
Harry and Meghan 'axe four key staff members' as 'another change' looms
Earlier this year, Prince Harry and Meghan Markle hired Meredith Maines as their new chief communication officer, and over the past few months their team has undergone some changes
Prince Harry and Meghan Markle have reportedly axed four key staff members while revamping their team. The Duke and Duchess of Sussex are said to have parted ways with their LA-based deputy press secretary Kyle Boulia and UK press officer Charlie Gipson. Both of them were hired in April 2024.
Two other members of the couple's private team have reportedly also left in recent weeks. The changes come after Harry and Meghan appointed a new team, headed by chief communication officer (CCO) Meredith Maines, earlier this year. Meredith confirmed her team is now made up of eight people working across five different time zones.
Harry and Meghan also recently hired Emily Robinson, who previously oversaw global publicity for The Crown from seasons three to six, as their new director of communications.
Season six of the hit Netflix drama programme aired controversial storylines which included Prince Harry wearing Nazi fancy dress, Princess Diana's Panorama interview, and scenes depicting Diana as a ghost speaking to Queen Elizabeth II. A source has now claimed more changes could be in the works for the couple, who stepped down as senior royals in 2020 and now live in California with their two children, Prince Archie and Princess Lilibet.
The source told Hello! Magazine: "Something tells me there will be another change in the future. Meghan and Harry have hired some of the most incredible people at the top of their fields, yet somehow none of them ever work out."
Following reports of changes within the Sussexes' team, their CCO Meredith said in a statement shared with The Mirror: "As the Duke and Duchess's business and philanthropic interests grow, I have made the strategic decision to move toward a more traditional communications structure of specialist agency support, as previously reported in Forbes and PR Week several weeks ago. Transitioning from a team of two to an agency support staff of eight, operating across five different time zones, will give international media and stakeholders better access, and critically, faster response times to inquiries."
Earlier this week we reported that Meghan was due to attend a charity event in Los Angeles tomorrow, but t he bash has been cancelled due to ongoing unrest in the city. The Duchess was scheduled to be the guest of honour at the Museum of Natural History in LA, where she was expected to give a speech about her extensive charity work.
However, as the streets of LA continue to be occupied by protestors facing off against ICE officers, organisers postponed the black-tie Night of Wonder event. Dr. Lori Bettison-Varga, President and Director of the Natural History Museum in LA, said in a statement: "As an institution 'of, for, and with Los Angeles,' our responsibility during challenging times is clear: to serve as a community resource focused on healing and unity, not celebration."
"Los Angeles needs us to channel our energy toward supporting our neighbours and demonstrating the values that make our city and county strong," her statement continued. The statement went on to clarify that the decision to indefinitely postpone the event was made by the museum's Board of Trustees, leadership and event partners, who "unanimously agreed" that pausing the event was "the appropriate response to current community circumstances."
Chief Advancement Officer Paul Bessire added: "We will find a future moment to celebrate our work. Until then, we will channel our energy towards being welcoming spaces for learning and discovery for everyone who walks through our doors." The museum is expected to reschedule the event for a later date, and will continue with their daily operations and educational programs until the event is back in the calendar.
