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Queen Camilla wears poppy-themed gloves at Tower of London art installation for 80th anniversary of VE Day

Queen Camilla wears poppy-themed gloves at Tower of London art installation for 80th anniversary of VE Day

The Sun06-05-2025

THE Queen proved a good fit for a striking 80th anniversary commemoration of VE Day by donning a pair of striking poppy-themes gloves.
Camilla placed the final flower at a new display of nearly 30,000 ceramic poppies at Tower of London.
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The installation, called The Tower Remembers, represents a 'wound' across the inner walls of the fortress, symbolising the enduring sacrifices made during the conflict to mark 80 years since the end of the conflict.
Wearing black leather gloves embellished with poppies she said: "It was so cold this morning I thought it would be the perfect time to wear them."
Poet Laureate Simon Armitage read out a specially commissioned VE 80 poem called 'In Retrospect'.
She was taken on a tour by Yeoman Warder Tracey Machin, along with her son Harrison, five, and D-Day veterans Henry Rice, 99, a former Royal Navy signalman and Richard Aldred, a tank driver in the Inniskilling Dragoon Guards.
Richard handed the Queen a ceramic poppy, while Henry presented one to Harrison and they paused while before planting each of the flowers into the ground to complete the installation.
Speaking afterwards Henry Rice said: "Last year I went to Normandy and had the pride and pleasure of meeting His majesty and Her Majesty. I said to her quietly, 'We met last year', she said, 'Yes, I know' and that that is fabulous.
"I mean, why should she remember me?"
He said of the installation: "Each one of those poppies represents a man that gave his life to allow me, my family, this country, in fact, to live in peace and comfort."
The new display, which is open to the public from today until 11 November, uses poppies created for the 2014 installation Blood Swept Lands and Seas of Red, which saw the Tower encircled by a sea of more than 880,000 ceramic flowers.

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Naga Munchetty ‘had talks with Sky News' but her ‘tough & difficult reputation' scuppered bid to escape ‘toxic' BBC
Naga Munchetty ‘had talks with Sky News' but her ‘tough & difficult reputation' scuppered bid to escape ‘toxic' BBC

The Sun

time35 minutes ago

  • The Sun

Naga Munchetty ‘had talks with Sky News' but her ‘tough & difficult reputation' scuppered bid to escape ‘toxic' BBC

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Adeel Akhtar: ‘It seemed late in the day to start noticing Asian actors … we've been here a really long time'
Adeel Akhtar: ‘It seemed late in the day to start noticing Asian actors … we've been here a really long time'

The Guardian

timean hour ago

  • The Guardian

Adeel Akhtar: ‘It seemed late in the day to start noticing Asian actors … we've been here a really long time'

