Dana White's Reaction To Fighter Who Said Hitler Was A 'Good Guy' May Surprise You
UFC boss Dana White called featherweight Bryce Mitchell 'an absolute moron' for complimenting Adolf Hitler but defended the decision not to punish the 30-year-old fighter. (Watch the video below.)
'Even though I don't like what he said and even though what he said makes me sick, free speech is real. We have to protect free speech,' White said Monday on 'Piers Morgan Uncensored.'
Mitchell, who has a 17-3 professional record, lauded Hitler recently after he said he did 'research.' The result was hate and ignorance of the highest order.
'I honestly think that Hitler was a good guy based on my own research, not my public education indoctrination,' Mitchell said on the first episode of his 'ArkanSanity Podcast.' 'I do really think before Hitler got on meth, he was a guy to go fishing with. ... He fought for his country. He wanted to purify it by kicking the greedy Jews out that were destroying his country and turning them all into gays.'
The episode, which was released on Jan. 24, has been removed from YouTube but remains on Rumble, the live-streaming video platform popular among right-wing extremists.
Mitchell later apologized for being 'insensitive' and said he does not 'condone any of the evil things Hitler did.' But the fighter's comments were so extreme that White continued to be asked about them this week.
Host Piers Morgan asked White if there were limits to free speech, and White said no.
'I think probably the most important free speech to protect is hate speech,' he said. 'When a government or a certain person can come out and determine 'this is hate speech,' it's a very slippery slope, and it's dangerous.'
White prefaced his remarks with an odd shoutout to Elon Musk as the 'superhero of this election.' (Musk also earned scorn recently with a gesture that looked like a 'Sieg heil' salute at a Donald Trump inauguration event.)
The UFC leader may have also been speaking from the bottom line as well. He said last week there was an upside for spectators that Mitchell, who's ranked 13th in his division, can keep fighting.
'That's the beautiful thing about this business, for all of you who hate Bryce Mitchell, you get to see him hopefully get his ass whooped on global television,' White said in a statement to ESPN.
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Fox News
an hour ago
- Fox News
Bucks' Doc Rivers on what Democrats need to change moving forward
Milwaukee Bucks head coach Doc Rivers spoke up about what Democrats need to do in order to take back the White House after President Donald Trump defeated Kamala Harris in the 2024 election. Rivers, who is a staunch opponent of Trump going back to the president's first term in office, said Democrats need to make a change and try to get everyone on the same side of issues. "Well, the first thing we have to point towards is getting out of our comfort zone and thinking if we keep doing the same thing we are going to get different results," Rivers told MSNBC's Nicolle Wallace on her podcast. "That doesn't happen, there needs to be change from the Democratic side. I don't know what that change is, but I know the norm has not worked. The norm worked on the popular vote, but there are states that haven't voted on the Democratic side in 50 years. "We are a party of being [inclusive], everybody is included, right? But I remember Cory Booker, we are at a function, and I ask him why can't the Democrats all agree on something, because the Republicans do that well. You have to look at some of the things they do well. One of the things they do is they fall in line. They don't care. If you listen to some of the things these guys said about Trump and then when you hear them speak now, all they do is praise, they are falling in line. But he said something interesting. He said we have so many groups on our side, we don't just have the White male. We have everybody, and to get everybody to agree on one thing is very difficult, but we're going to have to start doing that if we want change." Rivers said one of the things Democrats need to get away from is the "Trump won because" debate. He made an analogy to how he would go about coaching a game if the team was coming off a loss. "I think we need to take the 'because' out, and I am serious, Trump won and start there, not 'because.' Trump won and what do we have to do differently? You have to take ownership of things. We do it in sports all the time," he told Wallace. "Yeah, I come in after a game we lost 'because.' But then I say we lost, but we have to do these things differently if we want to win. We can't just say we lost because 'they just made a lot of shots.' Then we have to force them to miss more shots, we have to do something different. It is so strange we are blaming the people who voted for Trump for why he won. It makes no sense to me. It'd backwards." Rivers said the bottom line was the Democrats didn't get enough people to actually go out and vote. "We didn't get enough people out to vote," he said. "That is one thing. We have to figure out, first start with ourselves, how can we ignite ourselves, our side to vote more, because we have more people to vote. We have to make them excited, we have to connect to them. We're not connecting. "We complain about Black men. You know, the majority of Black men did vote for Kamala, as it turns out. It is just that it wasn't a big majority. It wasn't enough people. Why is that? There is a feel of hopelessness in our community. I think a lot of Black men are saying now it does not matter, either side, we are not being helped, we are still being incarcerated. We still are struggling. So there has got to be an answer. And we have to figure out how we can answer that question if we are looking at that part of it for sure." Follow Fox News Digital's sports coverage on X and subscribe to the Fox News Sports Huddle newsletter.


