logo
Local learner wins big in glitzy film, TV awards

Local learner wins big in glitzy film, TV awards

The Citizen6 days ago
YOUNG Dineo Nxumalo of Port Natal School strutted the red carpet like a superstar at the 2025 Simon Mabhunu Sabela KZN Film & Television Awards at the ICC on Saturday.
The Grade Six learner at Port Natal School in Umbilo bagged the award for Best Newcomer Actress. The recognition was for her performance in Sent, marking a powerful moment for fresh talent in the industry. The 12-year-old uMlazi-born starlet attributes her success to the support of her parents, her school and an undying fire within herself. She mesmerised audiences as Mbali Biyela in the hit series Outlaws (2023).
The 2025 Simon Mabhunu Sabela KZN Film & Television Awards featured A-listers from the celebrity world, household names, and fresh talent alike from the film and TV industry.
A stalwart of the industry, Angus Gibson, was honoured with the Lifetime Achievement Award for his decades-long contribution to the growth and depth of South African storytelling. Known for his ground-breaking work on productions such as Yizo Yizo, Shaka iLembe, and numerous documentary features, Gibson has spent decades shaping the visual narrative of South Africa through an authentic and uncompromising lens.
Accepting the honour, Gibson reflected: 'As Bomb Productions, whenever we tell a story, we want the characters that we depict to recognise themselves. For the last 12 years, we have been immersed in a Zulu world, so it is from the KZN audience that we most want approval. This award is an affirmation that makes me very happy.'
Topping the winners' list was Disaster Holiday, produced by Rethabile Ramaphakela, which scooped four major awards, ie Best Pan African Film, Best Feature Film, Best Production Design, and Best Use of KZN as a filming location.
Jackie Motsepe, chief operations officer at the KZN Tourism and Film Authority, shared, 'It was a night that affirmed the power of African storytelling. From newcomers to legends, our creatives are shaping culture and inspiring futures. We're proud to see KZN emerging as a strong player on the African and global film map. The Simon Mabhunu Sabela Awards continue to honour excellence while driving the industry forward.'
On the TV front, Kwenzokuhle Ngcobo took home the Best Actor prize for his role in Scandal, while Nqobile Magwaza bagged Best Actress for her performance in Smoke and Mirrors. In film, Ntando Mncube (Themba) and Sibongiseni Shezi (Umjolo: The Gone Girl) scooped the top acting awards.
The awards were bestowed upon 25 deserving winners, ie actors, producers, directors, etc.
For more from Berea Mail, follow us on Facebook, X and Instagram. You can also check out our videos on our YouTube channel or follow us on TikTok.
Click to subscribe to our newsletter – here
At Caxton, we employ humans to generate daily fresh news, not AI intervention. Happy reading!
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Simphiwe Dana accuses Nomzamo Mbatha of copying her hairstyle
Simphiwe Dana accuses Nomzamo Mbatha of copying her hairstyle

The Citizen

time4 hours ago

  • The Citizen

Simphiwe Dana accuses Nomzamo Mbatha of copying her hairstyle

Simphiwe says she is disappointed in Nomzamo and the 'Shaka iLembe' crew for not acknowledging her as the inspiration. From left to right: Simphiwe Dana and Nomzamo Mbatha. Pictures: Instagram Legendary singer Simphiwe Dana has taken to her social media platforms to blast actress Nomzamo Mbatha. The Ndiredi hitmaker, popularly known for embracing Afrocentric hairstyles, is accusing Mbatha of appropriating her hairstyle without acknowledging her as the inspiration. 'Honey, there's a difference between appreciation and appropriation. You're not the only one. I'm fed up. It's deeply disconcerting and cringe,' Dana wrote, reposting Mbatha's picture on Instagram. Mbatha, who stars in the Mzansi Magic historical drama Shaka iLembe, has been showcasing various traditional hairstyles both on-screen and during promotional appearances for the show. Dana said Mbatha, along with the Shaka iLembe team, should have 'at least acknowledged' her as the inspiration. 'Together with the Shaka iLembe crew. I'm so disappointed. Because I love you,' she said in a now-deleted post on Instagram. She added on X: 'I don't know if it's a lack of creative thinking or what. I don't mind being appreciated. But stealing my brand ideas and not acknowledging me is foul, appropriative and exploitative. Stop. The Citizen has reached out to the Shaka iLembe team and Nomzamo Mbatha for comment. This article will be updated once a response is received. ALSO READ: From haircare to cars: Five SA celebs who recently secured major brand deals Nomzamo Mbatha celebrates African hair globally In June this year, Nomzamo Mbatha was announced as the first South African ambassador for iconic ethnic haircare brand Creme of Nature. Zandi Zinganto, Brand Manager for Creme of Nature South Africa, said Nomzamo is a perfect fit for the brand's 'Rooted in Radiance' campaign. 'Nomzamo embodies the essence of our Rooted in Radiance message. She is powerful, graceful, and celebrates African authenticity in all expressions of her brand image. 'Her partnership with us is not just another beauty campaign, but an ode to authentic African beauty, culture, and the beauty of textured hair in women.' NOW READ: WATCH: Makhadzi takes it back to where it all began 15 years ago ahead of December One Woman Show

