge in the 1995 misfire. Comic book fans will already appreciate that the strip originally created by John Wagner and Carlos Ezquerra has a dark sense of humour that offsets the extreme bouts of violence. It often plays as satire to the politics and trends of today, so it'd be great to see some of that come through in the next movie, If so, it's more likely to be a reboot than a sequel, although I'd personally love to see Urban offered the eponymous role once more. He truly understands what makes Joe Dredd so unique, even amongst other Judges, while his acceptance in playing the part without ever taking his helmet off was admirable. It looks like we'll have a while to wait before the new film gets fully underway, let alone being available to watch. But in the meantime, Duncan Jones' Rogue Trooper movie adaptation from another 2000AD property seems to be coming along well and should hit theatres beforehand. Solve the daily Crossword
WIRED
16-07-2025
- Entertainment
- WIRED
Feeling Is Believing With Razer's Freyja Haptic Gaming Cushion
I remember the first time I played a first-person shooter. It was Star Wars: Battlefront 2 , the 2005 version, on the Playstation 2 in my friend's basement, when I was a kid. I felt like I was right there. The frigid winds of Hoth ripped across my face, and the chatter of comms was right up against my ear. I felt the heat of blaster bolts zipping through the air, and heard them crackling as they shot past my face. I brought the scope up to my eye, aimed, steadied my breath, and pulled the trigger. A stormtrooper fell to the ground, and I felt like I'd earned a small victory for the Rebellion. As a child, games felt immersive to me. They felt real, like I was in that world. A large part of that was my suspension of disbelief—I wanted the game to be real, and I was willing to accept it as real, so I overlooked the low-resolution textures, the polygons that I could count, and the compressed 32-bit audio. The scan lines of the CRT television in my friend's basement faded away, and the controller felt less like a tool and more like an extension of myself. It's an experience that slowly slipped away as I got older, one I've been chasing ever since. In chasing that feeling, I've tweaked my setup with fine-tuned keyboards, open-back headphones, ultrawide monitors, racing wheels, and even virtual reality headsets. They help, but they're still external to my senses. The Razer Freyja, on the other hand, is a $300 haptic gaming cushion that brings gaming a step closer to a full-body experience. Sounds and actions rumble through my body and make the game world feel just a bit more like I'm sitting inside of it, instead of being an external force looking in through a window. It doesn't suspend my disbelief like when I was a kid, but it makes it much easier for all the details of the external world to disappear. Gaming Seat Photograph: Henri Robbins The Freyja can strap onto nearly any gaming or office chair to create physical feedback while you game. The system can either directly connect to some games or it can vibrate based on the audio coming from your computer. It's exactly what you might think a gaming cushion looks like, and unlike some pricier alternatives, it means you don't have to replace your current chair. It is entirely dependent on the software it works with and how developers implement it. To connect the Freyja, you'll need both a nearby electrical socket and a free USB-A port on your system for Razer's 2.4-GHz wireless dongle. The cushion doesn't have any batteries, so your chair will lose some mobility whenever the Freyja is connected. If you need to roll around, disconnect the barrel jack connector on the side of the cushion. It's robust, with vibration zones that react quickly. It could get to the point where I was being shaken in my chair, without ever eliciting a slight rattling or a stray noise. The integration into Razer's Chroma software never had any issues and worked well. However, I ran into a few hiccups, especially with intermediary software like SimHub. The game I was playing would lose connection with SimHub, and I would have to restart my system or spend some time troubleshooting to get it working again. The Freyja didn't have connectivity issues itself, but some outlets in my house didn't want to keep it powered. I suspect that's a voltage issue more than anything else. As of publication, the Freyja has full native support for 12 games and one simulation racing app, SimHub, which opens it up to countless racing games. During my testing, I focused mainly on racing games: Assetto Corsa , Forza Horizon 4 , Forza Horizon 5 , and DiRT Rally 2.0 , all of which used SimHub's built-in telemetry to create haptic feedback for pretty much every aspect of a car.
