
'Ramayana' is now the most expensive Indian film in history: Learn the jaw-dropping budget of Ranbir Kapoor-Yash-starrer
, an influential producer and visionary CEO of
Prime Focus
, is currently steering what could become the most transformative project in Indian film history—a grand, two-part reimagining of Ramayana. With Bollywood star
Ranbir Kapoor
cast as Lord Ram and a powerful ensemble featuring industry giants like Yash, Amitabh Bachchan, Sai Pallavi, and Sunny Deol, this retelling is poised to push the boundaries of scale, ambition, and technology in
Indian cinema
.
However, what's truly making headlines around the world is its astonishing production cost: an unprecedented $500 million, or roughly Rs 4000 crore—positioning it as the
most expensive Indian film
ever produced.
A Vision Powered by Personal Investment
Malhotra's endeavor isn't backed by outside investors or major studios—the producer himself is fully financing the project. In his candid conversation with content creator Prakhar Gupta, he revealed that the idea, once considered outrageous and unrealistic, has evolved into a full-blown mission. When the concept was conceived nearly six to seven years ago, just after the pandemic, many industry insiders doubted the feasibility of such a colossal project. At that time, no Indian film had ever dared to dream this big in terms of budget and scope.
Yet, Malhotra remained committed. With experience from supervising visual effects on globally celebrated films such as Inception, Interstellar, and Dune, he brings with him the technical prowess and cinematic wisdom required for an undertaking of this magnitude. In his words, the Ramayana he envisions will rival some of the largest Hollywood franchises—and perhaps, even outshine them in cost-efficiency. For Malhotra, this is not just a film; it's a historic opportunity to put Indian storytelling on a world stage.
A Childhood Spark That Ignited a Lifelong Dream
The inspiration for this colossal venture dates back to Malhotra's younger years, when he first watched Jurassic Park. The immersive spectacle of that film sparked his fascination with world-building and visual effects, ultimately influencing his career path. Although he never ventured into direction, he built Prime Focus into a global post-production behemoth—a studio that has contributed to multiple Oscar-winning projects.
Yet amid his global success, Malhotra always carried a persistent sense of cultural discontent. He observed that Indian films, in the international domain, often portrayed the country in a limited, disadvantaged light. This misrepresentation of India's rich identity became a deep-seated concern for him—one he's addressing through Ramayana. His goal is to showcase India's spiritual depth and mythological richness through a story that has captivated generations and cultures across centuries.
A New Dawn Begins Diwali 2026
The first part of this ambitious cinematic saga is scheduled for release during Diwali in 2026. Directed by Nitesh Tiwari—best known for acclaimed hits like Dangal and Chhichhore—the film will blend cutting-edge VFX with emotional depth and mythological grandeur. With this film, Indian cinema could take a decisive leap forward, offering not just commercial entertainment but also a culturally enriching experience tailored for global audiences.
If successful, Malhotra's Ramayana could become a defining milestone in how Indian stories are told—and how they are received around the world.
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Time of India
20 minutes ago
- Time of India
Shubhanshu Shukla returns safely, next mission: Helping Gaganyaan
Shubhanshu Shukla returns safely, next mission: Helping Gaganyaan (Picture credit: AP) With Grace's gentle splash into the Pacific Ocean off the coast of San Diego at 3.02 pm (IST) on Tuesday, Indian astronaut Shubhanshu Shukla (Shux) ended his mission, wrapping up months of training, experiments in orbit, and India's latest stride in human spaceflight participation. When Wing Commander (retd) Rakesh Sharma soared into space aboard a Soviet spacecraft in April 1984, Shux wasn't even born. It would be another year and a half before he entered the world. Forty-one years later, Shux's Axiom-4 (Ax-4) mission comes at a time India is making a deeper entry into human spaceflight, expanding ambitions beyond satellites and rockets. And this hasn't escaped Shux, who in his last speech from the International Space Station (ISS), had said: 'As this journey completes… India's human spaceflight journey is both long and challenging. But I assure you, if we decide, even the stars are attainable.' PM Modi, while welcoming Shux back, said as India's first astronaut to the ISS, he has inspired a billion dreams through his dedication, courage and pioneering spirit. '...It marks another milestone towards our own Human Space Flight Mission - Gaganyaan ,' the PM said. Re-entry & splashdown Grace, the Dragon capsule carrying Shux, mission commander Peggy Whitson, mission specialists Tibor Kapu and Slawosz Uznanski, had undocked from the ISS at 4.45 pm Monday. As part of the re-entry and splashdown operations, around 2.07 pm on Tuesday, Grace began the 18-minute de-orbit burn, and by 2.27 pm, Grace jettisoned the trunk (with solar panels and radiators), and the nose cone was closed by 2.33 pm. Around 2.57 pm, Grace deployed the drogue parachutes and about a minute later, the four main parachutes got deployed at an altitude of 1,000 metres. In a