
Sundance's top prizes go to ‘Atropia' and ‘Seeds'
A biting satire set inside a military role-playing facility, 'Atropia,' which stars Alia Shankar, Callum Turner and Chloë Sevigny, follows an aspiring actor who falls in love with a soldier cast as an insurgent, forcing them both to reckon with the blurred lines between performance and reality. The jury praised Gates' feature debut as 'both hilarious and damning in its portrayal of the theater of war.' 'Seeds' was recognized for its poetic and deeply personal portrait of Black farmers fighting to preserve their land and heritage.
In the world cinema categories, the dramatic grand jury prize was awarded to 'Sabar Bonda (Cactus Pears)', a co-production from India, the U.K. and Canada directed by Rohan Parashuram Kanawade. The film tells the story of a city dweller returning to his rural hometown for a mourning period and forming an unexpected bond with a local farmer. The documentary grand jury prize went to 'Cutting Through Rocks,' directed by Sara Khaki and Mohammadreza Eyni, which follows a groundbreaking councilwoman in a rural Iranian village as she fights against patriarchal traditions.
The NEXT Innovator Award, given to a film in the festival's section that highlights bold and unconventional storytelling, was awarded to Charlie Shackleton's 'Zodiac Killer Project,' a meditation on the true-crime genre told through 16mm footage of locations the filmmaker had to abandon after his option rights for a novel were declined.
'Twinless,' a dramedy about two men who meet in a twin bereavement support group, won the U.S. dramatic audience award, while 'André Is an Idiot,' a darkly comic documentary about a man confronting his own mortality, was honored in the U.S. documentary category. In the world cinema competition, 'DJ Ahmet,' about a North Macedonian teenager navigating family expectations and his love for music, took the audience award for drama, while 'Prime Minister,' a behind-the-scenes portrait of former New Zealand leader Jacinda Ardern, won for documentary. The NEXT audience award went to 'East of Wall,' a neo-Western about a rebellious horse trainer and a group of wayward teenagers.
Among other jury awards, the directing prize in the U.S. dramatic competition went to Rashad Frett for 'Ricky,' about a man struggling with the challenges of life after incarceration, while the U.S. documentary directing award was presented to Geeta Gandbhir for 'The Perfect Neighbor,' an examination of Florida's controversial 'stand your ground' laws. The Waldo Salt Screenwriting Award went to Eva Victor for 'Sorry, Baby,' a dark comedy about a young woman processing trauma.
Dylan O'Brien received a special jury award for acting in 'Twinless,' while 'Plainclothes,' a drama about an undercover officer assigned to entrap gay men in the 1990s, was honored for ensemble cast. In the documentary category, 'Selena y Los Dinos,' a portrait of the late Tejano superstar Selena Quintanilla, was awarded a special jury prize for archival storytelling, and 'Life After' won a special jury award for its thought-provoking investigation of a historic right-to-die case.
While this year's festival was relatively quiet on the deal-making front, the honorees hope to follow the trajectory of other recent Sundance prize winners that went on to Oscar glory, including 'CODA,' '20 Days in Mariupol,' 'Summer of Soul' and 'Minari.'
