Cancel your plans: These brand-new films just hit Netflix, Hulu, Prime and more streaming platforms
1. Echo Valley - Apple TV+
2. Untitled Action-Comedy - Amazon Prime Video
3. Snow White - Disney+
4. Cleaner - HBO Max
Live Events
5. Presence - Hulu
6. The Accountant 2 - Amazon Prime Video
7. The Alto Knights - HBO MAX
8. Mountainhead - HBO Max
9. The Seed of the Sacred Fig - Hulu
10. Mickey 17 - HBO Max
11. Night Call - Hulu
12. Last Breath - Peacock
13. Novocaine - Paramount+
14. I'm Still Here - Netflix
FAQs
(You can now subscribe to our
(You can now subscribe to our Economic Times WhatsApp channel
Not sure what to watch this weekend? Don't worry there are many new movies released on Netflix, Prime, Hulu, and other apps. And to make it easier, we picked the best ones for you. From nineties style rom-coms, to sequels of action thrillers from the noughties, there's just about everything, for just about everyone. Let's check them out. Here are some recommendations as compiled by Yahoo Entertainment and US Weekly.Sydney Sweeney plays Claire, who shows up at her mom's house covered in blood. Julianne Moore plays Kate, Claire's mom, who helps her hide a dead body. A drug dealer named Jackie threatens them both later. It's about a mom and daughter with a strained relationship. You're never sure if Claire is lying or telling the truth. Fiona Shaw plays Jesse, a nosy neighbor.Three jobless actors are hired by London police to go undercover. The actors in the movie are Bryce Dallas Howard, Orlando Bloom, and Nick Mohammed. They use improv to pretend to be real cops but risk getting killed. The movie is full of funny moments, gunfights, and jokes about actors. Sean Bean plays a grumpy police officer.A new live-action movie with Rachel Zegler playing Snow White. She escapes the evil queen played by Gal Gadot and hides with 7 dwarves. The plot resembles the original Disney show. Snow tries to get back her place in the kingdom with help from bandit leader Jonathan. Zegler's performance is the best part.Daisy Ridley plays Joey, a window cleaner and ex-marine. When eco-terrorists led by Clive Owen take over the building, she fights to stop them. The film borrows a lot from Die Hard movies. Directed by Martin Campbell known for James Bond films.A family moves into a new house; teen Chloe senses something weird. She thinks it's her dead friend haunting them. The movie is told from the ghost's point of view. No cheap scares, but creepy vibes and suspense throughout. Directed by Steven Soderbergh.Ben Affleck returns as Christian Wolff, a math genius who's also a hitman. In the sequel of the Affleck blockbuster, the Accountant is on the hunt for a missing family and as always, it's personal. He gets help from his brother Braxton. Siblings sizzle in this action flick which relies heavily on the brother's chemistry.Frank Costello and Vito Genovese are both played by the ever versatile De Niro. Frank wants to leave the mob world, but Vito doesn't trust him. A gang war breaks out between them. Critics called it cliché, but De Niro is still great in both roles.The movie is written and directed by Jesse Armstrong, who also created Succession. Four tech billionaires meet at a ski resort. They face a global crisis caused by one of their inventions. It's a dark comedy about power, ego, and billionaires. Stars Steve Carell, Ramy Youssef, Cory Michael Smith, and Jason Schwartzman.Missagh Zareh makes the elevation from a lawyer's chamber to a judge's bench in Tehran. He realizes the job is corrupt and blindly punishes people. Things get worse when a government gun goes missing at his house. He starts to doubt and fear his own family. It's a powerful political drama about compromise and regret.Robert Pattinson plays Mickey, a worker on a spaceship who keeps getting cloned. He survives one mission but finds his replacement already there. The two clones fight for their life and love interest Nasha. Directed by Bong Joon Ho. Funny, weird, and totally original.A locksmith