
Actor who plays Jesus on TV's 'The Chosen' visits the Vatican
Jonathan Roumie, star of the streaming series "The Chosen" about the life of Jesus Christ, spoke at an event ahead of a special Vatican screening of an episode from the fifth season of the show, which will release internationally in July.
Roumie was joined by fellow cast members Elizabeth Tabish, George Xanthis, and Vanessa Benavente, who respectively play Mary Magdalene, St. John the Apostle, and Mary, the Mother of God.
"Coming to the Vatican is always an honour," Roumie, a practicing Christian, told Reuters. "The possibility of getting to meet the newest pontiff is extraordinary."
"The Chosen" is a historical drama that follows the life of Jesus Christ – from gathering disciples to his ultimate persecution at the hands of the Roman empire.
Season 5 includes Jesus's last supper with his disciples and many of the renowned biblical events just before his death.
The cast came to the Vatican a day after wrapping up three weeks of shooting for the sixth season of the show which will portray the crucifixion, an episode filmed in the southern Italian town of Matera.
One of the world's oldest continuous human settlements, with stone houses cut from surrounding cliffs, some of which have been occupied for millennia, Matera stood in for Jerusalem.
U.S. filmmaker Mel Gibson also used the Italian town for his 2004 movie about the crucifixion, The Passion of the Christ.
Roumie and the other cast members are set to meet Leo, the first U.S. pontiff, during the pope's general audience in St. Peter's Square on Wednesday.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Top Gear
an hour ago
- Top Gear
This hugely anticipated Formula One game just got a release date and demo
Gaming Formula Legends, one of TG's most anticipated racers, is arriving 18 September Skip 6 photos in the image carousel and continue reading We've had our eye on Formula Legends since it was first revealed. In fact, we still haven't totally dispelled the notion that we actually willed it into existence with our minds: an arcade-style, retro racer that covers each era from F1 history (in unlicensed form), but marries that accessible racing style with variable weather, tyre degradation and refuelling strategies? Our wishes are granted. Having gathered data from a test day – sorry, demo – earlier in 2025 and refined its package, Formula Legends is now ready to formalise its arrival on 12 September 2025. And if that news wasn't happy enough, there's a new demo out now on PC, PS5 and Xbox Series X/S, with the Switch demo to follow on 14 August. Advertisement - Page continues below Both the handling model and AI behaviour have been tweaked since the indie racer's last showing, which indicates that studio 3DClouds is taking fan feedback pretty seriously. ' Formula Legends has evolved massively since we announced the game earlier in the year and this new demo is another opportunity for us to learn and evolve the experience as we accelerate to launch,' said 3DClouds CEO Francesco Bruschi. ' Formula Legends has been a labour of love for the entire team as we're all massive motorsport fans, and we know that anyone who shares that level of passion will cherish their time with our game.' You might like It's that passion that's got us so excited for the game. You really can feel it, in all the little details crammed into the unassuming arcade package, touches that other games might not have added but which elevate the experience. You can judge for yourself in the demo, which includes both the modern and historical versions of Hungary and Belgium, playable in custom race or time attack modes, and in cars from three distinct eras: mid '70s, early '90s, and the current mid '20s machinery. Advertisement - Page continues below Check out the release date announcement trailer for a flavour of the art style, and the minimalist manner that Formula Legends captures the sport's history with. The demo's available now on Steam, GOG, Xbox Store, PlayStation Network, and Epic Games Store. Switch owners, check back in on 14 August to find it on the Nintendo eShop. Thank you for subscribing to our newsletter. Look out for your regular round-up of news, reviews and offers in your inbox. Get all the latest news, reviews and exclusives, direct to your inbox.