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Scottish Sun
an hour ago
- Scottish Sun
I ate at world's biggest all you can eat buffet – it cost £10 with NO time limit… but here's what it's REALLY like
Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) A FOODIE who filled up her plate at the world's biggest buffet for just £10 has spilled the beans on her tasty experience. Serving up giant steaks, extra thick milkshakes and Amish pie, the huge restaurant serves up enough grub for 10,000 people every single day. Sign up for Scottish Sun newsletter Sign up 9 Amorray showed off the restaurant and its giant steaks to her 440,000 Instagram followers Credit: amorraytravels / Instagram 9 The influencer was amazed by the range of options and the great taste Credit: amorraytravels / Instagram 9 There are hundreds of food, drinks and deserts on offer every day Credit: Shady Maple 9 Shady Maple Smorgasbord is the largest buffet in the world Credit: Shady Maple Shady Maple Smorgasbord has transformed East Earl, Pennsylvania into an unlikely tourist hotspot in recent years. Hungry Americans and fascinated tourists regularly flock to the 100,000 sq ft buffet to try and take on the world's biggest buffet. In recent years it has even become famous on social media through food bloggers and popular influencers. One of these is New York-based influencer Amorray Marcano who visited Shady Maple back in April. She told The Sun: "I'm a content creator so I like to show cool things in the New York area and around it and I had no clue that the largest buffet in America was so close to me. "So I wanted to go just because of its reputation of being the largest and serving up to 10,000 people in a day." Amorray, 29, filmed her trip and posted it online to her 440,000 Instagram followers. She said one of her biggest concerns going into the buffet was the quality of the food. Most people usually head down to a buffet as a novelty dining experience where they can fill their plates high and try out as much food as their stomachs can handle. But the food is typically seen as below par due to it usually being left out under a heat lamp for some time before being eaten. Hotel guest reveals unique buffet breakfast and people have been left stunned Shady Maple is far from an average all you can eat place though as it even boasts an impressive 4.6 star rating online. Amorray said she was "pleasantly surprised" by the taste of the food on offer. She admitted: "There were hits and misses, but there were certain things that were actually really good. "The night I went they were serving catfish. And I don't really eat catfish normally, but thought I'll try it and it was so good. "It was cooked really well and just delicious. "There were some things that I didn't love. I would say some things might've been a little dry or some things maybe needed a little bit more seasoning. "But the things that were good were great, like their beef brisket, the steak and of course the cajun catfish." The whole buffet is open Monday to Saturday and welcomes in hungry guests from 7am all the way through to 7:30pm. 9 The huge restaurant serves up enough grub for 10,000 people every single day Credit: Shady Maple 9 Shady Maple Smorgasbord has transformed East Earl, Pennsylvania into an unlikely tourist hotspot in recent years Credit: Shady Maple 9 Famous travel and food influencer Amorray Marcano has spilled the beans on the world's biggest buffet Credit: amorraytravels / Instagram During the day, they serve up a breakfast, lunch and dinner offerings. The breakfast costs just $13.99 (£10) during the week and lunch will set you back $19.99 (£15). The price for dinner varies depending on exactly what type of food you want to treat yourself to but a standard price is $26.99 (£20). This encompasses grill items, 46 salad bar items, three soups, six homemade breads & rolls, four cheeses, eight different meats, 14 vegetables, ten cold desserts, three hot desserts, eight pies, six cakes, sundae bar and countless drinks. Special options are also available throughout the week including steak night, seafood night, wings night or even the grand menu. There were hits and misses, but there were certain things that were actually really good Amorray Marcano Amorray was amazed by the cheap price of the unlimited food. She continued: "I would see people sit down, they would eat, and then they would go back for more and you could stay for as long as you want. "So realistically, you could stay there for hours so it's a great bang for your buck. "For the night that I went, it was like $27 and the amount of food you get for that is easily worth way more than the price." One thing that did leave a sour taste in Amorray's mouth was just how busy the buffet was. Amorray and her friend queued up for 30 minutes outside at around dinner time due to the long line of excited guests. The influencer was mainly shocked by this due to its little known location. Not only is East Earl a tight knit community in Amish country but it also has a population of under 2,000 people. You could stay there for hours so it's a great bang for your buck Amorray Marcano This means the town can sometimes be packed out with over five times the number of residents due to the popularity of the restaurant. "When I went in, I thought there's not going to be that