
A former Rolling Stone says the Met has his stolen guitar. The museum disputes it
A guitar once played by two members of the Rolling Stones is at the center of a dispute between the band's former guitarist Mick Taylor and the Metropolitan Museum of Art.
The 1959 Gibson Les Paul was donated to the Met as part of what the New York museum calls 'a landmark gift of more than 500 of the finest guitars from the golden age of American guitar making.' The donor is Dirk Ziff, a billionaire investor and guitar collector.
When the Met announced the gift in May, Taylor thought he recognized the guitar, with its distinctive 'starburst' finish, as an instrument he last saw in 1971, when the Stones were recording the album 'Exile on Main St.' at Keith Richards' rented villa in the south of France.
In the haze of drugs and rock 'n' roll that pervaded the sessions, a number of instruments went missing, believed stolen.
Now, Taylor and his team believe it has reappeared. The Met says provenance records show no evidence the guitar ever belonged to Taylor.
'This guitar has a long and well-documented history of ownership,' museum spokesperson Ann Ballis said.
Taylor's partner and business manager, Marlies Damming, said the Met should make the guitar 'available for inspection.'
'An independent guitar expert should be able to ascertain the guitar's provenance one way or the other,' she said in a statement to The Associated Press.
While its ownership is contested, there's no disputing the instrument's starring role in rock history. It was owned in the early 1960s by Keith Richards, who played it during the Rolling Stones' first appearance on 'The Ed Sullivan Show' in 1964. The Met says that performance 'ignited interest in this legendary model.'
The guitar – nicknamed the 'Keithburst' – was also played by guitar legends Eric Clapton and Jimmy Page. Taylor says he got it from Richards in 1967, two years before he joined the Stones, replacing original member Brian Jones. Jones died in 1969.
Taylor left the band in 1974, reuniting with them for the Stones' 50th anniversary tour in 2012-2013.
Jeff Allen, who was Taylor's manager and publicist for decades from the 1990s, said Taylor 'told me he got it as a present from Keith,' and also mentioned the theft.
'Mick did tell me that the guitar solo that he became quite famous for, on 'Can't You Hear Me Knocking,' was with the Les Paul that got stolen,' Allen said.
The Met's records say the Les Paul was owned by Richards until 1971, when it was acquired by record producer and manager Adrian Miller, who died in 2006.
Monday Mornings
The latest local business news and a lookahead to the coming week.
The guitar has changed hands several times since then, and reappeared twice in public.
It was put up for auction by Christie's in 2004, when it failed to sell. Ziff bought it in 2016, and loaned it to the Met in 2019 for an exhibition titled 'Play it Loud: Instruments of Rock & Roll.'
It's unclear what will happen next. The Met, which plans to open a new gallery dedicated to its collection of American guitars, says it has not been contacted by Taylor or his representatives.
___
Associated Press writer Jocelyn Noveck in New York contributed to this story.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Canada News.Net
6 hours ago
- Canada News.Net
'Rental Family' trailer out: Brendan Fraser rediscovers himself hired as relative for Japanese agency clients
Washington DC [US], August 7 (ANI): Oscar-winning actor Brendan Fraser, known for his performance in 'The Whale', will next be seen in the comedy-drama movie 'Rental Family'. The makers have finally released the trailer of the film to offer a glimpse into the life of an actor who rediscovers himself while working for a Japanese agency. The movie is co-written and directed by Hikari. Along with Fraser, the movie also stars Takehiro Hira, Mari Yamamoto, Shannon Gorman and Akira Emoto in prominent roles. According to the press note shared by the makers, the film follows an American actor (Brendan Fraser) who struggles to find purpose until he lands an unusual gig: working for a Japanese 'rental family' agency, playing stand-in roles for strangers. As he immerses himself in his clients' worlds, he begins to form genuine bonds that blur the lines between performance and reality. Confronting the moral complexities of his work, he rediscovers purpose, belonging, and the quiet beauty of human connection, as per the press note of the film. In the film's one-minute and thirty-second teaser, Fraser is shown battling in contemporary Tokyo, where he is asked to sell 'emotions' for twice the work and half the pay. As per the job, the actor is asked to play real-life roles for the agency's clients, which include posing as their best friend, sibling, boyfriend and others. Initially, Fraser struggles to adapt to this new 'rental' phenomenon, as in one of the scenes the actor faces the brunt of a child when he poses as her father in real life. Searchlight Pictures (the official distributor of the movie) shared the trailer of the movie on their official Instagram handle. With a screenplay by HIKARI and Stephen Blahut, the film is produced by Sight Unseen Pictures' Julia Lebedev and Eddie Vaisman, as well as Knockonwood's Shin Yamaguchi. 'Rental Family' will have its world premiere at the 50th annual Toronto International Film Festival (TIFF) in September 2025. (ANI)


