logo
James Bond actor makes surprise return as iconic villain

James Bond actor makes surprise return as iconic villain

Yahoo8 hours ago

Danish actor Mads Mikkelsen is reprising one of his best-known roles in a unique collaboration between the James Bond franchise and the Hitman video game series.
The 59-year-old will be voicing Le Chiffre, the character he played in 2006's Casino Royale, in Hitman: World of Assassination where he will be a target for the game's protagonist, the professional hitman Agent 47.
The news was announced by video game developers IO Interactive, the company behind Hitman and the new James Bond origins game 007 First Light, at Summer Game Fest 2025.
However, unlike his scene-stealing moments in Casino Royale, which included torturing a nude Daniel Craig, Le Chiffre will be the one trying to stay alive as gamers hunt him down as he hides out in Paris.
The character will appear as a new 'Elusive Target' in an update for the game and will be available across PlayStation 5, PlayStation 4, Xbox Series X and S, Xbox One, PC, Nintendo Switch and Nintendo Switch 2 from 6 June until 6 July.
As per the event's description: 'Mads Mikkelsen returns as Le Chiffre, the iconic private banker to the criminal underworld, known for his mastery of games of chance and probability.
'A recent failed venture left him in dire straits, losing vast sums of both legitimate and illicit capital, and in a desperate bid to recover, he has arranged a high-stakes poker game at the Casino Monarchique in Paris. Agent 47 has been tasked with infiltrating the perilous event and will have to find his way to his target to prevent havoc being wreaked across the world.'
HITMAN and 007 are coming together in a very unexpected way… yep Agent 47's next target is Le Chiffre! @007GameIOI #SummerGameFest pic.twitter.com/5wmRnPztRZ
— Summer Game Fest (@summergamefest) June 6, 2025
Mikkelsen also made a special appearance at the event, which was being broadcast from the YouTube Theatre in Inglewood, California, where he spoke of his excitement at returning to the role.
'This is a role, I've had a lot of love for this character, it means a lot to me,' said the Hannibal star. 'So when I got the chance to step into the shoes of Le Chiffre again, I didn't hesitate. But this time is a little different. He's more confident, he's dangerous, he's not just a brilliant mind hiding behind a desk. He's visceral, unpredictable and ruthless, and this time, he doesn't outsource the violence any more."
It comes after Mikkelsen told Vulture in 2021, that he and Craig almost went too far when filming the infamous torture scene in Casino Royale.
According to Mikkelsen, one idea the pair concocted was that Le Chiffre 'actually cut [Bond] up somewhere, and he had to suffer with that for a while'.
The actor added: 'At a certain point, director Martin Campbell was just smiling and said, 'Boys, come back to the table. This is a Bond film. We can't go there.'
'We were lost in our indie world, right? You have to respect that. It is a Bond film. That's the framework you need to understand.'

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

'I Don't Understand You': Nick Kroll, Andrew Rannells movie inspired by adoption fraud story from filmmakers
'I Don't Understand You': Nick Kroll, Andrew Rannells movie inspired by adoption fraud story from filmmakers

Yahoo

time26 minutes ago

  • Yahoo

'I Don't Understand You': Nick Kroll, Andrew Rannells movie inspired by adoption fraud story from filmmakers