Los Angeles Times
15-07-2025
- Entertainment
- Los Angeles Times
Tony Gilroy on the ‘spooky' real-life parallels with Emmy nominee ‘Andor'
'Andor' has been the 'seminal creative experience' of Tony Gilroy's life. The filmmaker spent over five years steeped in the world of the 'Star Wars' prequel series, which follows resistance fighter Cassian Andor (portrayed by Diego Luna) during the nascent days of the Rebellion. On Tuesday, 'Andor' earned 14 Emmy nominations for its second and final season, including in the marquee race for drama series. 'It's hard to imagine that I'll ever be as deeply invested with as much and so submerged with so many people in such a huge endeavor,' Gilroy said via Zoom after the nominations announcement. 'It's a life experience as much as anything else. Everybody on this show really came away with a deeper sense of community and affection than they went in with.' In addition to drama series, 'Andor' was nominated for its directing, writing, cinematography, production design, costume, editing, score, original music, sound editing, sound mixing and special effects. Performances by Forest Whitaker (guest actor) and Alan Tudyk (character voice-over) were also recognized. A grounded, political spy thriller, 'Andor' is set during the five years leading up to the events of 'Rogue One: A Star Wars story,' the 2016 film on which Gilroy is credited as one of the writers. The series has been hailed by critics and audiences since its 2022 debut, captivating both longtime 'Star Wars' fans as well as those who don't know an Ewok from a Wookiee. The show's second season, which unfolds over the span of four years, provided key glimpses into the Galactic Empire's operations as well as the origins of the Rebel Alliance. And while the show is inspired by revolutions past, Gilroy admits it has been 'spooky' to see current events parallel moments from the show. In an interview with The Times, Gilroy discussed 'Andor's' nominations, real-life parallels and more. The conversation edited for length and clarity. Congratulations on the 14 nominations! How are you feeling? I'm trying to find a word that everybody you're calling doesn't use. I feel affirmed. It's very exciting, obviously. Where were you and what were you doing when you heard the news? I waited and I took a ride and took a shower and got out and saw my phone was hot. I waited to see if my phone was hot. Is there an 'Andor' group chat where you all can chat in a thread together? No. Well, maybe there is and I'm not on it. It's more text mania. Then you have to figure out who's on WhatsApp, who's on this, who's on that. Everybody's on different s—. It's actually really f— complicated, to be honest. Now I've got emails to answer, WhatsApps to answer. What has it been like for you to be on this ride with this show as real-life events start to parallel what happened on the show? It feels like we're living through so much of it now. It's been spooky. We had to do a very interesting thing, I think, and figure out how to sell the show while this was all happening without us getting confused, or the world getting confused, or anything else. So I'm really proud. We went all around the world and really sold it really hard. It's hard to get a large audience to watch 'Star Wars' — it's strange, but it's really difficult. Along the way I think we managed through the relevancy and the politics of it as successfully as we could. I think now things are a little bit looser. We're a little bit more free with how we want to speak now so that's a little bit liberating. How hard is it to hold some of that in while you're trying to appeal to an audience? There wasn't anything really cynical about it. Everything we said was legit. The historical model is truly what we were doing, and we're not espousing an ideology in the show or anything like that. But we were also quite taken aback as things went along, at the amount of things that started rhyming with what was going on. Watching Sen. [Alex] Padilla get [handcuffed] while we're watching the Ghorman senate — there's things we did not expect to see lining up. It's really tough and it should be obvious what people think about it. One of the show's nominations was writing for Episode 9. Dan Gilroy, nominated! How does it feel to be able to share this moment with your brother? All three Gilroy brothers were nominated today! It's very pleasing to see that. There's so many things on here that really, really, really, make me smile. It's really great that [production designer] Luke [Hull] and [costume designer] Michael Wilkinson [were nominated]. All the technical things