Cision Canada
8 hours ago
- Cision Canada
CGTN: Why Chinese film Dead to Rights topped global weekend box office
BEIJING, Aug. 6, 2025 /CNW/ -- Chinese film Dead to Rights has been maintaining its top position on China's weekend box office since its premiere on July 25th. That also made it the No. 1 watched film globally over the just past weekend. According to popular Chinese film industry tracker Maoyan, by Tuesday the film has raked in 1.7 billion Yuan, or about 236.6 million dollars. The film now holds an 8.6 rating on Chinese review platform Douban and has been reviewed or reported by international press like "Variety", Channel News Asia, among others. The film is set against the backdrop of the 1937 Nanjing Massacre and follows the life of a group of Chinese civilians who seek refuge in a photography studio. While bidding for survival, they assisted a Japanese military photographer to develop films, only to uncover graphic images of the atrocities. They risked their lives to preserve the evidence. The film's massive success should, of course, be first attributed to its powerful storytelling and artistic execution. Director Shen Ao has avoided sensationalism, using only minimalistic visuals to convey horror, for example, a knife held to a baby or rivers of bloodshed. In this way, emotional depth and authenticity have been created. The film's layered storytelling and polished production design also present viewers with unraveled technical craftsmanship. Movie goers are drawn to the cinema for Dead to Rights also because, fundamentally, the movie has done justice to history. Evan Kail, an American who donated a photo album of Japanese war crimes to China, said the film is a "ten out of ten" that keeps history alive, honors the victims and exposes the past against all odds. Remembering the past is not to stir or preserve hatred; rather, it is to remind us to cherish modern peace. Increasing Yasukuni Shrine visits and wartime denial by some Japanese rightists these days are risking Asia's or even the world's stability. By preserving evidence on screen, films like Dead to Rights counter Japan's historical amnesia and expose the truth that must be held and told. The movie is slated to premiere globally in places like Australia, New Zealand, the United States, Malaysia, Singapore, among others. With over 35 million military and civilian casualties combined, China was a vital, but often forgotten, member of the Allies battling Japan during WWII. As both a universal call to peace and a truthful reflection on history, the film Dead to Rights deserves the time and attention of global viewers.


Toronto Sun
16 hours ago
- Toronto Sun
'She should come here': Premier Moe on Chappell Roan's Saskatchewan name-drop
Published Aug 06, 2025 • 1 minute read Chappell Roan performs onstage at the 67th annual GRAMMY Awards Pre-GRAMMY Gala and GRAMMY Salute to Industry Icons honoring Jody Gerson on February 01, 2025 in Los Angeles, California. (Photo byfor The Recording Academy ) American pop star Chappell Roan has stirred up quite the 'Femininomenon' for fans in Saskatchewan, and the premier hopes it means she'll do a show in his province. This advertisement has not loaded yet, but your article continues below. THIS CONTENT IS RESERVED FOR SUBSCRIBERS ONLY Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. SUBSCRIBE TO UNLOCK MORE ARTICLES Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. REGISTER / SIGN IN TO UNLOCK MORE ARTICLES Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account. Share your thoughts and join the conversation in the comments. Enjoy additional articles per month. Get email updates from your favourite authors. THIS ARTICLE IS FREE TO READ REGISTER TO UNLOCK. Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account Share your thoughts and join the conversation in the comments Enjoy additional articles per month Get email updates from your favourite authors Don't have an account? Create Account Scott Moe told The Evan Bray Show on Rawlco Radio that the Good Luck Babe singer is one of many artists to mention Saskatchewan in their music. In The Subway , her new song about post-breakup frustration, Roan name-drops Saskatchewan, and politicians, drag queens and tourism agencies have taken note. She currently has no Canadian tour dates, but Roan has said she can't sing about Saskatchewan and not play a show there. Roan made headlines during the Stanley Cup playoffs this year, when the Edmonton Oilers began playing her song Pink Pony Club after a win. Moe says many people, including Oilers fans, would look forward to attending one of her shows in Saskatchewan. 'She should come here. I'm sure many of the Oiler fans would certainly go to the concert as well,' Moe said Wednesday on the radio show. 'We've had many artists mention Saskatchewan over the last number of decades. Some spent time here, like Johnny Cash, for example, and others. So we would hope that she would come to Saskatchewan.' RECOMMENDED VIDEO Love concerts, but can't make it to the venue? Stream live shows and events from your couch with VEEPS, a music-first streaming service now operating in Canada. Click here for an introductory offer of 30% off. Explore upcoming concerts and the extensive archive of past performances. World Celebrity Columnists Golf Editorial Cartoons