three-minute operation, these parachutes together reduced Grace's velocity from 563kmph to 23kmph as altitude dropped to 800m, 600m and 400m, before the splashdown. Recovery operations At 3.07 pm, Peggy radioed to mission control that the crew was ready for recovery and by 3.10 pm, the recovery boats reached Grace. The recovery personnel, wearing PPE suits, first checked for hazardous gases around Grace before beginning rigging the capsule at 3.15 pm, as flight surgeons stood by for the initial medical tests to be conducted. Between 3.29 pm and 3.30 pm, Grace was nested on recovery ship 'Shannon', when the recovery teams began some routine leak checks and de-rigging and ensured it was safe for the crew to egress or exit from the side hatch. By 3.37 pm Grace was being moved from its initial place on Shannon to a deck where the crew was expected to be recovered. Between 3.40 pm and 3.41 pm, the recovery personnel opened the side hatch and began preparations to allow the crew to egress. At 3.49 pm, Peggy slid out of the capsule with a smile, followed by Shux at 5.52 pm and mission specialists Slawosz Uznanski and Tibor Kapu in the next couple of minutes. The crew was then taken to land by a helicopter. Following medical checks, they will be taken to Houston for de-briefing and other procedures. Learning For Gaganyaan Just as Shux, Isro too has acknowledged the importance of the mission that has cost India Rs 548 crore. '...Ax-4 is one small step in orbit, but a giant leap in India's pursuit of human spaceflight and scientific discovery,' the agency had said post-launch. Isro chairman V Narayanan, while stressing that learning outcomes — spanning astronaut training (for two), mission operations, and hardware-software-human interface — cannot be measured purely in monetary terms, had told TOI that benefits from Ax-4 far outweigh the cost. Indian Space Association director-general Lt Gen (retd) AK Bhatt said: 'This is a stepping stone for India's future crewed space journeys, including Gaganyaan and goals of landing an Indian on the Moon by 2040. It'll not only support Isro but also give impetus to both global and Indian private space industries.' Satcom Industries Association-India president Subba Rao Pavuluri, echoing Bhatt's views, said: '...While our ancestors explored Planets with intuition, we'll be exploring planets with experimentation and going there. Shukla's mission is the first step to realise 'Bharat's Space ambitions' .'


Time of India
an hour ago
- Time of India
Shubhanshu Shukla's mission validates India's astronaut selection & training: Former IAM chief
BENGALURU: For the first time, India's astronaut training protocols are being tested and validated in real space conditions, said Air Vice Marshal Anupam Agarwal, former Commandant of the Institute of Aerospace Medicine (IAM), which is responsible for selecting and preparing Gaganyaan astronaut-designates. Tired of too many ads? go ad free now In an exclusive interview to TOI, Agarwal, who was an air commodore when he helmed IAM, described Group Captain 's (Shux) current mission to the International Space Station (ISS) as part of the Axiom-4 mission as a critical milestone for India's human spaceflight efforts. 'The entire aerospace medicine process, physiological and psychological selection, is being validated. Not only was he selected well, but also the test standards we developed, the procedures we followed, the psychological selection methods, everything is now being put through a real microgravity test,' Agarwal said. 'It is a fulfilling feeling,' he added. IAM's involvement in astronaut screening goes beyond selection. It collects extensive baseline medical and physiological data before a mission. According to Agarwal, this data is now central to studying how microgravity affects Indian astronauts. 'Changes, if any, will be compared with the kind of changes we expect in microgravity. We will study those extensively and try to determine whether our methods for collecting and interpreting baseline data were correct. This will bolster the entire process.' Agarwal said India's limited past exposure to human spaceflight made missions like Shukla's especially important. 'This is extremely complicated and many developed nations have attempted it and were unable to achieve it. For us, international exposure is the best thing that could happen to this programme.' He added that knowledge about human spaceflight is often not openly shared in literature and can only be gained through experience. Tired of too many ads? go ad free now 'If we want success, we must learn fast, learn accurately and learn what's relevant.' Looking ahead to Gaganyaan and future Indian space missions, Agarwal said IAM's role will be critical. 'The aerospace medicine specialists are to the human what the engineers are to the spacecraft. They help design the human-use products, the man-machine interface, the safety of crew, acoustic, visual, vibration and acceleration standards, clothing, hygiene products and so on.' Reflecting on his personal experience of selecting India's first set of astronaut-designates, Agarwal said shortlisting Shukla was a memorable moment for him and his team. 'We agreed that we have been extremely lucky in life. The selection process allowed us to meet some of the brightest, most intelligent and professionally sound humans in the country. Shux is one of them. How many people have this opportunity? It was, is and will remain an excellent experience to meet Shux.'