that came in for us today were really satisfying. All these awards are community property no matter how people talk about it. You know how many people it takes to stand behind every one of these episodes. They're just epic, the amount of people that are involved. As you're picking these individual episodes, how did Episode 9 stand out? What made it special for you? We were really torn about what to [submit]. We had three candidates that we really were really interested in. In the end, people felt — direction wise — that the Ghorman massacre, Episode 8, was such a powerhouse. It's such a strong flavor and so memorable that we could not have that beat for direction. And we also felt that [Episode] 9, it's just so sophisticated. The spy writing and the sleekness of the politics and the sleekness of the storytelling in there and the scale of the issues for the characters that came up. That was always the favorite for script. Since you mention Ghorman, what was memorable about working on that episode for you? It's always an experiment to see if you're going to get the power out of things that you think you're going to get. [So,] to watch that expand beyond where we thought it was going to be, and to have it affect us, the people making it, more than we expected. To have the extras walk off the set on the final day of shooting, when they were finally released, all the people in that square after months and they went off singing the Ghorman national anthem on their own on the way out of Pinewood [Studios]. I'm very proud of it. That anthem is also nominated. That's really all I care about, Tracy. I've written a national anthem and it's been nominated for an Emmy. [Laughs.] Your time with 'Star Wars' is pretty much wrapped up. What has it been like for you, being steeped in this world for so long? 'Rogue [One]' aside, just being on this show the last five and a half, six years, this is the seminal creative experience, I'm imagining, of my life. It's hard to imagine that I'll ever be as deeply invested with as much and so submerged with so many people in such a huge endeavor. I can't imagine that will ever happen again. It's a life experience as much as anything else. Everybody on this show really came away with a deeper sense of community and affection than they went in with. To make a great show, and we're really proud of it, and to come away feeling the way that we feel about each other and what everybody did, I'm as proud of that as anything. How are you going to celebrate? I'm going to roll these calls and I'm going to go back to prepping the movie that I'm supposed to start shooting. I've got homework to do. I'm going to try and get an hour or two of work done before I go out for dinner with my wife. But I'll have an extra cherry in my old fashioned tonight.
Yahoo
26-06-2025
- Entertainment
- Yahoo
‘Andor's' Diego Luna on changing the landscape of ‘Star Wars': Now ‘that universe represents me too'
For Diego Luna, getting to the finish line of Andor's second season wasn't merely the completion of his own years-long trek to tell a story of how Rogue One's Cassian Andor became a hero of the Rebellion. It was part of a greater, game-changing transformation of the overall Star Wars universe, one that allowed room not only for richer, more complex, and vitally relevant storytelling in a territory better known for its more mythic connotations, but also space for an array of multicultural faces that looked a lot more like his own. Speaking with Gold Derby at an FYC event for the Disney+ series at the Writers Guild Theater in Beverly Hills amid the whirlwind of critical and audience adoration for the Andor's epic conclusion, Luna took a beat to reflect on the overall achievement and what it all means to him after nearly a decade of carrying Cassian with him. That, and his somewhat curtailed reunion with K-2SO. More from GoldDerby Jane Lynch on her 'funny and touching' final scene with Steve Martin on 'Only Murders in the Building' 'Only Murders in the Building' Emmy odds for Selena Gomez, the Martins, and all those guest stars 'Dune: Prophecy' showrunner teases the Fremen and which books Season 2 could cover Lucasfilm/Disney Gold Derby: You knew from the jump what a huge undertaking this was going to be, and now you've been absorbing the reaction. How did you feel now that people have gotten to see in its entirety? Diego Luna: I'm very pleased. This has been a very long journey for us, but I wouldn't change anything. I think the challenges we went through, the complexity of the production and the executing of this — we went through COVID, we went through