
British marathon runner Holly Archer responds to critics who took aim at her event attire
Recommended Videos
Published May 7, 2025 10:04pm EDT
Holly Archer completed the London Marathon in less than three hours.
But before she crossed the finish line in 2 hours and 39 minutes, Archer contended with some unexpected commentary related to her appearance.
Archer appeared to wear a pair of running briefs as she ran the race, which apparently grabbed some fans' attention during the 26-mile event.
A video shared to Archer's social media platform was inundated with comments.
CLICK HERE FOR MORE SPORTS COVERAGE ON FOXNEWS.COM
Some social media users claimed the 31-year-old seemed "uncomfortable," while others argued elements of the outfit closely resembled a woman's swimsuit.
CLICK HERE TO GET THE FOX NEWS APP
Archer caught wind of the chatter and responded to critics by asking, "Should I have worn a tracksuit?"
Follow Fox News Digital's sports coverage on X, and subscribe to the Fox News Sports Huddle newsletter.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Business of Fashion
30 minutes ago
- Business of Fashion
Who Would Pay $20,000 For a Hamburger Ring?
'Square cut or pear shape, these rocks won't lose their shape,' sings Marilyn Monroe's Lorelei Lee, fit with a sparkling Art Deco diamond collar and cuffs, in the 1953 classic 'Diamonds are a Girl's Best Friend.' Today, Lee might have more flexible tastes. A new wave of designers are proving women don't just want any old diamonds — they want diamonds in the form of cherry earrings, zodiac charms, rings that say 'press for champagne,' and bracelets that mimic coiled wires and spell out 'I <3 U,' too. Novelty fine jewellery is having a moment. Designers including Lauren Harwell Godfrey, Carolina Bucci, Nadine Ghosn, Lauren Rubinski and Marie Lichtenberg pair the seriousness of their materials (18 karat gold, diamonds, rubies and emeralds) with an irreverent approach previously associated more with fashion and costume jewellery. Though the designs are light, they come with a hefty price tag: Ghosn's stacked ring made to look like a hamburger goes for over $25,000, while an apple pendant from London-based Jessica McCormack's Summer 2025 fruit salad collection runs $10,000 — and a polished emerald pearl and diamond piece is priced upon request. Meaghan Flynn Petropoulos, founder of the jewellery showroom Necessary Excess, said such pieces were a small part of even the more avant-garde leaning collections she carried just a few years ago. But retailers' interest is rising, and more brands are putting out entire collections based around funky motifs. The novelty factor is helping to keep jewellery sales growing even as overall spending on luxury goods is in a global slump. Last year the jewellery market grew 2 percent, while apparel declined 2 percent, according to Bain & Company. There are plenty of reasons for the two categories to diverge, but a big element is that shoppers are looking for a distraction, and a cute, diamond encrusted frog ring provides exactly that. 'In times of trouble or uncertainty you want pretty things,' said Frank Everett, vice chairman of jewellery at Sotheby's. 'People want things that make them happy,' The more playful approach is also in line with fashion's decades-long trend toward casualisation, said Melinda Zeman, founder of Hong Kong-based label Boochier. Shoppers want diamonds they can wear with their jeans, to the grocery store, or to the beach. McCormack, who sells a collection of what she calls 'Day Diamonds,' said she's seen a number of requests for anklets recently. 'People don't want to wear a seven karat solitaire out because it feels so dressy,' said Zeman. 'The way people dress has changed.' Jewellery's Novelty Bug Novelty and play have always flourished in jewellery, said Everett. Cartier's Nail and Love bracelets, based on nails and screws, were created by Juste Un Clou in 1971 and continue to drive sales for the brand. In the 19th century, designers were obsessed with natural forms including realistic bugs, in the 1930s, whimsy was everywhere, said Everett, who added some of Sotheby's recent hits recently have been a Raymond Yard broach shaped like a house, and a martini charm bracelet from the collection of Bunny Mellon. Independent designers kicked off the latest novelty wave. 'When I did the burger in 2016, everyone was like 'no one is going to buy that with 18 Karat gold and diamonds',' said Ghosn, who also makes paper clip bracelets, a ruby 'low battery' necklace, french fry cufflinks and bangle made to look like a bent spoon. 