Scientific American
an hour ago
- Scientific American
What I Wish Parents Knew about Social Media
On Friday afternoons shortly before the school bus arrives, my mom arrives at my house. She ambles into my kitchen to make a cup of tea, and after a few minutes my son will come running in the back door. They will chat briefly, but inevitably my son will ask to watch YouTube videos on my mom's tablet. Then they will go and sit on the couch and watch videos of people playing Minecraft, or Super Mario Odyssey, or some combination of the two for an hour or so, until my husband and I finish work. Occasionally I will find myself looking over their shoulders as formulaic videos, with the same jump cuts and extreme close-ups, made by people I had never heard of (but still with millions of subscribers), play. I research social media for a living, and I still find myself wondering: Is it ok that my son is watching this? If junk food for the brain existed, these videos might be it. Clearly, I don't ban all screens in my house, and I wouldn't tell you to ban them in yours, either. But in my work, I've seen how little transparency social media companies offer parents and kids about how their systems operate—and how much harm that invisibility can do. In my recent look at the algorithms that drive these platforms—what's called their feed algorithms—my co-authors and I found that only one of the major platforms, X makes details of how its system works publicly transparent. This is not okay. On supporting science journalism If you're enjoying this article, consider supporting our award-winning journalism by subscribing. By purchasing a subscription you are helping to ensure the future of impactful stories about the discoveries and ideas shaping our world today. There's some good news though: through research not sponsored by social media platforms, we are learning more about where the most serious risks to kids and teens are, and what things parents can do to manage those risks. Understanding the design of these systems, and talking with your child about them, is one of the most powerful tools you have to keep them safe and supported online. Here are three things I wish every parent understood about social media—and how to talk to your kids about them. Your teen isn't the customer—they're the product. I say teen because, in general, kids under age 13 are not supposed to be on these platforms, which make money by selling ads. They do this by collecting fine-grained data about what your kid watches and reacts to, and then monetize that data by literally selling your child's attention to the highest bidder, in the hopes of getting their money today or building a new lifelong customer for the future. Once kids are over 18, social media companies can also directly sell their data to data brokers (just as they can do with yours). Just remember, on social media, advertisers are the customer, not you or your kid. That doesn't mean that people don't also get value out of social media, but for teens particularly, it can be hard to understand what they are exchanging for the entertainment they are getting. What you can do: • Talk to your kids about how the platform's business model works. Make sure they know that their attention and engagement is what's being sold. • Talk to your teens about what they want to get out of social media. Do they want to keep up with their friends? Do they want to be entertained by influencers? Do they want to learn about trends or games or fitness? Decide together how they can be mindful around those goals and how you can support them in doing that. You should also figure out what they (and you) are and aren't comfortable giving away in exchange for whatever value social media delivers to them. • Sit down together and go through the platform's ad preferences and privacy settings. Talk about what the settings do, and decide together what's right for your child—and your family. Algorithmic feeds are designed to maximize usage, not well-being. Every major platform uses feed algorithms to keep users scrolling, watching or clicking as much as possible by offering them what they think the user will like next. There is no platform I'm aware of that observes an 'upper bound' of how much usage they will try to optimize for, meaning that no matter how much social media users consume, their feed algorithms will keep trying to get them to use more. Platforms do this by carefully calibrating aspects of what they show you in feed, from the mix of topics and video length, to other aspects of system design, like how often they notify users about reactions and comments to their own content. Feed algorithms also adapt to each user's behavior and can quickly home in on whatever type of content users pay attention to or engage with the most. I think even the most social media-loving teen understands that more isn't necessarily healthy. What you can do: • Talk to your kids about how feed algorithms work. You can use the 'feed cards ' my co-authors and I developed to explain how these systems work on platforms like TikTok, YouTube and Facebook. • Ask your teen to show you their feed and scroll through it together. Can you 'hack' with the algorithm by watching certain videos or reacting to certain types of content and seeing how quickly the algorithm adapts? Talk to your kids about how (and whether) they can stay in control of their experiences when they are using algorithmic feeds. • Remember that you can set limits without banning social media. Social media algorithms will always try to get your kids to use them more. Some teens don't yet have the self-control to step away, even when they are