RTE opens call for new presenters
RTE is searching for two new radio presenters and is seeking applications for potential on-air television roles.
The Irish national broadcaster has opened a call for expressions of interest in on-air roles across RTE News and Current Affairs as well as Radio One.
RTE said it would create a long-list of potential presenters every two years in areas including news, current affairs, general speech programming, entertainment, sport, music and the arts.
When a presenting role becomes available, it said the long-list will be used 'as part of the process' to identify suitable candidates.
The broadcaster said: 'A shortlist will be created using a weighted criteria suitable for the specific role. '
RTE Radio 1 currently has a role available for a presenter of Liveline, following Joe Duffy's upcoming retirement.
RTE News and Current Affairs also has a vacancy for a presenter with an initial assignment in radio news programmes and podcasting.
Those shortlisted will be required to enter a further selection process for specific roles.
RTE said the details of that process would be communicated at a later date but may include interviews or a pilot process.
Those interested are invited to submit a cover letter, CV and a 10-minute showreel.
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Cosmopolitan
3 hours ago
- Cosmopolitan
Revealed: Identity of Tattle Life's publisher is finally unmasked after 7 years, and it's a male influencer
Tattle Life, an online gossip forum featuring endless threads tearing influencers apart and causing some severe trauma, has had its day in court – with the founder behind the heinous website finally exposed. For over 7 years, nobody knew who set up the website, but after a global investigation launched by an Irish couple, Neil and Donna Sands, it's been revealed that a plant-based recipe influencer and author, Sebastian Bond, better known online as Bastian Durward (of Nest & Glow), has been behind the entire thing. The Sands have been awarded £300,000 after suing the website which hosted defamatory and harassing commentary about them both. Tattle Life billed itself as a place for "commentary and critiques of people that choose to monetise their personal life as a business and release it into the public domain", but which also saw influencers routinely defamed, bullied and even doxxed on occasion. Cosmopolitan UK has spoken with one content creator whose home was doxxed via Tattle Life while she was pregnant. She says when she tried to contact the site about feeling afraid and vulnerable in her own home, after users worked out the street she lived on and discussed it openly, she was met with a wall of silence from Tattle Life. Another social media user told Cosmopolitan UK how she deleted her social accounts due to cruel comments about her weight, diet and struggle to conceive on the site. The website is thought to attract millions of views each month and in 2021, The Guardian reported Tattle Life made over £276,000 in advertising revenue during a six-month timeframe. Here's what we know about the Tattle Life court case which finally exposed the mysterious founder behind it. Tattle Life, founded in 2018, describes itself as a website and chat forum in which social media users can 'fairly' scrutinise influencers, viewing them as fair game because they choose to openly share some aspects of their life online to generate income. However, the threads on the website are far from limited to influencers and mock, degrade and dox family members of content creators, those not making money from social media and even children. Tattle Life claims to have a "zero-tolerance policy to any content that is abusive, hateful, harmful and a team of moderators online 24/7 to remove any content that breaks our strict rules - often in minutes". Many reports say otherwise, and in the court case involving the Sands it is reported that Neil Sands first flagged defamatory and harassing content about himself in February 2021, but that the posts were allowed to remain live on the website until May 2025. The website describes influencer marketing as "insidious; it revolves around people that occupy the space between celebrity and friend to stealthy sell". It adds that content creators "hoodwink followers into thinking they care what they have to say to foster the faux friend relationship [but] the main reason is to get brands to reach out to offer cash and freebies to advertise. Can you really trust social media influencers to give impartial and honest opinions once money is involved?". Tattle Life also bills itself as a defence mechanism for the public's mental health and a champion of free speech. "It's an important part of a healthy, free and fair society for members of the public to have an opinion on those in a position of power and influence; that is why tattle exists. We allow people to express their views on businesses away from an influencers feed on a site where they would have to go out of their way to read, this is not trolling." On 13 June 2025, The High Court of Justice in Northern Ireland issued an application that lifted reporting restrictions and revealed that the identity of Tattle Life's publisher is Sebastian Bond, a businessman who used a number of different names (including Bastian Durward and 'Helen McDougal'). He is 43-years-old and was an influencer himself, with a vegan cooking account, Nest & Glow, on Instagram boasting 135,000 followers. On the Nest & Glow website, Bond describes himself as "a former office worker that quit long days in London to move to the countryside and share natural recipes and lifestyle tips". According to The Journal's coverage of his legal case involving the Sands, it took two years for Bond to be brought to justice. Bond has two businesses linked to his name: Yuzu Zest Limited (a UK-registered company) and Kumquat Tree Limited (registered in Hong Kong). Tattle Life's website states it is operated by 'Lime Goss', which fits in with the citrussy theme. When discussing the case, Peter Barr, an experienced litigator at Gateley, said: "This wasn't just a matter of law – it was a global forensic investigation. We had to pursue the money around the world, from the UK to Hong Kong, using a mix of legal innovation and digital evidence to expose what was clearly a sophisticated effort to avoid scrutiny. "This judgment sends a clear message that online anonymity cannot shield unlawful behaviour." Neil and Donna Sands are the Irish couple