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Grandeur in the air as Miss World hopefuls soak in Kakatiya heritage

Grandeur in the air as Miss World hopefuls soak in Kakatiya heritage

MULUGU/WARANGAL/HANAMKONDA: From serene Yadadri to spiritual Nagarjunasagar, the Miss World 2025 cultural trail moved to a majestic crescendo on Wednesday with 50 contestants visiting the historic Ramappa Temple in Mulugu and the iconic monuments in Warangal and Hanamkonda.
At Ramappa — a UNESCO World Heritage Site — 33 contestants from the Americas and Europe were welcomed with Kommu Koya drums and a red-carpet ritual, including a traditional foot-washing ceremony. Dressed in elegant Ikat half sarees, the contestants joined a pooja and explored the temple, marvelling at its intricate carvings. They were especially captivated by a stone that allows a needle to pass through 13 precise gaps — a marvel of Kakatiya craftsmanship.
The evening unfolded with a dance recital led by Prof Alekhya Punjala, portraying Rani Rudrama Devi's legacy, followed by a powerful Perini Shiva Tandavam by 60 artistes. A light-and-sound show illuminated the temple's timeless grandeur, immersing visitors in its history.
Emcee Kavya added interactive flair, teaching classical mudras and drawing cheers. Contestants left not just impressed, but transformed, carrying home memories of Telangana's cultural richness.
Minister Dansari Anasuya alias Seethakka felicitated the guests, capping a night that wove heritage, hospitality and grace into a memorable celebration.
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INDIA'S PRIDE: Bharata Muni's Natya Shastra
INDIA'S PRIDE: Bharata Muni's Natya Shastra

Hans India

time15 hours ago

  • Hans India

INDIA'S PRIDE: Bharata Muni's Natya Shastra

Last month, when UNESCO announced the latest additions to its Memory of the World Register, there was jubilation in India. Of the 74 items inscribed, two hailed from India—Bharatamuni's Natya Shastra and the Bhagavad Gita, one of India's most revered spiritual texts. For millions, this was not only a recognition of India's cultural depth but also an affirmation of its enduring contribution to global heritage. The Memory of the World Register is a UNESCO initiative to preserve and provide access to the world's most precious documentary heritage. As of 2025, it holds over 500 inscriptions, now including India's two monumental texts. A Timeless Text on the Arts For the uninitiated, the Natya Shastra is a centuries-old Sanskrit treatise authored by Sage Bharata (Bharata Muni). It is regarded as a treasure trove on the performing arts—covering dramaturgy, music, dance, theatre, stage architecture, acting techniques, and aesthetics. Among its most significant contributions is the theory of Rasa—the philosophy of evoking moods and emotions in audiences through performance. The influence of this monumental work extends far beyond India. It shaped South and Southeast Asian performing arts and even influenced architecture. The Brihadeeswara Temple in Thanjavur famously depicts most of the dance poses (karanas) described in the text. Because of such contributions, India is often referred to as Prachi Sudha—'Nectar of the East'—celebrated for its rich traditions of music and dance. The UNESCO recognition, many believe, strengthens this reputation. Pride—and a Sense of Delay The honour has been warmly welcomed, though many in the art community feel it came later than it should have. As one dancer remarked, 'This recognition was long overdue. The Natya Shastra deserved this place on the world stage years ago.' Still, the consensus is clear: better late than never. Across India and the world, the text is studied in academic institutions where classical dance and theatre are taught. Yet the recognition prompted many to ask: have we given the Natya Shastra the attention it deserves at home? Voices from the Dance World Padma Bhushan awardees and Kuchipudi legends Raja and Radha Reddy called the honour 'a moment of great pride and inspiration.' They noted that Indian classical dance, a holistic blend of drama, music, poetry, and storytelling, draws its very framework from the Natya Shastra. Celebrated Bharatanatyam dancer Alarmel Valli echoed the sentiment: 'That UNESCO has finally recognised this timeless text is a matter of pride for Indians everywhere. The Natya Shastra is a fountainhead of aesthetics and performance, inseparable from the cultural forms of India and Southeast Asia.' She highlighted its unique duality—providing a rich vocabulary and grammar for performers while leaving space for individuality and creative exploration. Dance scholar Arshiya Sethi, Founder of the Kri Foundation, remarked: 'This recognition makes the Natya Shastra a global inheritance. It highlights the antiquity of Indian knowledge systems, which organised and preserved wisdom in a manner unparalleled among ancient cultures.' The Challenge of Dissemination While academic institutions include the text in syllabi, private dance schools and home-based training often overlook it. Students practice art forms deeply rooted in the Natya Shastra without engaging with the text itself. Barriers include the language of Sanskrit and the paucity of time—since most schoolchildren already juggle heavy workloads alongside dance lessons. Experts suggest a balanced solution: dance teachers should introduce students to the text, offer an overview, and spark curiosity, leaving deeper study to motivated learners. As Yamini Krishnamurthy and Sanjukta Panigrahi—actively sought both practical and theoretical knowledge years ago. Similarly, today's students should be encouraged to engage with the text to understand the roots of their art. The Reddys emphasise that without a grounding in theory, performance risks losing its 'soul.' They advise teachers: 'Introduce students—even at a young age—to the text and its concepts. When dancers know where their art comes from, their expression becomes more meaningful.' Beyond Classical Dance The Natya Shastra is not confined to classical traditions. As Arshiya Sethi insightfully notes, it also resonates with Indian cinema, today's most powerful form of drama. 'If one limits Bharata's work to classical forms alone, one misses its essence. The Natya Shastra is about dramaturgy, and Indian cinema—with its songs, dances, and stories—is the modern continuation of that tradition. The text is ever open to reinterpretation and application.' 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I asked ChatGPT for last-minute long-weekend getaways from Mumbai, Bangalore, Delhi and Kolkata: AI hits the bullseye
I asked ChatGPT for last-minute long-weekend getaways from Mumbai, Bangalore, Delhi and Kolkata: AI hits the bullseye