Business Standard
an hour ago
- Business Standard
A first-of-its-kind in Indian Luxury: Zoya and Alice Cicolini Craft a Limited-Edition Capsule
VMPL New Delhi [India], July 15: In a defining moment for Indian luxury jewellery, Zoya- India's leading luxury jewellery atelier from the Tata Group--unveils a limited-edition capsule in collaboration with globally acclaimed British designer and curator Alice Cicolini, marking the first international creative partnership for an Indian luxury jewellery atelier. Born out of deep mutual admiration of Indian craft, the capsule pays homage to enamel--one of India's most poetic art forms in luxury. Inspired by the architecture of Lhasa, where every layer tells a story, this collection draws from a landscape rich in form, texture, and colour Zoya, known for its industry-shifting innovation in diamonds and coloured stones, brings that same pioneering spirit to enamel in collaboration with Alice Cicolini. In Alice--whose work traces the journey of motifs across cultures and thoughtfully weaves patterns from different geographies and eras--Zoya finds a kindred spirit: a revered artist whose mastery of enamel is both instinctively playful and deeply respectful of tradition. The collection has a deeply feminine soul--redefining the category through colour and craftsmanship. A palette of sage green, rose, and dew--delicately expressed through cherry blossoms, chevron patterns, and intricate enamel work--brings freshness to Alice Cicolini's master craftsmanship. Each piece, set with uncut diamonds and finished in satin-soft 18k gold, is designed to stir the creative soul and makes her feel alive. A confluence of richly researched artistic legacies, this collaboration--five years in the making--merges Zoya's contemplative, design-first ethos with Cicolini's globally lauded practice, rooted in cultural memory, intricate craftsmanship, and the timeless power of storytelling. "When Zoya approached me with the idea of a collaboration celebrating uncut diamonds and enamel, I felt an immediate connection," shares Alice Cicolini. "Here was a house that honoured craft, story, and soul--design that dares to be different, yet deeply meaningful." The 19-piece capsule reinterprets classic Indian forms like balis and jhumkis through a refined architectural lens, resulting in jewellery that is time-travelled, yet entirely in the moment. From sculptural rings to reimagined jhumkis, yard chains, and bangles, the capsule draws from the layered mystique of Lhasa. The collection also traces the journey of Alexandra David-Neel--the first Western woman to enter Lhasa--celebrating a muse whose fearless passage across borders mirrored an even deeper journey within, much like the Zoya woman. Revathi Kant, Chief Design Officer, Titan Company, adds: "At Zoya, five years of deep, deliberate enamel craftsmanship laid the foundation for this collection. In Alice, we found a true partner--someone who shares our devotion to celebrating India and helped us create a capsule that is both boundary-breaking and redefiniing. Inspired by the architecture of Lhasa, this first-of-its-kind international collaboration in Indian luxury jewellery reflects a woman who wanders freely, carrying multitudes by design--brought to life through sculptural silhouettes and feminine energy." Zoya and Alice Cicolini limited-edition capsule will be available by private appointment at select Zoya boutiques. About Zoya: Zoya, from the Tata Group, is India's leading luxury jewellery brand for the modern sophisticate. As a luxury jewellery atelier, it is celebrated for exceptional craftsmanship, a refined design language, and storytelling rooted in feminine energy. Each piece is a work of wearable art--thoughtfully imagined reflecting the Zoya woman's journey to her truest self, and to awaken that feeling of being alive. Now in its 15th year, Zoya continues to redefine the luxury jewellery experience in India. With twelve exclusive boutiques across Mumbai, Delhi, Ahmedabad, Bengaluru, Chennai, Kolkata, Pune, and Hyderabad--and Zoya Galleries in Mumbai, Ahmedabad, Kolkata, Chennai, Pune and Lucknow--the brand showcases luxury at its most intimate and elevated. Zoya now further enhances its bespoke service with video-assisted consultations and home trials, bringing the atelier experience directly to her doorstep. About Alice Cicolini: Alice Cicolini is a British designer and curator whose work bridges global design traditions with intricate craftsmanship, particularly the ancient art of meenakari enamel. Educated at Central Saint Martins, she is known for her vibrant, narrative-led jewellery inspired by sacred architecture, Silk Route motifs, and cultural memory. Over the past decade, she has collaborated closely with master artisans in Jaipur to preserve endangered enamelling techniques, blending Indian craft heritage with contemporary design. A former Director of Arts & Culture at the British Council in India, Alice's pieces have been exhibited at the V & A, Sotheby's, and Somerset House, and she has collaborated with institutions such as Fortnum & Mason and Carpenters Workshop Gallery. Her work is a celebration of colour, story, and the enduring power of traditional artistry. (ADVERTORIAL DISCLAIMER: The above press release has been provided by VMPL. ANI will not be responsible in any way for the content of the same)