logo
Matthew M. Williams is working on a new label

Matthew M. Williams is working on a new label

Fashion Network2 days ago

Matthew M. Williams is back centre-stage. After leaving Givenchy in early 2024, having been in charge of style since June 2020, the US designer has kept a low profile, while continuing to work for his own label, 1017 Alyx 9SM. Williams has now hinted on social media that he is about to unveil a new brand.
Williams has published a brief post on his Instagram account, saying 'he has had to start all over again' and go back to the fundamentals 'of hand gestures, materials, artisans, and techniques. All elements, which make a product unique.' He added that he 'wanted to find the essentials, find new hope and creativity, all of this independently.'
Without giving further details on his new project, Williams has confirmed the news reported by US magazine WWD, according to which he is preparing to present a new independent ready-to-wear label for women and men at next June's Paris Fashion Week Men, in Seiya Nakamura's showroom.
In 2015, Williams and Luca Benini, founder and boss of Slam Jam, a streetwear distributor, founded luxury streetwear label Alyx, renamed 1017 Alyx 9SM in 2018. At the end of 2023, Hong Kong businessman Adrian Cheng acquired a majority stake in 1017 Alyx 9SM and overhauled its organisation. The label was losing momentum as the popularity of streetwear was on the wane.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

At trial over banner targeting Aya Nakamura, far-right activists stand by their actions
At trial over banner targeting Aya Nakamura, far-right activists stand by their actions

LeMonde

time6 hours ago

  • LeMonde

At trial over banner targeting Aya Nakamura, far-right activists stand by their actions

On March 8, 2024, as rumors swirled that Aya Nakamura would headline the Olympic Games opening ceremony, around 15 young far-right activists, members of the group Les Natifs, gathered on Île Saint-Louis in the center of Paris to unfurl a banner hostile to the French-Malian singer: "No way, Aya, this is Paris, not the Bamako market!" The slogan referenced lyrics from one of Nakamura's hits ("Djadja") and her birthplace, the Malian capital. Heirs to the far-right group Génération Identitaire, which was dissolved in 2021, Les Natifs – who have 10,000 followers on Instagram and 19,000 on X – specialize in actions involving hostile posters and banners, often targeting immigration or promoting the defense of "European civilization." Recently, activists plastered portraits of Joan of Arc and Sainte Geneviève over images of veiled women displayed at the Basilica of Saint-Denis, in the northern Paris suburb. Posted on their X account and viewed nearly 4.5 million times, the photo of the anti-Nakamura banner was accompanied by a short text lamenting President Emmanuel Macron's supposed plan: "To replace French elegance with vulgarity, to Africanize our popular songs, and to sideline the native population in favor of extra-European immigration." The message demanded that "France be represented by an artist embodying our heritage, our values and our identity!"

Louis Vuitton fights Portuguese liqueur firm over 'same logo' use
Louis Vuitton fights Portuguese liqueur firm over 'same logo' use

Euronews

time9 hours ago

  • Euronews

Louis Vuitton fights Portuguese liqueur firm over 'same logo' use

In a true David versus Goliath struggle in the business world, the French conglomerate Louis Vuitton has launched an intellectual property lawsuit against the Portuguese liqueur producer, Licores do Vale. The French firm says the Monção company's use of an LV (with an inverted V) on the labels of its bottles, and a graphic for its brand's communications, are too similar to the one used by the fashion house in its productions. The action was brought before Intellectual Property Court in order to challenge the registration of the Portuguese brand by the National Institute of Industrial Property. According to the lawsuit filed and quoted by Jornal de Notícias, Louis Vuitton accuses Licores do Vale of "parasitically exploiting the prestige of a third party's brand", and creating "unfair competition" with an "identical or similar" symbol. The French giant says that it is "an almost total reproduction" at "verbal, phonetic and conceptual" level and that it has registered products in the same category, thus reinforcing the alleged similarities. A post shared by Licores do Vale (@_licores_do_vale) Licores do Vale producer, André Ferreira told Jornal de Notícias, that he developed the logo together with his girlfriend in order to promote the product at small agricultural fairs in the region. "The L is for liqueurs and the V is for valley, it was turned upside down to symbolise the mountains surrounding the parish [of Longos Vales] and the little leaves represent nature," he said. Ferreira, a metrology technician, who is trying to take his first steps in the world of artisanal production, says he was "surprised" by the measure, emphasising that the products are not on sale for now. "This is a hobby. We've only just begun and started straight away with this entry. The Louis Vuitton logo and the Licores do Vale logo have nothing to do with each other." Ferreira applied to register the trade mark in August 2024 and it was granted in January 2025. At the time, Louis Vuitton "prioritised international trademark registrations", with no consequences for the small Portuguese producer, who saw his application accepted. Even so, and despite the registration having been approved, the legal appeal now lodged by Louis Vuitton puts that registration on hold, leaving "Licores do Vale" in limbo. On social media, particularly Instagram, many users have shown their support for the small Portuguese producer, encouraging him to continue his business and even to take advantage of the media coverage generated by the case. On Instagram, where liqueurs of different flavours are discussed, the small business has just over 1,000 followers. Louis Vuitton, a French brand with 170 years of history, has more than 55 million followers on Instagram alone. Where is Marty McFly's missing guitar? If you're a fan of the Back To The Future films, you'll know exactly what that question's about. In the first Back to the Future film, Marty McFly, played by Michael J. Fox, grabbed a cherry red ES-345 Gibson guitar and rocked out at a 1950s high school dance. He played 'Johnny B Goode' to a bemused crowd of teens in one of the film's most memorable scenes. The Gibson has been lost in the years since the time travel comedy was released in 1985 and now, four decades later, the guitar brand has teamed up with the stars of the film to begin a search for the iconic instrument. In a video by Gibson, with the movie's theme song playing in the background, Michael J. Fox, Christopher Lloyd, Lea Thompson and Harry Waters Jr. make a cinematic plea. Lloyd, who played the beloved Doc Brown, says in the video that the guitar has been 'lost to the future.' 'It's somewhere lost in the space-time continuum,' says Fox. 'Or it's in some Teamster's garage.' 'No one's seen that guitar since 1985, and we need to find it' Waters adds. 'Ask your friends, ask your relatives, ask your bandmates'. There's also a surprise appearance by Huey Lewis, whose band Huey Lewis and the News performed the soundtrack's headliner song, 'The Power of Love'. They all urge those with information on the guitar's whereabouts to submit tips via phone or to visit their website. The Back To The Future trilogy was released between 1985 and 1990. It spawned a video game, stage musical, as well as a cartoon series. It is also credited with being the main inspiration for the popular animation show Rick And Morty. However, the creative team have sworn that there will never be a fourth movie – with writer Bob Gale, speaking in the press room at The Saturn Awards earlier this year, saying: 'People always say, 'When are you going to do Back to the Future 4?'' He shared his answer to the question: 'We say, 'Fuck you'!' Quite right. Great Scott! Let's get finding that guitar.

