Legendary band The Who brings farewell tour to Washington. What to know about final shows
This may be your last chance to hear "Behind Blue Eyes" and "Pinball Wizard" live in Washington when the trailblazing rockers The Who embark on their farewell tour later this month.
The band fronted by singer Roger Daltrey, 81, and guitarist Pete Townshend, who turns 80 May 19, will kick off the aptly named The Song is Over North American Farewell Tour — billed as a "truly grand finale" — Aug. 16 just outside of Fort Lauderdale, Florida, and wrap in Las Vegas Sept. 28.
The 16-show run, named for a song on The Who's classic 1971 album "Who's Next," will visit cities including Atlantic City, Boston, Toronto, Seattle and Vancouver, British Columbia, and showcase hits from the band's six-decade career.
"Every musician's dream in the early '60s was to make it big in the US charts," Daltrey said. "For the Who, that dream came true in 1967, and our lives were changed forever. The warmth of the American audiences over the years have been inspirational to me, and reflect the feeling I remember getting after hearing the first rock records coming across the radio.
"Musical freedom! Rock gave us a feeling of generational rebellion. To me, America has always been great. The cultural differences had a huge impact on me, this was the land of the possible. It's not easy to end the big part of my life that touring with The Who has been."
Here's how you can get tickets for their only scheduled show in September in Washington.
Sept. 25: Climate Pledge Arena in Seattle
Presale tickets will be available for Citi cardmembers at 10 a.m. on May 13 through May 15 at 10 p.m., according to a news release. Early ticket access will also be available for those that join the Wholigan Fan Club. General tickets will go on sale starting May 16 at 10 a.m. at thewho.com/tour/.
Sept. 2: Budweiser Stage in Toronto, Ontario
Sept. 4: Budweiser Stage in Toronto, Ontario
Sept. 23: Rogers Arena in Vancouver, British Columbia
USA TODAY reporters Melissa Ruggieri and Nicole Fallert contributed to this article.
This article originally appeared on Kitsap Sun: The Who brings farewell tour to Washington: How to get tickets
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


New York Post
6 hours ago
- New York Post
Coco Gauff gets French Open moment with Spike Lee hug after giving him ‘something to cheer for' after Knicks loss
No Knicks in the NBA Finals meant Spike Lee flew to Paris for a different American sports victory. The Academy Award-winning American filmmaker was in attendance for Coco Gauff's first Roland Garros title on Saturday morning, witnessing the 21-year-old take down world No. 1 Aryna Sabalenka 6-7 (5), 6-2, 6-4. Dressed in all white with a Yankees hat and sunglasses, Lee, with the occasional seat twitching during the competitive, two-hour and 38-minute match, stood up and cheered on Gauff to her second Grand Slam win. Gauff, 21, eventually fell to the ground as tears rolled down her face in victory, and before going up to her family and coaches' box to greet them, she stopped to see Lee. The young American greeted Lee, giving him a hug and several high-fives before Gauff moved along with the French Open festivities. 5 Spike Lee and Coco Gauff during the Roland Garros 2025 tournament on June 7, 2025 in Paris, France. Zabulon Laurent/ABACA/Shutterstock 5 Spike Lee and Coco Gauff hug after she won the French Open on Saturday — her first major win in Paris. Zabulon Laurent/ABACA/Shutterstock Coco Gauff celebrated with Spike Lee after winning Roland-Garros 🤝🇺🇸#RolandGarros — TNT Sports (@tntsports) June 7, 2025 5 Spike Lee is seen on Day Fourteen of the French Open at Roland Garros on June 7, 2025 in Paris, France. WireImage Gauff, despite being a Georgia native, understood how much the Knicks-Pacers series meant to Lee. During the post-match press conference, she said she planned on saying something if she ended up winning the match. 'And when I saw him on the court, I was like 'If I win this match, the first person I'm gonna dab up is Spike Lee,' she said. 'So, once I won the match, I went to the ground and everything, I went straight to Spike Lee. I wanted to tell him, 'I had to do it. You know, even if the Knicks didn't win, I'm glad I gave him something to cheer for.' So, yeah, that was pretty cool. I haven't seen the video yet, but I'm excited to see it.' 5 Coco Gauff of United States greets Spike Lee after her victory over Aryna Sabalenka during the Women's Singles Final match. Getty Images 5 Coco Gauff and Spike Lee high-five at the French Open. Zabulon Laurent/ABACA/Shutterstock Although Lee is a frequent visitor to the U.S. Open — the last major of the season held in Flushing, Queens — Gauff admitted that the brief interaction was her first official meeting with him. 'That was the first time I really met him up close,' she said. 'I've seen him at my matches at the U.S. Open, and when I saw him on the court today, I saw him when I was warming up. They panned the camera to him in the gym when I was warming up and I was like, 'Oh my gosh, Spike Lee is here.' And then I kinda felt bad because I usually put my towel in that spot, which is why I feel like he sat there. But because you know the lower-ranked player gets the other box, I put my towel in the other box.' With the victory, Gauff became the first American woman in a decade to win the French Open, since Serena Williams did so in 2015. She is also the youngest American to win the women's singles title since 2002, when Williams — at 20 years old — won the first of her three career titles in Paris.