strikes, shooting far away from home — all of that paid off because this is a show that represents me as an artist, and as audience too. It's something I would like to see as audience, and I am proud to be part of something that is connecting like the show is connecting with audiences. The beauty of these long-format pieces and the streaming services is that it's there now for audiences to go to whenever they're ready. It was quite fascinating to realize how many people went to Season 1 because of the success of Season 2, because they read about it, because they saw the reaction of audiences, because of all the reviews. And then people said, like, "OK, let's go see the first season." That didn't happen with film. Yes, it stays there, but it doesn't really. You have a short window, and here we don't. My daughter is going to grow a few years and she's going to find these and connect with it whenever she's ready. And that is beautiful because of the work of all these amazing people, not just the crew and cast, but really everyone working in the show, and I'm talking about thousands of people, you know? Everyone working in the show gave everything and came back for the second season, and it's paying off. has been largely set in more of a mythic, fairytale realm, and you guys have moved it nicely into an allegorical way of telling the stories, using as that kind of vehicle. What did that mean to you to shift the paradigm on how to tell a story and see it hit with the audience the way it has? Well, it's just that the audience keeps changing, keeps growing and keeps growing in diversity. It's interesting that today there's room to do things in the Star Wars universe that probably 20 years ago were not even possible. I mean, having a character like Cassian, for myself as an actor, to be involved in a Star Wars show, I grew up watching Star Wars and no one looked like me. There was no way I could picture myself as part of that universe. And today it's different. If you are young and you have a Latino background, you see Star Wars and you go like, "Wow, that universe represents me too." And that's kind of cool. And again, the complexity of this show, the tone of this show is very specific, and I'm pleased I'm living this time when we can do something like this. I think about what Rogue One represented for the films. We were meant to be different. We were given the freedom to do something different, and the audience reacted. We owe Rogue One a lot. We are here because of Rogue One, because of how Rogue One played. And I think it's because a big chunk of the Star Wars audience, it's been part of these for decades and there's room today for this complexity, for this more politically charged and complex story for these characters that are full of contrast for a show that lives so much in the gray areas. And I am pleased I can be part. If there was I would've wanted more from , one little thing, it was more Cassian and K-2SO. Were you hoping you get some more time with your droid sidekick? [Laughs] I mean, when we planned this at the very beginning, there was going to be five seasons. So that thing that happens in that last block was going to be a full season. Every year of these four years before Rogue One was going to be a full season, but then that was impossible. Impossible to execute the way we execute this show. Each season has two years and a half of work behind, so it would've been impossible. But again, yes, of course I'm always going to want to be around Alan [Tudyk]. He's such a wonderful collaborator, and it's so fun and our connection and our chemistry. It's so special that I'm always going to want to be working with him. But I'm glad it was this way. I'm glad also because we paid to every detail. We worked in this show with so much rigor and we paid so attention to specificity and detail just in a very special way, I would say. And I wouldn't change that at all. So no, I'm pleased, I'm pleased. I mean, But I'm going to miss Alan and I'm going to miss Genevieve [O'Reilly] and I'm going to miss Adria [Arjona]. I'm going to miss working with material as complex as this one, but that's the way to end, right? You want to end it on the peak. You want to end enjoying every step. You want to be sad at the end, and not just pleased you got there. Best of GoldDerby 'I'm very happy to be busy': O-T Fagbenle on his trio of Emmy-eligible performances Everything to know about 'Alien: Earth' as trailer drops: Timeline, cast, premiere date Jane Lynch on her 'funny and touching' final scene with Steve Martin on 'Only Murders in the Building' Click here to read the full article.
