Styled Archives: Nancy Ajram's Most Iconic Music Video Looks
A nostalgic journey through the Queen of Arabic Pop's boldest on-screen fashion.
Jun 12, 2025
With a career spanning over two decades and a music video catalog that shaped a generation's idea of pop stardom, Nancy Ajram is more than a singer; she's a style icon. Whether she's serving 2000s sass or fairy-tale fantasy, her music video fashion is etched into the Arab world's collective memory.
Nancy Ajram's music video fashion was never just about clothes. Each look defined a moment, told a story, and pushed the envelope of what Arab pop stars could wear, and say, on screen. Whether it was full glam, playful fantasy, or pure attitude, her style always spoke volumes.
Here, we revisit some of her most unforgettable looks over the years…
Ma Tegi Hena (2014)
In one of her most talked-about videos, Nancy emerges in a tight red bodycon dress that became instantly iconic. Paired with gold statement jewellery, glowing skin, and a perfectly sculpted red lip, the look oozed sass and bold feminine energy. It was modern-day siren meets old-school cabaret, an outfit that spoke louder than the lyrics, matched only by her unapologetic confidence.
culpted red lip, the look oozed sass and bold feminine energy. It was modern-day siren meets old-school cabaret, an outfit that spoke louder than the lyrics, matched only by her unapologetic confidence. Sheikh El Shabab (2010)
A true lesson in duality, this video sees Nancy oscillating between playful and boho-chic. First, there's the unforgettable leopard print jeggings, layered with a casual red tank for that 'girl next door with an edge' aesthetic. Then, we're transported to a whimsical garden scene where she floats in an orange flowy skirt, cropped vest, and bohemian accessories, giving off strong fairy-in-the-meadow energy.
Mashy Haddy (2008)
Nancy channels cartoon pop realness in a bright yellow structured dress that wouldn't look out of place in a modern animation. A cute bandana and retro heels add a layer of playful absurdity. It's kitschy, it's weirdly wearable, and it reminds us that she never took herself too seriously.
Ya Salaam (2009)
Serving Great Gatsby glam with a 2000s twist, Nancy dons a sparkling 1920s-inspired dress - think delicate beading, sheer paneling, and the ultimate cherry on top, a bubblegum pink wig. The look was theatrical and unexpected, but it worked. The exaggerated femininity mixed with the jazz-era silhouette made it feel both vintage and delightfully offbeat.
Akhasmak Ah (2003)
Possibly the most iconic look in her videography. Nancy appears in a black strapless bodycon dress, paired with gold statement jewellery and sharp black stilettos. The outfit became a cultural moment, and marked the beginning of her reign as Arabic pop's most visually daring figure.
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
CairoScene
3 hours ago
- CairoScene
Backstage: ZIAD ZAZA at Nawafiz Festival
The Egyptian rap star reflects on turning 25 and connecting with the crowd after his Netherlands debut at Nawafiz Festival. Jun 13, 2025 Just after his debut performance in the Netherlands at this year's Nawafiz Festival in Utrecht, co-curated by SceneNoise, Egyptian rapper ZIAD ZAZA took a moment to step back and reflect. The night wasn't just a milestone in his career. It felt like something deeper—a moment of shared presence with a crowd that felt strangely familiar. For ZAZA, it's never been about performing 'at' people. The energy he draws comes from a sense of closeness, even in places he's never been. Whether it's faces he recognizes from past shows or new ones that seem instantly in sync, it's the connection that stays with him. That sense of community felt especially strong at Nawafiz. In a city far from home, the festival created a space where Arabic music didn't feel like an export or a novelty. It felt local and rooted. For members of the diaspora who rarely get to experience this music live, it was a long-awaited moment. The show also happened to land right around his 25th birthday—a milestone that brought with it a wave of mixed emotions. Backstage there was celebration, cake, and chaos, but underneath it all was a quiet awareness of time passing. Turning 25 made him reflect on where he stands and where he's headed. He spoke candidly about the fear of time slipping away, of growing older in a world that moves fast. In the face of that, he's focused on making it count. For him, making music isn't just about success or recognition. It's about surviving, finding joy, honoring his faith, and giving his craft the attention it deserves. Watch the full video here:
CairoScene
3 hours ago
- CairoScene
This Content Creator Brings Classical Arabic Poetry to the Digital Age