in Brussels, Mady, is tricked by Claire to open a door. She steals a bag from mobster Yannick and vanishes. Mady is blamed and has to find her during a citywide lockdown caused by a BLM protest. The movie mixes action, thriller, and social themes.Divers Chris, Duncan, and David get trapped underwater. Chris drifts away with almost no air and no way to call for help. His friends must save him before time runs out. It's a very tense and realistic underwater survival film.Nathan has a rare condition, he can't feel pain. When his crush Sherry is taken by bad guys, he goes to rescue her, facing danger without stopping. It's a bloody but fun action movie with a sweet love story.Eunice Paiva lives happily until her husband is arrested in Brazil. He goes underground for a brief period and then starts the long haul for the truth. It's based on a true story from a memoir by Marcelo Rubens Paiva. The movie got 3 Oscar nominations, including Best Picture. Torres's performance is powerful and emotional.You can watch trending movies like Echo Valley, Cleaner, Snow White, and more.These movies are streaming on Netflix, Hulu, Amazon Prime Video, HBO Max, Disney+, and others.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Pink Villa
an hour ago
- Pink Villa
Park Bo Gum, Kim So Hyun's GOOD BOY Ep 7-8 OTT Release: Date, plot, when and where to watch, what to expect and more
With its high-energy action and talented cast, the latest episode of GOOD BOY has once again left fans thoroughly entertained and eager for more. The popular K-drama stars Park Bo Gum and Kim So Hyun. It continues its strong momentum with Episode 6, which premiered today, June 15, 2025. Viewers across the globe are now looking forward to what comes next, and thankfully, the wait isn't too long. Here's when Episodes 7 and 8 will drop Following its usual weekend pattern, GOOD BOY will release Episode 7 on Saturday, June 21, and Episode 8 on Sunday, June 22. The drama follows a 16-episode format, airing two new episodes every week until its conclusion on July 20, 2025. The series initially premiered on May 31, 2025, and has already built a strong global following. It's all thanks to its mix of comedy, crime-fighting action, and emotionally charged moments. Streaming platforms and timing Korean viewers can tune in to GOOD BOY on major streaming platforms, including Netflix and Disney+. The series airs at 22:30 or 22:40 KST, depending on the region. Meanwhile, fans in India and other international regions can stream new episodes every weekend on Amazon Prime Video at 7:10 PM IST. This international release strategy has helped the drama gain momentum with fans far beyond South Korea. It contributes to its growing popularity on social media platforms. What GOOD BOY is all about GOOD BOY brings a refreshing twist to the typical police procedural. The story centers on a unique government initiative that recruits retired national athletes into the police force. This gives them a second chance to serve their country in a completely new way. The drama follows this newly formed team, comprising former champions from various sports, as they take on corruption and threats to public safety. Using their athletic skills, discipline, and mental toughness, these former stars trade podiums for police badges. They bring an unconventional but effective style to law enforcement. Meet the cast At the forefront of the series is Park Bo Gum, who plays Yoon Dong Ju. He plays a former sports icon with a sense of justice and unwavering resolve. Starring alongside him is Kim So Hyun as Ji Han Na, a quick-witted, fearless investigator who balances logic with heart. Her no-nonsense attitude and natural leadership skills make her a force within the group. The ensemble cast also features: Oh Jung Se as Min Ju Young, Lee Sang Yi as Kim Jong Hyun, Heo Sung Tae as Go Man Sik, Tae Won Seok as Shin Jae Hong. Together, they form an unlikely but powerful team that quickly wins viewers over with both humor and heart.
