logo
Fans compare Kris Jenner to her famous daughters after age-defying makeover

Fans compare Kris Jenner to her famous daughters after age-defying makeover

Fox News23-05-2025

Kris Jenner has a new look.
The reality star, 69, appeared youthful and vibrant in new images she shared on social media this week. In the photos, she shows off her new hairstyle — a sleek bob that's replaced her signature pixie cut — and many say that she now bears a more striking resemblance to her famous daughters.
"Kendall is her twin," one of her followers told her, comparing her to her fifth child, model Kenner Jenner. Another person agreed, writing, "You're truly @kendalljenner's twin."
Others said she looks more like Kim Kardashian, with a follower commenting, "She's looking like Kim's twin sister, gorgeous."
The comparisons to her children continued as one person wrote, "Kourtney, is you?" while another said, "Seeing so much of @khloekardashian in Kris in these photos."
Others commented on the general youthfulness of her appearance, saying that she "could definitely pass for her 40s." One person suggested she looks even younger, writing, "Oh cmonnn ur not turning 70 ur literally 17."
A representative for Jenner did not immediately return Fox News Digital's request for comment.
Jenner has been spending time in Paris this month after accompanying Kardashian while she testified on May 13 in the trial surrounding her 2016 robbery in the French city. On Saturday, she was photographed at the Grand Palais, where she attended an event thrown by family friend Lauren Sanchez.
In the photos, Jenner wore a chic black dress that hit mid-thigh, with a white collar, black tights and black shoes. She was escorted by longtime boyfriend Corey Gamble. Kardashian, as well as pop star Katy Perry, were also in attendance.
The same group, sans Gamble, attended other bachelorette events for Sanchez earlier last week as she prepares to wed Amazon founder Jeff Bezos this summer.
Meanwhile, Kardashian appears to be back home in Los Angeles. On Wednesday, she and several friends and family shared several photos and videos of a celebration thrown in honor of the completion of her legal apprenticeship — meaning she's one step closer to becoming a lawyer.
While she didn't attend traditional law school, California allows residents to complete an apprenticeship under practicing attorneys as an alternative. She's now eligible to take the bar exam, which would make her a licensed lawyer.
"Six years ago, Kim Kardashian walked into this program with nothing but a fierce desire to fight for justice," Jessica Jackson, a lawyer who mentored her, said in a speech in the private ceremony thrown for Kardashian on Wednesday at the Beverly Hills Hotel. "No law school lectures, no ivory tower shortcuts, just determination. And a mountain of case law books to read."
She called Kardashian's path "one of the most inspiring legal journeys we've ever seen" and said she spent "18 hours a week, 48 weeks a year for six straight years" on the program.
Kardashian has in recent years been a criminal justice reform advocate and in 2018 successfully lobbied President Donald Trump to commute the sentence of Alice Marie Johnson, a grandmother who was serving a life sentence without parole for drug offenses.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

David Attenborough's 'Ocean' is a brutal, beautiful wakeup call from the sea
David Attenborough's 'Ocean' is a brutal, beautiful wakeup call from the sea

