Book Review: ‘The Tiny Things Are Heavier' is a reflection on young adulthood and migration
'The Tiny Things Are Heavier,' by author Esther Ifesinachi Okonkwo, is a reflection on young adulthood, migration, cultural misunderstanding and family relationships.
Okonkwo's debut novel is at turns amusing and heartbreaking as it follows Sommy, a Nigerian graduate student trying to navigate her new life in Iowa. Lonesome and homesick, Sommy tries to fit in as she studies for her master's degree, eventually befriending several other women in their 20s and engaging in a complicated sexual relationship with her gregarious Nigerian roommate, Bayo.
Through it all, Sommy is haunted by guilt over her brother Mezie's attempted suicide just two weeks before she left her homeland for the United States. She's also frustrated that Mezie answers her frequent phone calls and text messages with silence, leaving her to wonder what he's thinking and where their relationship stands.
Okonkwo astutely captures the awkwardness and insecurities of a young woman from any country or culture starting an independent life as an adult. She also shows how relationships with family members can change when young people reach adulthood and head out on their own.
While still involved with Bayo, Sommy falls for Bryan, who was born to a white mother and a Nigerian father he never knew. After Sommy carries out her deceit for some time, Bayo eventually learns that his roommate is now with someone else and leaves deeply hurt.
Bryan and Sommy form a serious relationship and make plans to visit Nigeria so he can track down his father.
When they finally make the trip, Bryan's quest to finally know his dad turns out to be highly disappointing. Sommy has some luck connecting with her brother, but she sees him with different eyes now that she's an adult.
An unexpected tragedy during the Nigeria visit suddenly changes everyone's future forever.
___
AP book reviews:
https://apnews.com/hub/book-reviews
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
San Francisco Chronicle
an hour ago
- San Francisco Chronicle
With ‘F1,' rising star Damson Idris enters Hollywood's fast lane
Damson Idris was trying to tune out the noise, but that's a little difficult at a Formula One race. The British-Nigerian actor was in the zone, in character, filming the high-octane summer movie 'F1' with Brad Pitt at some of the world's most famous racetracks. While Idris' profile has been rising in recent years, after six seasons starring in the FX series 'Snowfall,' there's nothing like being next to globally famous Formula One drivers and a Hollywood megastar to put things into perspective. He was pretty sure he was going to coast under the radar. Then he started hearing not just his own name from fans in the crowd but 'Franklin Saint,' too, the name of his drug kingpin character on 'Snowfall.' 'It's funny, because I see myself as a young actor who nobody knows,' Idris, 33, said in a recent interview with The Associated Press. Revving up to the next level Anonymity may already be a thing of the past for Idris, though. In May, he made a splash at the Met Gala, arriving in a full racing suit (branded with 'F1's' fictional team name APXGP) and a Swarovski crystal-studded helmet that he and two ushers removed to reveal a second look underneath. The boldness and theatricality of the stunt made it one of the most talked about moments at an event where everyone is trying to stand out. And things are poised to rev up even more when 'F1' opens globally Friday. Speeding into theaters on a wave of great reviews and the promise of a 'Top Gun: Maverick'-style spectacle, filmmaker Joseph Kosinski is pretty sure Idris is going to start hearing people shout 'Joshua Pearce' at him too. That's the name of Idris' character, the hotshot rookie driver of the worst team on the circuit who's desperate to prove himself and hang on to one of the coveted seats. 'I'm very excited for people to see him own this character and go toe to toe with a giant movie star,' Kosinski said. 'I think he can do anything. He's just super talented, and I feel like I'm lucky to see him at the beginning of what's going to be a pretty stratospheric launch.' Idris tries to seek out projects that challenge him and characters who are as different as possible — from each other and, especially, from him. Joshua Pearce fit the bill in a moment when he was preparing to say goodbye to Franklin Saint. After he read the 'F1' script, the character even infiltrated his dreams. 