Hindustan Times
5 hours ago
- Hindustan Times
AI-generated dog and cat dramas fetch huge audiences, creators earn millions
Artificial intelligence-generated pet dramas are quickly becoming a viral sensation on short video platforms, drawing in millions of viewers with their emotional storylines and quirky characters. One such hit features a ginger cat who starts out poor and is mocked by a white cat and her wealthy dog boyfriend. The 59-second video then shows the cat working as a construction worker and window cleaner, rising above his circumstances to become rich, ultimately stunning those who laughed at him. The video went viral in April and has since racked up nearly 150 million views. The creator behind this viral content is a Chinese man known online as Ansheng, reported the South China Morning Post. He runs several AI-powered cat drama accounts, two of which have over a million followers, and several others with more than 500,000 each. The success of these clips has translated into income. He shared, 'I could make between 1,200 and 2,000 yuan (US$170 and US$280) from one video with more than 10 million views,' estimating a monthly income of around 20,000 yuan (US$3,000). Ansheng began posting on international platforms after realising that his earnings were limited on local apps. 'On a mainland platform I only made 50 yuan for a video with 8 million views, so I switched to overseas platforms for financial reasons,' he said. Also read: 'Is your filmmaker mother disappointed?': Zohran Mamdani shares Mira Nair's take on his videos Producing the videos is both fast and cost-effective. Ansheng revealed that he spends less than 50 yuan a month by using free AI tools and churns out two to three videos daily. He doesn't even write original scripts, choosing instead to adapt existing ones. In one of his most watched videos, which has 16 million views, the same script used for the ginger cat is repurposed—this time with Disney's Elsa as the lead, while the mocking characters take the form of Snow White and Wonder Woman. Meanwhile, similar AI-generated content is taking off on mainland Chinese platforms, where creators are blending animal characters with traditional mini-drama tropes. One popular style features a Bichon Frise dog playing a poor girl who discovers she's a royal princess. She's ridiculed at the palace until a prince arrives and falls in love with her alone. These melodramatic plots have gained a devoted audience, thanks to their emotional arcs and feel-good endings. The content is also being cleverly used to advertise both pet and human products—ranging from dog shampoo to pasta sauce. Also read: Manali adventure goes wrong: Nagpur teen injured after zipline snaps midair Latang, the creator of a dog drama channel, said the personified pet characters make it easier to advertise items meant for humans. Ansheng echoed this sentiment, adding, 'People do not sympathise with cats or dogs, but the emotions they carry.'
The Hindu
6 hours ago
- The Hindu
How ‘Andor' is shaping the 21st century liberal mind
As a Star Wars fan, I've long been familiar with the strange, combustible ecosystem of its fandom. This is after all that notoriously wretched hive of scum and villainy where grown men in cosplay rail against the 'woke mind virus' they believe Disney smuggled into their decidedly unpolitical galaxy. But in the past few months, something remarkable has been happening. The conversation has veered off its usual course — past the endless gripes about Rey's lineage, past the tired Darth Jar Jar conspiracies and the incessant Filoni-worshipping — and landed somewhere far more charged. Suddenly, posts joking about subredditors ready to be 'tied to a missile and fired at Tel Aviv' started flooding my feed, and astonishingly, people weren't flinching. It's telling. For perhaps the first time, Star Wars seemed to be driven by something more urgent and tangible than nostalgia and merchandising. The idea of political awakening has rarely felt so freshly, almost violently, excavated from the franchise's marrow. And it's all because of Andor. In the month since Andor concluded its second season, the Star Wars spin-off has morphed into a radicalising force for disaffected liberals, post-left thinkers, and a whole generation of Reddit-warped digital revolutionaries. Tony Gilroy's cerebral slow-burn about fascism, imperialism, and the machinery of resistance has slipped the bounds of allegory and re-entered orbit as a cultural touchstone. The series feels so precisely timed that it makes a galaxy far, far away feel disturbingly proximate. In this moment of global exhaustion on political, ethical and ecological fronts, it was perhaps inevitable that Andor would