'There was zero appetite and zero risk taking with regards to something different than the conventional.' After putting out the pencil bracelet a decade ago, she steadily sold around 20 per year. This year, she has exceeded 100 orders — and even launched a new 'chewed' edition, fit with bite marks. McCormack's brand, known for its chandelier earrings, torque necklaces and engagement rings, has dropped smiley face pendants and 'Hello Sailor,' nautical collection featuring striped pearls and fishhook pendants. To her surprise, even her highest-echelon of serious clientele bought into the playful pieces. For jewellery customers that already have the basics, novelty offers a new incentive to purchase. 'It's tongue-in-cheek, the world of diamonds can be very serious,' the designer said. Women buying their own jewellery — as opposed to waiting for men to buy it for them, a historically large but gradually shrinking share of the market – are also more open to bolder pieces. Zeman launched Boochier after she couldn't find anything to commemorate the birth of her third child. 'Everything felt so classic and extremely feminine,' said Zeman. 'Nothing I saw represented what I wanted to wear myself.' Now, she sells a range of curly gold bracelets made to look like slinkys, earrings that mimic tetris pieces and collars and bangles made of customisable Gameboy-inspired letters: one recent commission read 'Howdy Yall.' The most out-there designs also tend to market themselves, spreading by word of mouth and on social media. Designer Carolina Bucci first built a name for herself with the 'lucky bracelet,' 18 karat gold woven to look like a friendship bracelet (and worn by Carrie Bradshaw throughout the last season of 'Sex and the City'). Her Forte Beads, which imitate the breezy colourful plastic beads children play with (starting at $1,370 and $690 respectively) pop on social media. 'Jewelry is not easy to photograph and to transmit the intricacy or preciousness of it … anything to do with the beads gets so much more attention and spread because it's visually easier,' said Bucci. Growing Difficulties The appeal of novelty often goes beyond its tone. It's technically challenging to get the agate, tiger's eye, jasper, lapis lazuli and amethyst she uses for her beads into that exact shape with a wide hole, said Bucci. Ghosn chose to make a bracelet of heart-shaped colour diamonds when she collaborated with Swiss diamond label Gubelin in March because it's challenging to cut diamonds into that shape, she said. One of Lichtenberg's signatures is a $31,240 pendant made to look like a magic eight ball toy. 'It's like [doing] triple flips in ice skating,' said Lichtenberg. 'It looks easy [because] my pieces are laid back and funky, but the intricacy and difficulty is cool.' How brands showcase these designs is often more casual, and social-first — marked by shots of wrist stacks, necklaces over T-shirts and even next to candy necklaces in the case of Boochier. 'I'm not polished, I'm not photoshopping,' said Ghosn. 'I think [traditional brands] are surprised to see a product can remain that high a luxury item without that perfection.' The approach makes clients feel like they can DM questions, like what a piece looks like in a different size, or next to specific colour, said Zeman. But amid the play, market headwinds are building. The rising price of gold is creating uncertainty that could make already risky experimentation more difficult. Litchenberg said the price of gold 'killed [her] margins in the last three to four months.' Shoppers are already pushing back against ultra-high prices in other luxury categories, such as handbags. Still, everything is getting more expensive, said Ghosn, which makes it all the more important for brands to offer something different and personal. Plus, this approach started resonating more post-pandemic when people needed a pick-me-up — and they still do, said Flynn Petropoulos. 'The things that are compelling people to spend right now are based on a feeling,' said Flynn Petropoulos. 'We're not in a space politically where anyone is looking for anything less than uplifting … If people can invest in something that maintains its value literally [in the price of gold] and figuratively in their mood, I don't see [the trend] slowing down.'


Washington Post
an hour ago
- Washington Post
Panthers can move to the verge of winning the Stanley Cup again if they beat the Oilers in Game 4
FORT LAUDERDALE, Fla. — Leading the Stanley Cup Final 2-1, the Florida Panthers can move to the verge of a second consecutive championship if they beat the Edmonton Oilers in Game 4 at home Thursday night. The Panthers were upbeat and relaxed at their final full practice before the potential swing game, with players downplaying the gravity of the situation.