Yahoo

timean hour ago

  • Yahoo

David Attenborough's 'Ocean' is a brutal, beautiful wakeup call from the sea

NICE, France (AP) — An ominous chain unspools through the water. Then comes chaos. A churning cloud of mud erupts as a net plows the seafloor, wrenching rays, fish and a squid from their home in a violent swirl of destruction. This is industrial bottom trawling. It's not CGI. It's real. And it's legal. 'Ocean With David Attenborough' is a brutal reminder of how little we see and how much is at stake. The film is both a sweeping celebration of marine life and a stark exposé of the forces pushing the ocean toward collapse. The British naturalist and broadcaster, now 99, anchors the film with a deeply personal reflection: 'After living for nearly a hundred years on this planet, I now understand that the most important place on Earth is not on land, but at sea.' The film traces Attenborough's lifetime — an era of unprecedented ocean discovery — through the lush beauty of coral reefs, kelp forests and deep-sea wanderers, captured in breathtaking, revelatory ways. But this is not the Attenborough film we grew up with. As the environment unravels, so too has the tone of his storytelling. 'Ocean' is more urgent, more unflinching. Never-before-seen footage of mass coral bleaching, dwindling fish stocks and industrial-scale exploitation reveals just how vulnerable the sea has become. The film's power lies not only in what it shows, but in how rarely such destruction is witnessed. 'I think we've got to the point where we've changed so much of the natural world that it's almost remiss if you don't show it,' co-director Colin Butfield said. 'Nobody's ever professionally filmed bottom trawling before. And yet it's happening practically everywhere.' The practice is not only legal, he adds, but often subsidized. 'For too long, everything in the ocean has been invisible,' Butfield said. 'Most people picture fishing as small boats heading out from a local harbor. They're not picturing factories at sea scraping the seabed.' In one harrowing scene, mounds of unwanted catch are dumped back into the sea already dead. About 10 million tons (9 million metrics tonnes) of marine life are caught and discarded each year as bycatch. In some bottom trawl fisheries, discards make up more than half the haul. Still, 'Ocean' is no eulogy. Its final act offers a stirring glimpse of what recovery can look like: kelp forests rebounding under protection, vast marine reserves teeming with life and the world's largest albatross colony thriving in Hawaii's Papahānaumokuākea Marine National Monument. These aren't fantasies; they're evidence of what the ocean can become again, if given the chance. Timed to World Oceans Day and the U.N. Ocean Conference in Nice, the film arrives amid a growing global push to protect 30% of the ocean by 2030 — a goal endorsed by more than 190 countries. But today, just 2.7% of the ocean is effectively protected from harmful industrial activity. The film's message is clear: The laws of today are failing the seas. So-called 'protected' areas often aren't. And banning destructive practices like bottom trawling is not just feasible — it's imperative. As always, Attenborough is a voice of moral clarity. 'This could be the moment of change,' he says. 'Ocean' gives us the reason to believe — and the evidence to demand — that it must be. 'Ocean' premieres Saturday on National Geographic in the U.S. and streams globally on Disney+ and Hulu beginning Sunday. ___ Follow Annika Hammerschlag on Instagram @ahammergram. ___ The Associated Press receives support from the Walton Family Foundation for coverage of water and environmental policy. The AP is solely responsible for all content. For all of AP's environmental coverage, visit Annika Hammerschlag, The Associated Press

David Attenborough's 'Ocean' is a brutal, beautiful wakeup call from the sea
David Attenborough's 'Ocean' is a brutal, beautiful wakeup call from the sea

Yahoo

timean hour ago

  • Yahoo

David Attenborough's 'Ocean' is a brutal, beautiful wakeup call from the sea

NICE, France (AP) — An ominous chain unspools through the water. Then comes chaos. A churning cloud of mud erupts as a net plows the seafloor, wrenching rays, fish and a squid from their home in a violent swirl of destruction. This is industrial bottom trawling. It's not CGI. It's real. And it's legal. 'Ocean With David Attenborough' is a brutal reminder of how little we see and how much is at stake. The film is both a sweeping celebration of marine life and a stark exposé of the forces pushing the ocean toward collapse. The British naturalist and broadcaster, now 99, anchors the film with a deeply personal reflection: 'After living for nearly a hundred years on this planet, I now understand that the most important place on Earth is not on land, but at sea.' The film traces Attenborough's lifetime — an era of unprecedented ocean discovery — through the lush beauty of coral reefs, kelp forests and deep-sea wanderers, captured in breathtaking, revelatory ways. But this is not the Attenborough film we grew up with. As the environment unravels, so too has the tone of his storytelling. 'Ocean' is more urgent, more unflinching. Never-before-seen footage of mass coral bleaching, dwindling fish stocks and industrial-scale exploitation reveals just how vulnerable the sea has become. The film's power lies not only in what it shows, but in how rarely such destruction is witnessed. 'I think we've got to the point where we've changed so much of the natural world that it's almost remiss if you don't show it,' co-director Colin Butfield said. 'Nobody's ever professionally filmed bottom trawling before. And yet it's happening practically everywhere.' The practice is not only legal, he adds, but often subsidized. 'For too long, everything in the ocean has been invisible,' Butfield said. 'Most people picture fishing as small boats heading out from a local harbor. They're not picturing factories at sea scraping the seabed.' In one harrowing scene, mounds of unwanted catch are dumped back into the sea already dead. About 10 million tons (9 million metrics tonnes) of marine life are caught and discarded each year as bycatch. In some bottom trawl fisheries, discards make up more than half the haul. Still, 'Ocean' is no eulogy. Its final act offers a stirring glimpse of what recovery can look like: kelp forests rebounding under protection, vast marine reserves teeming with life and the world's largest albatross colony thriving in Hawaii's Papahānaumokuākea Marine National Monument. These aren't fantasies; they're evidence of what the ocean can become again, if given the chance. Timed to World Oceans Day and the U.N. Ocean Conference in Nice, the film arrives amid a growing global push to protect 30% of the ocean by 2030 — a goal endorsed by more than 190 countries. But today, just 2.7% of the ocean is effectively protected from harmful industrial activity. The film's message is clear: The laws of today are failing the seas. So-called 'protected' areas often aren't. And banning destructive practices like bottom trawling is not just feasible — it's imperative. As always, Attenborough is a voice of moral clarity. 'This could be the moment of change,' he says. 'Ocean' gives us the reason to believe — and the evidence to demand — that it must be. 'Ocean' premieres Saturday on National Geographic in the U.S. and streams globally on Disney+ and Hulu beginning Sunday. ___ Follow Annika Hammerschlag on Instagram @ahammergram. ___ The Associated Press receives support from the Walton Family Foundation for coverage of water and environmental policy. The AP is solely responsible for all content. For all of AP's environmental coverage, visit