A decade ago, it would have been rare to have an Asian actor playing the British prime minister or leader of the opposition. But in the space of a couple of years, Adeel Akhtar has done both. He was the PM in the Netflix drama Black Doves, which took the world by storm last year, and now he's stepping into the shoes of a man vying to be leader of the opposition at London's National Theatre. For Akhtar, who has been working as an actor for more than two decades, there has been an undeniable shift in the kind of roles he's been offered in recent years. The British Asian experience is no longer a niche subject. 'I wouldn't dream of being offered these types of roles previously,' the 44-year-old tells me when we meet at the National during a Friday lunchtime. 'We're sort of redefining the idea of what an everyman can or should be. We're suddenly in a situation for it not to be a massive thing to be Asian and to be the prime minister; it's just accepted. 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For Akhtar, it is an opportunity to probe biases within cultures, politics and society. Singh finds out he doesn't have his party's backing, and interrogates the reasons behind that. At the same time, he learns that he has inherited his father's entire estate, while his sisters 'have been completely overlooked'. The play is based on Sahota's own experiences of growing up in a south Asian community, but Angad's personal sphere is distinct from his political sphere – it doesn't influence his running for leader, and his politics isn't affected by his heritage. Akhtar may not be a household name yet, but it feels as if he's been in everything. His recent credits are like a roll-call of every massive show on TV over the past few years: Utopia, The Night Manager, Killing Eve, Sweet Tooth, Sherwood, Fool Me Once, Showtrial. He has also starred in films including The Big Sick, The Nest and 2021's critically acclaimed Ali & Ava. I wait for Akhtar in a small meeting room within the network of nondescript tunnels of the National Theatre building. When he arrives, it's like seeing an old acquaintance. He's wearing a loose blazer from the Salvation Army, rolled-up khakis and a pair of black trainers he 'bought for £30 online'. A faded cap sits askew on his head, giving him the look of a mischievous schoolkid. Akhtar's dark, hooded eyes and turned-down mouth mean he's described as 'hangdog' in almost every interview he's given, but they're also what make him so relatable. He tells me people often stop him when he's out and about for 'pleasant chats' like they would with a pal. What do they want to talk about? 'Oh, everything,' he says. 'The themes of the shows I'm in, my performance. Particularly Sherwood, which seemed to elicit a huge reaction from people.' Akhtar's devastating portrayal of a man who hides in the forest after killing his son's wife in James Graham's crime drama has often been referred to as a show-stealing performance. Born in London to a Pakistani father (one of Britain's first Black immigration officers) and an Indo-Kenyan mother, Akhtar knew early on that he wanted to be an actor. As a child he attended speech and drama classes because his parents believed they were elocution lessons that could teach him to 'speak properly'. It was here, during a reading of Lewis Carroll's poem Jabberwocky, that he found his love for performing. He went to boarding school in Cheltenham, where he was one of just a handful of brown kids and had stones thrown at him, then did a law degree due to pressure from his father, before retraining at the Actors Studio drama school in New York. It was in 2002, on his way to audition for the drama school, that he experienced a life-changing incident. 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Akhtar played a bumbling Muslim extremist who accidentally blows himself up in a field of sheep. Sign up to Inside Saturday The only way to get a look behind the scenes of the Saturday magazine. Sign up to get the inside story from our top writers as well as all the must-read articles and columns, delivered to your inbox every weekend. after newsletter promotion He calls Four Lions a 'groundbreaking' film. '[Islamic terrorism] was a real hot topic at the time. We were in a situation where we were terrified of the Muslim community, both here and in America. And the film was so irreverent, it just took the teeth out of it. It portrayed these young men as buffoons, clowns, not something to be feared. Because it doesn't matter if it's a bunch of young Muslim lads, or young white lads or whatever, you just get lads in a room and it's going to be a shitshow.' 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Even if they couldn't understand his career choices, he feels he can trace his talent for creativity straight back to his parents. 'I'm writing a film at the moment which is loosely based on my mum and her experience of coming over from east Africa,' he explains. 'I was working out why I was drawn to this story. I was thinking of her leaving Nairobi as a 16-year-old. How she got on a plane and flew over. The only thing she could hold on to was this faint idea of what her life could be, and the only thing at her disposal to meet that vision was her sheer will. It's like being in front of an open canvas, or the first page of a novel. There's nothing more terrifying than looking at a horizon and it being blank, with nothing to orient you.' He dwells on this. 'Maybe that's why I stuck with the acting on some level, because I saw in my parents the tenacity and will to meet your objective,' he adds. The Estate is Akhtar's second play in two years, after starring in Anton Chekhov's The Cherry Orchard at London's Donmar Warehouse last year, and he says he would love to do more. It reminds him why he wanted to act in the first place. 'It's just you and the audience. The thing that makes it terrifying is the thing that makes it so fulfilling.' Is there anything specific he hopes audiences will take away from The Estate? 'We're so multiplicitous as individuals, I just hope people have an insight into an experience they otherwise wouldn't have been exposed to. In this instance, it's seeing someone who is British Asian in a way they wouldn't necessarily have seen them before. You want people to bypass the nonsense questions – like why is this person in this position? – and get to the proper questions, like am I feeling something true?' The Estate is at the National Theatre: Dorfman, London, 9 July to 23 August.

Inside Glastonbury's prison: Festival has 'jail' to detain drug dealers and fence jumpers
Inside Glastonbury's prison: Festival has 'jail' to detain drug dealers and fence jumpers

Daily Mail​

timean hour ago

  • Daily Mail​

Inside Glastonbury's prison: Festival has 'jail' to detain drug dealers and fence jumpers

