
Hardcovers are heavy and expensive. Here are 15 new paperbacks worth reading.
This Booker Prize finalist experiments with form, using short vignettes to stitch together a chronology of nearly 120 years, beginning with a World War I soldier lying injured on a battlefield, reminiscing about the love of his life. In his review for The Washington Post, Ron Charles called it 'one of the most romantic books I've ever read.'
This Booker Prize finalist experiments with form, using short vignettes to stitch together a chronology of nearly 120 years, beginning with a World War I soldier lying injured on a battlefield, reminiscing about the love of his life. In his review for The Washington Post, Ron Charles called it 'one of the most romantic books I've ever read.'
Robinson's latest is a study of the complex joy and pain of late-life love. It follows Sarah, a divorced, 60-year-old art curator, who runs into Warren, a long-married architect who is also 60. The two dated in their youth; when past feelings resurface, complications ensue, conveyed in writing that is unfailingly clear-eyed and packed with psychological insights.
Robinson's latest is a study of the complex joy and pain of late-life love. It follows Sarah, a divorced, 60-year-old art curator, who runs into Warren, a long-married architect who is also 60. The two dated in their youth; when past feelings resurface, complications ensue, conveyed in writing that is unfailingly clear-eyed and packed with psychological insights.
The debut novel by Gordon, an editor at the Atlantic and a widely published arts journalist, is about a 31-year-old writer who reinvestigates the death many years ago of a high school friend. A podcast ensues. So do thoughts about popular culture and how millennials are handling the march of time.
The debut novel by Gordon, an editor at the Atlantic and a widely published arts journalist, is about a 31-year-old writer who reinvestigates the death many years ago of a high school friend. A podcast ensues. So do thoughts about popular culture and how millennials are handling the march of time.
In Bertino's third novel, Adina, a girl born in Philadelphia in 1977, is actually an emissary from space, sent to report on the potential habitability of Earth and human behavior — via fax machine. Part science fiction, part coming-of-age tale, the book showcases a singular imagination.
In Bertino's third novel, Adina, a girl born in Philadelphia in 1977, is actually an emissary from space, sent to report on the potential habitability of Earth and human behavior — via fax machine. Part science fiction, part coming-of-age tale, the book showcases a singular imagination.
This novel by the undersung Welsh writer Davies opens with a flat-broke minister deposited on a remote northern Scottish island to evict a tenant farmer named Ivar. What follows is a story of connection and communication as the two men come to know each other, rendered in deft and visceral prose.
This novel by the undersung Welsh writer Davies opens with a flat-broke minister deposited on a remote northern Scottish island to evict a tenant farmer named Ivar. What follows is a story of connection and communication as the two men come to know each other, rendered in deft and visceral prose.
Bullwinkel's first novel centers on eight American teens who are competing in Reno, Nevada, to win the Women's Youth Boxing Association title. As the tournament unfolds, readers learn the backstories of each athlete — about their families and personal struggles — and Bullwinkel's spare, evocative prose and eye for unusual details elevate this book beyond a typical sports novel.
Bullwinkel's first novel centers on eight American teens who are competing in Reno, Nevada, to win the Women's Youth Boxing Association title. As the tournament unfolds, readers learn the backstories of each athlete — about their families and personal struggles — and Bullwinkel's spare, evocative prose and eye for unusual details elevate this book beyond a typical sports novel.
Over a 35-year career, Swisher has become the most recognizable chronicler of the digital revolution. In this breezy memoir, the high-flying journalist intersperses tech industry lore with tidbits of gossip, behind-the-scenes backstories and zesty one-liners. Along the way we encounter, through her eyes, some of the legends of the digital economy, including Steve Jobs, Mark Zuckerberg and Elon Musk.
Over a 35-year career, Swisher has become the most recognizable chronicler of the digital revolution. In this breezy memoir, the high-flying journalist intersperses tech industry lore with tidbits of gossip, behind-the-scenes backstories and zesty one-liners. Along the way we encounter, through her eyes, some of the legends of the digital economy, including Steve Jobs, Mark Zuckerberg and Elon Musk.
Growing up in Upstate New York, Majors was often teased for having lighter skin than his four siblings and being able to pass as White. His family had lived in this rural town for decades — trapped by poor education, housing discrimination and a lack of jobs. 'Their wounds just festered and their sins multiplied,' Majors writes. His book is a plainspoken, heartfelt chronicle of his attempt to both escape and understand his past — and to forge his own identity.
