'Only our rivers run free' songwriter Mickey MacConnell dies
Born in 1947, near Enniskillen in Co Fermanagh, MacConnell was a journalist whose work appeared in the Irish press, The Washington post and the Kerryman.
He was also an acclaimed songwriter, and he released a number of albums including 'Peter Pan and me', which included evocative songs about the Troubles.
Another popular album was called 'joined up writing' and 'Live at John B's'.
Mr MacConnell's close friend Billy Keane described him as "one of the finest and most courageous singers of his generation".
Mr Mac Connell is survived by his wife Maura, and his daughters Kerry and Clare.
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Irish Examiner
30 minutes ago
- Irish Examiner
Putting our schoolchildren in little suits kits them out for a non-existent adult world
Right at the top of last weekend's To Do list was a task of major developmental significance: getting the uniform for my four-year-old daughter's impending debut in the local Junior Infants class. So, with 30 minutes between the designated shop's opening time and swimming lessons, we made our approach. Hers will be a sensible uniform: a green cotton tracksuit with white polo shirt (both which — pending non-ruination — will serve her little brother in a few short years) and runners (model's own). It's sensible, that is, until she hits first class, when, like many of her unsuspecting cohort, she will be expected to wear a collared shirt, plaid skirt, and woollen(ish) jumper. While she weaves between my legs and the racks of school and sporting apparel in the uniform shop, I watch a boy I think is about eight model his uniform for his mother. In a whimsical weekend mood, I can't but be struck by how funny he looks in these garments, which, if we strip away the normalising context, are really the elements of a miniature suit. I genuinely believe this part of the institutional clothing landscape is weirder and funnier than is given credit. My reaction to the boy reminded me of a verse by the 18th-century poet Mary Barber. Barber was Irish, a friend of Jonathan Swift, and a mother of nine who wrote a lot about and to her children. The following lines are from 'Written for my Son… at his First Putting on Breeches', which is a lament about the titular son's move from looser garments into the more tailored 'breeches' popular at the time. WHAT is it our mamma's bewitches, To plague us little boys with breeches? To tyrant Custom we must yield, Whilst vanquish'd Reason flies the field. Our legs must suffer by ligation, To keep the blood from circulation; And then our feet, tho' young and tender, We to the shoemaker's surrender; Who often makes our shoes so strait, Our growing feet they cramp and fret; Whilst, with contrivance most profound, Across our insteps we are bound; Which is the cause, I make no doubt, Why thousands suffer in the gout. Leaving aside the worries about paediatric gout, Barber is obviously well attuned to the total unsuitability of trousers modelled on adult fashions to the lifestyle of a child. I'm actually fairly ambivalent on the ideologically grander question of uniforms versus no uniforms. Decent arguments can be found on either side of the issue, and it seems irritatingly plausible to me that the balance might well be tipped by individual character traits in kids. Children with issues in the box once described as 'fussy' might benefit from the morning's what to wear negotiation being taken off the table, in a way that could be expected to yield harmonious consequences for all involved. And certainly, in these times of rampant inequality in Ireland, it's easy to worry that individual school clothing choices might become yet another signifier of economic difference that could leave some kids feeling they are sticking out for the wrong reasons, or worse, actively picked on. On the other hand, shy or self-conscious children may like to have more control over what they wear, especially where uniforms are austere or heavily gender differentiated. Ditto for kids with sensory issues or sensitive skin, since affordable multipacks of school shirts are likely to be worth their weight in polyester and rayon. An itchy child is not necessarily an attentive child. Uniforms a colonial hangover A further spiritual gripe could be raised about the fact that uniforms are probably yet another lingering colonial hangover. Most European countries have moved away from uniforms in state schools, with three exceptions — Britain, Ireland and Malta. What does seem obviously silly is the chasm between the formality and cumbersomeness of the formal uniforms and the costuming tendencies of the modern workforce. Certain professions used to dress in a manner much closer to a uniform — suits for all, all the time. Putting girls in clothes that are impractical for physical activity sends a message about what we think they should be doing with their bodies that can permeate more deeply. Thus, the school uniform might plausibly have been regarded as aspirational, in styling children in a manner approximating the wardrobes of professions many parents considered desirable. But the number of professional adults in suits has fallen off a cliff in recent years, where office life has relaxed considerably. And that's before accounting for the fact that fewer people than ever spend most of the week in an office setting anyway. So, we may soon end up in a scenario where our children (whose days should be much less sedentary than many of us in the workforce) are the most formally attired among us. Before long, the only shirts may be in the courtroom and the classroom. A knock-on impact of this formality is that the parents and guardians of primary schoolers — who, it must be owned, aren't renowned for their independence — are tasked with running a more demanding laundry service than is absolutely necessary. This is especially unwelcome in a phase of life, where such people are intermixing the, let's say, somewhat capricious timetabling of the primary school calendar with other valuable hobbies like being employed or managing full-time caring arrangements. Another disadvantage of the formal uniform styles is their heavily gendered nature. Girls, who might prefer not to wear skirts, are often forced to choose an alternative that history and convention have designated 'the boy option'. Thus, deciding what to wear becomes a bigger and more sociologically loaded thing than it should be. And there are a lot of reasons to avoid skirts: Reason 1: Ireland's meteorological realities; Reason 2: Ireland's grim recent cosmetic tendencies. I'm sure I'm not alone in hoping we can keep worries like 'are these leg hairs obvious' or 'do I need fake tan?' off the table at least until secondary school; Reason 3: Wearing skirts makes doing many things I want my daughter to be doing — practising cartwheels at lunchtime, eventually cycling her bike to school, etc — difficult and potentially embarrassing to do. In Throwing like a Girl, political theorist Iris Marion Young wrote about the struggles women face in developing a natural way of engaging with the world using their bodies. The essay opens with an observation that, unlike boys of the same age, who throw their bodies fully into physical pursuits, 'the girl of five does not make any use of lateral space. She does not stretch her arm sideward; she does not twist her trunk; she does not move her legs, which remain side by side. All she does in preparation for throwing is to lift her right arm forward to the horizontal and to bend the forearm backward in a pronate position… The ball is released without force, speed, or accurate aim.' Whether or not that same observation would be true today, there's no denying young girls experience especially acute anxieties about their bodies. The insights Young offers are complex and rooted in deep theoretical concepts spanning everything from compromised phenomenology to reification of the body. But I wonder if we could point a further, simpler finger at the ways we often dress girls. Putting them in clothes that are impractical for physical activity sends a message about what we think they should be doing with their bodies that can permeate more deeply.