Mint

time3 days ago

  • Mint

I asked ChatGPT for last-minute long-weekend getaways from Mumbai, Bangalore, Delhi and Kolkata: AI hits the bullseye

This Independence Day long weekend is perfect for a quick escape from city life. Whether you're in Mumbai, Bengaluru, Delhi or Kolkata, you can find destinations that suit your mood. I asked ChatGPT for a simple list of road-trip ideas to help me plan last-minute long-weekend getaways without stress. And, the AI tool hit the bullseye. Mumbai offers several great last-minute road trip options for a long weekend. Alibaug, about 95 km away, has clean beaches and Kolaba Fort. It is reachable in under 2.5 hours. Lonavala, around 83–88 km, is famous for its misty hills, waterfalls and forts. Matheran, 80–83 km away, is a quiet, vehicle-free hill station with lovely viewpoints. Igatpuri, about 120 km, charms visitors with its mountains, waterfalls and Kalsubai Peak. For a longer trip, Mahabaleshwar, roughly 260 km away via Kaas Plateau, offers strawberry farms, scenic waterfalls and UNESCO floral meadows. Bangalore (now Bengaluru) has many quick getaways perfect for a long weekend road trip. Nandi Hills, about 60 km away, offers sunrise views and ancient forts. Mysuru (formerly Mysore), 145 km, charms with its royal palace, zoo and heritage streets. Coorg, roughly 260 km, is ideal for coffee estates, waterfalls and misty hills. Chikmagalur, 245 km, draws nature lovers to its coffee plantations and Mullayanagiri Peak. ChatGPT suggested a beach escape for those who can drive a bit longer to Gokarna, about 485 km. It offers peaceful shores and temples. Western Himalayas, Delhi's favourite weekend gateways, are prone to cloudbursts and landslides this Independence Day weekend. However, Delhi has many road-trip spots that avoid the high Himalayas yet offer a refreshing break. Neemrana, about 120 km away, charms with its historic fort-palace and heritage walks. Jaipur, roughly 280 km away, is full of forts, bazaars and royal architecture. Bharatpur, 200 km, draws bird lovers to its famous Keoladeo National Park. Agra, around 230 km, offers the Taj Mahal, Agra Fort and Mughlai food. For a rustic retreat, Mandawa in Shekhawati showcases painted havelis and quiet streets. The distance is around 250 km. Kolkata offers several easy road-trip escapes for a long weekend. Shantiniketan, about 160 km away, charms with its Tagore heritage, art fairs and peaceful red-earth landscapes. Mandarmani, roughly 170 km, is perfect for long drives on the beach and fresh seafood. Bishnupur, 140 km, showcases terracotta temples and handwoven Baluchari sarees. Sundarbans, about 110 km from Kolkata, offers boat rides and mangrove views without needing a deep jungle trek. Raichak, only 50 km away, is a quick riverside retreat with a colonial fort and Hooghly views.

Independence Day 2025: 7 UNESCO Sites That Hold The Untold Secrets Of India's Freedom Struggle
Independence Day 2025: 7 UNESCO Sites That Hold The Untold Secrets Of India's Freedom Struggle

India.com

time3 days ago

  • India.com

Independence Day 2025: 7 UNESCO Sites That Hold The Untold Secrets Of India's Freedom Struggle

