
Share your tributes and memories of Sly Stone
Founded in 1966, Sly and the Family Stone's hits include three US No 1 singles – Everyday People, Thank You (Falettinme Be Mice Elf Agin) and Family Affair – plus Dance to the Music, I Want to Take You Higher, Hot Fun in the Summertime and more.
The 1971 album There's a Riot Goin' On, a moody reflection on civil rights and the corrupted idealism of the postwar era, is widely regarded as one of the greatest of the 20th century. The band split in 1975, though Stone continued to use the name for solo releases.
We would like to hear your tributes and memories of Sly Stone – whether you met him, or appreciated his work as a musician.
You can share your tributes and memories of Sly Stone using this form.
Please note, the maximum file size is 5.7 MB.
This will help us with our reporting
This will help us with our reporting
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Independent
29 minutes ago
- The Independent
Laufey's 'A Matter of Time' embraces anger, jazz, pop and a collaboration with twin sister
Long before the Icelandic Chinese artist Laufey became recognized the world over for her neoclassical jazz-meets-pop music, she was a student, answering a familiar yearbook prompt: 'Where do you see yourself in 10 years?' Her answer: Move to the U.S., sign a record deal and win a Grammy. The 26-year-old has done all three. 'I must have been so confident to write that because I remember that being a very far-sought kind of thing,' the musician born Laufey Lín Jónsdóttir told The Associated Press. Those aren't her only accomplishments: She's collaborated with Barbra Streisand, shared the stage with Hozier, Noah Kahan and the Los Angeles Philharmonic. An unexpected nonconformist to the rules of contemporary pop, Laufey's third album, 'A Matter of Time' out Friday, pulls inspiration from country and Icelandic folk music as well as classical and bossa nova sounds. 'My ultimate goal is to introduce young audiences to jazz music, to classical music, to encourage them to learn instruments and explore their own sound,' Laufey said. In a recent interview, Laufey discussed her new album, embracing anger on the record, working with her twin sister and more. Responses are edited for clarity and brevity. AP: What's the story behind the title 'A Matter of Time?' LAUFEY: I knew I wanted the album to have time as a central theme. I was just so fascinated by how it's kind of like this one thing that humans have no control over, and sometimes we want to speed up and sometimes we want to slow down, but ultimately it's out of our control. And there's something romantic about that to me. Now its taken on a little bit of a different meaning in that it's basically me baring my soul to the world and baring my soul to a lover. And it's kind of like, 'a matter of time until you find out everything about me.' AP: The end of 'Sabotage' felt very jarring, which is unexpected. Are you embracing anger on this album? LAUFEY: For sure. I think I was never allowed to embrace anger. I was a very good kid growing up. I was very polite and very quiet. I used this as a way to show that you can be angry, and rather, to show also that you can be both a soft, spoken person while still harboring anger. I think the understanding of women and characters has so much been like one or the other. She's like this, she's a mad woman, she a soft, sweet woman. Like, we're all everything. AP: How do you compare this album to your past projects? This is just the most free I've been. I wasn't following any type of compass in that I wasn't trying to create something as education. I was more so just making music from the heart. I just approached with a whole lot more confidence, even though the album's all about anxiety and learning about oneself and insecurity and delusion. And it's tapping into emotions that I maybe wouldn't have dared to tap into before. It is the most confident I've been, because I don't think I'd have the confidence to put out the music in this album before. AP: Your twin sister Junia is credited on the album. What's it like working with her? LAUFEY: It's so special. We do everything together. Like, she does everything, pretty much, — other than the music, the literal music making — she has her hands in. All the merch, that's all her. The album covers, all the creative, like, music videos, everything — she's such a part of the project. And then she literally plays violin on some of the songs. I know so many artists who talk about how it can be quite lonely, but I've never really been alone. Like, I've always done it in tandem with my sister. AP: You've spoken about the importance of Asian role models. I think you've become one yourself. LAUFEY: I grew up in a very, very different, like, homogenous Icelandic community. I didn't see people who looked like me every single day. I saw my mom, that was it. And I guess I saw my identical twin sister, who looked exactly like me. But it's so powerful, seeing someone who looks like you, that you can look up to. I already see more representation, but there's still such a long way to go. I'm still a half-white Asian woman, you know? And I don't want young Asian women to look up and see all of the stars in front of them be half-White either, because what kind of message is that sending? So, I don't know. Anything I can do to lift up voices, create those communities, and empower young Asian artists to do their thing, that's, like, at the center of my philosophy. AP: You've done all the things you said you wanted to do in your yearbook. What's next? LAUFEY: I'd love to score a film or do, like, a theme song to a film, preferably a James Bond theme song, because that's, like, my dream. But it's so hard to say because I've ticked off all those simple things off — many are big, but the tick-able ones. I hope I'm still making music and I still hope that I love it.