This Content Creator Brings Classical Arabic Poetry to the Digital Age At the intersection of heritage and the algorithm, one creator is proving that classical Arabic poetry truly is timeless. Between the soft clink of rings and the mundane rhythm of daily errands, content creator Hala is reviving classical Arabic poetry over social media. Her videos, set to the backdrop of car rides and gentle routines, unspool the linguistic richness of Qabbani and Al-Mutanabbi with a modern cadence, reframing classical verse for a generation raised on scrolls and swipes. As the eldest daughter in an Arab household in the US, Hala's first encounters with classical Arabic weren't through textbooks, but through the melismatic qasidas of singers like Nagat Al Saghira. 'My dad would play them on roadtrips,' Hala tells CairoScene. 'The songs are all super long, the shortest is probably 40 minutes. I was so curious: 'What are they saying?' 'What does it mean?' I would watch him being moved by the music, and I would think: 'She's been singing for forty minutes, how are you still enjoying this?''That curiosity continued to be cultivated by her father, whose quizzes on the meaning and lectures on the pronunciation of classical Arabic fostered a love for classic Arab music, and the verses that came before. Tracing this isnad of classical Arabic, from Pre-Islamic to Nizar Qabbani to Nagat Al Saghira's music, Hala found a new type of entertainment, one that felt rewarding as well-rooted. 'I would recite to my computer and film the poems,' Hala recalls. 'But I never thought I was reciting them correctly, nor that anyone would care.' Then, in August 2024, she posted a casual video - putting on rings, reciting a verse - and it went viral. The clip resonated with a diasporic audience estranged from the linguistic depth and nuance of their language. Go to the comments on any video and you'll find the same thing: 'I'm fluent in Arabic but not in this type of Arabic.' Through these videos, Hala taps into a collective gap in knowledge, offering her audience a piece of heritage that never seemed accessible. 'Poetry is such a deep, intricate form of language,' Hala explains. 'Especially Arabic. Arabic contains such a multitude of words and synonyms for so many things. For people who grew up in the West, they don't understand all the meanings, they didn't grow up around the metaphors and structures exhibited in classical poetry.' Her TikTok playlist, Fikra w Khatira, feels less like a short-form content series and more like a digital majlis. A modern-day salon where the esoteric complexity of Al-Mutanabbi is softened by bilingual subtitles, and the uvular crack of a qaf feels instinctual over the backdrop of a GRWM. In this unlikely setting, Hala has carved out an archive and a classroom where poetry is no longer distant or impenetrable. Asked whether she approves of the moniker 'The Poetry Girl', she laughs: 'What else do I want to get famous for? The Get Ready With Me Girl?! I like being 'The Poetry Girl',' Hala asserts. 'I have tried different ways of storytelling, but poetry touches my heart in a particular way, and it resonates with others too.' Hala's page isn't just a balm for the Arab diaspora; it stands as an advocate for poetic expression. A reminder that poetry, especially in Arabic, is an inimitable means of emotional translation, articulation, and healing. 'I speak three languages,' Hala says. 'None of them describe the process of emotions that a human goes through in the way Arabic does. There are twelve stages of love, twelve ways to describe love: from yearning to delight.' What Hala offers, ultimately, is connection. The same way her father once shared music and meaning on road trips, she now shares verse with strangers. And in her hands - and voice - Arabic poetry, once perceived as lofty and opaque, finds a new intimacy. Whether she is reciting Al-Mutanabbi from the driver's seat, or translating taboo poems by Qabbani in a GRWM, her content doesn't dilute the material, it democratises it.
Egypt Today
8 hours ago
- Egypt Today
Ahmed W Ahmed Hits Cinemas on July 2
The wait is over! Stars Ahmed El Sakka and Ahmed Fahmy team up in the thrilling new film Ahmed W Ahmed, hitting cinemas across Egypt and the Arab world on July 2. Ahmed El Sakka and Ahmed Fahmy share the spotlight on the big screen for the first time—after several cameo collaborations in past projects. El Sakka just dropped a bold new poster, writing: 'Get ready for Ahmed w Ahmed, starring Ahmed and Ahmed, in theaters July 2. Let's do this!' The plot follows Fahmy's character, who returns to Egypt after years abroad—only to have his plans shattered when his uncle, played by El Sakka, suffers amnesia after a mysterious accident. As the truth unravels, a shocking secret is revealed: his uncle is the head of a dangerous criminal empire. Directed by Ahmed Nader Galal and written by Ahmed Dorwish and Mohamed Abdallah Sami, this film promises suspense, action, and a dynamic duo like never before.