become one of the most politically charged pieces of popular culture in years. But the series, it appears, has gone beyond, galvanising viewers who had until recently remained comfortably aloof from the language and logic of revolutionary struggle. Andor is the bitter pill in the sugarcoated saga of the franchise's space operatics. Of the many spin-offs Lucasfilm has produced in its Disney era, the series has emerged as a taut political thriller for a more mature audience. If George Lucas conceived Star Wars as an allegory for the Vietnam War and American imperialism, then Tony Gilroy strips it down to the bone to reveal the machinery beneath. Diego Luna's Cassian Andor is the titular reluctant hero conscripted by circumstance. His transformation from a disillusioned hustler to an ideologically hardened rebel charts a slow, tragic arithmetic of resistance. Gilroy's writing eschews the romanticism of lightsabers and chosen ones. Instead, it focuses on bureaucratic cruelty, resource extraction, media manipulation, and state-sanctioned terror, all rendered in disconcerting detail. The cartoonish villainy of the Empire from the Originals has now turned into an uncomfortably close reflection of the very real systems that valorise control over justice. In its sophomore season, much of the plot centres on the planet Ghorman, which the Empire has developed a particular interest in. With a visual language that evokes the Paris Commune, Tiananmen Square and the Gaza Strip, the season portrays imperial agents concocting the myth of the insurgent to justify genocidal force. The idea that a Disney series could tilt the political compass of its audience toward a kind of digital Maoism might sound absurd. And yet, scroll through Reddit, Instagram Reels, or Twitter posts from the last two months and a distinct shift in tone is undeniable. The r/Andor subreddit now fuels threads dense with mini-Marxist reading groups, complete with debates on resource imperialism, postcolonial analysis, the ethics of insurrection, and heated reflections on real-world repression. okay let's let them cook for a bit — A-100 gecs (@PinstripeBungle) June 5, 2025 As the genocide in Gaza rages and Los Angeles simmers with anti-immigration crackdowns, this freshly radicalised troup of internet rebels turn to the series for clarity. That it took a Star Wars show to radicalise a chronically online generation feels ridiculous, but as Emerson reminds us, fiction has a way of smuggling in truths. Remember that part in #Andor when all those reporters on Ghorman made it sound like the Ghormans were violent and the Empire HAD to send in soldiers to stop things from getting out of hand but in reality the soldiers WANTED things to get out of hand? Yea, that was crazy huh? — mktoon (@mktoon) June 9, 2025 Andor's dour framings of colonial occupation and the fragmented, often contradictory decisions required to resist it, seem to have spoken directly to a global audience watching democracy buckle under its contradictions. Viewers across the world have taken to the internet to project onto Andor their own experiences. But two particular moments in the global discourse have refracted this phenomenon into something unmistakably real. As the Israeli bombardment and successive blockade of essential services in Gaza has escalated into what international observers, UN rapporteurs, and many across civil society openly describe as a genocide, scenes from Andor resurfaced across social platforms. Clips from the show's depiction of state-sanctioned terror and ethnic cleansing during the infamous Ghorman Massacre, as well as Senator Mon Mothma's powerful speech calling a genocide for what it is, have been juxtaposed with footage from the Palestinian people under siege. For many viewers, the parallels have been far too precise to be coincidental. what is the most sickening about this is that it's not even fiction. As soon as you open the news this is exactly what is happening in Gaza. #Andor is a brilliantly fictionalised reflection of our current reality. — Hannah (@skywalkrbxcky) May 8, 2025 To be clear, Andor is not about Gaza. It is neither a parable nor a direct allegory, at least not officially. But the manner in which Gilroy and his team of writers evoke the psychological texture of the paranoia, the fragmentation of solidarity, and the calculus of sacrifice of life under occupation, has created a cultural conduit through which people are making sense of horrors unfolding in real time. Posts reading 'Ghorman is Palestine' began circulating. One Reddit user wrote, 'Never have I felt more on the side of the Palestinian cause than after watching this. I understand resistance in a way that I never had before'. It's