much seating. But then once I walked in, there was loads in every, nook and cranny," Amorray added. "There must have been thousands of people in there and I was not expecting that just because we already had a 30 minute wait and there was a huge line behind us. "Honestly I was kind of overwhelmed when I went in because I was expecting the amount of food but not the amount of people." But after tucking into her first plate, Amorray said she fully understood why so many people flocked to the world famous Pennsylvania buffet. Amorray was also blown away by the number of drinks available. I tried one of the world's most expensive buffets – and made my money back in just one plate By The Sun's Assistant Travel Editor, Sophie Swietochowski AS the Sun travel desk's resident foodie, I could hardly resist trying the UK's fanciest buffet, also one of the world's most expensive. The Grove Hotel in Hertfordshire went viral earlier last year when TikTok foodies discovered its Glasshouse restaurant where everyone dines en masse, but in five-star luxury. Costing a whopping £82 per person at the weekend, there is certainly enough to choose from. After several, overly-generous spoonfuls of caviar, a few servings of beetroot-cured salmon and seven superbly crafted sushi rolls, decorated with dainty herbs, I felt I'd made a good dent in 'getting my money's worth' – a statement that had been thrown back and forth between my buffet partner, Mum, and I. I prowled the platters of sizzling Asian grub arranged temptingly in tandoor bowls and loaded into terracotta dishes, before heading straight for the crispy Thai fish cakes. The fish section was part of one of 10 dining areas at the buffet. This includes a carving station, AKA the place to pick up your classic roast dinner and trimmings with slices of rare roast beef, flakey wellington and crispy roast spuds all laid out with gravy. There was a sushi station with hand-made California rolls placed delicately alongside huge tubs of wasabi and seaweed salads. The robata grill is where everything from whole seabass to juicy steaks are scorched over an open flame and there's also fresh pasta and pizza stations. If all this isn't enough to wrap your head around, you can also order directly from the chefs, doting on each station, when there is something in particular that you fancy that isn't on display. So the real question is: would you pay that much cash for dinner? Much like the food on offer at the buffet, Shady Maple provided almost every kind of soft drink imaginable. The star of the drinks show was a huge soda fountain to the side of the room. This had all kinds of soda in it from cream soda, vanilla coke and even root beer as well as all the regular options. A coffee machine, hot chocolate station and milkshake stand meant everyone's taste was catered for. Alcohol was the only notable exception on the menu. And no tipping is expected at the restaurant. Amorarry recommended anyone in the area to head to Shady Maple if they get the chance. 9 The quality of food on offer has been widely praised by many visitors over the years Credit: Shady Maple


The Guardian
an hour ago
- The Guardian
UK broadcasters hail rare win over Netflix in battle for streaming ads
Shows such as Netflix's TV history-making Adolescence and Disney's romp Rivals are among the latest hits to continue the subscriber juggernaut, as the US streamers continue to mount pressure on UK TV broadcasters. However, research reveals that a new breed of viewers being banked on to drive their next era of growth are watching up to 40% less content on some services, giving traditional broadcasters hope that their own streaming services will not ultimately be outmuscled in the battle over the rapidly growing £1bn-plus streaming ad market. It has been two and a half years since Netflix reversed its resistance to advertising, leading the charge to tap a new market as subscriber growth petered out and the cost of living crisis made consumers more open to paying less in return for seeing ads. The strategy has helped breathe life into stalling subscription growth. Netflix added the most customers in a quarter in its history in the final three months of 2024, with 55% choosing its ad-supported package. About a third of its 300 million-strong global subscriber base are now watching with ads. Disney+ followed suit in late 2022 and has since amassed 157 million ad-tier subscribers, including its US-only ESPN and Hulu services. And in February last year, Amazon started automatically introducing ads to the 200 million potential monthly viewers of Prime Video, requiring customers to pay if they wanted an ad-free experience. However, research into streaming households shows that homes that watch with ads are 'lighter' viewers, in the words of one media agency executive, compared with those who pay for higher-priced, ad-free packages. A snapshot of UK streaming in the fourth quarter of 2024 showed that Netflix households with advertising-supported subscriptions watched an average of 22 minutes less content a day than those with an ad-free subscription, a difference of almost 22%. Netflix is estimated to have about 17.6 million subscribers in total in the UK, of whom just over 4 million are on an ad-supported package, according to Ampere Analysis. At Amazon's Prime Video, which is estimated to have about 12 million UK users, the same trend has emerged. Viewers who accepted ads watched an average of 23 minutes less content a day than those who had opted to pay for an ad-free experience – a difference of 44%. While viewing minutes were not available for Disney+ UK subscribers, the research showed it had the narrowest gap, with those on ad-supported accounts watching just five fewer minutes of content a day on average than those paying for an ad-free subscription. Matt Ross, the chief analytics officer at the streaming research firm Digital i, says two distinct types of viewer have emerged, but adds that lower levels of viewing in ad-supported households is partly because those subscriptions also typically offer access on fewer devices. 