'I said to myself, 'Man, no one's going to be able to play this part like I will.' I remember writing Joe (Kosinski) a letter and telling him that,' Idris said. 'When we finally jumped in the cars for the first time, I was hooked. I was like, 'Yep this movie's mine. It's no one else's and I can't wait to give my all to it.' And that's exactly what I did.' Giving it his all at 180 mph 'F1' wouldn't just require playing a part. Both he and Pitt had to learn how to drive the cars at speeds of up to 180 mph. It took months of training behind the wheel the supervision of stunt drivers Luciano Bacheta and Craig Dolby, as well as physical training to adapt to the G-forces they'd feel in the car. When it came time to film, which they did with special cameras attached to the cars, sometimes they were driving during breaks at real races with hundreds of thousands of spectators around. Every time you see Idris' or Pitt's face in the car, Kosinski said, they're really driving that car. 'It's so insane. It's actually quicker in real life and it looks really fast on the screen,' Idris said. 'In a split second, a decision could be really detrimental. But I couldn't imagine doing this movie any other way. If it was on green screen, you'd be able to tell.' There's a bit of art-meets-life symmetry wrapped up in 'F1,' in which an up-and-comer teams up with a veteran. In the film, it's a reluctant pairing of two alphas. The mentorship is fraught, the lessons are hard-earned and the competition is not exactly friendly. Unlike Joshua, Idris is more than willing to get advice from those around him, whether it's producers like Jerry Bruckheimer and Jeremy Kleiner, his director Kosinski, or his co-stars, from Pitt to Javier Bardem. 'I speak to them every day and I ask for advice,' he said. 'The main focus is on stories, playing characters that I can be proud of and range. That's everything I'm setting out to do in this career.' Acting was not always the goal for Idris. Like many kids in South London, he once dreamed of being a soccer player. Sure, the idea of being a renowned athlete held some appeal, but he also loved the sheer discipline it required. Then, at age 18, he realized he'd never be as great as Lionel Messi. 'When I see him one day, hopefully I'm blessed to meet him, I'm going to tell him that he's the reason why I quit football, because he was so good,' he said. 'Wonderfully, acting is a subjective industry, so I can at least cheat my way into working with Brad Pitt.' Cheating is, of course, a bit of cheeky hyperbole for an actor who studied drama at university and continued training at London's Identity School of Acting afterward. Since he made his stage debut in Ade Solanke's 'Pandora's Box' over 10 years ago, Idris has been hitting the pavement like the rest of his peers. And he's just getting started. What's next for Damson Idris Idris recently wrapped filming the Tomi Adeyemi adaptation 'Children of Bone and Blood' in Cape Town, South Africa. Directed by Gina Prince-Bythewood, Idris plays Prince Inan in the African fantasy that co-stars Viola Davis, Cynthia Erivo, Chiwetel Ejiofor and Idris' idol and real-life mentor Idris Elba. 'It's not just a namesake,' Idris said. 'I feel so blessed to be able to say that I'm like his little brother and I can call him and get advice.' Next up, Idris will prepare to portray Miles Davis in Bill Pohlad's 'Miles & Juliette,' about the jazz legend's romance with French singer Juliette Gréco. He's also founded a fine jewelry line, named Didris, inspired by his mother, and is getting into producing as well — his production company has a deal with FX Networks and wants to make opportunities for emerging talents. And like his character in 'F1,' Idris is learning to block out the noise. He knows that a film career is a long journey and there will be ups and downs. 'It's a huge moment, but I'm fortunate to have so many people in my life that keep me grounded,' Idris said. 'I've soaked in information from people I admire who say the same thing during these higher moments: Pinch yourself, stay grounded, remember where you came from. 'That's exactly how I'm walking through this portal and into these next couple of years. I'm excited, I'm humbled, I am blessed and I can't wait to see what the future brings.'