Yahoo
20-06-2025
- Entertainment
- Yahoo
‘The messier, the better': How ‘Andor' created the epic, heart-shattering Ghorman Massacre
For the heart-shattering episode of Andor titled 'Who Are You?,' which brings to screen the Rebellion-galvanizing Ghorman Massacre, editor Yan Miles' mantra was: 'The messier, the better.' What begins as a peaceful protest among the people of Ghorman turns into a slaughter incited by the Empire. Screams pierce through as flares, smoke, and death consume every chaotic, yet controlled frame. As roughly 350 extras fight for their freedom and lives, Cassian Andor (Diego Luna) attempts to assassinate Imperial officer Dedra Meero (Denise Gough). 'The whole thing unravels in front of him,' Miles tells Gold Derby. 'He's not there to protest. He knows these people, he knows what happened before — but now he becomes the witness. He becomes us. The plaza is a circle. You could call it a clock face. People go around, people go in and out of buildings. Cadets come out. People sing. It was always moving, but Cassian stayed centered.' More from GoldDerby 'Hope for the best, prepare for the worst': 'Overcompensating' breakout Wally Baram on making her acting debut, defiling prop toilet The case of Leslie Abramson vs. Marcia Clark: Ari Graynor and Sarah Paulson on 'defending' their characters In Pixar's 'Elio,' Easter eggs are literally written in the stars - will you be able to spot them all? Lucasfilm In the chaos, Miles creates both emotional and visual clarity — often in a matter of seconds. 'There's a nice example of it where it's less messy,' the editor said. 'There's a [shot of a] group of Ghormans coming through with the flares, going underneath the colony now; we're sort of with them. And then we cut to the guy in the café, the waiter, seeing people walking past behind the glass, all moving in the same direction. Then a profile shot of an oblivious stormtrooper, turning his head and watching the Ghormans go by. It's three shots.' Lucasfilm Another impactful sequence concludes Imperial lackey Syril Karn's (Kyle Soller) arc — all without any lines of dialogue. Amid the mayhem, Miles shifts to slow-motion, an out-of-the-ordinary but fitting stylistic flourish in the otherwise grounded Tony Gilroy-created series. 'He's witnessing it — it's gone beyond the beyond,' Miles said. 'Lasers going past, people being shot, but he's just standing there like he's bulletproof. He's lost in it all. He doesn't care anymore. Everything's just gone.' Then the question becomes for Syril: 'Who are you?' It's posed during his hand-to-hand brawl with Cassian, the man he's spent years chasing. 'In the scene with 'who are you?,' there was a lot of debate on set,' Miles shared. 'Tony wrote it, 'Who are you?' Tony, [director] Janus Metz, Diego, and the people around asked, 'Are there any other versions where Cassian does remember Syril?' We did a cut where he does remember and says, 'It's you,' and then Syril lowers the gun.' Lucasfilm That debate was quickly resolved in post-production. 'I told Tony I have the other version,' Miles said. 'He went, 'No, no, no, no, it is, 'Who are you?' Andor doesn't know this guy. This guy's a nobody. It's the worst thing that could happen to any of us, isn't it? You could be doing something for years and years and one day you wake up and you're like, 'Who the hell am I? What am I doing?' That's life itself. Tony's words were, 'Who are you?'' Gilroy joked to Miles that if he didn't use that line, then he couldn't keep the slow-motion shot of Syril. 'Tony's genius is, if you're going to do something bold — like a slow spin shot or a poetic line — you have to earn it,' Miles added. 'Otherwise, it doesn't belong in this universe.' After Syril's death, his former partner, Dedra, displays startling vulnerability. She is alone and out of control — perhaps her greatest fear. 'Denise did lots of different stuff in that scene, which I was going to show all in one shot,' Miles explained. 'But then I gravitated toward three or four shots. It starts when she raises her head — just the vulnerability to it. In the next shot, she's focused on her neck — which is Syril, what he did to her earlier, the grappling. Then I jumped to where she goes to the wall and does that thing with her hand — there's fear in it, and then she stops it. She controls it. Then I hard cut to her straightening her jacket — imperial, composed. It's the beginning of her demise.' Lucasfilm Miles continued to tell the story of 'Who Are You?' even as the credits rolled. When the Ghorman anthem is first sung, it's like angels singing in the quiet before the storm. But in the aftermath, a lone voice remains. 'We were finishing the episode,' the editor recounted, 'and I had this solo recording from one of the assistants. She sang the anthem right there in the cutting room, on a USB mic. The most amazing voice. I thought, 'Why not put her voice over the credits [as temp music]?' A year later, I watched the episode on Disney+ and there it was. I'd forgotten I'd even left it in. Gave me goosebumps.' Best of GoldDerby Adam Brody, Seth Rogen, Jason Segel, and the best of our Emmy Comedy Actor interviews Kristen Bell, Tina Fey, Bridget Everett, and the best of our Emmy Comedy Actress interviews 'It was wonderful to be on that ride': Christian Slater talks his beloved roles, from cult classics ('Heathers,' 'True Romance') to TV hits ('Mr. Robot,' 'Dexter: Original Sin') Click here to read the full article.