impossible not to see the parallels between the Imperial plan for Ghorman in Andor season 2 and what has been happening to the Palestinians in Gaza. — Matt K. (@MattJKoe) May 8, 2025 Meanwhile, as Southern California has become an unexpected epicenter of anti-immigration protests, Trump has unleashed the National Guard on protestors, branding them 'insurrectionists'. In just three days, federal agents raided shops and day-labour centers in broad daylight, kitted out like Call of Duty villains with drones, tear gas, unmarked vans; all to hunt undocumented workers guilty only of crossing borders drawn over their ancestors' land. This is the same thing. Stay safe, my friends — Punch It Chewie Press (@PunchitChewie77) June 8, 2025 Videos from LA circulated showing police evicting migrant families from public shelters, blocking access to water distribution points, and cordoning off aid stations under the pretext of 'order.' Soon, stills of protestors being tear-gassed collided online with excerpts from Nemik's The Trail of Political Consciousness. The final bequest of the doomed young Trotskyist is this revolutionary manifesto. 'Freedom is a pure idea,' he writes. 'It occurs spontaneously and without instruction.' His words now permeate every neo-communist twitter page or Instagram account like digital samizdat. Remember this: the imperial need for control is so desperate because it is so unnatural. Tyranny requires constant effort. It breaks, it leaks. Authority is brittle. Oppression is the mask of fear. Remember that. — major fartagaz | Andor Forever (@fartagaz) June 9, 2025 Across the internet, Star Wars fans began overlaying scenes of Andor with footage of National Guard crackdowns and ICE raids. Even symbols of the (Star Wars) Rebellion began sprouting up in solidarity, captioned, 'Los Angeles, you have friends everywhere.' Today, as tens of thousands filled the streets in the United States as a part of the 'No Kings' uprising against Trump's jingoist military parade in the capital, the iconography of rebellion was everywhere, with banners scrawled with 'I have friends everywhere' making their way across the country. Elsewhere, Californian State Secretary Alex Padilla's forcible removal and Governor Gavin Newsom's Palpatine-laced rebukes of Trump have fused into the Andor-fuelled consciousness of the chronically online. Clips of Padilla being dragged from a press conference in full view of cameras are being circulated alongside the uncanny echo of Ghorman Senator Dasi Oran's silencing in the series. It's getting scary how Andor is reflecting real life — Brooks | 🏳️🌈 (@brookstweetz) June 12, 2025 Meanwhile, Newsom's Palpatine parodies of Trump's Truth Social rants have weaponised the symbolism of Star Wars against its own American iteration of the Empire. A ONCE GREAT AMERICAN CITY HAS BEEN OCCUPIED! — Governor Newsom Press Office (@GovPressOffice) June 10, 2025 Outside the show, Andor has spurred a strange and telling shift in perception. Many of those who began watching the series for its impeccable production value and claims of 'peak Star Wars', have found themselves grappling with the banality of evil and the mechanisms of imperial propaganda that might be hitting a little too close to home for comfort. If there is something almost surreal about this convergence of pop fiction and real-world atrocity, it may lie in the friction between what Andor shows and what it withholds. What has made Andor's political afterlife different from that of earlier cultural moments is its sincerity. None of this feels ironic or decorative. The Maoist memeification is tongue-in-cheek, but the desire behind it is very real. The jokes about 'joining Hamas' after watching Andor feel inane, but aren't entirely facetious. At the very least, Andor has made political violence or armed resistance thinkable again. People are not simply pretending to be rebels. They are looking for models of survival, action, and integrity in an apathetic world that is collapsing around them. In this way, Andor didn't ignite the moment so much as give it a grammar. It gave the disillusioned a way to articulate something beyond despair. A franchise born of mythic messiahs has turned messiah-skeptic, embracing a new insurgent modernism that's finally ready to ask the only question that counts: What must be done? And the answer feels increasingly inexorable. One way out. Of course, one shouldn't overstate the case. Watching Andor does not a cadre make. It is still a piece of fiction, nestled within a media empire whose primary function is to generate profit. But Andor proves that even in the most commodified corners of culture, something meaningful, germane and subversive can take root.