While Nick Kroll and Andrew Rannells voice some pretty hysterical characters in Big Mouth, they're now sharing the screen in the horror-comedy I Don't Understand You (now in theatres). Written and directed by married filmmakers David Joseph Craig and Brian Crano, the movie had a particularly interesting starting point. In I Don't Understand You Kroll and Rannells play a couple, Dom and Cole, who have just fallen victim to adoption fraud, but things are looking up. A pregnant woman named Candace (Amanda Seyfried) thinks they're the right fit for the family to adopt her child. But just before that happens, Dom and Cole take a romantic Italian vacation. Things take a turn when they get lost outside of Rome, trying to find a restaurant. As their stranded in an unknown location, the trip turns to bloody Italian chaos. As Craig and Crano identified, the first portion of the movie, up until the couple gets stuck going to the restaurant, is quite close to the real experience the filmmakers had. "We were adopting a child. We had been through an adoption scam, which was heartbreaking, and then had a completely different experience when we matched with the birth mother of our son," Crano told Yahoo. "But we found out that we were going to have him literally like two days before we were going on our 10th anniversary trip." "And we were like, 'Shit, should we not go?' But we decided to do it, and you're so emotionally opened up and vulnerable in that moment that it felt like a very similar experience to being in a horror movie, even though it's a joyful kind of situation." A key element of I Don't Understand You is that feeling of shock once the story turns from a romance-comedy to something much bloodier. It feels abrupt, but it's that jolt of the contrast that also makes that moment feel particularly impactful to watch. "Our sense of filmmaking is so ... based on surprise," Craig said. "As a cinephile, my main decade to go to are outlandish '90s movies, because they just take you to a different space, and as long as you have a reality to the characters that are already at hand, you can kind of take them wherever." "Personally, the situation of adoption was a constant jolt [from] one emotion to another that we felt like that was the right way to tell a story like this, which was literally, fall in love with a couple and then send them into a complete nightmare. And I think you can only get that if you do it abruptly, and kind of manically." While Rannells and Kroll have that funny and sweet chemistry the story needs, these were roles that weren't written for them. But it works because Crano and Craig know how to write in each other's voices so well, that's where a lot of the dialogue is pulled from. Additionally, the filmmakers had the "creative trust" in each other to pitch any idea, as random as it may have seemed, to see if it could work for the film. "When you're with somebody you've lived with for 15 years, there is very little that I can do that would embarrass me in front of David," Crano said. "So that level of creative freedom is very generative." "We were able to screw up in front of each other a lot without it affecting the rest of our day," Craig added. Of course, with the language barrier between the filmmakers and the Italian cast, it was a real collaboration to help make the script feel authentic for those characters. "All of the Italian actors and crew were very helpful in terms of being like, 'Well I feel like my character is from the south and wouldn't say it in this way.' And helped us build the language," Crano said. "And it was just a very trusting process, because neither of us are fluent enough to have that kind of dialectical specificity that you would in English." "It was super cool to just be watching an actor perform a scene that you've written in English that has been translated a couple of times, but you still completely understand it, just by the generosity of their performance." For Craig, he has an extensive resume of acting roles, including projects like Boy Erased and episodes of Dropout. Among the esteemed alumni of the Upright Citizens Brigade, he had a writing "itch" for a long time, and was "in awe" of Crano's work as a director. "Truthfully, in a weird way, it felt like such a far off, distant job, because everything felt really difficult, and I think with this project it just made me understand that it was just something I truly love and truly wanted to do," Craig said. "I love the idea of creative control and being in a really collaborative situation. Acting allows you to do that momentarily, but I think like every other job that you can do on a film is much longer lasting, and I think that's something I was truly seeking." For Crano, he also grew up as a theatre kid, moving on to writing plays in college. "The first time I got laughs for jokes I was like, 'Oh, this is it. Let's figure out how to do this,'" he said. "I was playwriting in London, my mom got sick in the States, so I came back, and I started writing a movie, because I was living in [Los Angeles] and I thought, well there are no playwrights in L.A., I better write a movie.'" That's when Crano found a mentor in Peter Friedlander, who's currently the head of scripted series, U.S. and Canada, at Netflix. "I had written this feature and ... we met with a bunch of directors, great directors, directors I truly admire, and they would be like, 'It should be like this.' And I'd be like, 'Yeah, that's fine, but maybe it's more like this.' And after about five of those Peter was like, 'You're going to direct it. We'll make some shorts. We'll see if you can do it.' He just sort of saw it," Crano recalled. "It's nice to be seen in any capacity for your ability, but [I started to realize] this is not so different from writing, it's just sort of writing and physical space and storytelling, and I love to do it. ... It is a very difficult job, because it requires so much money to test the theory, to even see if you can." But being able to work together on I Don't Understand You, the couple were able to learn things about and from each other through the filmmaking process. "David is lovely to everyone," Crano said. "He is much nicer than I am at a sort of base level, and makes everyone feel that they can perform at the best of their ability. And that's a really good lesson." "Brian literally doesn't take anything personally," Craig added. "Almost to a fault." "And it's very helpful in an environment where you're getting a lot of no's, to have a partner who's literally like, 'Oh, it's just no for now. Great, let's move on. Let's find somebody who's going to say yes, maybe we'll come back to that no later.' I'm the pessimist who's sitting in the corner going, 'Somebody just rejected me, I don't know what to do.' ... It just makes you move, and that's very helpful for me."

