logo
Why 'Suits LA' got disbarred

Why 'Suits LA' got disbarred

Yahoo20-05-2025

Witty banter, appealing characters, likable relationships and entertaining cases: Suits had it all. The beloved USA Network legal drama that ran for nine seasons before going off the air in September 2019 managed to do what some television shows only dream of achieving in a relatively short period of time: Find a whole new audience on streaming mere years after its finale.
After a resurgence on Netflix and Peacock made Suits 2023's most-streamed show, NBC greenlit a spin-off, Suits LA, in February 2024 to capitalize on the original series' renewed popularity.
The network bet big that Suits LA would recapture the magic that made Suits — starring Gabriel Macht as hotshot attorney Harvey Specter, and Patrick J. Adams as his protégé, Mike Ross — a fan favorite. For outsiders looking in, it seemed like a surefire hit.
However, the Los Angeles-set offshoot, which starred Stephen Amell (Arrow, Heels) as prosecutor turned defense attorney Ted Black, struggled to live up to expectations — both creatively and in the ratings.
The series, which premiered Feb. 23, got axed on May 9 by NBC before it even reached its Season 1 finale. The final episode, which aired May 18, ended on a whimper.
With so much going for it at the outset — fans wanting to return to the law offices of Pearson Hardman, the promise of new stories and the specter of Meghan Markle looming large — why did the series fail to land with viewers? Turns out, there may have been multiple factors that contributed to its short shelf life.
On paper, Suits LA seemed to have similarities to the original Suits. Both shows were set at prestigious law firms, both featured intelligent lawyers and both used the same theme song ('Greenback Boogie' by Ima Robot). The spin-off even brought back Suits creator Aaron Korsh and saw the return of original stars Macht and Rick Hoffman's Louis Litt. But that's where the commonalities ended.
Where Suits focused on the 'bromance' between Harvey and Mike and created dramatic tension by keeping alive the threat of Mike's secret (that he didn't have a real degree but practiced law anyway), Suits LA took a creative left turn. It centered instead on Ted's demons and traumatic family past, and introduced an internal coup in the first episode that set up an antagonistic dynamic between Ted and his best friend for the rest of the series.
Abandoning the signature charms that made Suits a bona fide hit proved to be a death knell for Suits LA.
'People went back, and they wanted the old Suits,' Robert Thompson, founding director of the Bleier Center for Television and Popular Culture and trustee professor of television, radio and film at Syracuse University, told Yahoo Entertainment. 'We want new episodes of the exact show that we loved so much back then.'
Lauren Piester, a freelance entertainment journalist who's covered Suits and Suits LA for various publications, said the spin-off failed to identify what made Suits thrive in the first place.
'I don't think Suits LA had any idea what people liked about Suits,' she told Yahoo Entertainment. 'Suits LA started the first episode by destroying all of the relationships it didn't have time to [build].'
'It was trying to be four shows at once — and none of them were like Suits,' Piester said.
Daniel Herbert, a professor in the Department of Film, Television and Media at the University of Michigan, echoed a similar sentiment. 'Maybe [for] most fans it was about this particular kind of relationship [between Harvey and Mike] and this particular kind of dramatic tension — will [Mike] be found out or not?' he said. 'If that's the draw and they don't have that same draw in the reboot, then it's by comparison not going to work. They changed the wrong thing.'
He acknowledged that 'it's a really tricky thing' revisiting a familiar universe that's already experienced success. And it's not an exact science, even if you think you got everything right.
Viewers will naturally compare the new version of a show to what they liked about the previous one — for better or for worse.
'But a lot of times, the reason people are watching reboots is because they like the original,' Herbert said. 'And if you're not as good as the original' — as was the case with Suits LA — 'then you're kind of stuck.'
Days after NBC gave Suits LA the axe, a top network executive cited disappointing numbers on linear and streaming as to why the Suits spin-off wouldn't live beyond 13 episodes. Since it debuted in February, Suits LA consistently underwhelmed in the ratings, hovering around 1.5 million viewers for NBC on Sunday evenings despite welcoming back memorable characters from its past. (For comparison's sake, the CBS Sunday drama Tracker ended its second season May 11 with 8.3 million viewers.)
'Suits [LA] has had a very short run, but it really just has not resonated the way we thought it would,' Jeff Bader, president of programming strategy at NBC, said during a conference call with reporters on why the show wouldn't return for a second season. 'There can be many, many reasons — people are speculating why it hasn't resonated, but it's just not really showing the potential to grow for us in the future unfortunately.'
Ultimately there was no 'growth potential' for Suits LA, Bader said.
Herbert believes executives may have taken the wrong lesson from the streaming success of Suits.
'A studio will get a false sense of the popularity of a show because it surges on Netflix,' he told Yahoo Entertainment. 'And this backlog demand suddenly makes … it look like, oh, this is a hot item. But it's not a reliable indicator of demand for a new product. It just means that audiences are finding this reservoir of existing programming that wasn't on Netflix previously and engaging with it.'
Some Suits LA cast members took the cancellation in stride. Bryan Greenberg, who played lawyer Rick Dodson, cheekily wrote on Instagram ahead of the May 18 finale 'Turns out Suits LA was a limited series all along,' alongside a laughing emoji. 'Thanks to everyone who watched and supported. We had a blast making this. It was fun to dance in Rick Dodson's goofy shoes for a season.'
His costar Lex Scott Davis who portrayed Ted's law firm partner Erica Rollins, reflected on her brief Suits LA journey in an Instagram post on May 18.
'What an honor it was to show up every day for the past year or so, playing make-believe, with your faces to greet me with a smile & a hug,' Davis wrote, along with various on-set photos. Her post ended with a wistful statement: 'Oh how I wish we could continue … but I know we'll all cross paths again someday soon.'
Piester thinks Suits LA could have worked if it took on a breezier approach, more in line with what USA Network captured so well in its heyday of 'blue skies' programming.
'A law firm in L.A. with a really smart guy running it. Maybe they could do a twist on it where at one point he was doing law without a law degree, but now [he] has one,' she said. 'He has misfits in his law firm, everyone likes each other and everyone's having a good time. That is what I would want from a Suits spin-off, and I didn't think it was a difficult thing to ask for.'
'The show wasn't executed as well as the one that it was spun off from,' Thompson said. 'It wasn't as interesting. It wasn't part of the cultural moment.'