who successfully sued Tattle Life and Bond. They were awarded £300,000 in damages after a two-year legal battle. Donna is the owner of clothing brand Sylkie and is also in the process of starting a drinks business with her husband, Neil. Neil is said to be a founder involved in the AI space and owner of Fox Design Venture Studio. Posting about the outcome online, Neil Sands said: "As a couple we never wanted or expected to undertake this work, however when we discovered the hate site we were forced to take action. We are very grateful for your support, and hope that this serves as a reminder to those who want to attack others from behind a screen - that the internet is not an anonymous place."We will share more soon, but for today, we hope that this news will provide some peace to those affected by online hate and harassment, and that the internet can be a safer space for us all." Talking about the case, he is also reported (by to have said, "We believe in free speech, but not consequence-free speech – particularly where it is intended to, and succeeds in, causing real-world damage to people's lives, livelihoods and mental health. We were in the fortunate position to be able to take the fight to these faceless operators, and it took a lot of time, effort and expense." The High Court is due to review the case on 26 June 2025. Jennifer Savin is Cosmopolitan UK's multiple award-winning Features Editor, who was crowned Digital Journalist of the Year for her work tackling the issues most important to young women. She regularly covers breaking news, cultural trends, health, the royals and more, using her esteemed connections to access the best experts along the way. She's grilled everyone from high-profile politicians to A-list celebrities, and has sensitively interviewed hundreds of people about their real life stories. In addition to this, Jennifer is widely known for her own undercover investigations and campaign work, which includes successfully petitioning the government for change around topics like abortion rights and image-based sexual abuse. Jennifer is also a published author, documentary consultant (helping to create BBC's Deepfake Porn: Could You Be Next?) and a patron for Y.E.S. (a youth services charity). Alongside Cosmopolitan, Jennifer has written for The Times, Women's Health, ELLE and numerous other publications, appeared on podcasts, and spoken on (and hosted) panels for the Women of the World Festival, the University of Manchester and more. In her spare time, Jennifer is a big fan of lipstick, leopard print and over-ordering at dinner. Follow Jennifer on Instagram, X or LinkedIn.
Yahoo
a day ago
- Yahoo
‘The Penguin' Emmy submissions: Colin Farrell aims to complete his awards sweep after Golden Globe, Critics Choice, SAG victories
HBO will submit four cast members from The Penguin for Emmy consideration, Gold Derby has confirmed. Colin Farrell as Oswald "Oz" Cobb, aka the Penguin, is entering the Best Movie/Limited Series Actor category, as expected. Earlier this awards season, the Irish actor prevailed at the Golden Globes, Critics Choice, and Screen Actors Guild Awards for playing the villainous DC Comics character. A victory at the Emmys would complete his sweep of top awards. A former Oscar nominee for The Banshees of Inisherin (2022), this would be his first career Emmy bid. More from GoldDerby 'Matlock' acting Emmy submissions include Kathy Bates and Skye P. Marshall, plus these 3 guest stars Ramón Rodriguez on the power of vulnerability and grit in 'Will Trent': 'that combination of toughness and tenderness really drew me in' 'Industry' star Sagar Radia on his standout episode, 'White Mischief,' and if Rishi knows about 'Uncut Gems' Cristin Milioti as Sofia Gigante (née Falcone) is being submitted for Best Movie/Limited Series Actress. She won the Critics Choice Award for this role, but lost at the Golden Globes to Jodie Foster (True Detective: Night Country) and at the SAG Awards to Jessica Gunning (Baby Reindeer). Milioti could receive her first two career Emmy noms this year, for The Penguin in the lead race and Black Mirror 's "USS Callister: Into Infinity" in the supporting contest. Rhenzy Feliz as Victor "Vic" Aguilar will compete in Best Movie/Limited Series Supporting Actor. The breakout 27-year-old plays a teenager who becomes Oz's driver and personal enforcer. Feliz is also known for voicing Camilo in the film Encanto (2021) and for playing Alex in the TV show Runaways (2017-19). And Deirdre O'Connell as Francis Cobb will be eligible in Best Movie/Limited Series Supporting Actress. For her role as Oz's ailing mother, who suffers from Parkinson's and Lewy body dementia, the character actress recently nabbed a Critics Choice Awards bid, losing to Gunning. O'Connell can next be seen in Eddington, the star-studded film from Ari Aster, which just premiered at Cannes. While these are the only four actors HBO is officially submitting for consideration, anyone can submit themselves for Emmy recognition. Other recognizable cast members on the project include Shohreh Aghdashloo as Nadia Maroni, Clancy Brown as Salvatore "Sal" Maroni, Carmen Ejogo as Eve Karlo, Michael Kelly as Johnny Viti, Theo Rossi as Dr. Julian Rush, Mark Strong as Carmine Falcone, and Michael Zegen as Alberto Falcone. Farrell and Milioti are both leading their respective categories, per the current Gold Derby odds, with O'Connell in second and Feliz in third. The Penguin ranks No. 2 behind Netflix's hit Adolescence in Best Limited Series. Additional categories in which The Penguin is being submitted include Best Limited/Movie Writing (Lauren LeFranc), and Best Limited/Movie Directing (Craig Zobel, Helen Shaver, Kevin Bray, Jennifer Getzinger). It'll also be entering below-the-line races like Casting, Cinematography, Picture Editing, Production Design, Contemporary Hairstyling, Contemporary Makeup, Prosthetic Makeup, Music Composition, Music Supervision, Sound Editing, Sound Mixing, Visual Effects, Stunt Coordination, Stunt Performance, and Main Title Design. SIGN UP for Gold Derby's free newsletter with latest predictions Best of GoldDerby Michelle Monaghan reveals the sweetest unscripted moment in 'The White Lotus' Season 3 (and the ladies' water aerobics instructor) 'The Four Seasons' star Erika Henningsen on the 'biggest opportunity' she's ever been given and what might happen in Season 2 TV makeup and hair panel: 'Bridgerton,' 'RuPaul's Drag Race,' and 'The Wheel of Time' Click here to read the full article.
