Competitors head to beach in Scotland for European stone stacking contest
The event is attended annually by competitors from all over the world, with this year bringing stone stackers from countries such as Italy, South Africa, Switzerland, Poland and more.
The first competitions in sandcastle and sculpturing launch on Tuesday, with a number of workshops throughout the rest of the week.
Artist Michael Grab, aka 'Gravity Glue', balancing rocks on Bayswell Beach in Dunbar (Jane Barlow/PA)
On Saturday and Sunday, the European Stone Stacking Championships (ESSC) take place, with a number of competitions on the agenda.
Some of the feats include the quantity of stones successfully stacked within a time limit, artistic stone designs, and arch building.
The winner will travel to Llano, Texas, next year, where they will compete in the world championships.
Artist James Page is creator and director of the ESSC.
The festival involves using materials found along the coast (Jane Barlow/PA)
He said: 'Competitors travel from all over the world for this, which is fantastic, and they all love the beaches of Dunbar because we've got the best stones.
'I think it's going to be very exciting this year, with the winner set to travel to Llano in Texas.
'It's always an exciting time for everyone. Even though it's a competition, there's so much camaraderie and encouragement between everyone, and that's what's really beautiful about it.
'It's a community getting together, creating art in nature, and that's about as good as it gets.'
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Wales Online
2 days ago
- Wales Online
The North Wales artist whose beach sculptures 'disappear like magic dust'
Our community members are treated to special offers, promotions and adverts from us and our partners. You can check out at any time. More info A North Wales environmental artist who creates temporary sculptures from driftwood, pebbles and discarded toys has revealed how his creations vanish like "magic dust" when the tide comes in. Tim Pugh, 59, from Flintshire, crafts his artworks on beaches and in woodlands using whatever materials he discovers each day, including old toys, miners' tags and washed-up army parachutes. He claimed the Adult Artistic prize at the World Rock Stacking Championships in 2019 and 2020, and recently secured second place in the Adult Finalist category at the European Stone Stacking Championships, reports PA. The full-time environmental artist's creations are intended to "leave a light touch on the land", washing away without leaving any trace behind. Among his most cherished pieces are colourful flowers crafted from mussel shells, delicately balanced stone towers, and sea creatures fashioned from discarded plastic. "I like the transience of it – I think that's the magical thing about it," Tim told PA Real Life. "There's a lot of people making stone stacks now, and a lot of people say they despoil the landscape. "It's not for me to antagonise people, but to show that my work really will fall down and totally disappear within a matter of days." Tim developed his passion for land art whilst studying at Edinburgh College of Art. His lecturers picked up on his interest in the environment and started taking him to nearby beaches to "look at the impact of waves on clay and things like that". After graduating, he moved back to North Wales and started working in woods and parks as a land artist. Tim explained: "I'm one of those people who said, 'I'm going to be an artist and nothing else'. It's an all-consuming thing, this art." (Image: Collect/PA Real Life) He was supported by his grandmother Beatrix, a "staunch ally" who encouraged him during the difficult early years of starting out as an artist. "Apart from my gran, most of the family were against it as a way of life," he said. Through residencies, school workshops and exhibitions, Tim has been able to earn a living as a full-time artist, even being taught in primary schools as part of the Welsh art curriculum. He spends most of his time on Whitehaven beach in Cumbria and in North Wales, engaged in a constant cycle of creating sculptures out of stones, driftwood and detritus, photographing them and then letting them wash away. One artwork shows shells fanning out from a tidepool like a sun. In others, he uses materials like pebbles, twisted chunks of metal and tyres to create delicately balanced sculptures that seem to defy gravity. "It's great for making sculptures, and it's got lots of fossils and driftwood on it," he said. "There's a family of ravens that come down and eat my sandwiches every time I go – they trust me now. "It's like my studio. We've had these storms the last few weeks, and they brought lots of new detritus and materials to play with." Tim said he sometimes plans ideas in advance with drawings, but they often change depending on what has washed