Alan Cumming and Forbes Masson reunite in The High Life musical
The original cast of hit Scottish sitcom The High Life are to reunite after 30 years for a new musical based on the legendary BBC Scotland comedy.
Siobhan Redmond, Forbes Masson, Alan Cumming and Patrick Ryecart will star in The High Life The Musical – Still Living It, the first production announced, for the National Theatre of Scotland's 20th anniversary programme in 2026.
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The Herald Scotland
an hour ago
- The Herald Scotland
Here is the real reason River City is being axed by BBC bosses
The letter's subject was BBC Scotland cancelling River City, an act I had previously described as cultural vandalism. My correspondent had a cooler disposition and a better way with words. Summing up how the soap had been brought low in recent years, she wrote: 'Its viewing figures were adversely affected by stop/start production runs, erratic scheduling and a general lack of promotion.' Spot on. And then came this: 'I began watching River City out of loyalty to my city, but came to the view that it makes an important contribution to the culture of central Scotland.' BBC Scotland HQ at Pacific Quay Watching out of loyalty to my city. How wonderful, how generous, how Scottish is that? Of the thousands of words written and spoken about River City, all the BBC statements, the petition to save the show, the debate in the Scottish Parliament, not one sentence hits home as hard as that contribution. Watching out of loyalty to my city. There writes someone who 'gets' what River City means, and why it is not just another programme that can be binned by BBC Scotland because its face no longer fits. But what do you know, no one is listening. Not to my correspondent, not to those who have signed the petition, not to MSPs, or ministers. It seems the main arguments in favour of keeping River City - that it provides jobs and training for working-class Scots who might otherwise never get a start in TV, as well as being a pretty decent drama beloved by its audience - are not enough for BBC Scotland to change its mind. We know this because the executive who made the decision appeared before Holyrood's culture committee at the end of May and said so. Hayley Valentine, director of BBC Scotland, told MSPs that River City, with its 200,000 viewers in Scotland compared to Shetland's 700,000 'did not pass the value for money test'. But the money saved by axing River City would help to fund three new short-run dramas, she confirmed. Though these will 'absolutely cost more to make', the BBC would 'expect' them to deliver much bigger audiences than River City and 'really hope' they will. Expectations and hope. In other words, BBC Scotland is taking a punt. Making all those people redundant on a gamble. Having said that axing River City was a creative decision, it really does come down to money. As for River City being a way into TV, Ms Valentine said opportunities would still be offered across a wide range of other programmes. So that's okay then. Nothing more to see here, folks. Except it is not okay. It is very far from okay. Cancelling River City has always been about more than the end of one programme. It's about BBC Scotland fighting Scotland's corner within the corporation, and making sure the BBC represents and is reflective of all those who pay for it. Read more On the former, was London asked for more money to fund the short-run dramas? Was there ever a chance of building on the UK-wide iPlayer audience for River City by running a promotion campaign? Where are the figures showing potential job and training opportunities lost versus those created? Was there any analysis or was this simply a case of executives thinking they knew best? I understand BBC Scotland's ambition. It wants another Baby Reindeer. It wants the next Adolescence. But it doesn't have the money of a Netflix or an Apple+, which makes it all the more important to ensure that it is making decisions for the right reasons. When it comes to River City, I'm not sure it is. Just as to govern is to choose, running the BBC is all about choice. Who is out and who is in, who gets the money and who doesn't. BBC Scotland decided, ultimately, that River City was expendable. It has made the arguments about viewing figures and opportunities offered elsewhere, but I think there is another factor at work here. For my money - £174.50 licence fee - River City was vulnerable because it was a Scottish working-class soap made by working-class casts and crews. No one thought there would be the backlash there has been. It wasn't like cancelling Question Time with its well-connected panellists and audiences (now there's an idea). The class ceiling exists in the media in general - heck, in society as a whole. It's not just BBC Scotland. Indeed, BBC Scotland has done more than most to widen access and should be commended for it. Now and then, a youngster will appear who doesn't sound like your typical BBC sort. They thrive on the attention and encouragement, but then at some point they hit that class ceiling. They don't get invited into the room where it happens, so they can't shape the corporation's future, and the story of inequality rumbles on. Representation matters. As the old saying goes, if you can see it, you can be it. For many working-class Scots, River City was 'their' soap, and therefore 'their' way into TV. Doors opened that had too often been closed, and if it could happen for the guy down the road, it could happen for you. You cannot put a price on that kind of positive PR. The same goes for viewer loyalty. Fans of River City have had their patience tested to a degree that would not have happened with any other show. Yet they've kept faith with the programme. Even now, they trust executives will repay that faith and cancel the cancellation, but will they? Back to you, BBC Scotland. Alison Rowat is a senior politics and features writer on The Herald. Contact
North Wales Chronicle
5 hours ago
- North Wales Chronicle
Scottish Colourist paintings reunited after more than 70 years ahead of auction
Samuel John Peploe's Firs At The Massif des Calanques, Cassis was displayed alongside Francis Campbell Boileau Cadell's Interior – Santa Maria della Salute, Venice at an exhibition in Edinburgh in 1949. They will feature in Lyon & Turnbull's Scottish paintings and sculpture auction on Thursday, with each estimated to fetch between £80,000 and £120,000. Firs At The Massif des Calanques, Cassis was painted in 1928 during the third of four trips Peploe made to the French port during a period of more than 25 years. Cadell painted the interior of Santa Maria della Salute, a church which stands at the entrance to the Grand Canal, following a visit he made to Venice in 1910. Both paintings featured in the Scottish Colourists exhibition at the Royal Scottish Academy's Festival Exhibition in 1949, where work by their friend Leslie Hunter was also on show. Alice Strang, senior specialist with Lyon & Turnbull and an expert in the work of the Scottish Colourists, said: 'This is a 'friends reunited' moment. 'It is thrilling to think that the last time these two beautiful paintings, by artists who were such good friends, were in the same room was in 1949, when they were exhibited together in the Royal Scottish Academy, down the road from our saleroom. 'The Peploe transports us to the heat of Cassis, whilst the Cadell takes us to the beauty of Venice. 'Their remarkable reunion will last until the sale day this Thursday.'