Fox Sports
an hour ago
- Fox Sports
With 'F1,' rising star Damson Idris enters Hollywood's fast lane
Associated Press Damson Idris was trying to tune out the noise, but that's a little difficult at a Formula One race. The British-Nigerian actor was in the zone, in character, filming the high-octane summer movie 'F1' with Brad Pitt at some of the world's most famous racetracks. While Idris' profile has been rising in recent years, after six seasons starring in the FX series 'Snowfall,' there's nothing like being next to globally famous Formula One drivers and a Hollywood megastar to put things into perspective. He was pretty sure he was going to coast under the radar. Then he started hearing not just his own name from fans in the crowd but 'Franklin Saint,' too, the name of his drug kingpin character on 'Snowfall.' 'It's funny, because I see myself as a young actor who nobody knows,' Idris, 33, said in a recent interview with The Associated Press. Revving up to the next level Anonymity may already be a thing of the past for Idris, though. In May, he made a splash at the Met Gala, arriving in a full racing suit (branded with 'F1's' fictional team name APXGP) and a Swarovski crystal-studded helmet that he and two ushers removed to reveal a second look underneath. The boldness and theatricality of the stunt made it one of the most talked about moments at an event where everyone is trying to stand out. And things are poised to rev up even more when 'F1' opens globally Friday. Speeding into theaters on a wave of great reviews and the promise of a 'Top Gun: Maverick'-style spectacle, filmmaker Joseph Kosinski is pretty sure Idris is going to start hearing people shout 'Joshua Pearce' at him too. That's the name of Idris' character, the hotshot rookie driver of the worst team on the circuit who's desperate to prove himself and hang on to one of the coveted seats. 'I'm very excited for people to see him own this character and go toe to toe with a giant movie star,' Kosinski said. 'I think he can do anything. He's just super talented, and I feel like I'm lucky to see him at the beginning of what's going to be a pretty stratospheric launch.' Idris tries to seek out projects that challenge him and characters who are as different as possible — from each other and, especially, from him. Joshua Pearce fit the bill in a moment when he was preparing to say goodbye to Franklin Saint. After he read the 'F1' script, the character even infiltrated his dreams. 'I said to myself, 'Man, no one's going to be able to play this part like I will.' I remember writing Joe (Kosinski) a letter and telling him that,' Idris said. 'When we finally jumped in the cars for the first time, I was hooked. I was like, 'Yep this movie's mine. It's no one else's and I can't wait to give my all to it.' And that's exactly what I did.' Giving it his all at 180 mph 'F1' wouldn't just require playing a part. Both he and Pitt had to learn how to drive the cars at speeds of up to 180 mph. It took months of training behind the wheel the supervision of stunt drivers Luciano Bacheta and Craig Dolby, as well as physical training to adapt to the G-forces they'd feel in the car. When it came time to film, which they did with special cameras attached to the cars, sometimes they were driving during breaks at real races with hundreds of thousands of spectators around. Every time you see Idris' or Pitt's face in the car, Kosinski said, they're really driving that car. 'It's so insane. It's actually quicker in real life and it looks really fast on the screen,' Idris said. 'In a split second, a decision could be really detrimental. But I couldn't imagine doing this movie any other way. If it was on green screen, you'd be able to tell.' There's a bit of art-meets-life symmetry wrapped up in 'F1,' in which an up-and-comer teams up with a veteran. In the film, it's a reluctant pairing of two alphas. The mentorship is fraught, the lessons are hard-earned and the competition is not exactly friendly. Unlike Joshua, Idris is more than willing to get advice from those around him, whether it's producers like Jerry Bruckheimer and Jeremy Kleiner, his director Kosinski, or his co-stars, from Pitt to Javier Bardem. 'I speak to them every day and I ask for advice,' he said. 'The main focus is on stories, playing characters that I can be proud of and range. That's everything I'm setting out to do in this career.' Acting was not always the goal for Idris. Like many kids in South London, he once dreamed of being a soccer player. Sure, the idea of being a renowned athlete held some appeal, but he also loved the sheer discipline it required. Then, at age 18, he realized he'd never be as great as Lionel Messi. 'When I see him one day, hopefully I'm blessed to meet him, I'm going to tell him that he's the reason why I quit football, because he was so good,' he said. 