'We've seen that more engaged viewers typically opt for ad-free tiers, valuing the uninterrupted experience they provide,' Ross says. 'More premium plans offer multiple simultaneous streams, which appeals especially to larger households and families. This combination of premium features and flexibility often results in higher daily activity for ad-free plans.' Nevertheless, the phenomenon of 'light viewers' will be grasped by UK broadcasters trying to stop the deep-pocketed US giants conquering the streaming advertising market in the same way as they have the world of paid subscriptions. 'The appeal of the global streamers' ad tiers to advertisers doesn't stack up against the streaming services offered by British broadcasters,' says one senior TV industry executive. Certainly in the UK, at least, the drive into advertising by the big US streamers has had a mixed reception from the media agencies that buy commercial space for brands. Netflix started with a gung-ho attitude, buoyed up by the success it had had building a huge paid subscriber base and the belief advertisers would leap at the chance to be able to place commercials in its mega-hits for the first time. However, it demanded almost 50% more than ITV or Channel 4's services charge for advertising, alongside a hefty commitment to a minimum spend, despite initially only having a small audience and extremely limited ability to target ads. 'The rollout was a disaster,' says the chief executive of one media agency. 'Take-up was underwhelming, to say the least. They had to try again six months later and lost their lead over rivals and are now behind the curve in terms of pricing, data and reach versus, say, Amazon.' Amazon charges about the same as the public service broadcasters' streaming services, while Disney+ charges more, despite having the smallest base of the big three US streamers, a situation the media executive describes as a 'mad outlier, given their volume'. Sign up to Business Today Get set for the working day – we'll point you to all the business news and analysis you need every morning after newsletter promotion Last month Netflix rung the changes, announcing that Warren Dias, the head of UK's ad sales, was to leave after two years in the post. The world's biggest and most profitable streaming service has acknowledged it is still a newbie when it comes to the ad market. 'I think you can say that 2025 is the year that we transition from crawl to walk,' Greg Peters, the co-chief executive of Netflix, said in a recent call with analysts. Peters said overall viewing hours per subscriber on its ads plans internationally was similar to those on its standard non-ad plans, and that it expected to double advertising income this year as it focuses on improving ad targeting for brands. The company launched its in-house ad-tech platform in the US in April and intends to start rolling it out to other markets in the coming months. While UK broadcasters feel the tentative start by the US giants has given them the upper hand in the British streaming advertising, which is putting further pressure on the shrinking £3.58bn traditional TV ad market, there is a sense of foreboding that history may ultimately repeat itself. 'We were successful and revolutionised TV viewing,' says Damien Bernet, the vice-president of ad sales for the EMEA region at Netflix. 'We believe we are going to be able to do the same for ads.' More people visit and watch Netflix than any other streaming service in the UK, and in March it made TV history with Adolescence becoming the first programme on a streaming platform to top the weekly audience charts of all shows aired in Britain. In February, 65% of 18- to 64-year-old internet users accessed Netflix, compared with 59% for the BBC's iPlayer, 48% for Prime Video, 46% for ITVX and 34% for Channel 4's streaming service, according to survey data from Ampere Analysis. The US streamers' ad tier strategies have reignited overall growth, are rapidly increasing the scale and attractiveness of the offering for advertisers, and the cheaper pricing has made users more 'sticky' and less likely to think about cancelling. 'Fundamentally, advertising is a scale game, and in that regard many of the streamers are only just getting started,' says Richard Broughton, a director at Ampere. 'UK and European broadcasters will be far from complacent, given the competition they have faced for viewers over the past decade, but they have only a narrow window to batten down the hatches before they start to feel more pressure across their advertiser base too.'


