logo
The Verdict Is In On 28 Years Later - Here's What Film Critics Say

The Verdict Is In On 28 Years Later - Here's What Film Critics Say

Graziadaily6 hours ago

With heatwaves continuing around the country all week, it's not exactly horror film weather, yet the highly anticipated sequel, 28 Years Later, lands in cinemas on 20 June. The follow up to Danny Boyle's last post-apocalyptic films, 28 Days Later and 28 Weeks Later, the third instalment promises to be every bit as terrifying.
The stellar cast features Jodie Comer, Ralph Fiennes, Edvin Ryding, Aaron Taylor-Johnson and Jack O'Connell. The film will be closely followed by 28 Years Later: The Bone Temple, which is out in January, and was shot back to back with the film out this month. The latter also stars Hollywood stalwart Cillian Murphy, famed for dedicating himself to his roles, who was rather unfortunately mistaken for the zombie on the film's poster.
There's certainly a lot of hype around the movie – and an assumption that, despite the blazing sun, fans of the first two will flock to a cold, dark cinema to watch it in their droves.
Is that something you should consider doing this weekend? And how do the critics think it fares against Boyle's first two horrors? Read below to find out.
According to the synopsis, the third instalment picks up three decades since the rage virus escaped from a biological weapons laboratory. Still living in a ruthlessly enforced quarantine, some have found ways to exist amid the infected. One such group lives on a small island connected to the mainland by a single, heavily defended causeway. When one of them decides to venture into the dark heart of the mainland, he soon discovers a mutation that has spread to not only the infected, but other survivors as well.
The review embargoes lifted 24 hours before the film hit cinemas and locked in an impressive 93% rating on Rotten Tomatoes. Most critics seem to agree that 28 Years Later is well worth the wait and the story has benefitted from the lengthy gap between instalments. It has also received 7.4/10 on iMDb.
One top critic summarised, 'A deeply earnest film, a picture whose sincerity is initially off putting until it's endearing.' Another wrote, ' 28 Years Later is a disorienting barrage of visuals and ideas that works more than it doesn't.' A third put, 'This one feels like a true and proper sequel that, like the original, goes in directions completely unexpected for the genre.'
Robbie Collin at The Telegraph has awarded the film five stars and described it as 'transfixingly nasty' and 'a terrifying vision of Britain turning in on itself'.
NME also gave the film five stars, with Jordan Bassett calling the film 'brilliantly bizarre' and says it 'turns the franchise on its (decapitated) head'.
The Guardian 's chief film critic Peter Bradshaw was less gushing, however. 'This tonally uncertain revival mixes folk horror and little-England satire as an island lad seeks help for his sick mum on the undead-infested mainland,' he wrote.
The same goes for Clarisse Loughrey at The Independent who also gave it three stars. Her headline captures her response: ' 28 Years Later feels like being repeatedly bonked on the head by the metaphor hammer.'
Meanwhile, Ben Travis at Empire offered four stars. ' 28 Years Later brims with thematic resonances, a canvas on which to illustrate a national identity-crisis,' he writes. 'There is a clear Brexit analogy in a country experiencing isolationism — the rage-ravaged Britain secluded from the world; its people secluded from their own land.'
Caryn James at the BBC described the film as a 'monster mash up' which is 'never dull', awarding four stars. 'Separated from the original in every way except its source story, for a long stretch the film lands as a more visually stunning, less emotionally rich variation on The Last of Us ,' the review reads.
And it's five stars from the Evening Standard , describing the film as a 'freakshow slaughter fest' and a 'monstrous delight'. Nick Howells writes, 'They've stuffed this film full to the brim. There are even themes of toxic masculinity and assisted dying for those looking for zeitgeisty triggers.'
With relatively mixed but overall positive reviews, an incredible cast and a lot of hype, it definitely sounds like 28 Years Later is worth your time. If you still need convincing, watch the trailer below.
Nikki Peach is a writer at Grazia UK, working across entertainment, TV and news. She has also written for the i, i-D and the New Statesman Media Group and covers all things pop culture for Grazia (treating high and lowbrow with equal respect).