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

'Real Housewives of Atlanta' star Brit Eady sues Bravo over explicit photo
'Real Housewives of Atlanta' star Brit Eady sues Bravo over explicit photo

Yahoo

time33 minutes ago

  • Yahoo

'Real Housewives of Atlanta' star Brit Eady sues Bravo over explicit photo

Brit Eady is taking Bravo to court over the explicit photo incident that prompted Kenya Moore's exit from "The Real Housewives of Atlanta." Eady has filed a $20 million lawsuit against Bravo, NBC and the production companies Truly Original and Endemol Shine North America, accusing the defendants of defamation, intentional infliction of emotional distress, false light, sexual harassment and hostile work environment. USA TODAY has reached out to representatives for Bravo, NBCUniversal and Eady for comment. The lawsuit centers around an incident featured in an April episode of the reality show in which Moore revealed explicit photos, supposedly of Eady, on poster boards. The moment resulted in Moore being removed from the show, and the episode ended with a disclaimer that "based on Kenya's behavior, the decision was made to cease filming with her this season." 'Real Housewives of Atlanta': Reality show airs Kenya Moore's explicit photo incident that led to exit Eady says that the photos were not of her but that the episode falsely suggested they were. "The manner in which the episode was aired falsely yet unmistakably implied that the graphic sexual photograph presented by the cast member depicted (Eady)," the lawsuit said. "On information and belief, defendants knew that the photograph did not depict (Eady), or, at the least, were reckless or grossly negligent in failing to learn that the photograph did not depict (Eady). The lawsuit also alleged that the network refused to show Eady the photo before the episode aired. She accused the defendants of contributing to a "hostile work environment" and subjecting her to "unwelcome, offensive, and sexualized behavior and comments based on her gender by requiring her to continue working in an environment in which she had been subject to a gendered attack, creating an inferior condition or privilege of employment because of her gender." The suit calls for the episode to be removed from public platforms. Kenya Moore suspended indefinitely: She's off 'Real Housewives' amid 'revenge porn' allegations The same day that Eady's lawsuit was filed, Moore confirmed on X that she would not be taking part in a "Real Housewives of Atlanta" reunion taping happening on June 5. "Please know I take full accountability for my actions and deeply apologize to all those affected including Brittney, the cast, crew, guests and viewers," she said. "I look forward to seeing you all back on Bravo soon." Contributing: Taijuan Moorman This article originally appeared on USA TODAY: Brit Eady sues Bravo over 'RHOA' explicit photo incident