'Wonderfully, acting is a subjective industry, so I can at least cheat my way into working with Brad Pitt.' Cheating is, of course, a bit of cheeky hyperbole for an actor who studied drama at university and continued training at London's Identity School of Acting afterward. Since he made his stage debut in Ade Solanke's 'Pandora's Box' over 10 years ago, Idris has been hitting the pavement like the rest of his peers. And he's just getting started. What's next for Damson Idris Idris recently wrapped filming the Tomi Adeyemi adaptation 'Children of Bone and Blood' in Cape Town, South Africa. Directed by Gina Prince-Bythewood, Idris plays Prince Inan in the African fantasy that co-stars Viola Davis, Cynthia Erivo, Chiwetel Ejiofor and Idris' idol and real-life mentor Idris Elba. 'It's not just a namesake,' Idris said. 'I feel so blessed to be able to say that I'm like his little brother and I can call him and get advice.' Next up, Idris will prepare to portray Miles Davis in Bill Pohlad's 'Miles & Juliette,' about the jazz legend's romance with French singer Juliette Gréco. He's also founded a fine jewelry line, named Didris, inspired by his mother, and is getting into producing as well — his production company has a deal with FX Networks and wants to make opportunities for emerging talents. And like his character in 'F1,' Idris is learning to block out the noise. He knows that a film career is a long journey and there will be ups and downs. 'It's a huge moment, but I'm fortunate to have so many people in my life that keep me grounded,' Idris said. 'I've soaked in information from people I admire who say the same thing during these higher moments: Pinch yourself, stay grounded, remember where you came from. 'That's exactly how I'm walking through this portal and into these next couple of years. I'm excited, I'm humbled, I am blessed and I can't wait to see what the future brings.' recommended
Hamilton Spectator
6 hours ago
- Hamilton Spectator
Porto celebrates the summer and a beloved saint with plastic hammers, sardines and leeks
PORTO, Portugal (AP) — On Porto's steep streets, several thousands of people celebrated the summer in the way the city has been doing it for decades and centuries: by bonking friends and strangers alike with toy hammers and reveling in the streets all night. A Christian holiday with pagan roots, the eve of the feast of St. John the Baptist is celebrated with fireworks, balloons and lots of grilled sardines. An older St. John's Eve ritual in Portugal's second-biggest city involved buying leek flowers believed to bring good fortune and inviting strangers to sniff the pungent plant. In the 1960s, a local businessman introduced the playful plastic hammer, which has since become the most famous symbol of the Iberian city's raucous summer solstice celebration. It's a 'celebration of energy, a celebration of what the city of Porto is,' resident Joao Sousa said, moments after being clubbed with a toy hammer. 'It's to live and relive what our ancestors have given us and be able to still enjoy it today.' St. John's Eve — São João in Portuguese — is considered to be the longest night of the year and among the most special for locals. In the days before the festival, local shops adorn storefronts with miniature dioramas called 'Cascatas' that feature figures of St. John the Baptist, scenes from his life as well as depictions of daily life in Porto. A central element in many dioramas are waterfalls, for which the elaborate miniatures get their name. The dioramas also highlight the holiday's dual Catholic and pagan roots. 'It is a pagan celebration. It is the cult of the sun, of fire, of water,' said Germano Silva, a renowned writer and historian of the Portuguese city. 'The saint enters when Christianity begins. The church in a successful marketing operation adds the saint into the solstice celebration,' he said. The festival's essence lies in having the freedom to use a plastic hammer on friends and strangers without starting a fight. Not even Portugal's Prime Minister Luís Montenegro was spared. On Monday night, Montenegro took part in the Fontainhas neighborhood overlooking the Douro River. While some revelers took photos with him, others simply saluted him with their colorful plastic hammers. Tourists took part in festivities, too. Helni Turtaea, a 21-year-old from Finland, said the hammer hitting startled her at first but she quickly saw its charm. 'At first I got frightened when someone hit me ... but it has been so much fun because I think it kind of unites people when they are hitting strangers,' Turtaea said. Porto historian Silva said the celebration is about unifying strangers no matter their differences — beginning with inviting strangers to lean in and smell the leeks a person carried, to now greeting a stranger with a playful tap. 'We don't know whom we cross paths with, if the person is rich or poor, a doctor or a factory worker,' Silva said. On the night of June 23, he said a stranger is simply 'someone who passes by and is celebrating São João with us.' ___ Naishadham reported from Madrid. ___ Associated Press religion coverage receives support through the AP's collaboration with The Conversation US, with funding from Lilly Endowment Inc. The AP is solely responsible for this content. Error! Sorry, there was an error processing your request. There was a problem with the recaptcha. Please try again. You may unsubscribe at any time. By signing up, you agree to our terms of use and privacy policy . This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. Want more of the latest from us? Sign up for more at our newsletter page .
