Warwickshire ALSO Festival announces line-up
"As we've always known, to come together to go wild in the wild each summer is what we humans are built to do and a summer festival is an essential part of a year lived well," festival CEO and co-founder, Diccon Towns. Other notable guests include author Ella Berthoud, who will lead a guided Jane Austen tour, as well as a panel hosted by Paddington writer, Joel Morris.
Stand-up comedian and writer, Athena Kugbleno will host a talk on misinformation, and comedian Rob Deering is set to host a music-based comedy pop quiz.Musical acts will include Samba drumming workshop, Tribo, rapper Madeleine MINX Dunbar, and lead vocal coach for The Voice, Juliet Russell.Alongside this, there will be other activities including murder mystery games, run clubs, wild swimming, horror movie workshops and a bat walk.
Mr Towns described the festival as "highly immersive, truly experiential, and highly curated"."We make it effortless for our guests to engage with big, life enhancing ideas and live a wild summer weekend in an extraordinary location."
Follow BBC Coventry & Warwickshire on BBC Sounds, Facebook, X and Instagram.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
BBC News
7 hours ago
- BBC News
In Pictures: The Belfast Mela festival begins
A cultural celebration of inclusivity and creativity has begun in Belfast city Belfast Mela was founded in 2006 and attracts thousands of people from all communitiesThe festival kicked off with a carnival parade from Writer's Square to City Hall on Saturday and finishes with a large celebration in Botanic Gardens on Mela Day on 24 August. Mela, a Sanskrit word meaning "to meet", is now one of Northern Ireland's largest arts culminates with Mela Day at Botanic Gardens, where world music, dance, food and art celebrating the city's culture and communities are on display.A full list of festival events can be found here.
Edinburgh Reporter
9 hours ago
- Edinburgh Reporter
Edinburgh festivals – our best reviews from the second week
Our reviewers have been busy out and about at the Fringe and the International Festival this week. And they have found some four (and five) star gems. All of our Festival coverage can be read over here. Ahir Shah: Work in Progress Ahir Shah has become an established Fringe performer. After a series of nominations, he finally won the main Comedy Award in 2023. On the back of his Fringe successes, he's become a regular media figure, featuring on BBC Radio 4 (Ahir Shah's 7 Blunders of the World) and also has had HBO and Netflix specials. This year Shah is performing a limited series of shows (14 -24), advertised as a work in progress but very much on course to becoming a fully realised show. Read more here. Orpheus and Eurydice Despite the richness of the English language, I think there are not enough superlatives to praise the creation of this rendition of Gluck's Orpheus and Eurydice. From the very opening where we see the superb funambulist as Eurydice descend twisting into the underworld hanging from a harness to the final dénouement, the staging was outstanding, the music perfection, the singing immensely moving, and the acrobatics stunning. Read more here Wellpark Wanderer It is often said that Scottish performers are hard to find in the Festival and Fringe. Writing in 1976, the historian Owen Dudley Edwards suggested that 'there is little of Edinburgh, and even less of Scotland in the Festival'. Many see the Festival and Fringe as something imposed from outside on the people of Edinburgh. Such narratives persist. It's also widely argued that working class voices are marginalised within the Fringe. Especially, in the sphere of comedy, the Fringe is often seen as London-centric and dominated by middle class voices and perspectives. There are, fortunately, exceptions. Read more here Hingin Oan Fir Googsie The cast of Hingin' Oan Fir Googsie – John McColl (Gadge, also writer), Amy Fraser (Plucky), Jimmy Chisholm (Ghillie) and Alan Ireby (Potter), photo credit Liam Rudden Media Braveheart star Jimmy Chisholm leads cast in hilarious, thought-provoking Scottish comedy. Given up on Waiting For Godot? Never fear, you'll have a blast at Hingin' Oan Fir Googsie. Running for four more nights only, John McColl's new play at Braw Venues on George Street opened to much hearty laughter and rapturous applause from a largely local audience, an element of the warm reception no doubt down to the presence of Braveheart and River City legend Jimmy Chisholm, leading the cast as Ghillie. Read more here. Flamenco Guitar Odyssey If you're a bit worn out by all the noise and crowds of the festival city, why not take a break to visit Alba Flamenca on East Crosscauseway and enjoy some beautiful music? Philip Adie started life in Aberdeen, perhaps not somewhere we generally associate with flamenco, but for the past 25 years he has lived in mainland Europe, first studying under flamenco master Paco Pena in Rotterdam, then moving to Seville where he works as a flamenco guitarist. Now he's here in Edinburgh to share some tunes and tell us more about the origins and styles of this wonderful music. Read more here. Like this: Like Related
The Guardian
12 hours ago
- The Guardian
Ten Thousand Hours review – this superhuman squad have put in the time to stun you
This may be the ideal festival show – it has supreme levels of skill but also humour and audience participation. There are gasps and laughs and even a gymnastic game of Pictionary. Australian circus company Gravity and Other Myths have already picked up multiple plaudits for Ten Thousand Hours, originally premiered in 2024 and still packing them in. There's no shortage of Australian circus acts at the fringe, but this is one of the best. Contemporary circus isn't just about the 'ta-da!' moment: it likes to show its workings. It doesn't present tricks as magic but as hard-won rewards for the effort involved. This show is an ode to the countless hours spent building the muscle, the reflexes and the precision skills that allow you to make your living flying through the air. It's also a portrait of a group of friends having a good time. The camaraderie of the crew bounces off the stage as they set themselves challenges and games, starting fairly simply and quickly building difficulty. They do it with a light touch – there's a good bit with a trick shot of throwing a water bottle and getting it to land upright. Then, of course, the troupe casually do the same thing with people, with the same bursting sense of delight. Bodies fly from one human tower to another, spring directly from the floor up on to someone's shoulders, or jump into handstands (backwards, forwards, over the width of six people lying on the floor, balanced on someone else's hands). There's some serious gymnastics going on here; they're flipping all over the flipping place. By showing the audience different versions and slowly ramping up the difficulty, we start to notice the details – whether the acrobats in a three-man tower are holding on to each other or not, for example – things that might otherwise pass by in a blur. Complicated set pieces are deftly choreographed with impeccable timing. But there's also plenty of quirky personality, such as in a scene where they miaow like cats, or when performer Shani Stephens takes amusing suggestions from the audience in an improv bit, inventing an impromptu floor routine in the style of both a dinosaur and a drunk festivalgoer. The team's achievements might seem superhuman but this is a show full of down-to-earth charm. At Assembly Hall, Edinburgh, until 24 August All our Edinburgh festival reviews