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

28 Years Later film review: This strangely beautiful film is electrifying and fizzing with adrenaline
28 Years Later film review: This strangely beautiful film is electrifying and fizzing with adrenaline

The Sun

time29 minutes ago

  • The Sun

28 Years Later film review: This strangely beautiful film is electrifying and fizzing with adrenaline

28 YEARS LATER ★★★★★ 3 IT seems to be the season of the sequel, with a whopping 19 follow-ons being released this year. So it was with some trepidation that I watched another instalment from Danny Boyle's 2002 cult classic, 28 Days Later. My concerns quickly disappeared when this astonishing film started. Having dipped out of directing 2007's 28 Weeks Later, Boyle is back with writer Alex Garland to make a terrifying — and strangely beautiful — film. We meet the family of Jamie (Aaron Taylor-Johnson), his wife Isla (Jodie Comer) and their son Spike (Alfie Williams) in their threadbare house on an island off the coast of North-east England. It's 28 years since the deadly virus escaped a weapons lab, and while much of the rest of the world has carried on, Britain is in quarantine. That means if you're on it, you are never getting off. Zombie hunter Pockets of communities around the country have tried to survive, including this one. The island feels very The Wicker Man — an eerie hierarchy has been created and beliefs have a cult-like following. The men and women have traditional roles. One of those is the men go to the mainland, crossing the defended causeway, to hunt zombies. Jamie has been training 12-year-old Spike to become a zombie hunter and the pair leave the island with their bows and arrows to take some hits on the bloodthirsty undead. Meanwhile, Isla is bed bound, fighting another illness that's quickly making her lose her grip on reality. It makes for a fascinating juxtaposition between the family members, and Comer, as always, is spectacular. Jodie Comer looks striking in a metallic silver dress as she leads stars at 28 Years Later Boyle cuts back and forth to black-and-white war footage of young boys being trained, reminding us that Britain has a long history of sending our youth off to fight. It's only the enemy that changes. During his heart-racing expedition, Spike realises all is not as sold by his dad. There are other things happening on the mainland — and the infected are their own civilization now. The thumping soundtrack by Young Fathers is electrifying and fizzing with adrenaline. Very much like this film. Closing on a cliffhanger, and with two more films to come, it's good to know they're coming back for another bite. THE. LAST JOURNEY PG (95mins) ★★★☆☆ 3 THIS warm, funny and often deeply moving documentary charts Swedish TV presenter Filip Hammar's attempt to bring his 80-year-old father Lars back to life – figuratively, at least. Since retiring from his job as a French teacher, Lars has become increasingly withdrawn and frail. So, Filip decides to buy a battered old Renault 4, and whisks his dad off on a nostalgic road trip to the south of France, hoping to reignite a spark. They're joined by Filip's longtime TV partner Fredrik Wikingsson, and the pair's banter keeps the film fun, even as emotional undercurrents start to appear. The journey is nearly derailed early on by a nasty fall, and though Lars is slow to warm up, glimpses of his old self soon begin to reappear, particularly when surrounded by the culture and language he has loved for so many years. At times, the film veers close to manipulation. But what shines through is Filip's deep affection for his father, and a quietly powerful message about ageing, legacy and the bonds between parent and child. It's a bit uneven, but The Last Journey has heart to spare – and plenty of charm. ★★★☆☆ 3 SPACE and sentimentality are the linchpins of Disney and Pixar's latest animated adventure which encourages you to dream big. Sci-fi obsessed Elio Solis (voiced by Yonas Kibreab) is a cape-wearing cosmic obsessive adopted by his Aunt Olga after his parents pass away. When extraterrestrials make contact, Elio doesn't hesitate to respond, and before you can say 'Martian' he's beamed up to a kind of cosmic UN Committee from various galaxies, including Aunt Olga (Zoe Saldana). They believe he's the leader back on Earth and Elio doesn't correct them. He's soon tasked with negotiating an alien peace treaty with baddie Lord Grigon (Brad Garrett), but this quickly turns into a journey of self-discovery as, along with new wiggly best friend Glordon (a cutesy Remy Edgerly), our hero realises what really matters to him. Reminding us that there's no place like home, there's many Wizard Of Oz homages here, as we transport through solar systems and scary villains. Intergalactic, nourishing, family fun. There's a cameo from JLS singer Aston Merrygold too.