UK Comedian Dawn French Apologizes For 'Clumsy Tone In One-Sided Gaza Video'
UK Comedian Dawn French Apologizes For 'Clumsy Tone In One-Sided Gaza Video'

Yahoo

timean hour ago

  • Yahoo

UK Comedian Dawn French Apologizes For 'Clumsy Tone In One-Sided Gaza Video'

UK comedian Dawn French has posted a public apology after posting a video about the war in Gaza, and removed the item from her social media. The 40-second video posted earlier this week showed the star of BBC sitcom The Vicar of Dibley share her views on the conflict, saying 'Complicated, no, but nuanced. But [the] bottom line is no.' More from Deadline BBC Condemns Israel After IDF Soldiers Strip-Searched & Detained Journalists At Gunpoint Cannes Expresses "Profound Sadness" At Death Of Gaza Photojournalist Fatima Hassouna Paramount+ Boards BBC Comedy 'Can You Keep A Secret?' Starring Dawn French & Craig Roberts Switching into a high-pitched voice, she continued: 'Yeah, but you know they did a bad thing to us, yeah but no. But we want that land… and we have history… No. Those people aren't really even people, are they really? No.' Following a backlash with people complaining she was mocking the October 7 attack that ignited the war, French removed the video Saturday and said she never meant to 'mock, or dismiss, or diminish the horror' of the event. She wrote on social media:'I hope you will understand my intention was not to offend, but I clearly have. For which I am sorry and I have removed the video.' French said that she had posted a video in the style that she has been using for social media 'in an effort to convey an important point', although she added that she had 'clumsily used a mocking tone.' 'My intention was NEVER to mock, or dismiss, or diminish the horror of what happened on 7 October 2023 and what continues to unfold from that brutal unthinkable, unforgiveable, savage attack.' She said her intention had been 'to mock and point the finger of shame at the behaviour of the cruel leaders on all sides of this atrocious war.' 'THEY were my target, but clearly I failed to do that, and that's on me. I apologise unreservedly, and I'm particularly sorry that my disgust at Hamas didn't figure. It appeared one-sided and that is wrong.' Almost 1,200 people were killed on October 7 2023 when Hamas led a cross-border attack and took 251 hostages. BBC News reports that 54 remain in captivity. Israel launched a retaliatory campaign in Gaza, with a reported death toll of 54,607. Best of Deadline 2025 TV Series Renewals: Photo Gallery 2025 TV Cancellations: Photo Gallery 'Stick' Soundtrack: All The Songs You'll Hear In The Apple TV+ Golf Series

Spohn DV-13 Convertible on Bring a Trailer: You're Not Likely To See Another
Spohn DV-13 Convertible on Bring a Trailer: You're Not Likely To See Another

Car and Driver

time2 hours ago

  • Car and Driver

Spohn DV-13 Convertible on Bring a Trailer: You're Not Likely To See Another

This coachbuilt custom car hails from Germany and is fitted with a Cadillac V-8. Would you believe, only a handful were built? It's the concours winner nobody was expecting. The Amelia Island Concours d'Elegance features awards in several categories, including engineering excellence, historical significance, and special mentions. It also has an award for "most audacious exterior." The car pictured here is the 2013 award winner, and audacious doesn't even begin to cover it. This is a 1957 Spohn DV-13, and the customized roadster is up for auction on Bring a Trailer (which, like Car and Driver, is part of Hearst Autos). Bring a Trailer The Spohn is the offspring of a German coachbuilder with a long tradition of clothing the finest cars in the world in gorgeous design. Before WWII, Spohn bodywork was worn by Maybachs and Mercedes-Benzes. In the postwar period, it, uh, got a little more creative. Okay, let's stop beating around the bush: This car looks like what Powell Motors would have built as the sporty followup version of The Homer car from The Simpsons. It is an acquired taste, like sea urchin or accordion solos, and on first glance looks supremely goofy. Remember the part in The Fly when Jeff Goldblum gets his DNA crossed with a housefly while experimenting with teleportation? This is like that, except it's a 1949 Cadillac and a Daimler SP250 having a transporter malfunction. Bring a Trailer Bring a Trailer Bring a Trailer Brendan McAleer Contributing Editor Brendan McAleer is a freelance writer and photographer based in North Vancouver, B.C., Canada. He grew up splitting his knuckles on British automobiles, came of age in the golden era of Japanese sport-compact performance, and began writing about cars and people in 2008. His particular interest is the intersection between humanity and machinery, whether it is the racing career of Walter Cronkite or Japanese animator Hayao Miyazaki's half-century obsession with the Citroën 2CV. He has taught both of his young daughters how to shift a manual transmission and is grateful for the excuse they provide to be perpetually buying Hot Wheels. Read full bio

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store