
Ginny & Georgia Season 3 – Release Date, Schedule, How To Watch
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources.
Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content.
Entertainment gossip and news from Newsweek's network of contributors
It's been over two years since we saw Antonia Gentry and Brianne Howey on our screens as Ginny and Georgia Miller, but they return this Thursday, June 5, for season three of the hit Netflix series Ginny & Georgia.
Season two ended with a devastating blow to Georgia's fairy tale ending when she was arrested during her wedding for the murder of Tom.
Ginny & Georgia. Brianne Howey as Georgia Miller in episode 301 of Ginny & Georgia.
Ginny & Georgia. Brianne Howey as Georgia Miller in episode 301 of Ginny & Georgia.
Amanda Matlovich/Netflix
Now, Ginny and Georgia's relationship is put to the ultimate test as they navigate this new chapter, and to help you be the first to tune in, we've put together a guide below on how to watch Ginny & Georgia season three, including Ginny & Georgia season three release time and Ginny & Georgia season three release date.
Ginny & Georgia Season 3 Release Date
Ginny & Georgia season three will be available to stream on Netflix on June 5, 2025.
All episodes of Ginny & Georgia season three will land on Netflix at once.
Will All Episodes of Ginny & Georgia Season 3 Be Released at Once?
Yes, all ten episodes of Ginny & Georgia season three will be available to stream on Netflix from June 5.
Ginny & Georgia Season 3 – How to Watch
Ginny & Georgia season three will be available on Netflix from Midnight Pacific Time (PT) on June 5, 2025/3 am Eastern Time (ET).
You will need a Netflix subscription to stream season three of Ginny & Georgia. A standard subscription with ads is $7.99 per month, and a standard no-ads subscription starts at $17.99 per month.
What Time Does Ginny & Georgia Season 3 Come Out?
Ginny & Georgia season three will debut on Netflix at Midnight (PT) on June 5, 2025/3 am Eastern Time (ET).
Here is when Ginny & Georgia season three will be available to stream in your time zone:
June 5
BRT : 4:00 am
: 4:00 am BST : 8:00 am
: 8:00 am CEST : 9:00 am
: 9:00 am IST : 12:30 pm
: 12:30 pm JST : 4:00 pm
: 4:00 pm AET : 5:00 pm
: 5:00 pm NZDT: 7:00 pm
Ginny & Georgia Season 3 Release Schedule
All ten episodes of Ginny & Georgia season three will be released on June 5.
What Will Happen in Ginny & Georgia Season 3?
The official synopsis for season three of Ginny & Georgia, as per Netflix, reads:
Georgia has just been arrested for murder during her wedding - ruining her fairy tale ending and putting the spotlight on the Millers like never before. It's always been Ginny and Georgia against the world, but the world has never come for them quite like this. Now, Ginny needs to see where she stands when push comes to shove – Is the two of them against the world something Ginny really wants to sign up for?
How Many Episodes Will Season 3 of Ginny & Georgia Have?
Season three of Ginny & Georgia will have ten episodes.
Ginny & Georgia Season 3 Episode Titles
Episode One: This Wouldn't Even Be a Podcast
This Wouldn't Even Be a Podcast Episode Two: Beep Beep Freaking Beep
Beep Beep Freaking Beep Episode Three: Friends Can Dance
Friends Can Dance Episode Four: The Bitch Is Back
The Bitch Is Back Episode Five: Boom Goes the Dynamite
Boom Goes the Dynamite Episode Six: At Least It Can't Get Worse
At Least It Can't Get Worse Episode Seven: That's Wild
That's Wild Episode Eight: Is That a Packed Lunch?