The 41st edition of the festival concludes on Sunday.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
2 hours ago
- Yahoo
From South Linden to the Big Easy: Linden-McKinley marching band hopes for biggest trip yet
It's a nine-to-five day for the members of the Linden-McKinley STEM Academy's "Unstoppable Mighty Marching Panthers." For three weeks of band camp, the students have been starting at 9 a.m., doing physical conditioning by taking laps on the track, then settling in for a long day of practicing their routines in the summer heat. This year, they're training with a focus. The Linden-McKinley marching band is fundraising to go to New Orleans to march in the famous Mardis Gras parade in 2026. The trip represents the most ambitious event yet for a band that was just a dozen members a decade ago but now numbers around 70, including dancers. For the students, this is an opportunity of a lifetime. Tarlyn Arnold, 18, a senior and head drum major for the band, loves music of all kinds. "(The band) came to my elementary school, so I was like 'Oh, this is what I want to do,'" Arnold said. "So I came here, and I started. Here I am now." Arnold said the New Orleans trip is an opportunity to get the Unstoppable Mighty Marching Panthers' name out and to be a representative of the Linden community. "Around here, there's not really a good representation in a lot of the stuff going on," Arnold said. "So for us, going to New Orleans, doing good things, getting trophies — I love it. It's not good around here, but we try to make it better." To get to New Orleans, Band Director Stephen Ingram says the band is aiming to raise $100,000, and is asking for the community's support. Part of the trip, Ingram said, includes opportunities for cultural learning and touring colleges. He is hoping the "community will rally" to help them get there. "For a lot of them, it's a dream," Ingram said. "It's a dream to see some of these schools, and to be in that environment. Let's start making these dreams a reality." Phrell Dawson, 14, a freshman mellophone player, said he was excited for the opportunity to do new things and the chance to possibly play in a famous parade. "It's fun to travel somewhere you've never been," Dawson said. Raising the bar — and raising it again While the band plans to go South next year, for Ingram, the only way forward for the band is up. "A lot of the groups we've seen in our competitions, they've gone down to New Orleans and done the parade, and they love it," Ingram said. "Well, we're just as good if not better, so let's go out there and see." It's not just musical opportunities for students, it's also academic ones. In 2023, the Marching Panthers went to Memphis for the Southern Heritage Classic, the annual historically Black college football game between the Golden Lions of the University of Arkansas at Pine Bluff and the Tennessee State University Tigers. There, they took first place in every category. Ingram said that following the 2023 trip, three of the five seniors eventually attended the University of Arkansas at Pine Bluff on band scholarships. "There's life outside, no matter the struggles you think you might have or the narrows people might put you in, there's life there," Ingram said. "There's nothing you can't do, and there's a future for them." Dawson said that the marching band is like a "big little family" and that the members encourage one another and "push each other to do great things." "It changed my life," Dawson said. "When I was in seventh grade, I had nothing to do. I was playing games all day. Now I've got something to do." Arnold said it has been good to see the "family" constantly growing and "getting the word out" since joining. "Sometimes there's stuff going on at home, we don't know what's going on, but when you come here — it's a safe space," Arnold said. "You leave everything at the door and there's no judgment." Cole Behrens covers K-12 education and school districts in central Ohio. Have a tip? Contact Cole at cbehrens@ or connect with him on X at @Colebehr_report This article originally appeared on The Columbus Dispatch: Linden-McKinley marching band aiming for New Orleans Mardis Gras trip Solve the daily Crossword
Yahoo
4 hours ago
- Yahoo
Fairs have a long history at Chilhowee Park, but it was amusement hub even earlier
Even before it became home to the Tennessee Valley Fair, Chilhowee Park was a top amusement destination in Knoxville. Since 1887, the park has attracted visitors with its options for recreation, from live music to fishing to walks around the grounds − and in later years, roller coasters and a playground. The many decades of fun since are thanks to F.C. Beaman, who opened the park in the late 19th century, a move met with tremendous excitement from many Knoxvillians. Back then, it was called Beaman's Park and had a lake, dancing pavilion and refreshment stands, the Journal and Tribune reported in 1887. In those early days, the lake was called Lake Ottosee (get it?), which had a resurgence later on, but around the turn of the century, it was called Chilhowee Lake, which soon became Chilhowee Park. Chilhowee Park's first fairs In 1910, Chilhowee Park was the site of the Appalachian Exposition, a month-long spectacle visited by 350,000 people. The event featured pyrotechnic displays, blimp rides and dog shows. An extravagant stucco building was constructed, President Theodore Roosevelt attended, and not far from the fairgrounds, some lucky visitors witnessed East Tennessee's first plane flight. Another Appalachian Exposition was held the following year, and in 1913, the National Conservation Exposition was held at Chilhowee Park. The first version of the Tennessee Valley Fair, called the East Tennessee Division Fair, was held at the park in 1916, according to the website