having experiences that make them feel bad. Has something on Twitter or Facebook ever made you incandescently angry? If so, that was probably the point—rage-bait works. And if you're over 25, your prefrontal cortex is fully developed—think about how that might have felt to your child. Talk to your kids and decide on sensible limits on how late in the evening they can use social media, and how much time they can spend on social media overall. Use in-app tools to set limits, but remember kids often know how to circumvent these, so pay attention to where your kid's device is too. Content moderation exists, but don't count on it. It's natural to hope that social media companies are catching and removing harmful content before your child sees it. But surveys show that even young teens report seeing content on social media that disturbs them. How is this possible? Platforms do take down a lot of content, but as my research shows, content removal often occurs after feed algorithms have already shown the harmful content to most people who will ever see it. What you can do: • Don't assume that 'the system' will catch everything; it won't. • Ask open-ended questions about your kids' social media experiences: 'What's the best thing you saw on TikTok this week?' and 'Have you seen anything that upset or confused you this week?' • Remember that different platforms have different rules, and different enforcement. If your teen is routinely having experiences that make them uncomfortable, it might be time for them to shift to another platform that feels safer for them, or even just take a break to reevaluate if what they are getting from using a given social media platform is really worth it. The Bottom Line I'm not going to pretend any of this is easy. My research has also shown that the transparency tools that platforms offer are difficult for users to use and understand. But we parents can give our kids their best chance to develop a healthy relationship with social media if we can stay engaged, curious, and consistent. And finally, it's important to hold the line on some non-negotiables that have the most potential to cause kids harm: • Make sure kids and teens don't have phones or social media in their bedrooms overnight. Kids need sleep—not all-night Snapchat sessions. • Don't let kids lie about their age to join platforms early, or to get an 'adult' account instead of a 'teen' one if they're under 18. On many platforms there are meaningful differences in default settings, data collection and even in feed algorithms between teen and adult accounts. I'm still learning, both as a researcher and a parent. But what I've learned so far tells me this: there are ways to help teens have safer, better online experiences, but kids need involved parents and consistent rules to make sure that happens.
Yahoo
2 hours ago
- Yahoo
Sam Rockwell on Frank's ‘White Lotus' backstory, Woody Harrelson's influence, and going all in on ‘this arc of Buddhist to Bad Lieutenant'
Sam Rockwell's now-legendary monologue in The White Lotus almost sounded very different. As you may recall, Woody Harrelson was originally slated to play the role of Frank, the 10-month sober and celibate friend of Walton Goggins' Rick. Due to a scheduling shift, Harrelson dropped out and Rockwell stepped in. "With that monologue, there's many ways to go, and I think someone's tendency might be — or even my tendency was — to do a Southern accent. I guess because Woody was gonna do it, I had a kind of very sort of masculine Southern accent in my head," Rockwell tells Gold Derby. "So occasionally I would do that [while prepping]. And then I just realized that in order to really get to what was really great about that monologue, I had to get more of Sam in there." More from GoldDerby 'Prizzi's Honor' at 40: How John and Angelica Huston made history together with his penultimate picture 'So indescribable and special': 'Happy's Place' stars Belissa Escobedo and Melissa Peterman on working with Reba McEntire 'Arcane' cocreator reflects on Season 2 and looks ahead to the future of 'League of Legends' The simpler the better, he thought, because creator Mike White encapsulates the theme of Season 3 in those five minutes. "The conflict between the search for spirituality and selfishness, that's what most of the characters are struggling with," Rockwell says. "That's why it has to be uber, uber, uber honest and come from this place of gravitas." Should the Oscar winner take home his first Emmy, he'll have many reasons to thank his partner, Leslie Bibb. After White, who worked with Rockwell on 2009's Gentlemen Broncos and 2020's The One and Only Ivan, offered him the part, Bibb convinced him to take it. She'd already been cast as pseudo Real Housewife of Austin Kate, devoured the scripts, and knew how special the monologue was: "Really, this is what Mike is talking about: How we want to live our life, and the honesty with which we want to live our life, the vulnerability with which we want to live our life, and risking getting to know who we are, and is who I am in here different from who I am out here — that balance between spirit and form,' she told Gold Derby. Rockwell only hesitated because he was filming Gore Verbinski's Good Luck, Have Fun, Don't Die, with its own 10-page monologue, and was afraid he wouldn't have enough prep time to do White's writing justice. He'd normally want four months to go through his process; he had something like six weeks, he recalls. Bibb visited him on location in South Africa, and while the two were on safari, they spent their afternoons between game drives drilling lines to get him off book. He half-joked with