Times
2 hours ago
- Times
First-class suites for Formula 1 fun
I'm reclining on a sunshine-yellow sofa, watching a couple enter the final throes of a chess game before flicking through a weighty tome analysing Lewis Hamilton's greatest achievements. Then 3pm rolls around and the couple dash to the terrace to watch the man himself race past at 200mph. The living room-like House 44 suite, a collaboration between Lewis Hamilton, F1 and Soho House unveiled at Silverstone, is the latest addition to the Paddock Club — the vast hospitality complex that overlooks the starting grid. In 2025 the suite will feature at the upcoming Netherlands, Italy, Mexico, Las Vegas and UAE grands prix. 'The House 44 suite is an amazing way of experiencing a Formula 1 race weekend,' says Lewis Hamilton. 'Working closely with Soho House and F1, I wanted to design a space I'd choose for myself if I wasn't on track.' Even the drinks are Hamilton-themed. At the bar, clad with studded metal panels recalling the stripped-back bodywork of a 1950s grand prix car, there's free-flowing Moët alongside cocktails made with Almave. Co-founded by Hamilton, it's the world's first non-alcoholic blue agave spirit brand. The House 44 layout and size will vary slightly depending on the track, but the capacity will stay between 100 and 200 people, making it smaller and more intimate than most F1 Paddock Club suites. The overall sense is of cosiness — it's not a place where you need to know your driveshaft from your DRS. My favourite spot? Perched next to the long, rustic wooden table, watching the on-track action on a screen suspended above a sideboard topped with pot plants and a stack of books pinioned by a starfish-shaped paperweight. If I could design my dream living room, this might just be it. Guests don't need Soho House membership — just a minimum of $12,000 (about £8,900) for a three-day race weekend ticket. Added extras include pit walks, paddock tours and appearances from Sir Lewis. The Singapore GP's Twenty3 is a multilevel trackside retreat famous for its multiple vantage points (you'll find it at the track's final turn, which means unbeatable views of the starting line and post-race fireworks) and entertainment — in previous years performers have included aerial silk acrobats and fire poi spinners. But it's the culinary offerings that put it on the map. Highlights include pop-ups from Michelin-starred chefs (at the GP in October sit-down restaurants will include one from the Seoul-based Soigné, which has two Michelin stars, and La Scène, a Paris bistro also with two stars). Meanwhile, pitstops for thirsty race fans will include one from Barcelona's Paradiso Bar, which bagged a spot in the top 10 of the World's 50 Best Bars 2024. Finally, it's worth bearing in mind this is a race where those vantage points are worth the expense. The action-packed Singapore GP — F1's first night-time race, wrapped around the spectacular Marina Bay — makes for a breathtaking backdrop. From £4,760 for a three-day ticket, A fun fact? The first Las Vegas GP took place in 1981, when the cars raced around the parking lot of the Caesars Palace hotel. There wasn't another Las Vegas GP until 2023, when F1's speed machines raced down the city's neon-lit Strip. Perhaps unsurprisingly the hospitality offerings are as extravagant as it gets, and the pricier offerings include the Gordon Ramsay at F1 Garage — with tickets starting from £20,000. A more affordable (but equally opulent) option for race weekend (in 2025 this will be November 20-22) is Skybox, with its Rat Pack-inspired decor (think vast expanses of red velvet and lots of feathers). This hospitality suite, above the Heineken Silver Main Grandstand, offers stunning views of the starting line while guests feast on gourmet cuisine and toast the race's return to Vegas with cocktails prepared by the city's top mixologists. Tickets include a Heineken Silver Main Grandstand seat in addition to suite access. The suite's proximity to the Heineken Silver Stage is a big draw — it's the setting for driver appearances as well as live music. From £6,530 for a three-day ticket, The Abu Dhabi Grand Prix's 360 at Sixteen hospitality area, which will launch at this December's event, will have a prime position — it will be located at turn 16, which means brilliant views of the finishing straight as well as the circuit's famous chicane section. It will be a multilevel lounge with leafy areas and terraces overlooking the pitlane. Perks for guests include pit walks and complimentary access to nearby attractions such as Warner Bros World Yas Island Abu Dhabi and the Louvre Abu Dhabi. Guests will be able to refuel at live cooking stations and at food trucks, although it's worth nothing this will be one of the few hospitality packages that includes only soft drinks — alcoholic beverages cost extra. From £1,200 for a four-day ticket, House 44 wasn't the only F1 Paddock Club suite unveiled at Silverstone — the Atlassian Williams Racing team revealed its beautiful suite at the British GP too. Created for guests invited by the team or its partners, it will appear at the Singapore, Austin, Las Vegas and Abu Dhabi GPs in 2025 (2026's races are to be confirmed). Although exact layouts might vary, staples will include a large central bar, an open-plan layout and vast expanses of dark oak and light stone, and a central stage will be the setting for appearances by team members, including drivers. The vibe? Decadent but fun — at the British Grand Prix there were menu holders made from wheel nuts, and guests can ask for their initials to be embroidered on to complimentary ticket wallets and luggage labels from Carl Friedrik (one of the team's sponsors). Marcus Prosser, the director of marketing at Atlassian Williams Racing, believes this bespoke approach is the way forward. 'Today the F1 hospitality landscape is shifting from a one-size-fits-all to more meaningful, personalised experiences,' Prosser says. Entry to the suite is by invitation only