up. "Often I find really poignant things like miners' tags," he said. "When a miner went underground at the nearby mines, if they don't put the tag back when they finished working, you know they're still down there." (Image: PA Real Life) He said he has also found bits of old railway lines, children's toys and even an army parachute. He added: "I went to a beach once in North Wales, and it was awash with baby starfish, unfortunately all dead. I abandoned my ideas and worked with the poor little starfish to make a pattern." Tim said he is careful not to work with living things, inspecting rocks to remove any snails that might be crushed. Beyond the beach, he also works with fallen leaves in the woods and snow in the mountains. He voiced concern about the "worrying trend" of hikers taking stones from ancient walls, cairns and hill forts to build stone stacks. "Leaving a light touch on the land is very important, because I do understand these criticisms about these stone stacks: they do proliferate," he said. "The beach I work with, I know it's quite violent with high tides, so all of my work is obliterated, even the chunky stuff." (Image: PA Real Life) Tim said this "sheer impermanence" is the "magic dust" in his work. He added that he has a "love-hate relationship" with the plastic that washes up on the beach. While often "seduced by the vivid colours", he said he despairs about the scale of plastic pollution. In one sculpture, multicoloured fragments of plastic become smoke billowing out of an industrial tower. Another depicts a sea turtle, one of the species impacted heavily by plastic pollution in the oceans. Tim regularly collects plastic from the beach and uses it to teach school children about plastic pollution. "A lot of local people don't notice it any more when they walk, scattered amongst the rocks, because they're that accustomed to the plastic," he said. "We've all done it, taken toys to the beach and forgotten about them and lost them. "I like to think there's a narrative to them: they've been loved, they've been lost and they've undertaken a voyage." Five years ago, while exploring the beach, Tim slipped on some seaweed-covered boulders and broke his arm in two places. "I had to climb this cliff with one arm and all my camera equipment, because the sea was coming in and it had cut me off," he said. (Image: PA Real Life) Three months later in 2019, he was crowned the world champion in adult artistic stone stacking at the Llano Earth Art Festival in Texas – a title he kept the following year. He will return to Texas next March, having earned second place in July this year in the Adult Finalist category at the European Stone Stacking Championships in Dunbar, Scotland. "[The European Land Art Festival] is a fantastic event because it's for people of all ages and abilities to come down and have a go," he said. "It's good for children that think they're not good at art, because they can just have a go and there are no wrongs or rights. "There's nearly always a gang of lads that are a bit cheeky in class, and you put them on the beach – you have to drag them away in the end." Tim advised hopeful land artists to "just have a go at a simple shape in your back yard or on a local beach". He added: "As we say in Wales, 'tisio go': give it a go!" Sign up for the North Wales Live newsletter sent twice daily to your inbox Find out what's happening near you
North Wales Live
2 days ago
- North Wales Live
The North Wales artist whose beach sculptures 'disappear like magic dust'
A North Wales environmental artist who creates temporary sculptures from driftwood, pebbles and discarded toys has revealed how his creations vanish like "magic dust" when the tide comes in. Tim Pugh, 59, from Flintshire, crafts his artworks on beaches and in woodlands using whatever materials he discovers each day, including old toys, miners' tags and washed-up army parachutes. He claimed the Adult Artistic prize at the World Rock Stacking Championships in 2019 and 2020, and recently secured second place in the Adult Finalist category at the European Stone Stacking Championships, reports PA. The full-time environmental artist's creations are intended to "leave a light touch on the land", washing away without leaving any trace behind. Among his most cherished pieces are colourful flowers crafted from mussel shells, delicately balanced stone towers, and sea creatures fashioned from discarded plastic. "I like the transience of it – I think that's the magical thing about it," Tim told PA Real Life. "There's a lot of people making stone stacks now, and a lot of people say they despoil the landscape. "It's not for me to antagonise people, but to show that my work really will fall down and totally disappear within a matter of days." Tim developed his passion for land art whilst studying at Edinburgh College of Art. His lecturers picked up on his