for today's fair. Chilhowee Park in the early 20th century As early as 1915, Chilhowee was called "The South's Most Delightful Amusement Park," charging 10 cents for entry and boasting attractions such as boating, swimming, dancing, roller coaster rides, concerts, moving pictures and a merry-go-round, according to an ad in the Journal and Tribune that year. In 1921, the park gained an "airplane swing" and a new merry-go-round. That same year, the park was purchased by Col. J. G. Sterchi, who sold the park to the city in 1926 for $100,000, the Knoxville Journal reported that year. Between 1939 and 1948, the Eighth of August, a day in East Tennessee that commemorates Black freedom, was celebrated at Chilhowee Park and was the only day out of the year that Black residents were allowed to use the park. In 1938, the park's main building that had been constructed for the 1910 Appalachian Exposition was destroyed in a fiery blaze. A replacement was completed in 1941 and dubbed the Jacob Building in 1954 after veterinarian and former College of Agriculture Dean Moses Jacob, who was at one time president of the fair. This year marks the 105th Tennessee Valley Fair, which will run Sept. 5-14. Hayden Dunbar is the storyteller reporter. Email Support strong local journalism by subscribing at This article originally appeared on Knoxville News Sentinel: Fairs and amusement have long history at Chilhowee Park Solve the daily Crossword


USA Today
5 hours ago
- USA Today
'Beyoncé Bowl,' Super Bowl choreographer started working with Madonna in high school
From the "Beyoncé' Bowl" to the Super Bowl, Charm La'Donna has choreographed some of pop culture's defining moments. Now, she joins a rarefied group as only the fourth Black woman ever nominated for an Emmy in choreography. This year, La'Donna earned two Emmy nominations for outstanding choreography for variety or reality programming — one for her contribution to Beyoncé's NFL Christmas Day halftime show and another for Kendrick Lamar's history-making Super Bowl halftime performance. Both stand among the most talked-about cultural moments of the past year. "The 'Beyoncé Bowl' was my first time working with Beyoncé, and it was just a beyond amazing experience for me," La'Donna says. "I'm so grateful and blessed to be able to work with amazing artists across the board — Beyoncé and Kendrick included. I feel like every project that I work on has some impact on me." The two nods make her the fourth Black woman in history to be recognized in the choreography category at the Emmys, joining Debbie Allen, Chloé Arnold and her mentor Fatima Robinson. And while her work has been showcased on some of the world's biggest stages and tours, she greets the recent recognition with a humble heart. 'I don't even know if I have the words, to be honest," she says. "The first thing I say is that I'm blessed and grateful. I'm still in shock. It's an honor just to be acknowledged on this type of platform. It's definitely a dream come true." Born Charmaine La'Donna Jordan, the Compton, California, native was raised by her mom and grandmother and began dance training at age 3. Her career blossomed early, with formal studies at Regina's School of the Arts before she attended Los Angeles County High School for the Arts. By the age of 10, she was cast in a video under Robinson, who took her under her wing. At 17, while still in high school, Madonna hired her as a choreographer. La'Donna went on to earn a bachelor's degree in world arts and cultures from the University of California, Los Angeles while continuing to work professionally. "Being from where I'm from and from Compton, and growing up in the city of Los Angeles, that is very heavily rooted in who I am, how I move and my experiences," La'Donna says. Inspired by hip-hop and R&B, her style mixes street and formal training with a focus on musicality and emotion. However, she sees herself as more than just a choreographer. She's also a storyteller, tastemaker and soon-to-be-director. "I call myself a hybrid. I have trained in many different styles, art forms of dance, and I feel like all of the styles that I've been able to study are blended well and put out through me," she says. "So I take my experiences, I look at the world, and I'm able to blend it in my body, and God allowed me to move and put it out." While this year marks her first two Emmy nods, she has an impressive track record. She has collaborated with top musicians including The Weeknd, Dua Lipa, Shakira, Selena Gomez, Megan Trainor and Pharrell Williams. La'Donna was recently nominated for best choreography at this year's MTV's Video Music Awards for Kendrick Lamar's 'Not Like Us' video. Last year, she took home the same award for her work on Dua Lipa's 'Houdini.' She's now looking to expand into TV and film, launch mentorship programs for dancers and step into directing. "I think the accolades are beautiful and we work toward them, but I love the process," she says. "I love the work that goes into creating the art for whoever to see. You're talking to the little girl who used to choreograph in her room by herself, and now I see my work all over the world." Produced by Beyoncé's Parkwood Entertainment and Jesse Collins Entertainment, the "Beyoncé Bowl", which is now standalone special on Netflix, received four nods at the 2025 Emmys. Kendrick Lamar also garnered four nods for his Super Bowl performance. While the award show is slated for next month, Beyoncé already earned her first Emmy for outstanding costumes for variety, nonfiction or reality programming as a costume designer along with other members of her team. This year's Primetime Emmys will be Sept. 14 in Los Angeles. Follow Caché McClay, the USA TODAY Network's Beyoncé Knowles-Carter reporter, on Instagram, TikTok and X as @cachemcclay.