New York Times
2 hours ago
- New York Times
Is Mikel Arteta's intensity wearing Arsenal down?
Arsenal's transformation under Mikel Arteta has been undeniable. After finishing eighth in the Premier League in his first two seasons following his appointment in December 2019, Arteta guided them to fifth in 2021–22 and then to three consecutive runner-up finishes. In 2024–25, the 43-year-old Spaniard also led Arsenal to their first Champions League semi-final since 2009, where they were beaten 3–1 on aggregate by eventual winners Paris Saint-Germain. Advertisement Like many top managers, Arteta is known for his intensity. But after another season of missed opportunities where Arsenal's league form tailed off late on, is that intensity wearing his side down? This was one listener's question that Ian Stone, Adrian Clarke and Art de Roché delved into on the latest episode of Handbrake Off. A partial transcript has been edited for clarity and length. The full episode is available to listen to via the Handbrake Off feed on Apple Podcasts and Spotify. Ian: This question is from Richard (listener) who asked, 'Do you think Mikel Arteta's intensity has led to squad fatigue? They can't even have a relaxing dinner together without a pickpocket stealing their things.' If you don't know the context of that, you really need to look it up. But Adrian, do you think his intensity has led to squad fatigue? Adrian: I wouldn't say that's an issue, although mental fatigue is a thing. I do think that if you have an intense manager and someone who does a lot of talking, you do need to have something tangible at the end of it sooner rather than later. So there is a bit of pressure now on Arteta to deliver trophies because if you're listening to the same guy giving you team talks year in and year out, but you're not winning stuff, sooner or later there is a danger that some might stop listening. Or they may stop listening as intently, and not have that same level of buy-in, so there is a threat of that. But I don't see it as being a problem in the here and now. That's why it's so important that you refresh the squad each year with new faces, and faces that are really into what the manager is saying. That can then be really infectious, and it rubs back off on the players, and together as a group they maintain that total buy-in. That can be the same with staff members, because certain managers who stay at clubs for a long time do refresh their backroom team. That's something maybe to consider if not this year, next year, just to have a fresh voice. I do think that's important, especially if you haven't got over the line yet and you haven't climbed that mountain. But we don't know what goes on behind the scenes. I'm pretty sure that they get plenty of downtime and can also have a laugh. I'm sure Arteta's not always on them, we don't see all of that, but I'm sure they have plenty of laughs and time off. Advertisement Ian: Art anything to add to that? I agree with you Adrian that we don't know what's going on behind the scenes. There's no doubt Arteta's intense, and Ethan Nwaneri touched on that when you spoke to him Art, but it's not like he's on them 24 hours a day. I remember Man United's young players talking about when Sir Alex Ferguson was on the phone asking, 'Where are you? Why aren't you home yet?' And all that stuff. But that's what you need, you need full focus. It's not like we haven't played great the last few years, we're just trying to get over the line. Art: Yeah definitely, and what Adrian said about refreshing things is quite interesting as well. The manager that actually came to my mind was Sir Alex Ferguson when Adrian mentioned the backroom staff. I remember he changed his assistant manager every few seasons, and it seemed to work quite well. But also if we talk about just general fatigue in terms of fitness, I think that's where the squad building comes into it as well. Because if you look at the last couple of seasons, and I know we've spoken about it before, the knock-on effect of having one injury means that one player might have to play a lot more than expected. We've seen it at right-back with Ben White and Jurrien Timber, where Timber's ACL injury meant White had to play a lot more minutes than expected that season, and it came back to haunt him. Ian: So you think that affected him the year after with the injury? Art: Yeah potentially because he ended up playing pretty much all the minutes, so all of that factors into it too. There's physical fatigue alongside mental fatigue as well. But hopefully, a lot of these players without the Club World Cup and no real men's international tournament this summer get a good rest. Remember, can listen to full episodes of Handbrake Off for free on Apple Podcasts and Spotify. (Top Photo:)