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On Failing: Where the quiet complexities of failure take centre stage
Through an eclectic collection of essays spanning subjects from suicide to physiology, On Failing creates space for failure to exist-without forcing life lessons down anyone's throat
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Akankshya Abismruta
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ON FAILING
Editor: Amit Chaudhuri
Publisher: Westland
Pages: 124
Price: ₹399
Literary Activism is a project that began in 2014 with a series of annual symposia. The project aims to create a space for creative and critical discussions and intervention beyond commercial publishing, literary festivals and traditional academia. It brings together numerous national and international poets, novelists, translators, artists, journalists, scholars, filmmakers and publishers. On Failing, edited by Amit Chaudhuri, is a collection of eight essays and one short story presented at the fifth symposium in February 2020.
On Failing, as is evident from its title, explores the concept of failure and the

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Mint
25-05-2025
- Mint
This new book asks what if there were no silver lining to failure?
On 23 February 1821, a young English doctor suffering from tuberculosis breathed his last on a tiny bed in a house near the Spanish Steps in Rome. In the last six years of his brief life, this 25-year-old man, who looked more like a wispy boy, had begun to write poetry. He had even published four volumes of his work, but none had sold much or got favourable reviews. His dying wish to his friends was to have the epitaph, 'Here lies One Whose Name was Writ in Water," engraved on his gravestone. It was duly honoured. Also read: Looking back at the intertwined legacies of Tagore and Ray To most of his contemporaries, John Keats was just another unknown poet, destined for obscurity. No one could have guessed the love and adulation he would be receiving more than 200 years after his death. Similar fates have befallen many creative spirits before and after Keats, the Bengali poet Jibanananda Das (1899-1954) being a classic example, who died, allegedly, in a road accident, mostly unsung and, worse, in penury. Some 70 years later, he is revered as one of the greatest Bengali poets since Rabindranath Tagore, while his works are translated widely into other languages. So were Keats and Das failures in their lifetimes? With the benefit of hindsight, it's hard to admit that they were but, from the perspective of the 21st-century free market, neither of them, indeed, didn't amount to much by the time they breathed their last. To borrow from writer Amit Chaudhuri's essay The Intimacy of Failing, included in the recent volume On Failing edited by him, 'In capitalism, only success has existence; there are no alternative, negative modes of existence." From our earliest years, we are primed to think of failure as a stepping stone to success. A gazillion corporate gurus and startup bros on social media will tell you why you must fail and fail fast to achieve the nirvana of success. But what if failure doesn't necessarily have any redeeming silver lining, at least not always? Why is it so hard for us to accept failure as an absolute reality, with no promise of recovery sweetening the deal? Some of these questions surface in the handful of essays that feature in On Failing. This slim volume reproduces a series of talks delivered by writers, critics, poets and philosophers at a conference held in the Literary Activism series at Ashoka University, Sonipat, in 2020. Some of the submissions are darkly confessional, where the academic distance between the idea of failure and its intensely human experience is breached with impunity. The opening piece by Clancy Martin, titled Suicide as a Sort of Failure, is a masterclass in writing personal essay. Grimly comic, self-lacerating, yet peculiarly shorn of any self-pity, it is an analysis of suicide as the ultimate act of failure. Martin's first-person account gets to the heart of the matter: the double burden of being a failed suicide, a failure to successfully fail at living. It is a bravado performance, where writers David Foster Wallace and Édouard Levé make virtuoso appearances, a class act that sets the tone for the volume. Also read: Book review: 'Heart Lamp' asks in whom women can really put their faith Bengali poet Ranajit Das's acerbic reflections on his own 'failure" meander through the life and times of Jibanananda Das (no relation of his), but the best piece in the collection, coming right after, is American writer Lydia Davis's Learning to Sing. The second person narrator of the story (or is it a piece of memoir?) is a middle-aged woman, who has decided to learn to sing formally in