Incredible films that were shot on an iPhone including star-studded 28 Years Lat
Incredible films that were shot on an iPhone including star-studded 28 Years Lat

Metro

timean hour ago

  • Metro

Incredible films that were shot on an iPhone including star-studded 28 Years Lat

While there is endless filmmaking equipment out there costing from hundreds to £80,000 (and more), you would have thought the most anticipated horror film of 2025 might be using gear at the higher end of the scale… Right? Wrong. If you're saving up for the best camera in the business to film your next project, you may just be wasting your time. Why not just use your iPhone? Everyone else is, including Danny Boyle's 28 Years Later, which Metro has given 5 big fat emotional stars in our review. It's not the first time this has happened, either. Here are all the films you might not know were filmed primarily using an iPhone. One even made it to the Oscars. Hitting cinemas on Friday and starring Jodie Comer and Aaron Taylor-Johnson, the hotly-anticipated sequel to 28 Days Later used an adapted iPhone 15 for the job, making the Hollywood thriller – with its $75million budget – the biggest film to be shot with a phone to date. In 2002, 28 Days Later was one of the first Hollywood feature films to be shot with a Canon XL-1 for an intentionally low-fi look. This new flick – which kicks off a new trilogy for the franchise – took inspiration from its original. Boyle recently explained why he used an adapted iPhone 15 for the job during the London premiere of the film. To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video The director told The Independent: 'We decided to shoot it on the upgrade of a domestic video camera. That's smartphones, they're everywhere. They are lightweight in the countryside. You can create special rigs with them, filming the violence. But also you can give it to the actors and they can film themselves sometimes. 'Horror movies let you refresh the palate – you don't have to go classical.' He also added to Business Insider: 'Any smartphone now can record at 4K, indeed up to 60 frames per second, which is more than enough resolution you need for cinema exhibition.' Boyle went on to reveal how they utilised farm animals to help, explaining: 'We did strap a camera to some animals a couple of times — yeah, a goat.' Nice. Stormzy's new film Big Man was fortunate enough to get their hands on an iPhone 16 Pro for filming… Eat your hear out Danny Boyle. Slow-motion scenes were captured in 4K 120 fps, while cinematic mode was also used to blur backgrounds. Apple's short film tells the story of Tenzman, a fed up musician played by Stormzy whose life is changed by two youngsters when they embark on a journey together. 'I've never shot an entire piece of narrative filmmaking on an iPhone before, and it's been a really invigorating process,' director Aneil Karia said. 'iPhone is much smaller than the traditional cameras used for television, film, or music videos, and the lightness and flexibility that comes with that is boundless in a sense. 'I like trying to strive for an intimacy with characters, and sometimes a big camera is not particularly conducive for that.' Psychological thriller Unsane, starring Claire Foy and Joshua Leonard, was filmed entirely on an iPhone 7 Plus. Unsane follows a stalking victim called Sawyer Valentini (Foy) who is trapped in a mental institution against her will. The 2018 film became one of the most high-profile uses of iPhone filming (until 28 Years Later) as its prominent director Steven Soderbergh championed the method through it. 'I think this is the future,' he told Indiewire. 'Anyone going to see this movie without any idea of the backstory to the production will have no idea this was shot on the phone.' Soderbergh's second iPhone-only film came hot off the heels of Unsane in the form of NBA drama High Flying Bird. This time though, an iPhone 8 was used. Fancy! In it Andre Holland stars as sports agent Ray Burke who tries to accelerate a rookie player's career in an unusual way. While it seems unlikely an iPhone would be able to capture the subtle details that make up a tense, dramatic sports film, it's largely focused on the chatter around the gamerather than the game itself. 'It was shot in February and March of 2018, in three weeks. It's a very small crew and the gear that's available to enhance this already pretty extraordinary capture-device made it even better,' Soderbergh told The Hollywood Reporter. 'So, if I had to do it in a more traditional way, it would have actually hurt the film. I was able to do things because of the ease of shooting something. 'You can basically shoot anything you can think of, you can put the lens anywhere you want. If I were in a more traditional mode, there were things that I wouldn't have been able to execute as well as I'd wanted, because of the size of the equipment and people necessary to move it around.' Tangerine, a 2015 film by Sean Baker – who swept the board at the Oscars this year with Anora – was shot entirely on an iPhone 5s using the FiLMIC Pro App, which gives further focus, aperture and colour temperature control. The independent film, which was met with critical praise and was Sundance Film Festival's breakout movie, was shot using an iPhone to keep costs low. 'It was surprisingly easy,' Baker told The Verge. 'We never lost any footage.' Alongside the help of the $8 app, Baker used a Steadicam to stabilise the footage. 'These phones, because they're so light, and they're so small, a human hand – no matter how stable you are – it will shake. And it won't look good,' he explained. They also used an adapter lens that was attached to the iPhone, which was 'essential' to make it cinematic. 'To tell you the truth, I wouldn't have even made the movie without it,' he said. 'It truly elevated it to a cinematic level.' 2012's Oscar-winning film Searching for Sugar Man follows two fans of a South African icon – believed to be dead – as they set out to learn his true fate. More Trending While Swedish filmmaker Malik Bendjelloul didn't set out for the film to make this list, he ran out of money so was forced to use an iPhone for the final shots. 'I started shooting this film with a Super 8 camera, which is pretty expensive stuff. I completely ran out of money. I had just a very few shots left, but I needed those shots,' he told CNN in an interview. 'I realised that there was this app on my iPhone and I tried it and it looked basically the same.' The iPhone App in question was called 8mm Vintage Camera, which did a decent job at imitating a real 8mm camera. Good to know. Got a story? If you've got a celebrity story, video or pictures get in touch with the entertainment team by emailing us celebtips@ calling 020 3615 2145 or by visiting our Submit Stuff page – we'd love to hear from you. MORE: 'Mind-bending' horror film available to stream for free as sequel wows critics MORE: Aaron Taylor-Johnson, 35, and director wife Sam, 58, look loved up at 28 Years Later premiere MORE: Jodie Comer talks through her character's agonising journey in unseen 28 Years Later clip