Extra.ie
3 hours ago
- Extra.ie
In Pics: Young Offenders stars reunite at special screening of new Irish film Christy
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Extra.ie
4 hours ago
- Extra.ie
5 Irish stars who did not sit the Leaving Cert
The Leaving Certificate class of 2025 are set to receive their much anticipated results tomorrow (Friday), with more than 60,000 students sitting the exams before the summer. Secondary schools generally open from 9am on the day, with students gathering for what is likely the final event in their second level education. It can be daunting too, and many will be feeling the pressure of what to do next or stressed if they don't get the points they need. Students will be told a number of times in the lead up to their results that the piece of paper doesn't define them — here are five Irish celebrities that didn't sit their Leaving Cert, and here's how they are getting on now… Pic: Lisa O'Connor/Shutterstock for SAG There is a realm of different avenues people can go down following their Leaving Certificate results — apprenticeships, gap years, college, or straight into the work force. Students will be told a number of times in the lead up to their results that the piece of paper doesn't define them — here are five Irish celebrities who didn't sit their Leaving Cert, and here's how they are getting on now… One Direction star turned solo artist Niall Horan left school at the age of 16 years old, and auditioned for the seventh series of The X Factor. The Mullingar man received mixed reviews but progressed onto the next stages, and following his elimination was then put into a group alongside Harry Styles, Zayn Malik, Louis Tomlinson and the late Liam Payne. One Direction went on to have major success before their split in January 2016, with all the lads pursuing their own solo careers. Niall Horan and Liam Payne. Pic: Mark Davis/DCNYRE2016/Getty Images for dcp Earlier this year, revealed that Horan had quadrupled his income in the past 12 months, with the latest accounts for his solo music ventures netting a profit of €3,373,039. In March 2024, Niall bought a stunning country pad in his home county of Westmeath, with the singer mortgage-free on the property which he paid €420,000 for. Journalist Amanda Brunker never sat the Leaving Cert, and previously told the Irish Independent she has 'done okay in life' and that she has. Amanda's career started out when she won Miss Ireland in 1991, at the age of just 17 years old. From there she pursued a career in modelling with a touch of acting — appearing in Glenroe once upon a time — as well as music. The now 51-year-old appeared on TV shows including Ireland's Got Talent as well as Celebrity Banisteoir. She is also a columnist for the Sunday World. Amanda Brunker. Pic: Collins Courts Businessman Bill Cullen is a true advocate that the Leaving Certificate should not define you, as The Apprentice star finished up at school at the age of 13, to work on the markets, selling fruit and vegetables. From there, Bill went on to work as a messenger boy for a car dealership before he was appointed director general nine years later in 1965. In 1977 he set up his own company, Fairlane Motor Company, which became the biggest Ford dealership in the country. Businessman Bill Cullen is a true definition that the Leaving Certificate should not define you, as The Apprentice star finished up at school at the age of 13 years old to work on the markets, selling fruit and vegetables. Pic: Collins As well as being in the motor trade business, Bill dipped his toes into hospitality and took over Muckross Park Hotel in Killarney in 1990, with the hotel going into receivership in 2013. At the height of his wealth, Mr Cullen was worth an estimated €34m, unfortunately things took a turn when the business man owed €10m, with his wife Jackie Lavin previously telling RSVP the banks 'crushed us.' Similar to Niall Horan, Ronan Keating dropped out of school to pursue a career in music, with Ronan leaving school six months before the Leaving Cert exams to join Boyzone. The Dublin native made a promise to his mother that if the music failed, he would go back to sit his exams, but there was no fear as more than 30 years later his music career is still going strong, albeit solo. The band has been inactive since 2019, and it doesn't look like there are plans for a reunion, but Ronan has been further solidifying his name as a music guru with a number of appearances across The Voice franchise. Having been on The Voice Kids UK and The Voice of Germany, earlier this year it was revealed Ronan would be a judge on the new season of The Voice Australia. Pic: Ken McKay/ITV/REX/Shutterstock Having been on The Voice Kids UK and The Voice of Germany, earlier this year it was revealed Ronan would be a judge on the new season of The Voice Australia. Last year, it was revealed that musician was potentially adding property investor to his repertoire following a €1.7m investment as an equal shareholder in a UK registered real estate firm. Academy Award nominated actor Colin Farrell never sat the Leaving Cert, having been booted out of secondary school just months before his final exams. Despite this, he managed to get a place in the Gaiety School of Acting before he began getting castings, with his break happening when he got a role in Ballykissangel. The Dubliner is doing pretty well for himself, for sure, having given a spectacular performance in HBO's The Penguin earlier this year. Ballad of a Small Player is a new thriller hitting Netflix which sees the 49-year-old playing a troubled gambler alongside Tilda Swinton and Fala Chen. The first trailer for the Netflix film released on Tuesday and fans are already getting excited. So, whatever results you get in the Leaving Cert, remember that it's very true that the exam itself and the results you receive do not define you, and there are other ways to make a success of your life, just like the examples above.