Jared Leto denies sexual misconduct after facing accusations from multiple women
Jared Leto denies sexual misconduct after facing accusations from multiple women

Yahoo

timean hour ago

  • Yahoo

Jared Leto denies sexual misconduct after facing accusations from multiple women

Jared Leto has been accused of sexual misconduct by nine women in a lengthy exposé published by Air Mail on Friday. A representative for Leto has denied the accusations. Allegations against the Thirty Seconds to Mars singer, 53, resurfaced last month when Los Angeles DJ Allie Teilz reshared a Facebook post she made in 2012 on her Instagram Story. 'Youre [sic] not really in L.A. until Jared Leto tries to force himself on you backstage… In a kilt.. And a snow hat. I was assaulted and traumatized by this creep when I was 17,' she wrote. 'I was assaulted and traumatized by this creep when I was 17,' she wrote in another Story. 'He knew my age and didn't care. What he did was predatory, terrifying and unacceptable.' The Independent has contacted Leto's representatives for comment. One of the women in the Air Mail article claims, 'it's been an open secret for a long time' that Leto is known for texting teenage models. Another said she was 16 when Leto approached her and got her number in 2006. She says the actor began calling her in the middle of the night and making sexual remarks. In response, a representative for the star said that Leto has been sober for more than 35 years after the accuser speculated that he was on drugs during the calls. Leto 'has not had a drink or used drugs in over 35 years,' said the spokesperson. Laura La Rue, a model who was also 16 when she said she met Leto, claimed she had a similar interaction after Leto invited her to visit him in his music studio. 'Their communications contain nothing sexual or inappropriate,' Leto's representative told Air Mail, 'and Ms. La Rue later applied to work as Mr. Leto's personal assistant, further underscoring the absence of anything inappropriate in any of their interactions.' La Rue reportedly denied ever applying to work as Leto's personal assistant. A fourth woman, who said she began a texting relationship with Leto when she was still underage, said his advances ramped up when she turned 18. She claims that during a subsequent visit to Leto's house, he began masturbating in front of her. 'All of the allegations are expressly denied,' Leto's representative said in response. Leto rose to fame in the 1990s as Jordan Catalano on the cult TV series My So-Called Life before earning critical acclaim for transformative roles in Requiem for a Dream (2000), Dallas Buyers Club (2013), and Suicide Squad (2016). Alongside his acting career, he co-founded Thirty Seconds to Mars in 1998, achieving global success with hits like 'The Kill (Bury Me)' and 'Kings and Queens.' Over the years, Leto has become well known for his commitment to method acting. For his role as the Joker in Suicide Squad, he insisted on being addressed as 'Mister J' and told E! that he tried to 'create an element of spontaneity' on the set by sending strange presents such as 'used condoms' and 'anal beads' to the cast, which included Cara Delavigne and Margot Robbie. However, he later said he was just joking when he made the claims publicly in 2016. '99.9 per cent of what people read is bulls***. There were no used condoms,' he said. In 2018, Metro reported on a Twitter post by The Suite Life of Zack & Cody star Dylan Sprouse that read: 'Yo @JaredLeto now that you've slid into the DMs of every female model aged 18–25, what would you say your success rate is?' Sprouse, 32, is married to 31-year-old Hungarian model Barbara Palvin. Guardians of the Galaxy director James Gunn replied to Sprouse's tweet, saying: 'He starts at 18 on the internet?' If you or someone you know has been sexually assaulted, contact the National Sexual Assault Hotline at 1-800-656-HOPE (4673). If you are in the UK, Rape Crisis offers support for those affected by rape and sexual abuse. You can call them on 0808 802 9999 in England and Wales, 0808 801 0302 in Scotland, and 0800 0246 991 in Northern Ireland, or visit their website at

‘The Accountant 2' Is One of the Year's Best-Reviewed Sequels. Does It Live up to the Hype?
‘The Accountant 2' Is One of the Year's Best-Reviewed Sequels. Does It Live up to the Hype?