Is That a Packed Lunch? Episode Nine: It's Time for My Solo
It's Time for My Solo Episode Ten: Monsters
(as per Netflix)
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Newsweek
30 minutes ago
- Newsweek
Foster Puppy Shaking in 'Pain and Fear', Little Girl Knows Just What To Do
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. A puppy who was rescued in the most distressing of circumstances has found comfort and safety, thanks to the efforts of one little girl with a big voice. Nani was one of three puppies found huddled close together in a cardboard box by police in Drost Park, Maryville, Illinois on Wednesday, May 21. By the time they made it to Metro East Humane Society (MEHS) in Edwardsville a little later that day it was clear the pups were in a bad way. "They were shaking out of both pain and fear, and they smelled like yeast," Mady O'Reilly, Development Manager at MEHS, told Newsweek. "They were all suffering from a severe case of demodex mange that was left for too long without treatment, which then turned into an infection." Nani was serenaded by Aspen Fisher. Nani was serenaded by Aspen Fisher. Metro East Humane Society The three puppies were given the names Nani, Lilo and Stitch, in honor of the Disney movie, Lilo & Stitch. Why they were abandoned in such distressing circumstances is unclear, but O'Reilly is keen not to pass judgement. "It's easy to imagine and say the worst about whoever left these pups, but the bigger picture is that on a national level there are more animals than homes, vet care is expensive, and too many people are overwhelmed without support," she said. MEHS immediate focus has been on ensuring Nani, Lilo and Stitch get the care they need. Finding foster homes for each of the three puppies was the first step to that. "They have all landed in separate foster homes where they get medicated baths every 3-4 days with some additional oral antibiotics and pain medication to keep them comfortable as they heal," she said. Aspen Fisher and her brother Chase have been helping their mom care for Nani. Aspen Fisher and her brother Chase have been helping their mom care for Nani. Metro East Humane Society All three dogs will have check-ups with the MEHS veterinary team and, in time, their coats will heal. At that point they can begin to think about adoption. For now though, the focus is on healing, which is something the MEHS foster carers play a key role in. O'Reilly said: "Our vet staff is amazing, but there are SO many pets to care for and keeping a consistent medicated bath schedule is much more attainable in a foster home. Not to mention how much more comfort fosters are able to give than a shelter kennel." Studies have shown the impact this one-on-one care can have on a shelter dog. In 2018, a study in the journal Applied Animal Behavior Science concluded that just 15 minutes of one-on-one petting was enough to boost the wellbeing of a shelter dog. Footage captured by Nani's new foster carer, Nev Fisher, has further highlighted the important role family settings like hers can play in helping shelter dogs. Fisher's two children, Aspen, 8, and Chase, 10, have always taken an active role in caring for the foster animals that come into their home. Aspen Fisher helping care for Nani. Aspen Fisher helping care for Nani. Metro East Humane Society O'Reilly said: "Before Nani even went to foster with the Fishers, I got a text from Nev who said her son Chase, after seeing a picture of Nani, had said 'those puppy's eyes are like sparkling brown diamonds desperate to be fostered.'" It was clear Nani was headed to the right home to help her recuperate but if any further proof was needed, it came in a moment captured by Fisher, showing her daughter Aspen serenading Nani, from just outside her crate. "Don't cry," Aspen sings in the video. "You'll feel better in no time." O'Reilly couldn't help but get emotional watching the footage. A clip of Aspen singing, shared on the @metroeasthumanesociety's TikTok page at the end of May, amassed more than 1,000 views alone. "I was fighting back tears," she said. It was one thing for her to be singing to her, but the lyrics? There's so much to be said about the healing connection of pets and people, and that moment just about says it all." While there's a long road ahead before Nani can begin to imagine a forever home of her own, it's clear she's in the best possible place to help her get there and so much of that is down to Fisher, Aspen, Chase and everyone at MEHS. "It really just is so inspiring to see the next generation of animal advocates jumping in and just understanding exactly how important their role is in making the world a safer place for pets like Nani," O'Reilly said. "It makes doing the hard work we do on a daily basis feel less isolating to know we're not alone in this and that more help is not just coming - it's here."


Newsweek
30 minutes ago
- Newsweek
Angel Studios Builds Christian Film Empire Outside Hollywood System