David Attenborough's 'Ocean' is a brutal, beautiful wakeup call from the sea
David Attenborough's 'Ocean' is a brutal, beautiful wakeup call from the sea

Associated Press

time2 hours ago

  • Associated Press

David Attenborough's 'Ocean' is a brutal, beautiful wakeup call from the sea

NICE, France (AP) — An ominous chain unspools through the water. Then comes chaos. A churning cloud of mud erupts as a net plows the seafloor, wrenching rays, fish and a squid from their home in a violent swirl of destruction. This is industrial bottom trawling. It's not CGI. It's real. And it's legal. 'Ocean With David Attenborough' is a brutal reminder of how little we see and how much is at stake. The film is both a sweeping celebration of marine life and a stark exposé of the forces pushing the ocean toward collapse. The British naturalist and broadcaster, now 99, anchors the film with a deeply personal reflection: 'After living for nearly a hundred years on this planet, I now understand that the most important place on Earth is not on land, but at sea.' The film traces Attenborough's lifetime — an era of unprecedented ocean discovery — through the lush beauty of coral reefs, kelp forests and deep-sea wanderers, captured in breathtaking, revelatory ways. But this is not the Attenborough film we grew up with. As the environment unravels, so too has the tone of his storytelling. 'Ocean' is more urgent, more unflinching. Never-before-seen footage of mass coral bleaching, dwindling fish stocks and industrial-scale exploitation reveals just how vulnerable the sea has become. The film's power lies not only in what it shows, but in how rarely such destruction is witnessed. 'I think we've got to the point where we've changed so much of the natural world that it's almost remiss if you don't show it,' co-director Colin Butfield said. 'Nobody's ever professionally filmed bottom trawling before. And yet it's happening practically everywhere.' The practice is not only legal, he adds, but often subsidized. 'For too long, everything in the ocean has been invisible,' Butfield said. 'Most people picture fishing as small boats heading out from a local harbor. They're not picturing factories at sea scraping the seabed.' In one harrowing scene, mounds of unwanted catch are dumped back into the sea already dead. About 10 million tons (9 million metrics tonnes) of marine life are caught and discarded each year as bycatch. In some bottom trawl fisheries, discards make up more than half the haul. Still, 'Ocean' is no eulogy. Its final act offers a stirring glimpse of what recovery can look like: kelp forests rebounding under protection, vast marine reserves teeming with life and the world's largest albatross colony thriving in Hawaii's Papahānaumokuākea Marine National Monument. These aren't fantasies; they're evidence of what the ocean can become again, if given the chance. Timed to World Oceans Day and the U.N. Ocean Conference in Nice, the film arrives amid a growing global push to protect 30% of the ocean by 2030 — a goal endorsed by more than 190 countries. But today, just 2.7% of the ocean is effectively protected from harmful industrial activity. The film's message is clear: The laws of today are failing the seas. So-called 'protected' areas often aren't. And banning destructive practices like bottom trawling is not just feasible — it's imperative. As always, Attenborough is a voice of moral clarity. 'This could be the moment of change,' he says. 'Ocean' gives us the reason to believe — and the evidence to demand — that it must be. 'Ocean' premieres Saturday on National Geographic in the U.S. and streams globally on Disney+ and Hulu beginning Sunday. ___ Follow Annika Hammerschlag on Instagram @ahammergram. ___ The Associated Press receives support from the Walton Family Foundation for coverage of water and environmental policy. The AP is solely responsible for all content. For all of AP's environmental coverage, visit

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store