Growing up in Upstate New York, Majors was often teased for having lighter skin than his four siblings and being able to pass as White. His family had lived in this rural town for decades — trapped by poor education, housing discrimination and a lack of jobs. 'Their wounds just festered and their sins multiplied,' Majors writes. His book is a plainspoken, heartfelt chronicle of his attempt to both escape and understand his past — and to forge his own identity.
This wide-ranging and delightful survey by journalist Green is packed with fascinating facts. With infectious humor and enthusiasm, she introduces us to ideas from exobiology (the study of life on other worlds) and researchers who study exoplanets (worlds beyond our solar system), pointing out that these fields rely as heavily on science fiction as on mathematical probabilities.
This wide-ranging and delightful survey by journalist Green is packed with fascinating facts. With infectious humor and enthusiasm, she introduces us to ideas from exobiology (the study of life on other worlds) and researchers who study exoplanets (worlds beyond our solar system), pointing out that these fields rely as heavily on science fiction as on mathematical probabilities.
Manne, a philosopher, argues that fatphobia is a form of structural oppression. She wrote this book, a finalist for a National Book Award, after losing nearly 50 pounds in one year, largely through brutal bouts of self-starvation. After this wake-up call, she decided she wouldn't let her beloved daughter grow up in a home — in a world — where being thin was valued far above physical and mental well-being.
Manne, a philosopher, argues that fatphobia is a form of structural oppression. She wrote this book, a finalist for a National Book Award, after losing nearly 50 pounds in one year, largely through brutal bouts of self-starvation. After this wake-up call, she decided she wouldn't let her beloved daughter grow up in a home — in a world — where being thin was valued far above physical and mental well-being.
In this thorough and sensitive work, historian Geroulanos shows that both wistful and disdainful depictions of the past have been used to justify atrocities in the present, and he complicates the increasingly widespread belief that pining for the past is an exclusively conservative pastime.
In this thorough and sensitive work, historian Geroulanos shows that both wistful and disdainful depictions of the past have been used to justify atrocities in the present, and he complicates the increasingly widespread belief that pining for the past is an exclusively conservative pastime.
Kaplan, the author of a two-volume biography of Frank Sinatra, here offers a compelling biography of Davis, Coltrane and Evans before, during and after their recording sessions for Davis's revolutionary classic 'Kind of Blue.'
Kaplan, the author of a two-volume biography of Frank Sinatra, here offers a compelling biography of Davis, Coltrane and Evans before, during and after their recording sessions for Davis's revolutionary classic 'Kind of Blue.'
Alexander structures this biography around Holiday's final year, flashing back to other periods in her life. He charts how an exceedingly difficult life was transformed into heartbreakingly beautiful, timelessly classic songs.
Alexander structures this biography around Holiday's final year, flashing back to other periods in her life. He charts how an exceedingly difficult life was transformed into heartbreakingly beautiful, timelessly classic songs.
In this novel, a smash hit in Norlin's native Sweden and currently being adapted for TV, an exhausted journalist heads to the woods for rejuvenation. There she finds seven people living in a commune of sorts, though they defy New Age stereotypes. ('Their bodies like a cross-section of bus passengers, they looked like anyone at all. They might as well have been a group of computer programmers.') As she gets to know them, we learn of the group's eventful history.
In this novel, a smash hit in Norlin's native Sweden and currently being adapted for TV, an exhausted journalist heads to the woods for rejuvenation. There she finds seven people living in a commune of sorts, though they defy New Age stereotypes. ('Their bodies like a cross-section of bus passengers, they looked like anyone at all. They might as well have been a group of computer programmers.') As she gets to know them, we learn of the group's eventful history.
Midway across the Atlantic Ocean, a cargo ship with a highly organized female captain stops so its crew of 20 men can enjoy a leisurely swim. When the boat continues on its way, the crew is 21. How that could be true is the slowly approached mystery of this unnerving novel by a French playwright.
Midway across the Atlantic Ocean, a cargo ship with a highly organized female captain stops so its crew of 20 men can enjoy a leisurely swim. When the boat continues on its way, the crew is 21. How that could be true is the slowly approached mystery of this unnerving novel by a French playwright.