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. Angel Studios, best known for its breakout hit Sound of Freedom, is challenging Hollywood by focusing on a market often overlooked by major studios: faith-based audiences. Founded in 2013 by Neal Harmon and his brothers Jeffrey, Daniel, and Jordan, the independent Christian media company emerged from a desire to find uplifting content for their children. Jeffrey Harmon, the studio's co-founder and Chief Content Officer, told Newsweek that they're thriving because Hollywood has an "allergic reaction to faith content." Challenging the Hollywood Model Angel Studios had their first major breakthrough with the 2023 release of Sound of Freedom. The Jim Caviezel movie, based on the real-life efforts of Tim Ballard to combat child trafficking, became an unexpected smash success. Initially projected to gross $25 million, it went on to make over $250 million worldwide and become one of the most successful independent movies of all time. "That takes a movie that has a viral element to it. You can't just force market into that big of a movie," Harmon told Newsweek. Angel Studios co-founder Jeffrey Harmon speaks with Newsweek about their new series "Testament," the lack of religious films in the industry and whether Hollywood is dying. Angel Studios co-founder Jeffrey Harmon speaks with Newsweek about their new series "Testament," the lack of religious films in the industry and whether Hollywood is dying. Photo-illustration by Newsweek/Getty/Canva Since then, the studio has steadily released a string of more minor movies and TV shows. Animated movie The King of Kings, a loose adaptation of Charles Dickens' The Life of Our Lord, was released in April and made $67 million at the box office. Their most recent live action movie, The Last Rodeo, was released in theaters on May 23. Its not just that Angel Studios is a Christian media company that makes it different from the rest of Hollywood. The studio relies on an unconventional model where projects are greenlit by the Angel Guild, a community of over 1 million members who pay monthly dues and vote on which projects move forward. "Rather than a dozen people in Hollywood making all the decisions... we have 1.2 million people... and they are voting on all the movies," Harmon explained. Though Harmon sometimes disagrees with the guild's decisions, he says their collective judgment often outperforms his own. "When you have a million people having their voices heard, they know better than I do." Tapping Into a Growing Christian Audience In early 2024, Pew Research Center reported that 62 percent of American adults identified as Christian. Despite this, the number of Hollywood movies featuring Christian themes remains few and far between. Harmon said Angel Studios is uniquely positioned to serve this demographic. "Those people want to have more of their faith represented in movies and TV series, and we're able to provide that." Rather than waiting for traditional studios to cater to this audience, Harmon says, "We're saying, 'That's fine, we'll take them.' We'll provide authentic, faithful views... rather than a more negative, nihilistic view." Jeffrey Harmon attends the premiere of "Sound of Freedom" on June 28, 2023 in Vineyard, Utah. Jeffrey Harmon attends the premiere of "Sound of Freedom" on June 28, 2023 in Vineyard, Angel Studios Gen Z remains the most frequent moviegoing demographic, with older generations, especially Baby Boomers, attending less often. And the Pew research also showed one interesting trend; after years of decline, Gen Z is driving somewhat of a religious revival. Gen Z men in particular are actually more likely to attend weekly religious services than past generations. Angel Studios is keenly aware of this trend. "We are releasing eight movies this year, we're a top 10 U.S. distributor, and I think young people understand that where timeless art is created and where our timeless art is presented is in the theaters," Harmon said. Expanding Beyond the US Angel Studios recently surpassed one million guild members from 170 countries. As well as ramping up their production slate, the studio is looking to expand its footprint beyond the US. In 2024, the studio partnered with U.K.-based Kova Releasing for faith-centered films like Bonhoeffer and The King of Kings. Their latest series, Testament, a modern reimagining of the Book of Acts, was filmed in the U.K., and several other productions are being filmed by the studio in the U.K. and Ireland over the coming months. Harmon believes the show connects with audiences by reflecting how global cultures personalize religious art. "If you go to Africa, Jesus and the apostles are African; in India, they look Indian... people take Jesus into the context that they understand," he explained. Testament places Biblical themes in a dystopian setting. "This world... is different than what we've ever seen before for a Jesus film," Harmon said. With plans to double their guild membership and a potential public listing ahead, Angel Studios is poised to expand further. Testament will premiere June 8 on and the Angel TV & Mobile app.

3 hours ago
For Ana de Armas, Keanu Reeves' co-star 10 years ago and once again, 'Ballerina' is a pirouette
NEW YORK -- Years before Ana de Armas was using an ice skate to slice a neck in 'From the World of John Wick: Ballerina,' she co-starred with Keanu Reeves in a much different film. The erotic thriller 'Knock Knock,' released in 2015, was de Armas' first Hollywood film. De Armas, born and raised in Cuba, had just come to Los Angeles after acting in Spain. English was new to her, so she had to learn her lines phonetically. 'It was tough and I felt miserable at times and very lonely,' she says in an interview. 'But I wanted to prove myself. I remember being in meetings with producers and they would be like, 'OK, I'll see you in a year when you learn English.' Before I left the office, I would say, 'I'll see you in two months.'' Since 'Knock Knock,' her rise to stardom has been one of the last decade's most meteoric. She was radiant even as a hologram in 'Blade Runner 2049.' She stole the show in Rian Johnson's star-studded 'Knives Out.' She breezed through the Bond movie 'No Time to Die.' She was Oscar nominated for her Marilyn Monroe in 'Blonde. ' And now, 10 years after those scenes with Reeves, de Armas is for the first time headlining a big summer action movie. In 'Ballerina,' in theaters Friday, de Armas' progressive development as an unlikely action star reaches a butt-kicking crescendo, inheriting the mantle of one of the most esteemed, high-body-count franchises. 