USA Today
6 hours ago
- USA Today
Best images from American Coco Gauff's French Open victory
Best images from American Coco Gauff's French Open victory Coco Gauff outlasted Aryna Sabalenka on Saturday in three sets to win the French Open women's single championship. She becomes the first American woman to win the title on the clay at Roland Garros since Serena Williams won in 2015. It wasn't easy as Sabalenka won the first set in a tiebreak 6-7 (5) before Gauff rallied to take the final two sets, 6-2, 6-4. This is the second major for Gauff, who won the US Open in 2023. 'I honestly didn't think I could do it,' she said during the trophy ceremony. 'But I'm going to quote Tyler the Creator who said, 'If I ever told you I had a doubt inside me, I must be lying.' I think I was lying to myself, and I definitely could do it.' Coco Gauff wins French Open Coco Gauff wins French Open Coco Gauff wins French Open Coco Gauff wins French Open Coco Gauff wins French Open Coco Gauff wins French Open Coco Gauff wins French Open Coco Gauff wins French Open Coco Gauff wins French Open Coco Gauff wins French Open Coco Gauff wins French Open Coco Gauff wins French Open Coco Gauff wins French Open Coco Gauff wins French Open Coco Gauff wins French Open Coco Gauff wins French Open Coco Gauff wins French Open Coco Gauff wins French Open Coco Gauff wins French Open Coco Gauff wins French Open Coco Gauff wins French Open Coco Gauff wins French Open Coco Gauff wins French Open Coco Gauff wins French Open
Yahoo
7 hours ago
- Yahoo
This corny ‘conservative credit card' ad signals a very scary future for AI
A fresh glimpse at our AI-filled future arrived this week, in the form of an unmemorable ad by a company most people have never heard of. The ad is kind of flat and will probably scan as goofy to everyone outside its target demo, but don't write it off just yet: It could signal the beginning of some very big (and scary) changes. Why you're catching the 'ick' so easily, according to science Waymo is winning in San Francisco Supersonic air travel gets green light in U.S. after 50-year ban lifted The upstart fintech company Coign claims to be a 'conservative credit card company,' a distinction that boils down to the founders' pledge to never donate to liberal causes and candidates. And while that self-definition raises some questions, it pales in comparison to the actual ad. The 30-second clip is a patriotic parade of red-blooded, red-voting Americans boasting about recent Coign-fueled purchases such as deer-hunting gear, a stack of cartoonish gold bars, and the 'biggest American flag' available. But here's the most striking thing about the ad: All of those situations, and all of the actors, were created by AI. There's something a little off about Coign's ad, to be clear. The pacing of the phony satisfied customers' movements feels too jittery at times, and there's an eagle at the end that is not exactly natural looking. While the ad is spiritually the same AI slop as Shrimp Jesus, it doesn't carry the same overtly synthetic visuals. In that regard, it's a lot more casually AI-generated than many of its predecessor ads. When Coca-Cola released an AI-generated holiday spot last fall, it sparked an uproar. Creatives were livid about such a monumentally successful company neglecting to splash out on an all-human production, and even casual observers noticed the glaring flaws in the video: The truck's tires glided over the ground without spinning, Santa's hand was bizarrely out of proportion with the Coke bottle it gripped, and the entire ad sat squarely in the 'uncanny valley.' The same goes for the ad Toys R Us released last year using OpenAI's text-to-video tool Sora: The kindest thing one could say is that its human characters looked marginally more lifelike than the unsettling, motion-captured Tom Hanks from The Polar Express two decades earlier. So far, AI-generated ads have been rare enough and mostly the domain of heavy-hitter companies, making them lightning rods for attention and backlash just about every time a new one is released. The simple fact that they were AI-made has been enough to generate headlines, even before factoring in the slop. But maybe not for much longer. If the Coign ad is any indication, there may be an entire class of AI ads coming that will be subject to far less attention—and far less scrutiny. We're at a precarious moment with AI, collectively feeling out its least objectionable uses through trial and error. So far, uncanny ads from massive companies have triggered backlash, but when lesser-known brands dabble—especially without obvious visual glitches—they often escape notice. Advertising legend David Droga once noted the existence of a 'mediocre middle' in marketing and entertainment, and that may be exactly where AI quietly thrives: in ads from companies too small to spark outrage. Advertising, after all, is already the most disposable and least emotionally protected form of media—expensive to make, widely avoided, and largely unloved. That makes it the perfect Trojan horse for AI—slipping past scrutiny not because it's good, but because few people care enough to notice. On a moral and economic level, the advertising industry should not be diving headlong into a technology that makes large swaths of professional workers expendable. And on an aesthetic level, just because AI technically can create an ad doesn't mean it can create a good one. Once a seemingly harmless use case eases people's minds about a given technological breakthrough, it's only a matter of time before the more flagrantly objectionable use cases take hold. The facial recognition tech that first allowed Facebook users to tag their friends in photos was eventually used to strengthen the surveillance state and threaten privacy everywhere. Today's drones that make aerial photography easier become tomorrow's drones that mistakenly blow up weddings in other countries and threaten to displace delivery workers. Obviously, AI is going to play some role in humanity's future. The size of that role, however, is not yet set in stone. As machine learning creeps into all creative fields, workers need regulations to ensure the technology doesn't spread too far too fast. The good news is that a majority of Americans seem to want AI regulation. Although the House of Representatives recently passed a major tax and spending bill with a provision forbidding state governments to regulate AI over the next 10 years, that clause is getting bipartisan blowback. According to a recent poll, 81% of voters agree that 'advances in AI are exciting but also bring risks, and in such fast-moving times, we shouldn't force states to sit on the sidelines for a full decade.' Even the CEO of generative AI company Anthropic is a full-throated advocate for stricter AI regulation. The people have spoken. Whether they are listened to is another matter altogether. A single, silly credit card ad may seem an unlikely step toward a dystopian future of unfettered AI and full unemployment, but if we laugh it off now, the bill may still come due later. This post originally appeared at to get the Fast Company newsletter: Error in retrieving data Sign in to access your portfolio Error in retrieving data Error in retrieving data Error in retrieving data Error in retrieving data