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Grandmother arrested at pro-Palestine protest ‘proud to keep demonstrating'

Grandmother arrested at pro-Palestine protest ‘proud to keep demonstrating'

Glasgow Times25-06-2025
Sue Pentel, 72, was detained by officers on suspicion of criminal damage, along with Martine McCullough, aged in her 50s, on May 24 while protesting outside the bank on Castle Place over an incident at a previous protest at the bank on April 26.
The pair attended Musgrave Street police station in Belfast city centre on Wednesday for a pre-arranged interview under caution with officers.
Sue Pentel and Martine McCullough attend Musgrave Street police station in Belfast for a pre-arranged interview under caution after the pair were arrested earlier this year on suspicion of criminal damage at a pro-Palestine protest outside Barclay's Bank (Rebecca Black/PA)
Fellow campaigners staged a protest in solidarity with the pair outside the station, with applause and calls of 'we're with you' as they arrived.
Jewish grandmother Ms Pentel is a high-profile campaigner against Israel's military offensive on Gaza.
Videos circulated online of the arrest of Ms Pentel indicate the alleged offence related to the placing of stickers on the bank's ATM machine.
Barclays has been a target for pro-Palestine protesters who claim the bank is linked to companies supplying weapons to Israel.
Barclays has previously addressed the criticism, saying it provides financial services to nine defence companies supplying Israel but does not directly invest in such firms.
The bank has said it has become the target of a disinformation campaign over its ties to defence companies.
Ms Pentel said they are 'proud to peacefully protest outside Barclays'.
'We've been doing it for the last eight months,' she said.
'To protest the genocide, to protest the violence, to protest the way that Israel feels its OK to starve children, to stop humanitarian aid while the world looks on.
'Well, we won't look on, we won't remain silent.'
(l-r) Sue Pentel and Martine McCullough, and their solicitor Padraig O Muirigh arrive at Musgrave Street police station in Belfast for a pre-arranged police interview after the pair were arrested last month pro-Palestine protest outside a Barclays bank (Rebecca Black/PA)
She added: 'We understand that we've been asked to be interviewed under caution, and we're voluntarily going in about an incident on April 26 and all we can say is we're proud to demonstrate with our amazing colleagues every week outside Barclays.
'We have the right to peacefully protest, we want to thank our solicitor Padraig O Muirigh for his time and advice.
'We have the right to peacefully protest and we will continue to do it until the genocide stops.
'We're two grandmothers, when our grandchildren ask us what we did, we know what we'll say, we stood up, we spoke out, we weren't silent, and as a Jewish person I am absolutely ashamed of anybody either Israeli Jewish or London Jewish or wherever who doesn't stand up and who thinks this is OK.'
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How German media outlets helped pave the way for Israel's murder of journalists in Gaza
How German media outlets helped pave the way for Israel's murder of journalists in Gaza

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  • The Guardian

How German media outlets helped pave the way for Israel's murder of journalists in Gaza

What is the role of journalism when Palestinian reporters are treated as criminals and left to die? Last October, I spoke with the journalist Hossam Shabat. He described families packing what little they had left in northern Gaza as Israel began implementing its 'generals' plan'. Six months later, Shabat was dead – killed by Israel, accused of being a Hamas operative. Israel does not try to hide these killings. Instead, it often smears its victims in advance – branding journalists as 'terrorists', accusations that are rarely substantiated. These labels serve a clear cause: to strip reporters of their civilian status and make their killing appear morally acceptable. Journalists are not legitimate targets. Killing them is a war crime. The latest round shook the world: five Al Jazeera journalists were assassinated in a press tent in Gaza City, among them Anas al-Sharif, whose face had become familiar to anyone following Gaza up close. Both the UN and the Committee to Protect Journalists (CPJ) had warned that al-Sharif's life was in danger. Weeks later, he was dead. Meanwhile, a growing consensus recognises Gaza as the site of a livestreamed genocide. Yet in Germany – a country that prides itself on having learned the lessons of its own genocidal history – some of the most powerful media institutions have played a part in enabling Israel's actions. Some German journalists have even justified the killing of their Palestinian colleagues. The clearest example is Axel Springer, Europe's largest publisher and owner of Bild, Germany's biggest newspaper. Hours after the killing of al-Sharif became public, Bild splashed his image under this headline: 'Terrorist disguised as journalist killed in Gaza' (which was later changed to 'Journalist killed was allegedly a terrorist'). Let that sink in. About a week before, Bild had published another piece: 'This Gaza photographer stages Hamas propaganda.' The article targeted the Palestinian photographer Anas Zayed Fteiha, accusing him of staging images of starving Palestinians as part of a Hamas campaign, despite the evidence that the subjects of the photos were indeed starving and waiting for food. In the article, Fteiha's title as journalist appeared in quotation marks, implying he wasn't a real journalist, and that images of starvation were exaggerated fabrications. The Bild story – along with a similar piece in the liberal Süddeutsche Zeitung (SZ) – was swiftly amplified on X by Israel's foreign ministry, which cited them as proof that Hamas manipulates global opinion. Fteiha was branded an 'Israel- and Jew-hater' serving Hamas. The Gaza Humanitarian Foundation quickly piled on, joined by rightwing influencers. In this case, German media had become a direct pipeline for Israeli talking points, quickly recycled into the international arena and repackaged as 'evidence'. Fteiha said in response: 'I don't create suffering. I document it.' Calling his work 'Hamas propaganda', he continued, 'is a felony against the press itself'. Just days before the Bild and SZ articles were published, one of Germany's largest journalists' associations, Deutscher Journalisten-Verband (DJV), issued a statement warning of 'manipulation' in press photography. It specifically cast doubt on images showing emaciated children in Gaza, claiming their condition 'apparently is not attributable to the famine in Gaza'. The DJV offered no evidence for this claim – largely because no such evidence exists. Facing backlash online, the association cited a July article in Frankfurter Allgemeine Zeitung, whose author had speculated whether images of emaciated infants were really the result of starvation – or rather of preexisting conditions such as cystic fibrosis. The piece suggested that publications had been either negligent or manipulative in publishing these photos without further detail. Omitted was the fact that hunger and preexisting conditions can't be neatly separated and that no preexisting condition alone could produce such extreme emaciation. Bias isn't new in the German media landscape. At Axel Springer, support for the existence of the state of Israel is second on the list of the company's guiding principles, its so-called essentials. In September last year, Bild helped derail ceasefire negotiations by publishing an 'exclusive' report – excerpts from a Hamas strategy leaked to Bild by Benjamin Netanyahu's aides. In it, Bild claimed Hamas was 'not aiming for a quick end to the war', which neatly absolved Netanyahu of any responsibility for the breakdown in talks at the time. (In response to queries about the story, a Bild spokesperson told +972 magazine that the publication does not comment on its sources.) As it turned out, the Hamas document had been broadly misrepresented by Bild. 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When the history of this genocide is written, there will be chapters on the media's role. Germany's section will be uncomfortably large. No one should claim they didn't see it happening. Hanno Hauenstein is a Berlin-based journalist and author. He worked as a senior editor in Berliner Zeitung's culture department, specialising in contemporary art and politics

UK landmine charity wins global humanitarian prize
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