
Meghan, Duchess of Sussex suffers money guilt
Meghan, Duchess of Sussex suffers money guilt.
The 43-year-old has just launched her lifestyle brand As Ever and is continuing with her podcasting while living in a mansion in California with her husband Prince Harry, 40, valued at more than $14 million, and she has now said she feels conflicted about her financial success.
Revealing she has experienced guilt over wealth and struggled with a 'scarcity mindset' when it comes to money, she told Sara Blakely on the 'Confessions of a Female Founder' podcast: 'There's lots of guilt mentality surrounding having a lot. And at the same time, there's a scarcity mindset.
'It's easy to attach to (the idea) of, like, 'I'll never have enough.''
Meghan added: 'I'd love to have a healthier mindset about money.'
The former actress best known for her role in 'Suits', made the comments on Tuesday's (27.05.25) episode of her entrepreneur-focused podcast, which is part of her recent media and business resurgence.
Meghan and her husband Harry – who have children Prince Archie, aged six, and Princess Lilibet, three – are estimated to have a combined net worth of around $60 million, according to Forbes.
The London Times reported in September 2024 Harry and his older brother Prince William inherited nearly £12 million following the death of their grandmother, Queen Elizabeth.
A source told Page Six in 2023: 'They certainly don't like to spend their own money. It's always other people's money.'
Elsewhere in her podcast episode, Meghan spoke about her experience as a solo entrepreneur, describing it as both 'incredibly lonely' and 'liberating'.
She said her partnership with Netflix marked a turning point in her career.
'It was a U-turn moment,' she said of their involvement in her new lifestyle brand As Ever.
Meghan launched her first line of As Ever products in April, shortly after the debut of her Netflix show 'With Love, Meghan'.
Last month, she also launched a podcast under Lemonada Media, part of a wider expansion into branded content and wellness-related ventures.
Meghan's recent focus on media, entrepreneurship and lifestyle branding follows her and Harry's dramatic step back from royal duties that began in 2020, when she and the prince left their official roles within the royal family.
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The Age
12 hours ago
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Having already ticked off a romcom (Anyone But You), a horror flick (Immaculate), and a bad superhero movie (Madame Web), the coronated screen queen stars opposite Julianne Moore in the crime thriller Echo Valley (June 13). Written by Brad Ingelsby (Mare of Easttown) and directed by Michael Pearce (Beast), the feature begins with a tearful, bloodied Claire Garrett (Sweeney) arriving at the horse ranch of her estranged mother, Kate (Moore), claiming that she had to kill her abusive boyfriend in self-defence. When Kate covers up the crime, she becomes an accomplice even as Claire's actions on the night raise questions. May highlights: Should a security cyborg binge space soaps or protect its human clients? Sci-fi black comedy Murderbot had the answer, plus culinary thriller Careme brought Kitchen Confidential into the Napoleonic era. Netflix My top Netflix recommendation is The Survivors (June 6). Netflix has first-rate source material for its new Australian drama: a Jane Harper novel. 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The pair's attempts to understand where they're at, and engage with their emotionally shifty dad, form the basis of this limited series. Raiff turned heads with his last movie, Apple TV+'s idiosyncratic rom-com Cha Cha Real Smooth, so there's real promise here. Loading Also on Stan: There are currently many shows about London's fictional crime gangs, including Stan's Gangs of London, so thankfully the setting for this latest British organised crime drama moves north to Liverpool. This City is Ours (June 4) stars Sean Bean (Snowpiercer) as Ronnie Phelan, a drug dealer who has cornered the city's narcotics business and built an empire. Wealth and age have Ronnie thinking of retirement, but that soon creates chaos and instability when he leans towards his right-hand man, Michael Kavanagh (James Nelson-Joyce, A Thousand Blows), over his impatient son, Jamie (Jack McMullen, Hijack). The unofficial mediation process, as fans of this genre well know, is violent and vengeful. 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I wouldn't be completely surprised if the show recalibrated after the third season and leant more into its drama. Loading Also on Disney+: Having previously flooded Disney+ with spin-off superhero series, the Marvel Cinematic Universe has tapped the breaks these past two years. Quality over quantity has been the goal. The latest offering is Ironheart (June 25), a six-part comic-book drama about young scientist Riri Williams (Dominique Thorne), who was introduced in the 2022 blockbuster Black Panther: Wakanda Forever as the creator of her own Iron Man-like suits. Williams returns to her hometown of Chicago, where her belief in technology comes up against magic in a show that leans into community struggle and personal responsibility. May highlights: The accolades continued for Andor, the Star Wars show that matters, while Tucci in Italy was a truly delicious food and travel documentary. Max My top Max recommendation is Mountainhead (June 1). Succession hive assemble! The tech billionaires are far richer and far less regulated than everyone's favourite toxic media moguls in the new feature film from Succession creator Jesse Armstrong. The British satirist, whose inspired dialogue can cause whiplash, charts a weekend retreat for a quartet of digital titans – played by Steve Carell (The