the autumn of her life. She is well conversant with the grammar of music, reads the score in front of her effortlessly, but her voice keeps betraying her, stopping short of hitting the right note or sounding croaky to her own ears. She isn't planning to be a star performer at this stage in her life, but she is driven by an inner resolve to achieve a certain level of excellence. It's a tense yet tender story of an individual's deeply private struggle to attain a certain benchmark that isn't set by society. Rather, she seeks validation from her inner critic, not even from the teacher who helps her blossom. Only a writer as masterful as Davis could unspool the public images of failure and success so subtly yet surely, nudging the reader to look within and question their own assumptions. The two other pieces that make as strong an impression on the reader are poet Tiffany Atkinson's reflections on her failed IVF treatment and filmmaker Anurag Kashyap's raw and candid dissection of his career. In the former, a slip of tongue by an acquaintance at a party—'One door closes, another door shuts"— seems to encapsulate Atkinson's difficulty with her disobedient body, failing to act according to medical protocol and make her pregnant. In the latter, the reader gets a ringside view of the series of failures—from No Smoking to Bombay Velvet—that Kashyap had to wade his way through to get to where he is today. The most fascinating part of his soliloquy—for it reads like one, with its dramatic interjections—is the unpredictability of his moves, a refusal to follow the script of success, even when it lies bare before him after films like Gangs of Wasseypur and The Lunchbox. For some of us, failure isn't necessarily always a tragedy. It is often a way of life. It's not a dirty word we shun, but a choice to avoid the ready and the easy way. We would much rather be misanthropes who dabble in failure, than be crowd-pleasers who only know how to cosy up to success. Also read: 'The Last Knot': A novel rooted in Kashmir's past, present and future
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Business Standard
16-05-2025
- Business Standard
The Great Epinal Escape: Bowman's book is a long-overdue tale worth telling
The Great Epinal Escape: Indian Prisoners of War in German Hands Author: Publisher: Westland Pages: 272 Price: ₹699 In World War II lore, The Wooden Horse and The Great Escape get star billing as heroic stories of Allied prisoners of war escaping German captivity from the Stalag Luft III in occupied Poland. Both accounts appeared as books that were made into popular movies. The heavily fictionalised version of The Great Escape went on to become a blockbuster with its stellar cast of Steve McQueen, Charles Bronson, and Richard Attenborough. The Great Epinal Escape may not have the ingredients of a Hollywood (or Bollywood) hit, but as a story it is long overdue in the telling. The Great Epinal Escape involved much larger numbers. In The Wooden Horse, three British officers escaped (successfully) after building an escape tunnel under a vaulting horse in the prison camp gym. In The Great Escape, 50 officers made it out through a maze of tunnels, only to be caught and executed in cold blood. In The Great Epinal Escape, over 500 POWs of all ranks escaped from a German prison camp in occupied France and made it to neutral Switzerland. Yet this episode remained unknown in war histories because, as the author Ghee Bowman points out, '…the escapers' faces were brown, not white, and as many were not officers, their experience has languished in the pool of the unremembered for years.' Bowman is a rare British historian who has chosen to focus on the Indian army in World War II, a contingent gaining grudging recognition in the multiple histories of the 1939-1945 conflict. Over 2.5 million soldiers of undivided India fought under the British flag in a global conflagration that scholarship increasingly presents as a European imperialist war. Since most were enlisted men rather than officers — the Indian army began the 'Indianisation' of officer ranks after World War I but the process had a way to go at the outbreak of World War II —accounts from colonial sources are sparse. Bowman sought to bridge this information deficit in 2020 with The Indian Contingent: The Forgotten Muslim Soldiers of the Battle of Dunkirk. The Great Epinal Escape goes beyond the narrow story of this extraordinary 1944 breakout to present a wider history of the roughly 15,000 Indian Army POWS in German hands. Bowman reminds us of the innately multicultural nature of the Indian Army. 