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Canada's G7: An awkward AUKUS moment

Canada's G7: An awkward AUKUS moment

Chris Green, who works at the park near Burford, raised £2,500 for Prostate Cancer UK with the shave during Men's Health Week, which is running from June 9 to 15.
Mr Green said: "This is a charity close to my heart as unfortunately two of my friends are currently receiving treatment for this disease.
Chris Green having his head shaved by penguin keeper Laura (Image: Philip Joyce) "Prostate Cancer UK have been such an incredible support during their time of need, I really wanted to do something to raise funds for such an amazing and life-changing charity."
Mr Green has worked at the park for 18 years and is well known for his impressive beard, which he had been growing for nine months before the fundraiser.
The challenge was carried out beside the penguin pool by penguin keeper Laura, with a curious penguin named JJ watching on.
Chris Green with penguin JJ (Image: Philip Joyce) JJ was the first penguin Mr Green helped to hand-rear when he started at the park in 2007.
Following the shave, his beard and hair clippings are being put to good use as bedding for the park's rodent species.
Visitors, friends, and staff rallied around to help him pass his original fundraising target of £500, and he is still collecting donations online.
Chris Green having his beard shaved (Image: Philip Joyce) Mr Green said: "My new look may have raised a few eyebrows but it has also raised a lot of money for one of my favourite charities.
"I'm lost for words at everyone's generosity. Thanks to all those who have supported me."
He has promised to keep the 'halfsie' for another week to raise further funds, with visitors at the park continuing to donate after hearing his story.
Chris Jarrett, director of fundraising at Prostate Cancer UK, said: "We're so grateful for the innovative support of Chris, who for many years has been a passionate supporter of many great causes.
Chris Jarrett, director of fundraising at Prostate Cancer UK, Chris Green, and bird keeper Laura (Image: Philip Joyce) "We're told he never does things by halves, so this hair-raising challenge is fitting and will certainly make him hard to miss.
"We thank him and Cotswold Wildlife Park for raising crucial funds and amazing awareness too.
"Prostate cancer is the most common cancer in men and an early diagnosis can save your life.
"Chris' story illustrates just why more men need to be aware of the risk of prostate cancer.
"Men are at higher risk if they are over 50, black, or have a father or brother who has had prostate cancer.
"Anyone with concerns should visit the charity's online risk checker.'
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Acclaimed conductor, Sir Roger Norrington, dies aged 91
Acclaimed conductor, Sir Roger Norrington, dies aged 91