White that he might need a teleprompter or cue cards, and the White Lotus crew had an earwig prepared to assist him, but he didn't need it. He was able to film the length of the monologue in single takes. "What's great about Mike is he told me to slow down. I was doing it very fast, and he's not afraid of pauses and taking time," Rockwell says. He consulted with his longtime acting coach, Terry Knickerbocker, who helped him get to the heart of Frank. For the monologue, they discussed Marlon Brando in Apocalypse Now. "Because [Frank] is struggling with spirituality and selfishness, and the need for pleasure and this inward femininity, I really think the exterior needed to be very masculine to juxtapose that, for me to make it interesting," Rockwell says. It was implied in the script that Frank and Rick were ex-military. "Frank gives him a gun, we had a checkered past. Maybe we were mercenaries. We didn't want to get too specific about it, but I got a Navy SEAL tattoo that nobody would notice, the frog skeleton, and I got some scars to kind of rough up my exterior a little bit. I shaved my head," Rockwell says. SEE Leslie Bibb breaks down her aha moments filming The White Lotus: 'Kate suddenly got jealous' He drew from own past roles as well: "Choke [2008] was a movie I did that was about a sex addict, and that was good preparation for this monologue. And then I'd done stuff where I played an ex-Navy SEAL, so I'd already done that research. And then there was the Buddhism aspect, I just watched a couple of documentaries. And I did Drunks [1995] with Parker Posey, which was about Alcoholics Anonymous and NA. It's funny, it's like you play Laertes before you play Hamlet, you know, and there's an apprenticeship. So a lot of the parts that I've done, there were aspects of Frank in and it all came together." Knickerbocker suggested an idea that Rockwell ultimately pitched to White: That when Frank poses as Hollywood director Steve to aid Rick's revenge, it's almost a separate character to play. "That's why we had the Tony Scott sort of baseball cap, and the Members Only jacket, kind of what Frank's idea of a director might have been from the '80s or '90s." When Frank and Rick celebrate the latter's short-lived closure with a night on the town and return to the hotel with company, the scene was originally scripted as Frank just having sex, Rockwell shares. "I said, 'You know, we should really do this arc of Buddhist to Bad Lieutenant, and maybe I should be smoking crack. And there should be something kind of dangerous, like a knife or something. And we had some nunchucks — I mean, that got a little silly. So we had the crack pipe, and the girls were there hanging out, and I just said, 'Let's do this [bit showing them my knife skills].' I'd done this movie Mr. Wright [2015] where I learned some of this knife stuff. … It was a way to show his nuttiness." As for the hilarious roll Rockwell performs when Frank chases a departing Rick down the hallway, the actor says that probably came from his fight training for 2024's Argylle. "That was a bad roll. That was a terrible role. I would hope I could do a better role than that, but he's sort of still drunk," he explains, laughing as he remembers that he took pictures off the wall in some takes. The animal-print briefs he was wearing were "an homage to Ray Liotta in Something Wild, or maybe Richard Gere in American Gigolo, an homage to those kind of dangerous archetypes, Tom Berenger in Looking for Mr. Goodbar.' There could have been even more action in Frank's arc, it turns out. "We had a bar fight that we shot that was cut," Rockwell reveals. "It was a bar fight where I defend this transgender waitress from these Russian guys." All in all, he spent about two and a half weeks on the show, filming his scenes as director Steve to get his sea legs before tackling the monologue opposite Goggins, whose reaction shots are priceless. Those two have been good friends for 15 years, since meeting on 2011's Cowboys & Aliens. 'I don't know if I've ever had that experience, acting with a close friend playing close friends," Rockwell says. "I had an instinct that we would have this kind of Butch-Sundance thing going. You know this Cagney-and-Lacey kind of thing. I think Walt did, too, and Leslie did. I knew we'd have a shorthand, and we could make each other laugh. … Walt and I come from a similar background. We're both latchkey kids, [raised by] single parents, and we both performed with our mothers when we were very young. He did clogging contests with his mother, which is kind of Southern tap-dancing, and I did a play with my mom when I was 10. I'm a city kid, he's a country kid, but we definitely identify. We've worked in restaurants, and we've been broke, me and Walt. So we have a lot in common." It's difficult to imagine another actor playing Frank — even Harrelson has said he wouldn't have done as fantastic a job as Rockwell did. "I think he would have been amazing. I'd love to have seen Woody's version of Frank," Rockwell says of his costar from 2012's Seven Psychopaths and 2012's Three Billboards Outside Ebbing, Missouri. "I couldn't stop thinking about him, actually, while I was doing it. It definitely influenced my interpretation." To date, he hasn't heard Harrelson's review in person. "I haven't seen him in a while. I'm sure he'll have something to say. He'll make some joke," Rockwell says with a grin. "He's one of my favorite people. He's one of the funniest people I know. He's mischievous. I love Woody. So we'll talk about it at some point, and he'll say something really witty, I'm sure." 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