Yahoo
a day ago
- Yahoo
Little wonder Ed Sheeran identifies as Irish. No one wants to be British anymore
Ed Sheeran has prompted an online backlash for telling Louis Theroux that he is 'culturally Irish'. Speaking on The Louis Theroux Podcast, the star said 'I class my culture as Irish. I think that's what I grew up with'. 'Just because I was born in Britain doesn't necessarily mean that I have to just be [British], there's loads of people I know that are half this or quarter this', he and every other kid with Irish parents, Ed. Sheeran's father is from Belfast – mine are from the Wicklow mountains. In fact, bar the international fame and musical talent, me and Ed are pretty similar. I too spent every summer holiday in Ireland, my parents played De Dannan, my favourite band was Westlife and almost all of my family live in a small village called Donard. And yet, I too was born and raised in England and have no desire to bring my children up in the homeland, either. So why would me or Ed call ourselves Irish?It's easy to scoff at plastic paddies – as many have, causing Sheeran to mount a rather touchy defence of his background on social media. He wrote on Instagram: 'My dad is Irish. My family is Irish. I have an Irish passport. The culture I was brought up around is Irish. The first music I learnt was Irish. Just coz I was born somewhere else doesn't change my culture, I can be allowed to feel connection to a place half of my family is from.' Every American and their mother wants to claim a familial link to the Emerald Isle because Irish culture is, well, cooler. There's music, dancing, poetry and craic. The Irish can poke fun at each other which has always seemed more attractive to me than the po-face tendencies of my English friends. As opposed to the rather staid or even stifling picture of British life growing up in Suffolk that Sheeran paints in some of his other songs, perhaps there's no wonder he's keen on identifying with something a little also worth remembering that being Irish – culture and craic withstanding – wasn't so hot not so long ago. Like my own, Sheeran's father would have memories of the prejudice Irish people suffered while living in the UK. My maternal grandfather, who came to the UK to build the roads and the Blackwall Tunnel, would have had no choice but to identify as culturally Irish, taking refuge among his fellow navvies in the face of 'no Irish, no blacks, no dogs' signs. Paul Brady released his angry song Nothing but the Same Old Story in 1981, 10 years before Ed and I were born, detailing the Irish experience of hatred and suspicion while Bobby Sands died in Long Kesh. Irish people have today completely assimilated into British life, the pubs have mostly shut and much of the prejudice is gone. But none of this is ancient history; it's no wonder many of us can't quite stomach lining up behind the St George's while it might be the experience of many immigrants that hostility forced a deeper need to create a home away from home within their British lives – giving their children Nigerian or Bangladeshi or Irish upbringings on a British street – it's also true that first-generation immigrants tend to be less bothered by their cultural identity. I know from my own experience that the fervour of a second-generation child's need for authenticity can make a bigger deal out of cultural identity than necessary. You hear the stories your parents tell of home and want them as your own. In many ways, this simply reveals the importance of family ties. My children have complicated Irish names with fadas and gh's, in part because I married an Englishman and didn't want to lose the small thread that links me and them back to something my family belongs to. Cultural identity is a thorny and important issue. Years of political elites pushing multiculturalism – effectively encouraging immigrants not to assimilate – has meant that not only do many people not feel culturally British, they have no sense of what a British national identity is. In many towns and cities across the UK today, clashes of cultural identity are causing major problems. But what are British values? No politician has been able to answer that question in decades. They resort to mumbling about fish and chips and how good we are at being nice to immigrants. In order to achieve an organic sense of national and cultural identity, you need to have the political will to communicate a national story that people want to identify a holiday to Cornwall, my husband's school friends insisted on sticking a Devon flag on the beach. You don't need to get all David Goodhart to know that a sense of place and a desire for strong roots matter to most people – this means familial identity is often stronger than a national one. But if we want to build a British cultural identity that is more substantial than cliches and more politically attractive to a young generation, we need to think about what we stand for. Jamaicans and Irish and Indian immigrants of the past wanted to become part of British society, we need to ask ourselves why, today, so many immigrants – and their children – do not. Broaden your horizons with award-winning British journalism. Try The Telegraph free for 1 month with unlimited access to our award-winning website, exclusive app, money-saving offers and more.