Not Just Red Fort! India's freedom isn't just written in textbooks. It's carved into stone, whispered in corridors, and etched into the air of cities and towns that stood witness to the long road to travellers rush to the obvious — Delhi's Red Fort, perhaps the most photographed symbol of August 15th. But what if we told you: the story of India's struggle is scattered far beyond one monument? It's hidden in forts where cannons once roared, in colonial buildings where voices echoed in protest, in ports where revolutionaries slipped into the step into these living chapters — 7 UNESCO Heritage Sites where India's freedom is not just remembered, but felt. What makes these sites different from anywhere else in the world? It's not just the architecture. It's the both heritage and testimony. Beautiful on the outside, but carrying within them the pulse of a nation that refused to are not silent relics. They speak. Of courage. Of sacrifice. Of an India that was dreaming itself free. Tired of only visiting the Red Fort? These UNESCO-listed gems have their own freedom stories waiting to be told. 1. Cellular Jail : Where Walls Remember the Unbroken Andaman & Nicobar IslandsNot a palace. Not a fort. A prison. And yet, few places carry as much weight in India's independence saga as the Cellular Jail in Port political prisoners were sent to be forgotten — shackled in solitary cells, cut off from the world. Yet here, they turned suffering into resistance. Veer Savarkar. Batukeshwar Dutt. Their names still echo in the through the narrow hallways, and you don't just see history — you hear it in the creak of iron doors and the silence of empty cells. The light-and-sound show here doesn't just inform; it moves. 2. Victoria Terminus (Chhatrapati Shivaji Maharaj Terminus) : A Station That Saw a Nation Move Mumbai, MaharashtraTo the untrained eye, it's just a stunning Gothic building with stained glass and turrets. But during the independence era, this railway terminus was a nerve centre of movement — of people, of ideas, of underground fighters boarded trains here to travel across provinces, rallying support. Political leaflets passed hands between passengers. And after 1947, this very station saw celebrations pour onto its it's busy, loud, and modern. But stand still for a moment, and you can almost see the sepia-toned rush of history in the crowd. 3. Champaner-Pavagadh Archaeological Park : The Silent Witness to Rebellions GujaratChampaner isn't usually the first name that comes to mind when you think 'freedom struggle.' Yet, this medieval city at the foot of Pavagadh Hill was a quiet theatre of resistance in the colonial period, the forests and hills became shelter for local rebels resisting British economic policies. The ancient mosques, temples, and city walls here were backdrops to clandestine the ruins are serene. But the stones have memory — of a time when the fight for freedom wasn't just in the cities, but in the folds of rural landscapes too. 4. Mountain Railways of India : Tracks That Carried More Than Passengers Darjeeling, Nilgiri, and Kalka–ShimlaThese scenic train routes — now loved for their views — were once lifelines of the British Raj. But they also became routes of 1942, during the Quit India Movement, these lines carried messengers, pamphlets, and underground leaders through the hills, often right under the noses of colonial the slow clack of the toy train is charming, even nostalgic. But in its day, it carried urgency, secrets, and the heartbeat of a movement. 5. Jaipur City : Where Royalty and Resistance Met RajasthanJaipur's UNESCO-listed walled city is a riot of pink hues and architectural grandeur. But behind the ornate façades, history tells of a delicate dance between princely states and the British royals cooperated with the Raj; others quietly supported nationalist causes. Jaipur was a city of secret meetings in palace chambers, coded messages disguised as royal decrees, and courtyards that sheltered political its markets today and you'll hear the hum of trade, but somewhere in the echo is the hum of quiet defiance. 6. Churches and Convents of Goa : Where the Tide Turned Late GoaWhile much of India celebrated independence in 1947, Goa remained under Portuguese control until UNESCO-listed churches of Old Goa — like the Basilica of Bom Jesus — stood as grand symbols of a colonial power that refused to leave. But they also became silent witnesses to growing unrest, protests, and the final movement that merged Goa into the Indian whitewashed walls and baroque altars may speak of faith, but they also hold the sighs of a people who waited fourteen extra years to breathe free. 7. Qutub Minar Complex : A Tower Overlooking Change DelhiCenturies older than the British Raj, the Qutb Minar stood as a silent sentinel through the turbulence of 1857, when the First War of Independence swept through Mehrauli saw fierce fighting between rebels and British forces. The complex became a vantage point for watching the shifting control of the tourists come for its intricate carvings and imposing height. But if you stand at its base and look up, you can almost feel the way it must have loomed over a city in revolt. Why explore these sites for their freedom stories? Because beauty without context is just places let you step inside the story — to feel the weight of a cell door, the echo of a station hall, the quiet rebellion of a not just history lessons. They're empathy lessons. Practical Tips: How to Heritage-Travel Like a Freedom Storyteller Do your homework – Read about each site's role in the independence movement before visiting. Context turns walls into witnesses. Walk, don't rush – Give yourself time to notice the small details: inscriptions, wear on the stone steps, the view from a battlement. Speak to locals – Guides, shopkeepers, even old residents often know stories that books don't. Travel light but equipped – Good walking shoes, a notebook, and your curiosity. The hidden economy of visiting these sites When you explore beyond the obvious: You support local guides who keep oral histories alive. You distribute tourism benefits beyond overcrowded spots. You help keep these sites relevant for future generations, ensuring they're maintained not just as pretty landmarks but as national memories. Final Thought India's freedom story wasn't written in one place, on one date. It was stitched together in ports and palaces, in prisons and prayer halls, in train carriages and hilltop today, you can walk into those pages — not as a tourist, but as a witness. Because the fight for freedom may be over, but the responsibility to remember it?That's ours.

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