Yahoo

timean hour ago

  • Yahoo

‘The Accountant 2' Is One of the Year's Best-Reviewed Sequels. Does It Live up to the Hype?

The Accountant 2, a long-in-gestation sequel to 2016's The Accountant, is one of the best-reviewed sequels of the year. But does it live up to the hype?The film sees Ben Affleck, playing deadly accountant Christian Wolf, reteam with original director Gavin O'Connor (Miracle, Warrior) for a continuation of Wolf's arc. Critics have been surprisingly enthusiastic about The Accountant 2. On Rotten Tomatoes, it holds a 76 percent critical consensus against the original's middling 53 percent. Audiences have equally embraced the film, with its international box office grosses exceeding $100 million (nearly $70 million of which came from North America). With The Accountant 2 now streaming, is the Amazon/MGM sequel really as good as everyone is saying?The Accountant concluded with Affleck's formerly meek CPA (who did time in prison for an accidental murder and then became an assassin whilst cooking the books for crime families, don't ask) gunning down a bunch of hitmen, sparing his contract killer brother (Jon Berenthal), and installing Marybeth Medina (Cynthia Addai-Robinson) as the Director of the Treasury Department in the seat vacated by Raymond King (J.K. Simmons). Phew! The Accountant 2 picks up several years after the events of the original. O'Connor opens with a terrific hook, an impeccably choreographed, nearly dialogue-free sequence in which King is tracked down and assassinated in the middle of a Los Angeles nightclub whilst trying to recruit assassin Anaïs (Daniella Pineda) to recover a kidnapped child. Medina is brought to identify his body and finds an ominous message—'Find the Accountant'—scrawled on King's arm. That leads her to Wolf, who agrees to help Medina find the missing boy on the condition that they bring his brother, Braxton, into the you can't already tell, the contrivances pile up fast and furious in The Accountant 2. The movie is tonally all over the place, veering from mass child murders to dating-game comedy skits to Face/Off style revelations, sometimes within the same scene. There's also a most unexpected journey into X-Men territory come the third act, and a chase scene in which Affleck, on a motorcycle, seems to morph back into Batman. But because the movie wears its outlandishness with such confidence, all of it works better than it should. The Accountant 2 is nothing if not unwieldy (frankly, it's bizarre), but it knows what it is and embraces itself. There's even a bit of genuine emotion in how the day is saved, however predictably, come the end. The Accountant, which was a fine programmer in its own right, called back to low-key action movies of the early aughts, which boiled down to men solving problems with their guns, both rifles and muscles. The Accountant 2 offers the same solution for life's woes, but this time filtered through an action/buddy-cop formula that recalls straight-to-video shoot 'em ups of the late '80s and early '90s. It's an interesting about-face for the franchise, one which inherently allows everyone to loosen up and have a bit more can tell the filmmakers are particularly enthralled with Bernthal—he essentially gets three introductory scenes, all of which pay off with a fairly clever punchline. He and Affleck are quite good together, finding an odd-couple rhythm which the first movie lacked. Addai-Robinson, as the buttoned-up fed, essentially steals the movie with a sharp straight-man performance. The unexpected third wheel in this sibling reunion, she brings a warmth and wit that's typically missing from this sort of character and grounds the movie even when it threatens to spin out of control.O'Connor proves himself a much more adept director of action and schlock than he managed on the first installment, which often toppled into self-seriousness. Here, he deftly toggles between neo-noir tropes and building a proper mystery while still indulging in a level of off-the-wall chaos that will please genre fans. The final action sequence, an extended homage to Dirty Harry, is well-staged and rooted in logical stakes. It's a refreshing antidote to the world-saving bravado of most modern blockbusters, a callback to a nearly forgotten era of action filmmaking. Believe the hype: The Accountant 2 is one of this year's best, and weirdest, sequels.'The Accountant 2' Is One of the Year's Best-Reviewed Sequels. Does It Live up to the Hype? first appeared on Men's Journal on Jun 5, 2025

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store