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Newsweek
5 hours ago
- Newsweek
AEW Lands Another Former WWE Star
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. All Elite Wrestling has brought in a recently released former WWE star for their television tapings in Glasgow, Scotland. Mark Andrews made his AEW debut during the taping for this week's episode of Collision. The taping took place on August 20th at the OVO Hydro in Glasgow. The episode, which will air this Saturday, August 23rd, is the final show before the AEW x NJPW Forbidden Door pay-per-view in London. AEW High-Flyer Debuts The debut of the Welsh superstar was a special moment for the UK crowd. Mark Andrews competed in a singles match against the towering Big Bill. More news: WWE Superstar Announces Retirement Match While Andrews was ultimately unsuccessful in his debut match, his appearance generated a positive reaction from the live audience. It is not yet known if this was a one-off appearance for the UK tour or if Andrews has officially signed a contract with All Elite Wrestling. A Decorated UK Star Mark Andrews is a veteran of the UK wrestling scene and a decorated champion. He was released by WWE in August 2022, following a successful run as a foundational star of the NXT UK brand. Alongside his partner Flash Morgan Webster in the popular "Subculture" faction, Andrews made history by becoming the first-ever Welsh champions in WWE, capturing the NXT UK Tag Team Championship. All Elite Wrestling ALL IN at Wembley Stadium in London on August 27, 2023. All Elite Wrestling ALL IN at Wembley Stadium in London on August 27, 2023. Courtesy of AEW Before his time in WWE, Andrews was also a standout in TNA Wrestling. He won the second season of the British Boot Camp reality competition, which earned him a TNA contract. He also had a reign as the TNA World Tag Team Champion. His innovative, high-flying style makes him a natural fit for the AEW roster. The rest of the Collision taping was focused on the final build to this Sunday's Forbidden Door pay-per-view. More WWE News: For more on WWE, head to Newsweek Sports.

a day ago
Movie Review: Ron Howard's 'Eden' brings 1920s chaos on a Galápagos island to life
Ron Howard's 'Eden' opens with a bold statement: 'Fascism is spreading.' It'll surely carry weight in modern society, but the phrase is referencing events from nearly a century ago. Based on a true story, 'Eden' retraces what happened when a group of Europeans attempted to start anew on the remote island of Floreana, only to encounter the earthly failings they hoped to escape: chaos, blackmail, betrayal and even murder. Howard assembles an impressive cast, though it isn't always enough to make up for the overambitious plot of a film that drags in the middle. 1920s Germany, haunted after accepting blame for World War I, was on the brink of demise, as mass poverty and broad social unrest laid ground for the extremism that birthed the Nazi party. 'Eden' shows us none of that, instead dropping us on a small island of the Galápagos, where Dr. Friedrich Ritter ( Jude Law) and his loyal partner, Dore Strauch Ritter ( Vanessa Kirby) found solace after fleeing their native country. The idealist doctor is inspired by a newfound purpose of penning radical philosophy that will 'save humanity from itself.' Yet the historical resonance, which could have provided pointed commentary on the parallels between today and the 1920s, falls flat amid the film's overlong runtime, unlikable characters and shaky accents that most actors stumble in and out of. In the midst of the film's crafted chaos, the story inevitably loses focus. Still, 'Eden' made room for some memorable performances. More adventurists eventually arrive on the island, and just like that, human interaction starts to breed madness. The doctor's philosophical work has spread through letters and newspapers across Europe, attracting settlers like Heinz Wittmer, a veteran of the Great War played by Daniel Brühl, and his much younger second wife Margaret, played by Sydney Sweeney. The Ritters' quiet isolation is disrupted by the couple, who arrive with Wittmer's young son, chasing the promise of an island utopia to ease their deep disillusionment with everyday reality. The tension between the two groups further exacerbates when Eloise Bosquet de Wagner Wehrhorn ( Ana de Armas), who calls herself the Baroness, arrives with her two lovers, determined to build a resort on the island. What results is a cat-and-mouse game between the three groups, ripe with betrayal, distrust and tension. The battle for resources exposes just how much of their morality these people are willing to give up for survival, at least attempting to — but never fully succeeding — in addressing the question: When do people bend to human instinct? The film lacks depth in exploring questions of morality and human nature while depicting Ritter's lofty goals to save humanity. His philosophy spirals into madness throughout the film, reduced to brief, sometimes painful and surface level sound bites that eventually devolve into incoherent ramblings. The movie is at its most compelling when its three female actors are on the screen. Different motivations bring them to the island, each of which ultimately centers on the same blind faith in the idea of the masculine leader. They all end up vastly disappointed. Dore is consumed by an unwavering devotion for Ritter, a man who never lives up to the image she's crafted in her mind. Margaret, having married an older man expecting guidance, is instead forced to build her family's future from the ground up, only to fight tooth and nail to preserve it after her husband nearly destroys them. And the Baroness, who confidently declares herself 'the embodiment of perfection,' oozing with seduction, ultimately crumbles at the rejection of a man. Arguably, Sweeney — who is almost unrecognizable as the timid and brunette Margaret — steals the show. She easily delivers the most impactful scene of the movie, as she was forced to give birth to a baby boy alone in the middle of the desolate island. It's not hard to guess who won't makes it off the island, either by choice or by force. It is a true story after all. The bloody ending feels unavoidable from the beginning, almost as predictable as human nature itself. But maybe that was the point all along. 'Eden,' a Vertical release in theaters Friday, is rated R by the Motion Picture Association for 'some strong violence, sexual content, graphic nudity and language.' Running time: 129 minutes. Two and half stars out of four.