ABC News

time9 hours ago

  • ABC News

Acclaimed conductor, Sir Roger Norrington, dies aged 91

Sir Roger Norrington, the trail-blazing pioneer of the early music movement, died last week aged 91. He had one of the biggest impacts on classical music of any conductor of his generation. With ensembles these days regularly getting standing ovations for concerts on original instruments, it's easy to forget how far the music world has evolved in terms of audience acceptance, even reverence for historically informed performance thanks to radical innovators like Norrington. When he first began evangelising for "authentic" performances of baroque music in the 1960s — rearranging orchestras on stage, thinning the strings down to the numbers composers wrote for and all playing on gut strings without vibrato — many of his musical colleagues and critics were outraged. But Norrington persevered with forensic scholarship and an evangelistic fervour, taking his almost pathological aversion to vibrato into the realm of modern-instrument orchestras. One of his favourite chapters in his musical journey, he said, was working for 15 years with the Stuttgart Radio Symphony orchestra. During his time as principal conductor from 1998, he created "the Stuttgart sound"; what he believed was a near-perfect synthesis of historically informed music-making with the means of a modern and flexible orchestra. When they played Elgar's first symphony at the BBC Proms in 2008 without vibrato, critics said he'd gone too far. However, Norrington argued orchestras in Elgar's time played with much less vibrato than they do today. When he conducted the traditional encore of Land of Hope and Glory on the Last Night without vibrato, he asked the audience with his customary wry humour: "Can you sing with a bit more vibrato, please?" Audiences loved him. As Norrington pointed out to anyone who would listen: "The fact is orchestras didn't generally use vibrato until the 1930s. It is a fashion, like smoking, which came in at about the same time. Smoking has gone, so maybe vibrato will too." These days Norrington's brisk tempi, his scholarly, historically focused approach and what he loved calling "pure tone" are the norm, and he had much to celebrate in his last years. He has left behind a rich legacy of thousands of concerts world-wide and more than 150 recordings. Beyond his revolutionary impact on early music, with the Heinrich Schütz Choir he founded in the 1960s, and later his long-running London Classical Players (1978-97) which morphed into the Orchestra of the Age of Enlightenment, Norrington extended the concept of "period performance" to music of the 18th and 19th centuries. When he lapped at the door of 20th century music and shared his expertise with non-period instrument symphony orchestras, the musicians would say: "We've come for a detox, maestro." Norrington was unorthodox from day one, but always a team player. If you look at some of his concerts on YouTube, you'll see he usually conducted in rehearsals and concerts from a swivelling office chair; often chatting to the audience and encouraging them to clap between movements. "You are part of the team," he insisted. Part of his secret was bringing irrepressible joy to his music making. His aim, he always said, "is to re-create as best as possible, the original sound the composers would have heard; to honour their intentions". To that end, he always tried to disseminate his scholarly findings in revelatory liner notes on his recordings and "Experience Weekends". In these early outreach, total immersion programs — part marathon concert and part musicological seminar — he'd focus on a single major work or composer with performances backed up by lectures and open rehearsals. In 1991 Norrington was diagnosed with a malignant brain tumour. After surgery, doctors gave him months, then weeks to live. He began to say his goodbyes. Then he discovered an unconventional New York cancer doctor and, although he had to take a lot of medication, made a miraculous recovery. In 2021, he announced his intention to retire, giving a "no fuss" all-Haydn concert as his swan song outside London, at the Sage music venue near Newcastle in the north of England, with the Royal Northern Sinfonia. When asked if he'd be writing his memoirs next, he replied: "For my family only. No, I am not that interesting." Norrington was born into a musical family in 1934. His parents met while both were performing in a Gilbert and Sullivan amateur production. His father was President of Trinity College, Oxford, and inventor of the Norrington Table — the unofficial college listings according to academic success! Norrington learnt violin, sang as a boy soprano and later as a tenor after the family returned home to Oxford when he was 10. They evacuated to Canada during the war. "I found these musty old records. Some of the Beethoven was a bit difficult at first, but the Bach Brandenburg No. 6 was wonderful," he said. "I played it a hundred times a day. If this was so-called serious music, then it was for me." But he thought, like his parents, that he would spend his life making music in his spare time. He initially read English literature at Clare College, Cambridge, where he was a choral scholar, and then took a job at Oxford University Press, where he published religious books. Just as the English language has changed since 1800, he argued, so had the language of music. Although he sang and played in orchestras and quartets in his spare time, and saw conductors like Colin Davis, Giulini and Furtwängler in action, it wasn't until Norrington was 28 that he decided to take music more seriously, founding his Schütz choir. He was inspired by a new publication of the 17th century composer's church music that was virtually unknown, so there was no modern performing tradition. Their first London concert sparked a sensation. At that concert was the principal of the Royal College of Music, who offered him a place. Norrington then found himself studying conducting with Adrian Boult, learning composition and music history, however he bemusedly recalled he didn't have to do exams. "I don't even have grade one recorder," he said. In 1969 Norrington became the first director of Kent Opera, cutting his teeth in every production the company staged for more than a decade. Few associate him with opera but he has conducted more than 500 opera performances and made many recordings too. His approach was always to create everything afresh by going back to the sources and presenting the work as though it was a premiere. Before he retired, Norrington was asked about his extraordinary longevity and relationships with musicians. "I've always tried to earn rather than command respect," he said. "When you're older they're all younger than you and they think: 'Well, he must be good — he's been around such a long time, I had his records when I was 16!'" When he conducted the Last Night of the Proms concert in 2008, Norrington spoke movingly to the audience about what music meant to him. Get the latest classical music stories direct to your inbox

'Concrete and glass monstrosity': Ellen DeGeneres' newly-built home in UK roasted following her departure from US to avoid Trump presidency
'Concrete and glass monstrosity': Ellen DeGeneres' newly-built home in UK roasted following her departure from US to avoid Trump presidency

Sky News AU

time12 hours ago

  • Sky News AU

'Concrete and glass monstrosity': Ellen DeGeneres' newly-built home in UK roasted following her departure from US to avoid Trump presidency

The new home of Ellen DeGeneres has been dubbed a "monstrosity" following the former daytime television star's move to the United Kingdom. After only moving to the UK in 2024 with her wife, Australian actress Portia de Rossi, the couple have now put their $20 million (£15 million) Cotswolds farmhouse on the market and have moved into a hilltop mansion in Oxfordshire. The single-storey home was built by a UK-based developer, describing the glass-fronted house as an attempt at redefining "rural modern living". The monolithic building has been described by businessman and utility industry expert Steve Loftus as a "concrete and glass monstrosity" while another described the design as a "genuine hate crime". Others took aim at the new home, which the couple ultimately moved into following a series of reported issues at their farmhouse, including flooding. "The inside of Ellen DeGeneres' home in the Cotswolds is totally devoid of any I mean... Not only did she likely pay a fortune for the build, she also probably paid an 'interior decorator' for this. It looks like a prison," one said on X. "She had total control over the design and she went with 'unfinished bunker but with more grey and less functionality'. Says a lot about her personality (or lack thereof)," another wrote. "I'm struggling to see any 'farmhouse roots'! It's a brutalist bunker," a third said. Another compared the residence to that of a home of a villain in the James Bond film series. The home is about a 30-minute drive from the farmhouse, and fans of the celebrity couple got a glimpse into the view from their house in April when Ellen posted a photo of de Rossi who was photographing a rainbow from their front yard. The criticism over DeGeneres' new home comes after she confirmed she and her wife permanently relocated to the UK after Donald Trump's return to the White House. The 67-year-old comedian made the candid admission during a live conversation with BBC broadcaster Richard Bacon at the Everyman Theatre in Cheltenham on Sunday. DeGeneres explained the pair initially planned to spend just a few months each year in the UK and purchased what they believed would be a "part-time house" in the Cotswolds in 2024. But the couple decided to stay put after Trump defeated Democratic nominee Kamala Harris in the latest US election. "Everything here is just better," she said of the UK. "We got here the day before the election and woke up to lots of texts from our friends with crying emojis, and I was like, 'He got in'. "And we're like, 'We're staying here'."

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