The Independent
29 minutes ago
- The Independent
Woman beaten unconscious at the Rose Bowl for spilling drink on another concert goer
The latest headlines from our reporters across the US sent straight to your inbox each weekday Your briefing on the latest headlines from across the US Your briefing on the latest headlines from across the US Email * SIGN UP I would like to be emailed about offers, events and updates from The Independent. Read our Privacy notice A woman from Arizona is recovering after she was beaten unconscious by a man at a concert in Pasadena, California. The woman, who chose to withhold her identity, was attending a Rufus Du Sol concert at the Rose Bowl in Pasadena with one of her friends on Saturday night. She and her friend drove from Phoenix to Pasadena for the show, and during the concert they spilled some of their drinks on a man sitting in front of them, according to KTLA. 'We apologized immediately, but he yelled that it was intentional and ran off, leaving his companion behind,' the woman told The Festival Owl. 'We apologized to her and thought it was over.' The man reportedly returned approximately a half hour later and began screaming at the woman and her friend and threatened to hurt them. The woman told the outlet she tried to deescalate the situation and apologize, but the man then allegedly punched her in the face. She fell unconscious and woke up some time later in a medical tent. The attack was recorded and went viral online. In the footage of the attack the man launches into a group of people to strike the woman. He throws at least five punches during his attack. A woman in the crowd tries to grab him and pull him away. Complaints that the concert was poorly managed were lobbed at the venue in the aftermath of the assault. open image in gallery The man reportedly threw at least five punches during the attack 'Among the long laundry list of complaints was crowd crushing in tunnels, people pushing in overcrowded stairs, aggressive drunk people, arguments, fans blocking exits, incredibly long shuttle lines, and, sadly, assault,' the LA music blog Grimy Goods said in a post. Another woman — who was seated just a few rows from where the attack occurred — told KTLA that there were people crammed into her section and blocking the walkways. "So, crowd control was nonexistent," Christina Molina told KTLA said. The Independent has requested comment from the Rose Bowl. She also claims she saw other concertgoers openly using drugs, and wondered if intoxication fueled the man's attack on the victim. The woman who was attacked returned to Arizona where she is recovering from the encounter. She has reported the incident to relevant police agencies. According to KTLA, police are searching for her attacker. Anyone who does recognize the man in the video is asked to call the Pasadena Police Department or to anonymously call the LA Regional Crime Stoppers Hotlline. "We are traumatized," the victim said in a post about the attack shared to The Festive Owl. "If anyone knows this man or his companion , PLEASE reach out. He should be held accountable for this assault."


Daily Mail
29 minutes ago
- Daily Mail
Devil Wears Prada 2 sees Heidi Klum, Amelia Gray Hamlin and Amelia Dimoldenberg on set
Heidi Klum, Amelia Gray Hamlin and Amelia Dimoldenberg were all spotted on the set of The Devil Wears Prada 2 on Monday. The trio appeared in great spirits as they got to work on the New York City set of the upcoming sequel. For her part, Klum looked typically stunning in a daringly low-cut, pleated, royal purple dress. The 52-year-old German supermodel stacked bracelets on her left wrist and wore aviator sunglasses. She slipped her feet into a pair of black loafers and was unmissable with her signature layered blonde locks falling around her face. Hamlin, 24, was clad in baggy, light wash jeans, a slightly cropped black shirt reading 'supermodel,' and an oversize black leather jacket. The nepo baby of Harry Hamlin and Lisa Rinna flashed her megawatt smile while toting a purple Balenciaga purse. Her long, straight, raven locks were parted down the middle and she looked pretty in a face of matte makeup. Meanwhile, 31-year-old Dimoldenberg flashed her cleavage in a plunging, beige, halter neck dress with zebra-like stripes. She coordinated the look with a pair of similarly patterned pointy-toe mules and she carried a black clutch. Her ginger-tinged hair was arranged in a center part and slightly tousled texture as it fell over her chest. The comedian's face was immaculately made up as she rocked a subtle cat eye. Heidi was also seen in a different look on Monday — a boxy black pantsuit with an oversize blazer, which she teamed with a button-up white shirt. The highly-anticipated sequel to the 2006 film is slated for a May 1, 2026 release. 31-year-old Dimoldenberg flashed her cleavage in a plunging, beige, halter neck dress with zebra-like stripes. She coordinated the look with a pair of similarly patterned pointy-toe mules and she carried a black clutch Heidi was also seen in a different look - a boxy black pantsuit with an oversize blazer Returning stars from the original film include Anne Hathaway, who plays protagonist Andy Sachs. Also back is Meryl Streep, whose character Miranda Priestly is famously inspired by Anna Wintour. Emily Blunt and Stanley Tucci will also reprise their supporting roles. In 2006 Blunt played Miranda's senior assistant Emily Charlton while Tucci was Runway magazine's art director Nigel Kipling. Sydney Sweeney has also been on set, but it is not known if she has a role or cameo in the sequel. David Frankel and Aline Brosh McKenna, the director and writer respectively of the original movie, have also returned. Kenneth Branagh has entered the plot as Miranda's new husband, and Australian actor Patrick Brammall is Andy's latest love interest.