'It's a big moment in my career, and I know that. I can see that,' she says. 'It makes me look back in many ways, just being with Keanu in another film in such a different place in my career. It definitely gives me perspective of the journey and everything since we met. Things have come far since then.' While de Armas, 37, isn't new to movie stardom, or the tabloid coverage that comes with it, many of her career highlights have been streaming releases. 'The Gray Man' and 'Blonde' were Netflix. 'Ghosted' was Apple TV+. But 'Ballerina' will rely on de Armas (and abiding 'John Wick' fandom) to put moviegoers in seats. Heading in, analysts expected an opening weekend of around $35-40 million, which would be a solid result for a spinoff that required extensive reshoots. Reviews, particularly for de Armas playing a ballerina-assassin, have been good. 'There's a lot of pressure,' says director Len Wiseman. 'It's a lot to carry all on her shoulders. But she'll be the first person to tell you: 'Put it on. Let me carry the weight. I'm totally game.'' De Armas, whose talents include the ability to be present and personable on even the most frenzied red carpets, has done the globe-trotting work to make 'Ballerina' a big deal: appearing at CinemaCon, gamely eating hot wings and cheerfully deflecting questions about her next film, 'Deeper,' with Tom Cruise. Yet for someone so comfortable in the spotlight, one of the more interesting facts about de Armas is that she lives part time in that bastion of young A-listers: Vermont. 'Yeah, it surprised many people,' she says, chuckling. 'As soon as I went up there, I knew that was going to be a place that would bring me happiness and sanity and peace. But I know for a Cuban who doesn't like cold very much, it's very strange.' Winding up in northern New England is just as unexpected as landing an action movie like 'Ballerina.' She grew up with the conviction, from age 12, that she would be an actor. But she studied theater. 'I never thought I was going to do action,' de Armas says. 'What was relatable for me was watching Cuban actors on TV and in movies. That was my reality. That's all I knew, so the actors I looked up to were those.' De Armas also had bad asthma, which makes some of the things she does in 'Ballerina' — a movie with a flamethrower duel — all the more remarkable to her. 'I couldn't do anything,' she remembers. 'I couldn't run. I sometimes couldn't play with my friends. I had to just be home and be still so I wouldn't get an asthma attack. So I never thought of myself as someone athletic or able to run just a block. So this has been a surprise.' At 14, she auditioned and got into Havana's National Theatre of Cuba. Four years later, with Spanish citizenship through her grandparents, she moved to Madrid to pursue acting. When she arrive in LA in 2014, she had to start all over again. Now as one of the top Latina stars in Hollywood, she's watched as immigrant paths like hers have grow increasingly arduous if not impossible. The day after she spoke to The Associated Press, the Trump administration announced a travel ban on 12 countries and heavy restrictions on citizens of other countries, including Cuba. 'I got here at a time when things were definitely easier in that sense,' says de Armas, who announced her then-imminent U.S. citizenship while hosting 'Saturday Night Live' in 2023. 'So I just feel very lucky for that. But it's difficult. Everything that's going on is very difficult and very sad and really challenging for many people. I definitely wish things were different.' Chad Stahelski, director of the four 'John Wick' films and producer of 'Ballerina,' was about to start production on 'John Wick: Chapter 4' when producer Basil Iwanyk and Nathan Kahane, president of Lionsgate, called to set up a Zoom about casting de Armas. He quickly watched every scene she had been in. 'How many people would have played the Bond girl kind of goofy like that?' he says. 'I know that I can harden people up. I know I can make them the assassin, but getting the charm and the love and the humor out of someone is trickier. But she had it.' In 'Knives Out,' Stahelski saw someone who could go from scared and uncertain to a look of 'I'm going to stab you in the eye.' 'I like that in my action heroes,' he says. 'I don't want to see the stoic, superhero vibe where everything's going to be OK.' But it wasn't just her acting or her charisma that convinced Stahelski. It was her life story. ''John Wick' is all hard work — and I don't mean just in the training. You've got to love it and put yourself out there,' says Stahelski. 'When you get her story about how she came from the age of 12, got into acting, what she sacrificed, what she did, that's what got my attention. 'Oh, she's a perseverer. She doesn't just enjoy the view, she enjoys the climb.'' When that quote is read back to her, de Armas laughs, and agrees. 'Being Cuban, and my upbringing and my family and everything I've done, I've never had a plan B,' she says. 'I've never had that thing of, 'Well, if it doesn't work, my family can help.' Or, 'I can do this other career.' This was it. And I also knew, besides being the thing I loved the most, this was my survival. This is how I live. This is how I feed myself and my family. So it's also a sense of, I don't know, responsibility.' That makes her reflect back to when she was just trying to make it in Hollywood, sounding out words, trying not to disappoint directors whose instructions she could barely understand, trying not to be intimidated by the action star across from her who had just finished shooting the first 'John Wick.' 'I was so committed to do it,' she says. 'I was so invested in the trying of it, just giving it a shot. When I give something a shot, I try my best, whatever that is. Then I can actually say: I gave it a shot.'