Where to celebrate Mother's Day 2025 in Cape Town
Mother's Day dates back more than a century, beginning in the United States largely due to the efforts of one Anna Jarvis. After the death of her mother in 1905, Jarvis campaigned for a national day to honour mothers for their love, sacrifice, and care. The first celebration of Mother's Day in the United States occurred in 1908, and in 1914, U.S. President Woodrow Wilson declared it a national holiday.
In South Africa – along with the United States and Canada – Mother's Day is celebrated on the second Sunday in May. That's this Sunday, 11 May 2025, by the way! However, it's not the same around the world. In the United Kingdom and Ireland, 'Mothering Sunday' is celebrated on the fourth Sunday of Lent, which fell on 30 March 2025. In France, it falls on the last Sunday in May, and Norway goes completely left-field with the second Sunday in February.
But when you celebrate is perhaps less important than ensuring that you do. While a home-cooked meal or serving breakfast in bed (as well as doing the dishes, don't forget) is a fine way to honour your mother figure, Cape Town also offers plenty of fabulous events and special offers if you want to celebrate in style.
Here are some of the best Mother's Day deals in town…
Musical Mother's Day at Kloof Street House
Take your pick between a delicious brunch or an à la carte lunch amid the bohemian charm of Kloof Street House. There will be live music by Mr Keys and the Funky Munks, and all the good food you could hope for.
Bridgerton-Inspired Afternoon Tea at Pullman Cape Town
Now, who doesn't love a little bit of the Duke? And nothing says high tea like a spoon, right? This year, Stratus Restaurant at Pullman Cape Town offers a themed high tea buffet (12pm - 3pm) featuring oysters, sushi, charcuterie, and pastries. Guests receive a glass of Steenberg Bubbles upon arrival. R895 per person.
Smile 90.4FM 'Out of Africa' Brunch at GrandWest
Get ahead of the game on Saturday, 10 May, as GrandWest and Smile FM host a gourmet brunch event in the Grand Market Hall featuring live performances by Dr. Victor and the Rasta Rebels, along with a drumming session by Drum Café. The dress code is 'Out of Africa'. Tickets are R450 per person.
Mother's Day Buffet at The President Hotel, Bantry Bay
Start your day with a morning walk along the Sea Point Promenade to work up an appetite before heading to The President Hotel for a delicious buffet, which includes a welcome drink, live carving station, and a dessert table. Enjoy live entertainment as well. Lunch costs R595 per adult, R250 per child aged 6–12, and children under 5 eat free.
Mother's Day Lunch at The Twelve Apostles Hotel
Indulge in a gourmet buffet lunch with unforgettable ocean views at The Twelve Apostles Hotel. Begin with bubbly upon arrival before enjoying a decadent spread, accompanied by the soundtrack of local musicians. R995 per person in Azure Restaurant, R850 in The Atlantic Marquee (half price for children from five to 10 years old). There's also a Mother's Day High Tea available in The Leopard Bar upstairs.
Mother's Day Buffet at Hyatt Regency Cape Town
Are you looking for a Halaal option? Visit the Hyatt Regency, where 126 Cape Kitchen & Café features a wonderful range of delicious Cape dishes at a Cape Malay buffet. R495 per person, with 10 percent of the proceeds donated to Gift of the Givers.
Mother's Day Lunch at The Conservatory, Constantia
For a truly memorable lunch experience, look no further than The Conservatory. This year's Mother's Day menu begins with cheesecake made from Boland cheese and leek or shredded duck dumplings. Mains offer a choice between tender Chalmar beef fillet, the catch of the day, or a rich exotic mushroom risotto. Finish with a silky vanilla bean brûlée or a cherry-raspberry semifreddo. R755 per person.
Mother's Day Lunch at Tryn Restaurant, Steenberg Estate
Tryn Restaurant is another stylish dining destination in the Constantia Valley. This year, you can treat mum to a three-course lunch – with amuse-bouche and chocolate truffles – for R740 per person.
Celebrate generations at Klein Constantia
Another charming option amid the vines is Klein Constantia, where The Bistro serves inspired bistro-style cuisine alongside the tasting room. Tables celebrating generations of women enjoy a complimentary glass of Cuvée Anabel Rosé.
Mother's Day Lunch at Rick's Café Americain
The rooftop views from Rick's are reason enough to visit this Sunday, as is the wide-ranging menu that offers something for everyone. Moms arriving for lunch receive a complimentary floral gin and tonic, along with entry into a draw for a R1500 spa voucher!
Mother's Day Lunch at Jack@SKYE Rooftop Bar
Another great rooftop in Cape Town is the Jack@Skye Rooftop Bar, where a three-course set menu awaits this Sunday. Enjoy lunch with city views – think crispy squid, roast pork belly, and milk tart spring rolls – for R595 per person. Booking is available via Webtickets.
One Mom Every Role, Radisson Collection Hotel
This celebration of single moms is more than just a great lunch with a sea view. This day-long event on Saturday, May 10 (9am-5pm) is all about celebrating and nurturing those moms who do it all: caregiver, provider, nurturer, disciplinarian. The day will feature insightful panel discussions, wellness sessions, and giveaways. There's also a delicious breakfast and lunch, of course! The event is priced at R950 per person.