Does Brazilian funk glorify crime? Singer's arrest triggers debate
Does Brazilian funk glorify crime? Singer's arrest triggers debate

France 24

time18 hours ago

  • France 24

Does Brazilian funk glorify crime? Singer's arrest triggers debate

Unlike its US namesake, which was popularized by James Brown, Rio funk borrows more from hip-hop, blended with samba and other Brazilian rhythms. The lyrics, seen by many as celebrating favela drug lords, have repeatedly led to calls for songs to be censored. Last week, MC Poze do Rodo, one of the genre's best-known artists with 16 million followers on Instagram, was arrested on charges of glorifying crime and having links to Comando Vermelho (CV), one of Brazil's biggest gangs. The authorities said his arrest aimed to send a message to those "who romanticize and help spread narcoculture." The police argue that Poze's music "clearly condones" drug trafficking and illegal use of firearms and point to concerts held "exclusively in areas dominated by CV, with a notable presence of traffickers armed with high-caliber weapons." After five days in preventive custody, the 26-year-old singer was released on Tuesday to a rapturous welcome from waiting fans, who swarmed his car in a column of motorbikes. Police fired tear gas and stun grenades to disperse the crowds. Speaking afterwards, the singer claimed he was the victim of police discrimination. "Rio de Janeiro police don't like me... because I'm black? Because I'm from a favela?" 'Singers are not criminals' Marlon Brendon Coelho Couto was born in the favela of Rodo, one of the biggest in western Rio. He has admitted to selling drugs in his youth but says that he abandoned crime to devote himself to music. Police footage of his arrest at his current home in the upmarket Recreio dos Bandeirantes district, cuffed and shirtless, surrounded by heavily armed officers, caused an outcry among his fans. Fellow musicians took part in a campaign for his release, organized by his wife, influencer Viviane Noronha, on the grounds that "funk singers are not criminals." Erika Hilton, a Congress member, argued that by arresting Poze the authorities were seeking to "project all the sins of the world onto black people." But many rejoiced at seeing the star behind bars, including former far-right president Jair Bolsonaro, an ex-army captain, who posted a picture of the singer with a clown emoji on his Instagram account. Arresting the messenger Funk describes the reality of life in Rio's crime-blighted favelas. Poze's lyrics have regularly caused controversy. In his 2023 track "Homenagem Pra Tropa do Rodo," he pays tribute to men killed "shooting for Comando Vermelho." The debate surrounding funk's role in crime mirrors long-standing discussions in the United States over the links between rap and violence in Black communities. Over a decade ago, authorities in the northeastern Brazilian city of Fortaleza passed a law banning venues from hiring artists that incite violence. Similar anti-Oruam bills, as they are known after the rapper son of a famous drug lord, are now also being debated by several other cities and state parliaments. Danilo Cymrot, a doctor in criminology at the University of Sao Paulo, pointed to a "gray area" in the definition of glorification of violence, relating to artistic content. "The artist doesn't necessarily agree with his lyrics," Cymrot, author of a book about Rio funk, said. He added that "oftentimes, the police and the judiciary have a hard time understanding funk as a work of art." As a result, he said, the artist's origins are often used to determine whether he condones violence.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store