Sam Locke did audition for Danny Boyle's 28 Years Later with nan
Sam Locke did audition for Danny Boyle's 28 Years Later with nan

BBC News

time3 hours ago

  • BBC News

Sam Locke did audition for Danny Boyle's 28 Years Later with nan

A 24-year-old Welsh actor says he recorded a self tape with his nan to land a role in a highly-anticipated post-apocalyptic horror Danny Boyle's new film 28 Years Later - the third in the series that began with 28 Days Later back in 2002 - was released in UK cinemas on new chapter of the story, starring Jodie Comer, Aaron Taylor-Johnson and Ralph Fiennes, features 24-year-old Sam Locke from Merthyr Tydfil, making his feature film Locke said his casting journey for the project had humble beginnings in Wales. He said he was visiting his grandmother, Wendy, when the call came in for the self-tape."We had a good time filming that, she read in for the roles," he told Behnaz Akhgar on BBC Radio added he was back with his nan, "in the same living room", when he got the good news that he had secured the job, nearly three months later."I was sat with my grandfather and he was telling me 'if you don't get the role, don't be disheartened' and literally about 10 minutes after my agent rang with the confirmation," he said."There was a lot of excitement."He said he would be watching the film on release day with his mother and some family friends, but would be sure to take his grandparents for a trip to the cinema said he was proud of everything he had achieved, but equally of his Merthyr roots."I pinch myself every day." 28 Years Later picks the story up as survivors find a way to exist among the infected after the Rage virus escaped a medical research is set on Holy Island, or Lindisfarne, a real-life island off the coast of north-east England."That's where the survivors of our story live and then it takes us onto the mainland many times, and you see what's lying over there," said warned this film, like those that came before it in the trilogy, was "very gory", adding he did not want to give too much away, but could reveal he plays a "minimal" role in this film - but one which helps set the plot up "for films going forward"."We're very energetic, we're very physical, and it's a conversation starter," he said."Luckily I'm quite active anyway," added the keen skateboarder and Liverpool FC fan."But we had a week of stunt training and that pretty much trained our endurance."It helped us gel together, my immediate cast. We needed that week, and you'll see why." He said he loved working with "film-making royalty" Danny Boyle, adding: "It's bucket list, for almost any actor, so when I found out I got it I did more research on him and was excited to work with him."But being on set, he said, was "a different kettle of fish"."He's got authority, but he's calm with it. He makes you feel comfortable," he said the premier in London on Wednesday, which was the first viewing of the finished film for him and some of the other supporting cast members, was "brilliant"."We were all blown away," he previously starred in the BBC series The Way - directed by Michael Sheen - while he was still a student."To be part of that, with so much Welsh talent… Michael Sheen's passion towards the project rubbed off on everyone involved."

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store