
Indian 'throuple' legally tie the knot in ancient tribal tradition - as woman adheres to marriage 'rota' and juggles time between two brothers
The newlyweds insist they're proud of the custom, but have since found themselves at the centre of a social media storm.
The backlash against Sunita Chauhan and her two husbands - brothers Pradeep and Kapil Negi - has left the trio from the Himalayan state of Himachal Pradesh shaken.
'When I read some of the comments, I feel like some notorious criminal,' Pradeep told The Times.
Hailing from the Shillai village in the Sirmaur district, Pradeep, Kapil, and Sunita belong to the Hatti tribe that has practiced polyandry - when a woman has more than one husband - for many years.
While it is outlawed in India, the custom is protected in some of the country's tribal areas like Himalayan territories where it is known as 'Jodidara'.
The ancient tradition - called 'Jodidara' - is rooted in an effort to ensure tribal land is not divided with every new generation and promoting unity between families.
However, instances of polyandry are still few and far between, with Indian media outlet NDTV reporting only five such marriages have taken place within the Hatti tribe in the past six years.
So when videos of Sunita, Kapil, and Pradeep's three-day wedding were circulated online, they sparked national and international scrutiny - interest that the newlyweds say has caused them distress.
'We've just withdrawn into a shell,' government employee Pradeep said. 'We're not celebrities. We're just ordinary villagers and we never expected this kind of interest.'
While these weddings are usually performed in secret, Pradeep told the Press Trust of India news agency that his brother and their new bride decided to 'follow the tradition publicly.'
Their three-day wedding culminated on July 12 and was held amidst massive fanfare - as the families' relatives joined hundreds of villagers from nearby areas to celebrate the union.
One of the Negis' family members, Hari Singh said the marriage had brought great joy to members of their tribe as he praised Sunita, Pradeep, and Kapil - who lives and works abroad - for 'creating history by marrying publicly'.
Before long, clips from the ceremony began circulating online - triggering a media storm that has forced the 'throuple' to defend themselves against criticism, including condemnation from women's rights groups.
A representative for the All India Democratic Women's Association reportedly told local media called the marriage an 'act of women's exploitation' that violated the 'funfamental rights of a woman'.
As per the 'Jodidara' custom, the wife spends time with the brothers as per a mutually agreed-upon rota. It is not clear whether the woman has any say in deciding this rotation.
Under this kind of arrangement, the family raises any children they have together - but the elder sibling is the legal father.
In some cases, children born to these tribal Indian 'throuples' are randomly assigned a father when it is not possible to determine who the biological parent is, a local politician told The Times.
However, Sunita has maintained this marriage is 'my choice' in a statement to Indian newspaper The Tribune.
'We have made this commitment together, and I believe in the bond we have formed,' she said.
Local politicians and administrators have also defended the 'throuple' and the practice - also known as 'Draupadi Pratha' in a reference to the Hindu epic, the Mahabharat.
The story goes that its female protagonist, Draupadi, prays for a husband who is strong, handsome, noble, intelligent, and a skilled archer.
Since no one man could have all these qualities, the Hindu god Shiva blesses her with five husbands - the Pandava brothers.
Local lawmaker Harshwardhan Singh Chauhan told The Hindu it would be 'a rare house' in Shillai where this kind of marriage 'has not taken place'.
He added that 'we have a customary law to protect polyandry' in a statement to reporters on-ground, The Straits Times reported.
A local tribe leader, Kundal Lal Shastri cited the ancient Hindu epic, the Mahabharata, while justifying the custom.
Jagat Singh Negi, a local politician who is known to the families but not related to the brothers, reiterated no woman from the Hatti tribe was forced into these polyandrous marriages - adding 'Sunita was perfectly happy with the proposal'.
One of Sunita's husbands, Kapil - who works in the hospitality industry and doesn't live in India - added: 'We've always believed in transparency.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


BBC News
3 hours ago
- BBC News
'I dislike red jerseys, so blue felt perfect'
We know the relationship between a football fan and their club is a special one so, as we gear up for the new season, we asked you to share why you fell in love with Chelsea and some of your favourite moments supporting are some of your submissions: Rajeev: Being Indian, I've always loved packed stadiums - whether it is cricket, rugby or football. I only watched the World Cups and the Euros until 2006. Then, thanks to my Arsenal fan friend and my Manchester United-supporting brother, I got hooked on the Premier League. That season the top four were Manchester United, Chelsea, Arsenal and stood out - they were second place and I've always liked teams chasing the top spot. I also dislike red jerseys, so blue felt perfect. I was amazed to see so many national captains at Chelsea. That's when I knew this was my club. Send your pictures and stories here