Spectator
6 hours ago
- Spectator
Worth watching for Momoa's gibbous-moon buttocks alone
If you enjoyed Apocalypto – that long but exciting Mel Gibson movie about natives being chased through the jungle with (supposedly) ancient Mayan dialogue – then you'll probably like Chief of War, which is much the same, only in Hawaiian. Like Apocalypto, it even has sailing ships appearing mysteriously from Europe with crews that serve the role of dei ex machina, rescuing endangered native protagonists at key moments. This time our based-on-a-true-story hero is Ka'iana, the 18th-century Maui chieftain who succeeded in uniting the four warring island kingdoms (Oahu, Maui, Molokai and Lanai) and turned them into the kingdom of Hawaii. He is played by Jason Momoa – to you, Khal Drogo from Game of Thrones; to the drooling masses, Aquaman – looking buffer than ever and sporting a fine pair of buttocks which you get to see bulging from his thong like gibbous moons in every other scene. Obviously the first thing that comes to mind about Hawaii – apart from maybe 'Book 'em Danno', Magnum P.I. and The White Lotus – is man-eating sharks. Sure enough, that's how we first meet Ka'iana. He is on his outrigger, with those familiar stabilising floats, in search of a huge shark to kill heroically. This he does by first chucking some kind of narcotic into the water and then, using himself as bait, lassoing it over the head and – having first thanked the shark spirit for his sacrifice – climbing astride it and stabbing it. According to amateur experts on the internet this is not a wholly accurate representation of Hawaiian shark-hunting techniques. Another thing that they've got a bit wrong is the weaponry. This surprises me. You'd think, this being a labour of love from the world's leading Hawaiian actor, the show being bravely filmed not in English and so on, that they would have taken enormous pains with the details of native warfare. Before gunpowder intruded, it was, of course, all brutal hand-to-hand combat. Elite warriors were trained in a martial art called Kapu Ku'ialua, focused on joint-locking and bone breaking. They also used spears, slings and clubs, including the leiomano, which is like a paddle with tiger-shark teeth set into the edges. Apparently – so the war buffs on Reddit say – the club (studded with the teeth and bones of conquered enemies) used by Ka'iana is the wrong shape and more like the ones used by Native Americans. I love this pedantry. Also, while we're still doing solecisms, the women are all horribly overdressed. In real 18th-century Hawaii, we wouldn't only have been entranced by Ka'iana's delightful buttocks but also by the even lovelier breasts of all the womenfolk, none of which would have been covered. In fact, apart from when they were in ceremonial dress – including tall, splendidly cumbersome feather helmets – they wore little but their elaborate tattoos. On the evidence of the two episodes so far, I'd say its main flaws are a slightly ponderous over-reverence – the scenes telling us about ancient Hawaiian mythology and prophecies go on a bit – and an undue reliance on implausibility in the action scenes. For example, in one sequence, where Ka'iana has been cornered by his pursuers at the top of an apparently insurmountable cliff, the show gets round the problem by cutting to a scene where he's now at the bottom, no longer followed, and very handily near a secret cave in which – extraordinary coincidence – there happens to be a beautiful female stranger of royal blood who is up for tending his wounds. None of this is going to put me off watching. I like rooting for Momoa's noble, musclebound character (though I doubt his real-life counterpart was quite so flawless); the baddies are properly scary, evil and brutal; and, with seven episodes still to go, there's plenty of room for expansive adventure before we get to the inevitable epic final battle scene. I hope, for example, they cover the curious episode in Ka'iana's life where he became the first native chief to leave Hawaii, participating in an expedition with English fur trader John Meares on a 1787 expedition to China. Tell you what you don't want to be watching, though: Too Much. It's allegedly a rom-com – written by the unfunny and overrated Lena Dunham – and it invites you to sympathise with the travails (largely autobiographical, one gathers) of an overweight, needy, woke, aggressively feminist, generally hateful New York woman who comes to London to live like a Brontë sister. But you don't sympathise with her. Not remotely. In fact, you'd probably have more fun being beaten to death with one of those paddles with the tiger-shark teeth sticking out of the sides.