32 Years After Their Rift, Two Legends Shared The Screen And Delivered A 1991 Blockbuster
However, behind the grandeur was a cold war dating back to 1959, when during the filming of Paigam, Raj Kumar reportedly slapped Dilip Kumar in a scene so forcefully that it left a lasting grudge. Industry lore suggests Dilip Kumar had vowed never to work with him again. (News18 Hindi)
Yet destiny intervened. More than three decades later, they found themselves on the same set. Dewan recalls moments of quiet hostility, during the filming of the song Imli Ka Boota, crew members struggled to position the two actors together. (News18 Hindi)
On one occasion, Dilip Kumar was preparing for an emotional death scene while Raj Kumar, who had no scenes that day, sat just eight feet away with his back turned, refusing to look up. There were lighter, if still telling, moments. (News18 Hindi)
During a shoot at a hill station, crowds gathered around Dilip Kumar for photographs, while Raj Kumar placed a chair in the icy waters near a waterfall. When director Ghai asked why, Raj Kumar quipped, "No one will come here to get a photo clicked." (News18 Hindi)
Even co-stars weren't spared. Amrish Puri, who played the antagonist, endured Raj Kumar's exacting demands. In a tug-of-war scene, Raj Kumar insisted on multiple retakes despite the shot being fine. In a fight sequence, he delivered a punch so hard that Puri felt the impact for real. (News18 Hindi)
8/8
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Time of India
39 minutes ago
- Time of India
Safed looks at the brighter side of white in Independence Day ad
Shantinath Detergents has released a new campaign film, "Safed," for Indian Independence Day. The campaign, which launched on August 12, 2025, centers on the color white and its historical significance in India. The film, a minute and 45 seconds long, is set in a family home where a young boy is preparing for his school's fancy dress competition. His parents initially suggest he dress as a modern-day hero. However, his grandfather intervenes, offering a white cloth and explaining its historical importance. The grandfather describes how the color white, or "Safed" in Hindi, has been a symbol of truth, peace, and unity throughout the country's history. He says the color was a central element in India's struggle for independence, but that its deeper meaning has been largely forgotten. In the film, the grandfather's monologue links the idea of a "pure heart" to the color white. The campaign concludes with the tagline, "Jab Dil Mein Ho Safed, To Saare Jahan Se Achha Desh," which translates to "When the heart is pure, the country is the best in the world." Ritum Jain, a director at Shantinath Detergents Private Limited, stated that the campaign aims to connect the brand with the values of purity and truth. Jain said, "We wanted to remind people that the true spirit of freedom lives in keeping our hearts as pure as the Safed we wear." The campaign's message links the brand's detergent, known for its cleaning properties, with a national sentiment of maintaining a clean conscience. Watch the film here on ETBrandEquity:
Hindustan Times
an hour ago
- Hindustan Times
Sholay@50: When a film gave birth to Hindi cinema's most enduring villain in Gabbar Singh
New Delhi, When Salim-Javed envisioned "Sholay", the character to first take shape was that of a dreaded dacoit. Little did they imagine that the role played by a newcomer in an otherwise star-studded film would create cinema history. Sholay@50: When a film gave birth to Hindi cinema's most enduring villain in Gabbar Singh Gabbar Singh was unlike any antagonist audiences had seen before, portrayed to the T by Amjad Khan in his first major role in the industry a sadistic, unpredictable and merciless outlaw who killed without hesitation, mocked fear, and treated cruelty as a form of entertainment. Film historian, author and archivist, S M M Ausaja, said Khan's role was written brilliantly and performed with great panache by Khan. "There is an element of humour in him. It is a well etched out character by Salim-Javed. As a debut performance in a primary role, Amjad Khan was exceptionally good. If a character gets such a memorable impact across generations, then a big chunk goes to the performance of the actor," Ausaja told PTI. When Gabbar first appears on the screen, almost an hour into the movie, viewers see the shot of him walking on boulders, asking his henchmen, "Kitne aadmi the?" They had just returned empty-handed from their raid in Ramgarh, thwarted by the film's heroes Amitabh Bachchan's Jai and Dharmendra's Veeru. "Woh do the aur tum teen... phir bhi waapas aagaye... khaali haath... kya samajh kar aaye the? Sardar bahot khush hoga sabasi dega, kyoon? Dhikkar hai," Gabbar rages against eerie background music. Over the next two hours, he unleashes a reign of brutality on the village of Ramgarh, killing without remorse, breaking the spirit of its people, and emerging as the living embodiment of fear. In an interview with PTI, Akhtar said when they began working on the story, they had only a dacoit in mind. 