BBC News
7 hours ago
- BBC News
Simone Lahbib joins the cast of BBC Scotland drama River City
Scots actress Simone Lahbib (Bad Girls, Wire in the Blood, Loch Ness) has joined the cast of BBC Scotland's drama, River City, as Vivienne 'Viv' Barton – part of the formidable Foulkes gangster family. Simone will make her River City debut at the end of June (June 23 on BBC iPlayer and June 25 on BBC Scotland) as part of the forthcoming new series. Business owner Viv arrives in Shieldinch in the hope of reconciling with her son Tyler (Cameron Fulton), after walking out on her marriage to Harry Foulkes (Jim Sturgeon) and her family over two decades ago. Her surprise arrival shocks family friend Eddie Corrigan (Rob Jarvis), who reveals to Viv he thought she was dead – a lie Harry spun for decades. Stunned, Viv will reveal the shocking truth behind her decision to abandon her family - but will Tyler forgive her and how will Harry feel to see his wife back from the dead? Simone is looking forward to the drama Viv will bring: 'Viv is a wonderfully complex character. She'll do and say anything she needs to survive but surviving isn't enough for Viv…she has plans. 'Viv is desperate to reconnect with her son Tyler, played by the super talented Cameron Fulton and all the while avoid her ex-husband, gangster Harry Foulkes who is played by the lovely Jim Sturgeon. Unfortunately, the way she will go about things turns what is already a delicate, emotionally charged situation into a series of traumatic events. 'She's like the proverbial cat among the pigeons, a bull in a china shop, a tornado, causing devastation to everything and everyone in her path.' For years, Viv stayed hidden but after reading about Tyler's accident at New Year and having read about her son Darren's death in the papers, a guilt-ridden Viv has vowed to make right all the wrongs of her past and be there for her only surviving son. However, Viv will need to face her estranged husband Harry, a ruthless, cold-blooded killer who won't be messed with. Martin McCardie, BBC Studios Executive Producer, says: 'Everyone is thrilled to have Simone on board at River City. Her character Viv Barton is wonderfully complex and will make quite an impact on arrival. She's a caring mum who desperately wants to make amends with her estranged son, Tyler but she also has her eye on the Foulkes family fortune and the power her ex-husband Harry has. Viv doesn't care who will be collateral damage in her pursuit of these things…including her son. We're sure audiences will be enthralled by Viv Barton and the chaos she brings with her.' Returning to Scotland is a perk of the job for Simone: 'Working in Scotland for me always feels like coming home. It's literally the most perfect location for me - I get to stay with my parents between filming, so I spend time with all my family and even have my mum to go through my lines with me - she gets very into her roles! 'River City has a truly wonderful cast and crew. There's a real family feel on set which comes from working with good people. Everyone has made me feel so welcome from day one.' Simone joins the cast alongside new arrivals including Michael Moreland (Six Four, Years & Years) as Dr Joseph Albert, James Young (Guilt) as Simon Mack and Graeme Dalling (Outlander, Only Child) as Kelly-Marie's (played by Carmen Pieraccini) husband Chris Black. River City returns for a new series on BBC iPlayer from Monday 16 June, BBC Scotland on Mondays and Wednesdays and BBC One Scotland on Tuesdays and Thursdays. River City is a BBC Studios Drama Production for BBC Scotland. The Executive Producers are Martin McCardie for BBC Studios Drama and Gavin Smith for BBC Scotland. Watch River City on BBC iPlayer JM2
