EXCLUSIVE How Amber Heard broke Elon Musk's heart is revealed in bombshell book as the tech tycoon was left 'hurt and depressed' by romance
And in the upcoming release it has also been revealed how Amber broke Elon Musk's heart a decade ago.
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Daily Mail
23 minutes ago
- Daily Mail
ESPN analyst left 'mortified' as he piles in on woke backlash to Sydney Sweeney's 'racist' American Eagle ad
One ESPN analyst claims they've been left 'mortified' by Sydney Sweeney 's controversial American Eagle advert. Last week, the company rolled out its fall commercial lineup featuring the 27-year-old in various poses and scenarios with the tagline, 'Sydney Sweeney Has Great Jeans'. The obvious reference to her 'genes' didn't sit well with many people on social media, who accused the ads of being a racial dog whistle. While many continue to debate about the advert online, ESPN analyst David Dennis Jr has weighed in on the matter and didn't pull any punches as he did so. Taking to social media, Dennis Jr wrote: 'I didn't think anything of the Sydney Sweeney ads. 'But then ACTUAL SCHOLARS ON MESSAGING, EUGENICS AND FASCISM explained what was going on then yes I understood and became pretty mortified because hey sometimes IT'S GOOD TO LISTEN TO EXPERTS'. The adverts have divided fans, with one critic calling the clip 'one of the loudest and most obvious racialized dog whistles we've seen and heard in a while.' The phrase 'great genes' is 'historically used to celebrate whiteness, thinness and attractiveness,' which it said made 'this campaign seem to be a tone-deaf marketing move,' a Salon report on the backlash read. In a sarcastic post, Dennis Jr continued: 'I'm just happy that these AE ads are making it safe for conventionally attractive blue eyed blonde women to be accepted by society again. They're no longer the scourges of society they once were! FINALLY!' In a series of images, the Spokane, Washington-born beauty - who is set to play boxer Christy Martin in an upcoming biopic already garnering Oscar buzz - is seen modeling a variety of denim-based ensembles. In an accompanying video, Sydney is seen buttoning up her jeans as she muses: 'Genes are passed down from parents to offspring, often determining traits like hair colour, personality and even eye colour... my genes are blue'. Alexandria Hurley, a Las Vegas-based publicist, speculated to that the idea to stir the pot was not a mistake at all. American Eagle Chief Marketing Officer Craig Brommers said the campaign is designed to be flashier than competitors' and features Sweeney as one of the most recognizable young stars of the moment 'From a PR perspective, what we're seeing from Sydney Sweeney isn't a 'misstep' or 'Pepsi moment.' It's a calculated brand evolution. The idea that this ad slipped through the cracks underestimates both her and her team,' she explained. Hurley went on to point out: 'Sydney has flirted with controversy before — from her SNL Hooters skit to her recent Bathwater Bliss collaboration with Dr. Squatch — and rather than walk it back after criticism, she's leaned further in. That's not oversight. That's strategy.' She also stressed that the 'Great Genes' tagline was 'deliberately' provocative and that the 'racial undertones being called out aren't subtle.' 'Instead of apologizing, she and American Eagle quickly pivoted with a visual 'fix,' having her paint over the billboard. It's a gesture that looks performative at best, especially in the absence of any direct acknowledgement of the criticism,' Hurley stated.
Daily Mail
23 minutes ago
- Daily Mail
KENNEDY uncovers the true origin of Sydney Sweeney's 'Nazi' jeans ad... and it's not what the hysterical Left thinks it is
Who knew fascism could be so... sexy? The joyless left is now branding buxom 'it' girl Sydney Sweeney a Nazi propagandist over an ad campaign for American Eagle jeans. In it the sleepy-eyed star is seen modeling baggy boyfriend jeans and a plunging jacket and peering out from under the hood of a classic car clad in denim.