San Francisco Chronicle
a day ago
- San Francisco Chronicle
Movie Review: Ron Howard's 'Eden' brings 1920s chaos on a Galápagos island to life
Ron Howard's 'Eden' opens with a bold statement: 'Fascism is spreading.' It'll surely carry weight in modern society, but the phrase is referencing events from nearly a century ago. Based on a true story, 'Eden' retraces what happened when a group of Europeans attempted to start anew on the remote island of Floreana, only to encounter the earthly failings they hoped to escape: chaos, blackmail, betrayal and even murder. Howard assembles an impressive cast, though it isn't always enough to make up for the overambitious plot of a film that drags in the middle. 1920s Germany, haunted after accepting blame for World War I, was on the brink of demise, as mass poverty and broad social unrest laid ground for the extremism that birthed the Nazi party. 'Eden' shows us none of that, instead dropping us on a small island of the Galápagos, where Dr. Friedrich Ritter ( Jude Law ) and his loyal partner, Dore Strauch Ritter ( Vanessa Kirby ) found solace after fleeing their native country. The idealist doctor is inspired by a newfound purpose of penning radical philosophy that will 'save humanity from itself.' Yet the historical resonance, which could have provided pointed commentary on the parallels between today and the 1920s, falls flat amid the film's overlong runtime, unlikable characters and shaky accents that most actors stumble in and out of. In the midst of the film's crafted chaos, the story inevitably loses focus. Still, 'Eden' made room for some memorable performances. More adventurists eventually arrive on the island, and just like that, human interaction starts to breed madness. The doctor's philosophical work has spread through letters and newspapers across Europe, attracting settlers like Heinz Wittmer, a veteran of the Great War played by Daniel Brühl, and his much younger second wife Margaret, played by Sydney Sweeney. The Ritters' quiet isolation is disrupted by the couple, who arrive with Wittmer's young son, chasing the promise of an island utopia to ease their deep disillusionment with everyday reality. The tension between the two groups further exacerbates when Eloise Bosquet de Wagner Wehrhorn ( Ana de Armas ), who calls herself the Baroness, arrives with her two lovers, determined to build a resort on the island. What results is a cat-and-mouse game between the three groups, ripe with betrayal, distrust and tension. The battle for resources exposes just how much of their morality these people are willing to give up for survival, at least attempting to — but never fully succeeding — in addressing the question: When do people bend to human instinct? The film lacks depth in exploring questions of morality and human nature while depicting Ritter's lofty goals to save humanity. His philosophy spirals into madness throughout the film, reduced to brief, sometimes painful and surface level sound bites that eventually devolve into incoherent ramblings. The movie is at its most compelling when its three female actors are on the screen. Different motivations bring them to the island, each of which ultimately centers on the same blind faith in the idea of the masculine leader. They all end up vastly disappointed. Dore is consumed by an unwavering devotion for Ritter, a man who never lives up to the image she's crafted in her mind. Margaret, having married an older man expecting guidance, is instead forced to build her family's future from the ground up, only to fight tooth and nail to preserve it after her husband nearly destroys them. And the Baroness, who confidently declares herself 'the embodiment of perfection,' oozing with seduction, ultimately crumbles at the rejection of a man. Arguably, Sweeney — who is almost unrecognizable as the timid and brunette Margaret — steals the show. She easily delivers the most impactful scene of the movie, as she was forced to give birth to a baby boy alone in the middle of the desolate island. It's not hard to guess who won't makes it off the island, either by choice or by force. It is a true story after all. The bloody ending feels unavoidable from the beginning, almost as predictable as human nature itself. But maybe that was the point all along. 'Eden,' a Vertical release in theaters Friday, is rated R by the Motion Picture Association for 'some strong violence, sexual content, graphic nudity and language.' Running time: 129 minutes. Two and half stars out of four.