Ciara honoured with Beninese citizenship in historic ceremony
Ciara honoured with Beninese citizenship in historic ceremony

The South African

timea day ago

  • The South African

Ciara honoured with Beninese citizenship in historic ceremony

West African nation Benin officially awarded American singer and dancer Ciara Wilson citizenship on Saturday, 26 July. The Grammy-winning star, known simply as Ciara, traced her roots to Benin, a country rich with history and culture. The citizenship ceremony marked a heartfelt homecoming for Ciara and attracted attention across Africa, including South Africa. Ciara arrived in Benin earlier that week and immediately began exploring the nation's cultural and historical landmarks, according to Kaya 959 She visited Ouidah, a city deeply linked to the transatlantic slave trade. There, she walked the Slave Route and stood at the Gate of No Return. The moment was powerful. Speaking about the experience, Ciara said, 'Standing at the Gate of No Return was deeply moving. It reminded me of my ancestors' strength. I felt grounded, connected, and honoured.' The citizenship ceremony itself took place in a vibrant event attended by top government officials. Among them were Minister of Justice and Legislation Babalola Jean-Michel H. Abimbola, Minister of Tourism, Culture and Arts Olushegun Adjadi Bakari, and the Minister of Foreign Affairs. Each official expressed pride in welcoming Ciara as a new citizen. Minister Abimbola remarked, 'Ciara represents the living link between Africa and the diaspora. Granting her citizenship celebrates our shared history and inspires the next generation.' Minister Bakari added, 'Culture and identity matter. Ciara's visit brings awareness to Benin's heritage and strengthens our global connections.' On social media, Ciara shared videos and photos from the event. One clip showed her chanting in a local Beninese language, a touching gesture symbolising her embrace of the culture. The ceremony highlighted not only Ciara's journey but also the broader story of African identity and reclaiming roots for people of the diaspora. CIARA AND AFRICA'S RICH HISTORY South African audiences have taken a special interest in Ciara's citizenship. Many see it as part of a growing movement of the African diaspora reconnecting with the continent. South Africa, with its diverse population and rich cultural history, can relate to this sense of rediscovery and celebration of heritage. Ciara's journey emphasises the importance of acknowledging African history and culture. Her willingness to publicly honour her ancestry encourages others across the globe. As the world grows more interconnected, such acts build bridges and deepen understanding. In terms of value, the ceremony symbolises more than a legal status. It marks a historic moment, creating shared pride and hope. The symbolic weight of this event resonates far beyond Benin's borders. For African fans and global followers alike, Ciara's citizenship represents progress and unity. Ciara Wilson's citizenship grant from Benin is a milestone worth celebrating. It brings history to life and honours the past while shaping future connections. It reminds Africans, including South Africans, that the continent's heritage is alive and open to all who choose to embrace it. Let us know by leaving a comment below, or send a WhatsApp to 060 011 021 1. Subscribe to The South African website's newsletters and follow us on WhatsApp, Facebook, X and Bluesky for the latest news.

Book launch as a cultural event — Adichie's novel homecoming
Book launch as a cultural event — Adichie's novel homecoming