For decades, music fans keen on attending Glastonbury would simply find a weak spot in the festival's fence and leap over for an entirely free weekend of music. However, since security was seriously beefed up in 2000, those attempting to do the same when Britain's biggest music festival kicks off on Wednesday could find themselves serving time at HMP Glastonbury. The Somerset festival, started by Michael Eavis in September 1970 and now in the hands of his daughter Emily, has security that's more expensive than that afforded to the royal family, reports The Times. Some 200,000 people will descend on Worthy Farm this week, with the average ticket price costing around £380 to see the 2025 headliners, who include The 1975, Neil Young and Olivia Rodrigo. However, those who try and find other ways to enter the 1,000 acre-site without paying will first have to penetrate Glastonbury's 7.8km fence, which towers 4 metres high. At various points around the site, there are also watchtowers, with security staff keeping an eye on goings on both inside and outside of the perimeter. Security is likely to be a major priority for Emily Eavis this year after hundreds of people snuck in with fake wristbands, costing just £50, and by vaulting the fences in 2024, causing stages to be shut down from overcrowding. One successful infiltrator told MailOnline last summer: 'It was ridiculously easy to get in. I joined a Reddit group chat of about 300 people and everyone was sharing tips and contact details of people who could break you in.' Revellers who try and outsmart the security - or misbehave inside - will find themselves with a one-way ticket to 'Glastonbury Jail', officially a holding space where people who break the rules are evicted from the site. While detained, those who've fallen foul of Glastonbury's laws - including drug dealers or people displaying disorderly behaviour - are allowed to make a statement before they're frogmarched off site, occasionally into the hands of the police. One festival-goer with first-hand experience of the makeshift prison told The Times that those held there temporarily were 'a weird mix of drug dealers, people who have been taken out of the festival for being too drunk or high, and those who had tried to break in.' Controversy has already marred this year's festival before the first song has been played. Conservative Party leader Kemi Badenoch has said she thinks the BBC 'should not be showing' Kneecap's performance at the event. Band member Liam Og O hAnnaidh, who performs under the stage name Mo Chara, is accused of displaying a flag in support of Hezbollah while saying 'up Hamas, up Hezbollah' at a gig in November last year. The 27-year-old arrived at Westminster Magistrates' Court on Wednesday morning following the alleged incident during a gig at the O2 Forum in Kentish Town, north London. Ms Badenoch said in the X post, which was accompanied by an article from The Times that claimed the BBC had not banned the group: 'The BBC should not be showing Kneecap propaganda. 'One Kneecap band member is currently on bail, charged under the Terrorism Act. 'As a publicly funded platform, the BBC should not be rewarding extremism.' The Tory leader has previously called for the group to be banned from Glastonbury, and last year Kneecap won a discrimination case against the UK Government in Belfast High Court after she tried to refuse them a £14,250 funding award when she was a minister. Kneecap took aim at Ms Badenoch in their latest single, The Recap, released just before their headline set at London's Wide Awake festival in May, with the song mocking the politician's attempts to block their arts funding and the Conservative Party's election loss. On Wednesday, O hAnnaidh, who performs under the stage name Mo Chara, was cheered by hundreds of supporters as he arrived with bandmates Naoise O Caireallain and JJ O Dochartaigh at Westminster Magistrates' Court in 'Free Mo Chara' T-shirts. Og O hAnnaidh wore sunglasses, a black t-shirt, trousers and black jacket and held a Keffiyeh - a type of shawl often worn by supporters of the pro-Palestine movement. The members then walked up the stairs of the court and looked over the balcony, smiling and giving a thumbs up to their supporters gathered outside. Members of the crowd had surged around the entrance, with some also entering the lobby. During the proceedings, the court heard the 27-year-old is 'well within his rights' to voice his opinions on Israel and Palestine, but the alleged incident at the O2 Forum is a 'wholly different thing'. O hAnnaidh was released on unconditional bail until his next hearing at the same court on August 20. He requested an Irish language interpreter for the trial. Following the hearing, the rapper said: 'For anybody going to Glastonbury, you can see us there at 4pm on the Saturday. 'If you can't be there we'll be on the BBC, if anybody watches the BBC. We'll be at Wembley in September. 'But most importantly: free, free Palestine.' 'The truth was outed. This was a rushed prosecution following the Coachella performance where Kneecap did not shy away from speaking truth to power. 'Oppression fears the freedom of expression but the reality is Kneecap would stand up to the freedom of expresssion and they will defend their rights. Not only the rights of them but the rights of artists and people all around the world. 'And it's not new for Irish people to be prosecuted under special powers and terrorism acts. But friends, fans, family do not be afraid we are on the right side of history 'The more they come after Kneecap the louder we will get. If the British Government had any sense of history they will know they have already lost.' The charge came after a counter terrorism police investigation after the historical gig footage came to light, which also allegedly shows the group calling for the deaths of MPs. Formed in 2017, Kneecap are known for their provocative lyrics in both Irish and English, and merchandise. Their best-known tracks include Get Your Brits Out, Better Way To Live, featuring Grian Chatten from Fontaines DC, and 3Cag. A BBC spokesperson said: 'As the broadcast partner, the BBC will be bringing audiences extensive music coverage from Glastonbury, with artists booked by the festival organisers. 'Whilst the BBC doesn't ban artists, our plans will ensure that our programming will meet our editorial guidelines. Decisions about our output will be made in the lead up to the festival.'

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