'We didn't think of Basanti or Radha, we just had a dacoit in mind. But gradually when the story got developed a lot of characters came into the picture and we felt it could be a great multi-starrer." In the 2024 docuseries "Angry Young Men", which charted the legendary screenwriting pair's career in movies, Salim Khan revealed how Gabbar was inspired by a real character. "My father was a high ranking police officer. We heard stories of a dacoit named Gabbar Singh. He used to kill people and chop off their noses too. Anything inspired from real life has a distinct impact," he said in the docuseries. Their first choice for the character was actor Danny Denzongpa and he even signed him for the role. But he had to quit the movie and leave for overseas to shoot for Feroz Khan's "Dharamatma" as "Sholay" kept getting delayed. Both Bachchan and Sanjeev Kumar, who went on to play Thakur, wanted to take on the villainous part, sensing its potential impact. Bachchan fulfilled his wish with Ram Gopal Varma's much-derided "Ram Gopal Varma Ki Aag" in 2007. At an event years ago, Bachchan recalled how he wanted to play Gabbar after he heard the script. "I told Salim-Javed that I want to play Gabbar. And whoever listened to the story, they all wanted to play the part because it was great character. But in the end, Ramesh ji said that I will play Jai, not Gabbar. "Amjad Khan walked on the set and he was recommended by Salim and Javed sahab. They had seen him perform on stage and were familiar with his work. I never thought that he won't be able to do justice to the character. Though many people felt in the initial days that his voice was not appropriate but that voice became popular," he said. In her 2000 book "Sholay: The Making of a Classic", film journalist Anupama Chopra wrote that Amjad Khan, the younger son of renowned actor Jayant, was struggling at the time. But he had a strong presence in theatre which is where Akhtar spotted him first. But it was Salim Khan who approached the actor for the role as he knew his father. They had bumped into each other on Bandra bandstand. "Salim had heard about Amjad's skills as an actor, and physically he seemed to fit the role. 'I can't promise you anything,' he told Amjad, 'but there is a role in a big film. I'll take you to the director. Agar aapko yeh role mil jaaye, aapki koshish se ya aapki kismat se , I tell you, it is the finest," she wrote, recalling their conversation. The actor grew a beard and blackened his teeth, taking a deep dive into the character that would bring him immense popularity. He followed it up with more villainous parts in movies such as "Inkaar", "Satte Pe Satta", "Hum Kisise Kum Nahin" and "Naseeb". Trying to decode Gabbar's popularity among children as well as adults, Akhtar said it probably had something to do with how free he was from morality or fear. "Why did children liked Gabbar Singh? Even adults liked him. A ruthless man who had no emotional or moral justification for his cruelty. He's totally free from morality, which is tightly wrapped around us like a rope. On some subconscious level, we admire that this person is free," he said in the docu-series. With his catchy rhetorical questions, crazy laughter and boastfulness, Gabbar is a villain that lives on. This article was generated from an automated news agency feed without modifications to text.
Time of India
an hour ago
- Time of India
I wanted to show role reversal between brides and grooms in my music video: Aishwarya
Singer Aishwarya Majmudar whose recent number Nazaara – The Shaadi, is anindependent track, marries the vibrancy of the big fat Indian shaadis with contemporary twist. The Hindi-Punjabi number is aimed at becoming a wedding song for modern brides. In a reversal of roles, the music video shows Aishwarya arriving at the groom's place to surprise him a day before the big ceremony. Contrary to established traditions, the bride is expected to remain coyly behind veils while the groom arrives with pomp. "But in this video it's the bride who owns the moment by dancing, teasing, and demanding a glimpse of her groom behind the sehra. It's a symbolic yet joyful act of flipping the script and reclaiming agency, reflecting the voice of today's bold, confident Indian woman," she says. She adds, 'Weddings are one of the most beautiful celebrations of life. With 'Nazaara – The Shaadi', I wanted to keep the fun and festivity alive, but also challenge the idea that brides have to wait in the background. This bride rides in, makes noise, and celebrates love on her terms — and I think that's something a lot of women will relate to.' "Get the latest news updates on Times of India, including reviews of the movie Coolie and War 2 ."