Daily Maverick

timea day ago

  • Daily Maverick

Book launch as a cultural event — Adichie's novel homecoming

The Nigerian author's first book in more than a decade was published locally, and Lagos celebrated in true African style. When the announcement of Chimamanda Ngozi Adichie's latest novel, Dream Count, was made, it was regarded as a major event in African literature. The internationally celebrated Nigerian writer had not published a novel in the past 12 years, and her long-awaited return stirred both anticipation and speculation. In the post-Covid context in which the book comes, so much has changed in the world. The first leg of her three-city homecoming book tour coincided with my stay in Lagos as a curatorial fellow at Guest Artist Space Foundation, dedicated to facilitating cultural exchange and supporting creative practices. After Lagos, Chimamanda took the tour to Nigeria's capital city, Abuja, and finally Enugu, where she was born and grew up. As a scholar of African literature, I arrived here in search of literary Lagos. But my attachment to the city may also just be romantic, a nostalgia born out of years of reading about it in fiction. No doubt, Lagos is a city of imagination and creativity. Chimamanda's book event was a reminder that literary celebrity, when it happens in Africa, can exist on its own terms. It's rooted in a popular imaginary that embraces both the writer and the spectacle. Lagos superstar The launch in Lagos took place at a conference centre on the evening of 27 June. The Muson is a multipurpose civic auditorium located in the centre of Lagos Island which can accommodate up to 1,000 guests. And on this night, the auditorium was packed. When I arrived, the scene outside was buzzing. A crowd gathered in front of a large canvas banner bearing a radiant image of the author. It was more than just decoration; it was a backdrop. It was an occasion for a selfie, a digital marker that you were there. There was even a hashtag for this: #dreamcountlagos. People took turns posing in front of it, curating their presence in the frame of Chimamanda's aura. The atmosphere was festive, electric. And yet beneath the surface shimmer was something more urgent: a hunger for story, for presence, for return. Perhaps that explains why people came not just to witness, but to be counted. Inside the lobby, piles of Chimamanda's books were neatly arranged on long tables. People were not just buying a copy. They were buying several, in the hope that the author would autograph them. The sight was striking, almost surreal. In many parts of the continent, a book launch is often a quiet affair. Writers are lucky to sell a handful of copies. But this was something else entirely. This was not just a book launch, it was nothing short of a cultural moment. It would have been easy to mistake the event for a political townhall. There was a VIP section reserved for the who's who of Lagos, but those class distinctions dissolved into the collective energy of the room. The auditorium was filled with enthusiasm. Even after a delay of more than an hour, when Chimamanda finally walked in, she was met with rapturous applause. She wore a bright yellow dress, an Instagrammable outfit, suited for the many fans who rushed forward to take selfies with her. Chimamanda, no doubt, is as much a fashion icon as she is a literary figure. On stage, she was joined by media personality Ebuka Obi-Uchendu, widely known as the host of the reality TV show Big Brother Africa. But here, he was also something more intimate: the author's friend. Chimamanda even credited him with being a 'great reader'. This is a rare compliment in a literary world that often separates celebrity from any real critical engagement. Their conversation was relaxed and full of laughter, offering the audience both intimacy and insight. Chimamanda ad­­dressed the question that had lingered for years: her decade-long silence. She spoke candidly of writer's block, of the grief that came with losing both her parents in quick succession, and how that loss eventually reignited her desire to write. Dream Count, she explained, is shaped by that rupture. It is one of the major post-Covid novels from Africa, and centres on the lives of four women. It is a book about love, friendship and independence. Africans do read When she spoke about her characters on stage, it was as though she was talking about relatives that the audience recognised. They responded by shouting out the characters' names, to the delight of the author. When I asked people about the launch afterwards, many said that it was a very Nigerian event – big, colourful, exuberant, festive. It was indeed a celebration that felt communal, even joyous. It was also a public demonstration of how literature can still command space and attention, not just in private reading rooms or crammed bookstores, but on a civic scale. This was a remarkable event because it defied the tired cliché that Africans do not read. People, mostly young, came out in their hundreds. They bought books, they took selfies with their 'favourite' author, they screamed the names of fictional characters as though greeting friends. But more significant was Chimamanda's choice to work with a local publisher, Narrative Landscape Press, which produced the Nigerian edition of Dream Count that is now available and accessible locally, at the same time as its release in Europe and North America. That alone is a radical act. In returning to Nigeria to launch her book, Chimamanda also disrupts the assumption that African literary prestige must only be validated abroad. Even though she belongs to a cohort of African writers shaped by the diaspora, she actively insists on presence – on homecoming – not as simply nostalgia, but as active engagement. Of course, Chimamanda is an exception. Her stature as a global literary figure, combined with her deep connection to home, allows her to move between worlds with remarkable ease. Few writers command the kind of multigenerational, cross-class attention she does. I found myself wishing, though, that more book launches could carry this same sense of occasion, of meaning, of return. That they could gather people in such numbers, not just to celebrate the writer, but to affirm the African book as something still worth gathering for. And perhaps that is what made this book launch unforgettable: not just the celebrity or the spectacle, but the sense that literature still matters here, and that it belongs to the people. DM

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store