The Independent
an hour ago
- The Independent
'Downton Abbey' star Elizabeth McGovern brings Ava Gardner's tumultuous life to the stage
For all of Elizabeth McGovern's acting career, someone else wrote her lines. Now it's her turn. The 'Downton Abbey' star pivots from British aristocracy to classic Hollywood royalty this summer to portray screen legend Ava Gardner in a play she wrote. 'It's an incredible feeling to see other people embrace these things that were in your head,' she says. 'My feet haven't touched the ground since we started working on this in New York. I am just loving it so much.' 'Ava: The Secret Conversations' examines the sometimes-prickly, sometimes seductive relationship between Gardner and Peter Evans, a journalist assigned to ghostwrite her memoir in the years before her death in 1990. Though Gardner pulled the plug on the project before its completion, Evans eventually published their conversations in 2013. That book is the basis of McGovern's play. She says she was intrigued by the idea of 'a star on the wane of her career, sitting with a guy trying to glean from her the story of her life, and the two of them battling it out to control the narrative.' About 'Ava: The Secret Conversations' Directed by Tony Award-nominee Moritz von Stuelpnagel, the production co-stars Aaron Costa Ganis as Evans, who also channels Gardner's three famous husbands: actor Mickey Rooney, bandleader Artie Shaw and performer Frank Sinatra. It begins performances off-Broadway at New York City Center starting this week. McGovern says she wasn't initially a huge fan of Gardner — famed for her green eyes, photogenic features and understated acting style — before she embarked on the project. It was more the idea of how a memoir can become a battleground for legacy and a way to explore Hollywood fame. McGovern made her screen debut at 20 in Robert Redford's 'Ordinary People' in 1980 and went on to co-star with Hollywood's leading men, including Robert De Niro, Brad Pitt and Sean Penn. She landed an Oscar nomination for Milos Forman's 'Ragtime.' It's a career with many similarities to Gardner. 'I feel like I do have a natural affinity for who she is. I feel like we would really like each other. I don't know, I'm flattering myself, but it's possibly because I had a kind of similar trajectory in my early life,' says McGovern. "I mean, it was not on any level close to hers, but I understood the whole kind of mechanics of it.' Gardner's reputation as a sex goddess was fully launched in 1946 film 'The Killers,' in which she co-starred with Burt Lancaster. She also starred opposite Humphrey Bogart in 'The Barefoot Contessa' and Richard Burton in Tennessee Williams' 'Night of the Iguana.' McGovern says Gardner was caught in the impossibility of women's expectations at the time — be sexy but not sleep around. She had many lovers but also felt the shame society imposed. 'I think she was a kind of a feminist, in spite of herself, really,' says McGovern 'I hope people are inspired by that — by the fact that she just did whatever she wanted to do and lived with the consequences.' A screen siren at the end of her life By the end of her life and when the play is set, Gardner has been partially paralyzed after a stroke, had emphysema and lived in seclusion. She decided on a quickie memoir to keep the bills paid. 'All my life I was the Woman Men Dream About. That was the only job I ever had,' she wails in the play. 'Where does that leave me now?' The 90-minute play, which has had previous runs in Los Angeles and London, goes to Chicago and Toronto this fall after New York. McGovern initially took the idea to two different writers who failed to produce anything. So she turned to herself, watching movies and footage of Gardner to nail her speech patterns and reading whatever she could about the actor's inner life. 'I literally would act it out in my room to myself and then write it down. So it was natural to think of myself playing it, obviously, but then writing a part for somebody else to play, I couldn't think of a way to do it except by doing the acting of that part and then write it down.' Costa Ganis, her co-star, says 'she's doing something very bold and very daring and very scary' and he rarely meets a playwright so adaptable. 'I think the thing that's so fun about working with her is just that she's such a collaborator,' he says. Music helped McGovern the playwright McGovern developed the confidence to write her first play through songwriting. She is the lead singer and an acoustic guitarist for Sadie & The Hotheads, which released their debut album in 2007 and their latest in July, 'Let's Stop Fighting.' 'It kind of embraces a lot of different styles and then ends up with something of its own,' she says of the ethereal jazz-folk the band makes, which is waiting for an audience to catch up. 'We're still waiting. It's been quite a while, but I'm fine,' she says with a laugh. Costa Ganis hears McGovern's musicality throughout the play, an internal rhythm she understands: "So if something doesn't play right, she has a great sense of what sounds good and what moves things along." McGovern will be nearing the end of her New York turn as Gardner when the latest 'Downton Abbey' hits movie theaters Sept. 12 — subtitled 'The Grand Finale.' She admits that she and the cast initially dreaded returning after the death of Maggie Smith, an audience favorite. 'I think everyone was afraid that without Maggie, it's daunting to keep the thing going. But surprise, surprise, I think it's our best movie,' she says. 'It just kind of clicked.' McGovern, who like Gardner lives in London, does music, TV, and film but always finds room for theater, where the smartphones disappear and performers meet the audience. 'It's so healthy to have two hours where you only have one job and that job is basically just to be present and I really feel like it's good for the brain.'