The Independent
8 hours ago
- The Independent
Actor slams AI-altered re-release of his popular Bollywood film: ‘Threatens integrity of storytelling'
Indian actor Dhanush criticised the re-release of his 2013 Bollywood film Raanjhanaa after it was modified with artificial intelligence to give the story a 'happy' ending. In a statement released on social media on Sunday, Dhanush said the altered version had 'completely disturbed' him and accused the film's rights holders of erasing the emotional core of the original work without the consent of its creators. Directed by Aanand L Rai and produced by Eros International, the 2013 movie stars Tamil actor Dhanush in his Hindi debut alongside Sonam Kapoor, and follows the story of Kundan, a spirited Hindu boy from Varanasi who harbours a lifelong love for Zoya, a Muslim girl from his neighbourhood. In the original version of the romantic drama, Kundan dies, a scene the director says is integral to the film's emotional core. The new version, released in southern Indian on 1 August under the dubbed Tamil title of Ambikapathy, replaces it with an ending where Kundan survives. The change has been marketed by Eros as a 'creative reimagining' but has been met with backlash from the movie's principal talent. In a statement titled 'For the love of cinema', Dhanush wrote: 'The re-release of Raanjhanaa with an AI -altered climax has completely disturbed me. This alternate ending has stripped the film of its very soul, and the concerned parties went ahead with it despite my clear objection. This is not the film I committed to 12 years ago. The use of AI to alter films or content is a deeply concerning precedent for both art and artists. It threatens the integrity of storytelling and the legacy of cinema. I sincerely hope that stricter regulations are put in place to prevent such practices in the future.' However, Eros chief executive Pradeep Dwivedi claimed the actor had no objection before the re-release. 'We would like to respectfully clarify that an Eros representative had engaged in direct communication with Mr Dhanush's team regarding the proposed revisions, and no formal objection was communicated to us prior the AI-enhanced re-release of Ambikapathy,' the executive said in a statement to The Independent. 'While we acknowledge and respect differing views on the use of AI in film, our aim has been to explore how technology can complement storytelling and offer fresh dimensions for audiences – never to undermine the original essence of a film.' Additionally, Eros described as 'unfair' the use of Raanjhanaa 's intellectual property in Rai's forthcoming film Tere Ishk Mein, billed as being set in the same world as Raanjhanaa and starring Dhanush and Kriti Sanon. 'What is truly unfair is the continued and unauthorized commercial exploitation of our film's legacy – including the use of the Raanjhanaa title, characters, themes, and music – in promotional campaigns for Tere Ishk Mein,' Dwivedi said. 'As rights holders of Raanjhanaa, Eros has formally objected to this misappropriation through appropriate legal channels. 'Just as storytelling evolves, so too does music – and with responsible use of AI, even the most iconic soundtracks are being respectfully reimagined as remixes to resonate with new generations while preserving their original soul. We deeply respect the creative community and remain committed to collaborating in ways that ensure mutual respect, innovation, and progress for the cinematic arts.' The Independent has approached representatives for Rai and Kapoor for comment. It was first reported two weeks ago that Raanjhanaa would be re-released with a modified ending. At the time, Dwivedi told The Independent that the new climax was meant to offer a 'fresh emotional perspective' on the film for a new regional audience. He said Eros owned the 'sole and exclusive copyright' to the film and that creatives such as Rai, Dhanush, and Kapoor had signed contracts waiving any 'moral rights' to be involved in future adaptations or releases. Rai, who co-produced Raanjhanaa through his company Colour Yellow Productions, described the AI modification of the film as a 'reckless and dystopian experiment'. ' Raanjhanaa didn't need a new climax. It had heart, and honesty. It became a cult film because people connected to it with its flaws and imperfections. To see its ending altered without a word of discussion is a gross violation not just of the film, but of the trust of the fans who've carried the film in their hearts for 12 years,' he previously told NDTV. Fans have reacted with disappointment to the new ending, with most echoing Rai and Dhanush's feelings. 'The original ending, where he dies with a powerful dialogue, had real impact,' one viewer said on X. Another wrote: 'They just killed the soul of the movie instead of Kundan.' Raanjhanaa was a critical and commercial success in India and generated a conversation around its controversial gender dynamics and the obsessive nature of the protagonist's love. The film, made on a budget of Rs 360m (£3.1m), grossed Rs 1.05bn (£9.04m) at the box office worldwide.


BBC News
13 hours ago
- BBC News
Third generation balloonist to fly at Bristol Balloon Fiesta
A third generation hot air balloonist who has flown all over the world has said the Bristol Balloon Fiesta is a huge part of his Hall, 32, from Taunton, runs Flyaway Ballooning, and grew up around the activity. His grandmother, Gwen Bellew, was one of the British female pilots in 1968 and his mother, father, sister and uncle all had licenses."My dad used to fly from Bath and I spent my childhood sitting on the tank, watching him fly, sometimes before school. We'd land in a field and I'd get a bit of champagne afterwards," Mr Hall Hall is among many pilots who will fly at the Bristol Balloon Fiesta which is being held between 8-10 August. Mr Hall said there had been lots of balloons in the house during his childhood."I'd invite friends around and we were jumping around baskets, being a nuisance, swinging around the office chair pretending to run the business at the age of seven."He took charge of his first flight aged 14 in France."My dad jumped out of the basket, and said 'just fly over the forest, we'll find you on the other side'." Mr Hall now flies hot air balloons in India, and has travelled all over the world."It's not so commercialised in India as it is in the rest of the world. I think there's only four Indian pilots in total," he said."When you come to land, there will be hundreds, potentially thousands of people that just surround the basket, and they want selfies and to shake your hand, which is really nice."Though ballooning is more familiar to people here, it still draws huge crowds. That interest carries the world over," Mr Hall added. What started out as a hobby has now become a full-time job for Mr Hall."Sometimes when that happens you can lose interest, but it hasn't happened for me yet," he said."Everybody loves a balloon flight, and it's pretty rewarding when you're giving someone a once in a lifetime experience, and it's one of those things that is accessible to nearly everyone, yet still quite an adventure."I enjoy the chaos of not knowing whether you're coming or going, and it's all very weather dependent, but that's how we work," Mr Hall added.