interest in the environment and started taking him to nearby beaches to "look at the impact of waves on clay and things like that". After graduating, he moved back to North Wales and started working in woods and parks as a land artist. Tim explained: "I'm one of those people who said, 'I'm going to be an artist and nothing else'. It's an all-consuming thing, this art." He was supported by his grandmother Beatrix, a "staunch ally" who encouraged him during the difficult early years of starting out as an artist. "Apart from my gran, most of the family were against it as a way of life," he said. Through residencies, school workshops and exhibitions, Tim has been able to earn a living as a full-time artist, even being taught in primary schools as part of the Welsh art curriculum. He spends most of his time on Whitehaven beach in Cumbria and in North Wales, engaged in a constant cycle of creating sculptures out of stones, driftwood and detritus, photographing them and then letting them wash away. One artwork shows shells fanning out from a tidepool like a sun. In others, he uses materials like pebbles, twisted chunks of metal and tyres to create delicately balanced sculptures that seem to defy gravity. "It's great for making sculptures, and it's got lots of fossils and driftwood on it," he said. "There's a family of ravens that come down and eat my sandwiches every time I go – they trust me now. "It's like my studio. We've had these storms the last few weeks, and they brought lots of new detritus and materials to play with." Tim said he sometimes plans ideas in advance with drawings, but they often change depending on what has washed up. "Often I find really poignant things like miners' tags," he said. "When a miner went underground at the nearby mines, if they don't put the tag back when they finished working, you know they're still down there." He said he has also found bits of old railway lines, children's toys and even an army parachute. He added: "I went to a beach once in North Wales, and it was awash with baby starfish, unfortunately all dead. I abandoned my ideas and worked with the poor little starfish to make a pattern." Tim said he is careful not to work with living things, inspecting rocks to remove any snails that might be crushed. Beyond the beach, he also works with fallen leaves in the woods and snow in the mountains. He voiced concern about the "worrying trend" of hikers taking stones from ancient walls, cairns and hill forts to build stone stacks. "Leaving a light touch on the land is very important, because I do understand these criticisms about these stone stacks: they do proliferate," he said. "The beach I work with, I know it's quite violent with high tides, so all of my work is obliterated, even the chunky stuff." Tim said this "sheer impermanence" is the "magic dust" in his work. He added that he has a "love-hate relationship" with the plastic that washes up on the beach. While often "seduced by the vivid colours", he said he despairs about the scale of plastic pollution. In one sculpture, multicoloured fragments of plastic become smoke billowing out of an industrial tower. Another depicts a sea turtle, one of the species impacted heavily by plastic pollution in the oceans. Tim regularly collects plastic from the beach and uses it to teach school children about plastic pollution. "A lot of local people don't notice it any more when they walk, scattered amongst the rocks, because they're that accustomed to the plastic," he said. "We've all done it, taken toys to the beach and forgotten about them and lost them. "I like to think there's a narrative to them: they've been loved, they've been lost and they've undertaken a voyage." Five years ago, while exploring the beach, Tim slipped on some seaweed-covered boulders and broke his arm in two places. "I had to climb this cliff with one arm and all my camera equipment, because the sea was coming in and it had cut me off," he said. Three months later in 2019, he was crowned the world champion in adult artistic stone stacking at the Llano Earth Art Festival in Texas – a title he kept the following year. He will return to Texas next March, having earned second place in July this year in the Adult Finalist category at the European Stone Stacking Championships in Dunbar, Scotland. "[The European Land Art Festival] is a fantastic event because it's for people of all ages and abilities to come down and have a go," he said. "It's good for children that think they're not good at art, because they can just have a go and there are no wrongs or rights. "There's nearly always a gang of lads that are a bit cheeky in class, and you put them on the beach – you have to drag them away in the end." Tim advised hopeful land artists to "just have a go at a simple shape in your back yard or on a local beach".
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