Daily Mirror
2 hours ago
- Daily Mirror
I'm a parent and there are 4 Netflix shows I've banned my toddler from watching
Some of the most popular children's TV shows on Netflix at the moment have been banned by one mum and for what she feels is a very good reason The world of children's television is sparking fierce debate among parents, with some experts even questioning the value of letting little ones in front of the TV at all. A number of child development specialists are firm that carers "should not be allowing their children to watch the TV without a parent or guardian engaging too". I hear your parental cries: "But we need the TV," as striving for perfection in parenting isn't always realistic or easy. I am in no way suggesting that I am the model parent - because that I am not, I try to balance my two year old's life with outdoor activities, extra classes like swimming and dance, plus indoor creativity with painting, reading, and baking. Despite striving to ensure my toddler leads a well-rounded life I still find myself occasionally succumbing to the allure of the remote control, normally during dinner prep or a quick shower. Like many other parents, I've blindly followed Netflix's trending list for kids' shows, mistakenly echoing common patterns without much thought, reports Surrey Live. However, it was during a glimpse of my toddler completely absorbed in Ms Rachel's programme that triggered my concern and prompted me to scrutinise the content she was consuming on screen. As a parent, I've noticed a stark contrast between shows that completely captivate children and those that allow for playtime with the occasional glance at the telly. This observation led me to take note of certain programmes that seemed to hypnotise my toddler in what appeared to be an unhealthy obsession. Cocomelon Luckily, my two-year-old didn't show much interest in JJ and his mates for long, likely because it's one of the most stimulating shows out there, in my view. I was quick to discourage it from the start. A quick Google search on "is Cocomelon bad for children" will yield numerous videos and experts suggesting that the show's pace, repetition, and animation style could be problematic. Having watched the show myself, I observed that most scenes were rapidly cut every 1–3 seconds, accompanied by neon-bright visuals and continuous nursery rhymes. Due to these factors and the grip it seemed to have on my daughter, we decided to ban this Netflix show in our house. Ms Rachel I realise this might not be a popular opinion, but for me, Ms Rachel's programme was the eye-opener and the start of my own investigation into what I consider to be overstimulating TV shows for my child. Ms Rachel doesn't rank as the worst in my view, and I do respect her as a fellow mother striving to enhance speech and development for children, drawing on her background as a former teacher. However, it would be remiss of me not to mention some concerns with her top-ranking Netflix show. My two-year-old seemed to lose a bit of her spark while watching this series, perhaps overwhelmed by the vivid colours, whimsical imagery, and relentless pace. Consequently, we've decided to switch off this series for good. Apologies to Ms Rachel, you're a good person and your programme is more educational than some, but it's not without its problems. Peppa Pig It was a tough call, but I'm standing firm on my decision to exclude Peppa Pig because it falls short educationally compared to other shows. The programme is suitable for young viewers and features straightforward 2D animation, yet the bright colours and occasional rapid background movement caught my attention. I've also seen complaints from parents on various forums about Peppa's attitude in certain episodes, fearing their kids might mimic her "bad manners". Credit to the creators, though, for the slow-paced, gentle scenes that offer a touch of light family humour. Paw Patrol For similar reasons to Peppa Pig, Paw Patrol on Netflix didn't make the cut for me due to its lack of educational content and sometimes frenzied action. Despite the evident themes of teamwork and problem-solving, I found the programme to be quite distracting and overly captivating during the action-packed sequences. So much so my toddler would not even respond to her name. The quick scene changes aren't as rapid-fire as Cocomelon, yet the draw of bright colours and boisterous sounds undeniably impacted my child's focus. Playtime with toys was completely abandoned when this show graced our telly, and for that reason, I'm switching it off. Cocomelon, Ms Rachel, Peppa Pig and Paw Patrol can all currently be streamed on Netflix.