'They were Sikhs, Muslims, Hindus, Indian Christians, and Gurkhas from right across South Asia….They had been taken prisoner in North Africa, France, Italy, Greece and Ethiopia, and on the high seas. They endured up to five long years behind barbed wire, making music, learning languages, grumbling about the food, and praying to god.' Among the more celebrated POWs (though he was not at Epinal) was P P Kumaramangalam, later chief of the army staff in independent India. Combining prodigious research, archival and physical, Bowman tells the story of subaltern soldiers and the minutiae of camp life in alien lands against the larger picture of the shifting fortunes of battle and of popular racist theories that roiled Europe (not just Germany). Bowman paints a picture of soldiers who were also awakening to the freedom struggle. Like many Indians back home, they too had their allegiances to Jinnah, Gandhi, Nehru, and often with mixed feelings, Subhas Chandra Bose. Not all the Indian POWs were soldiers. The earliest prisoners were lascars of the merchant marine, sailors earning one-sixth of their European counterparts but who were the 'lifeblood of the empire'. The first Indian soldiers to be imprisoned were from the animal transport company of the Royal Indian Army Service Corp, and became the longest-serving Indian POWs. Of camp life and their struggles, Bowman shows the different religions appeared to coexist peacefully if separately. Unlike their brutal treatment of POWs of French colonial soldiers from Africa — of which little has been written — and Russians, who were seen as Untermenschen or subhumans, the Germans equated Indians with Aryans and, therefore, equivalent to Nordic Germans, so their treatment was relatively less cruel. The town of Epinal (pronounced ippinal), in north-west France, had been occupied by the Germans since 1940. Two of its military barracks became Frontstalag 315 with Indians occupying four large buildings, overseen by a kindly, elderly officer, Oberst (Colonel) Luhren affectionately known as Papa-di-Epinal. He treated his charges, who behaved like 'spoilt or badly brought-up children,' with patient forbearance. When the Indians arrived in January 1944, the Germans were already on the back foot; Hitler's invasion of Russia had stalled, the Allies had prevailed in North Africa, the bombing campaign over European skies was sapping Wehrmacht morale, and the French Resistance was gaining traction. The opportunity to escape en masse came not from The Great Escape-type derring-do but from an Allied bombing attack on May 11, 1944, that almost levelled the camp and enabled POWs to take their chance in the ensuing melee. Crossing the barbed wire individually or in groups was only the start; POWs had to navigate the enormous challenges of making it to the Swiss border, a little over 100 km away, through miles of uncharted terrain, thick wooded valleys, in snow and freezing temperatures alien to men of the north Indian plains, dodging German patrols, some equipped with sniffer dogs. If most of the POWs made it successfully to 'their promised land' of Switzerland, much of the credit goes to the French Resistance providing food, shelter, and medical aid to escaping POWs and risking their lives to act as scouts and guides along the escape routes against many odds. This is a story of understated heroism that rarely attracts headlines in war. Several Resistants were discovered and executed by the Germans. Apart from interviews and a recce of the Epinal-Swiss border terrain, this part of the story draws on a remarkable secret diary kept by Jules Perret, a 59-year-old blacksmith and farrier. A key member of the Resistance, Perret and his family played a seminal role in rescuing Indian POWs. Other ordinary folk like him — housewives, pastors, schoolchildren — did their bit. For them, the POWs' brown skin counted for less than the fact that they had played their part in liberating Europe from the Nazis.
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Business Standard
08-05-2025
- Business Standard
On Failing: Where the quiet complexities of failure take centre stage
Through an eclectic collection of essays spanning subjects from suicide to physiology, On Failing creates space for failure to exist-without forcing life lessons down anyone's throat Premium Akankshya Abismruta Listen to This Article ON FAILING Editor: Amit Chaudhuri Publisher: Westland Pages: 124 Price: ₹399 Literary Activism is a project that began in 2014 with a series of annual symposia. The project aims to create a space for creative and critical discussions and intervention beyond commercial publishing, literary festivals and traditional academia. It brings together numerous national and international poets, novelists, translators, artists, journalists, scholars, filmmakers and publishers. On Failing, edited by Amit Chaudhuri, is a collection of eight essays and one short story presented at the fifth symposium in February 2020. On Failing, as is evident from its title, explores the concept of failure and the