Four Seasons), Ramy Youssef (Ramy), Jason Schwartzman (Asteroid City), and Cory Michael Smith (May December) – just as new AI features on one of their platforms is stoking violence and economic panic around the world. A crisis? No, it's an opportunity. Armstrong, who also directs, dissects his delusional new subjects with one tech bro nightmare after another. Also on Max: Mariska Hargitay is one of television's most enduring stars. Since 1999, she's played Olivia Benson, the unyielding New York detective investigating sexual crimes on Law & Order: Special Victims Unit. The 61-year-old has always been open about the void in her own life – when Hargitay was just three her mother, Hollywood bombshell Jayne Mansfield, died in a car accident; Hargitay was asleep in the vehicle's back seat. My Mum Jayne (June 28) is a documentary about Hargitay's attempts to delve into her mother's personal and public legacy. Hargitay, who directs, calls it a, 'a labour of love and longing'. Amazon Prime Video My top Amazon Prime recommendation is We Were Liars (June 18). Shows about the young and privileged are timeless: wealth porn, aristocratic beauty, and unfulfilled privilege have powered everything from Gossip Girl to Elite. The latest variant is an adaptation, by Julie Plec (The Vampire Diaries), of E. Lockhart's 2014 best-selling young adult novel about a teenager, Cadence Eastman (Emily Alyn Lind, the Gossip Girl reboot), trying to fill in the trauma-induced gap in her memory connected to a summer she spent at her family's island compound with her cousins and best friends. Something bad obviously happened, but the truth gets twisted in a narrative that leans more towards psychological thriller than pouty melodrama. Loading Also on Amazon Prime: Adding to the conspiratorial thriller genre – think Condor, Deep State and Rabbit Hole – Countdown (June 25) is a law enforcement drama about an LAPD detective, Mark Meachum (Jensen Ackles), assigned to a task force responding to the murder of a government official. Once the investigators start to unwind the plot, the stakes are very much raised. Derek Haas, who kept procedural television afloat with both Chicago Fire and Chicago P.D., is responsible for a series that should add to Amazon Prime's Reacher -led stable of tough guy TV. May highlights: The Marvellous Mrs Maisel crew put their mark on the ballet world with Etoile, while a new season of Nicole Kidman's Nine Perfect Strangers continued to do heads in (including our critic). ABC iview My top iview recommendation is Bay of Fires (June 15). The first season of this Australian drama was the anti- SeaChange: at-risk finance CEO Stella (co-creator Marta Dusseldorp) and her children are given new identities and relocated to a small Tasmanian town, only to discover that it's full of suspicious criminals, a budding cult and other untrustworthy former government assets. If the debut season required Stella to fight for survival, with a tone that mixed heightened black comedy and thriller tension, the second instalment finds her trying to hold together the fractious coalition she built. It's a very different kind of local politics. This is a chance for the ABC to build a series that doesn't just endure, it evolves. May highlights: It was a month of hardy crime dramas that crisscrossed Britain – The One That Got Away was a gritty Welsh mystery, while Bergerac rebooted the Channel Islands detective, plus feel-good reality series The Piano hit all the right notes. SBS On Demand My top SBS On Demand recommendation is Families Like Ours (June 20). Much like the British drama Years and Years, which viewed that nation's fictional dystopian descent through the lens of an everyday Manchester clan, this Danish drama tackles the vastness of climate change through an ordinary family's struggle. A what-if set in the not-quite near-future, it's driven by the need to evacuate Denmark as rising sea levels will flood the nation. Certainty ends as the country's millions of citizens explore immigration options or forced relocation, facing separation and a loss of a lifestyle taken for granted. The co-writer and director is Thomas Vinterberg (The Celebration, Another Round), who has stressed that his focus is more personal than political. May highlights: A dedicated team of German police detectives made The Black Forest Murders a gripping investigation drama, while an iconic character got a new twist in the period adventure Sherlock & Daughter. Other streamers My top recommendation for the other streaming services is Binge's Mix Tape (June 12). A romantic second chance couched in the past's unquenchable promise and the siren's song of beloved teenage tunes, this Irish-Australian limited series tells a then-and-now story. In 1989, in Britain a connection is slowly forged between teenagers Alison (Florence Hunt) and Daniel (newcomer Rory Walton-Smith), only for them to be irrevocably separated. Cut to the current day and both have built lives of their own, only for Daniel (Jim Sturgess) to discover that Alison (Teresa Palmer) is living in Sydney. What they do next – with a soundtrack of vintage classics – is in the hands of writer Jo Spain (Harry Wild), who adapted Jane Sanderson's 2020 novel of the same name, and director Lucy Gaffy (Irreverent). Loading Also: The Agatha Christie mystery-industrial complex rolls onwards with the BBC's new three-part adaptation of a 1944 novel from the doyenne of detective fiction. Towards Zero (June 3) is very much classic Christie, albeit with an impressively credentialled cast, set at a 1930s British country estate where the imperious order maintained by Lady Tressilian (Anjelica Huston) is interrupted by visitors and then a murder. It falls to Inspector Leach (Matthew Rhys) to interview the assembled suspects and sift the clues.