Get creative at Perdeberg
If you're heading out to the Winelands, Perdeberg offers a pair of wonderful ways to celebrate. From 5-11 May, you can create your very own personalised label for a bottle of their sparkling wine. R100 for a thoughtful and unique gift! Or join them for a Mother's Day weekend lunch, with a two- or three-course meal served with a complimentary glass of Lighthearted Sparkling White on arrival.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
The Guardian
5 hours ago
- The Guardian
‘Everybody was fondling underwater!': an oral history of the Rocky Horror Picture Show at 50
The Rocky Horror Picture Show was released in cinemas in late 1975 with little fanfare, but the provocative musical, with its campy parody of sci-fi and horror B-movies, fabulous costumes and rollicking songs, dug its glittering heels in and refused to let go for the next 50 years. The film was an adaptation of the hit musical The Rocky Horror Show, created by Richard O'Brien when he was an unemployed actor. The story of Dr Frank-N-Furter (Tim Curry), an alien, transvestite scientist, decked out like a bewitching glam rock god and hellbent on seducing everyone around him, galvanised audiences into participating in a way that had never been seen before. As its popularity grew, audiences began to take an active role in screenings – dressing up, dancing, singing along and adding their own lines of dialogue. Screenings also became safe spaces for LGBTQ+ fans, drawn to the film's unabashed celebration of queerness, sexual liberation and gender fluidity. It remains the longest-running theatrical release in film history and still plays in cinemas today. We look back with the cast and crew to find out how the film became such a cult phenomenon. The year was 1974. Actor Richard O'Brien decided to adapt The Rocky Horror Show for the big screen, working with the show's director, Jim Sharman. They kept most of the original cast but the studio, 20th Century Fox, insisted that the lead couple, Brad and Janet, were recast with Hollywood actors. Richard O'Brien, co-screenwriter, composer and Riff Raff (a 'handyman')I was approached by Mick Jagger's people to buy the rights because he wanted to play Frank. I spoke to Jim, and he went: 'No, don't do that.' I said: 'Why not?' He said: 'Well, that means we won't be able to make it.' It had never occurred to me that we'd be allowed to. By the time we got to Los Angeles, Lou Adler was the producer, and he made the overture to 20th Century Fox. Suddenly we were allowed not only to make the movie, but all be in it. The kids were allowed into the sweet shop. Jim Sharman, director and co-screenwriterI was given two options. One was a reasonable budget with rock stars and the other one was a tiny budget keeping the original team together. I said: 'Great, let's do that.' I thought it was fine to have Americans playing the Americans, and it was great to have Barry [Bostwick] and Susan [Sarandon], who were, at that time, not particularly known. Barry Bostwick, Brad (a 'hero', who stumbles across Frank-N-Furter's castle one stormy night along with his girlfriend Janet, played by Sarandon) It was interesting because [Susan and I replacing the original Brad and Janet] was a parallel to the characters coming into a new, strange world. Susan and I stepped into a very vibrant, glam, rocky environment in London. We were fish out of water; naive, wide-eyed and curious. Nell Campbell, Columbia (a tap-dancing 'groupie' and Frank-N-Furter's former lover) For [Bostwick and Sarandon] it was definitely a little difficult stepping into, basically, a theatre company because we'd all worked together for at least six months. Patricia Quinn, Magenta (Riff Raff's sister and Frank-N-Furter's 'domestic')Sharman said: 'Let's go around to [associate producer] John Goldstone's house, and take a look at the sets and the designs.' So I went and saw this pink laboratory set. I saw Transylvanians [Frank-N-Furter's alien companions] on motorbikes. I saw my dinner dress sketched by Sue Blane, the amazing costume designer, and I said: 'Oh, I'm doing this.' Tim Curry, who had cut his teeth in the stage musical as Frank-N-Furter, made his film debut as the sex-crazed, corset-wearing scientist. Bostwick I was enamoured with Tim's acting chops. To watch him balance the meanness and darkness with the charm and seduction of that character, few people could have done that. O'Brien When we did it on stage, [Frank-N-Furter] was a bit more German expressionistic theatre, a lot more gothic and ghoulish, and the makeup was rougher. But when we got into the studio, Frank became very glamorous, and it was rather lovely. Production started in October 1974, on a budget of $1.4m, for nearly two months – on location in Bray Studios and Oakley Court, a country house in Berkshire, which were both used for Hammer horror films. Sharman We shot at the Hammer Horror studios as a bit of a homage. But that proved to be a little bit impractical. I made many impractical decisions. It was freezing, the middle of winter, the conditions were far from perfect. Bostwick It was a miserable shoot. I was always wet, I was in my underwear, and every 20 minutes, the prop guy was spraying me down with ice-cold water, because they apparently didn't know how to heat up water in England at the time. So, Susan got pneumonia, and everybody had colds. I remember cursing a lot before scenes when the guy had to come by. At one point, I took the spray and started spraying him, just so he got a taste. Campbell It was hilariously unglamorous … Mercifully, I had a fantastic silk padded dressing gown which got me through the shoot because we were half naked a lot of the time. We would have to hike to the bathrooms. And we were all being paid a very small amount. Quinn Everything was a bit of a surprise on this film. Nothing was explained. [The dining table scene didn't have] anything to do with the play. Tim Curry was told to pull the tablecloth off the table in one fell swoop. Underneath was Meat Loaf [who played Eddie, a motorcyclist murdered by Frank-N-Furter]. I thought: 'Oh my God,' because nobody told us. I got hysterics. Richard said to me: 'Shut up.' It was hilarious, and it's all in the film. There was no time to make mistakes. Bostwick The orgy in the swimming pool … We ended up on the stage, wet, in high heels, trying to do the high kicks. It took every bit of balance, energy and camaraderie to do that. Everybody was kissing and fondling underwater. And then when we got out, we went into a little warming booth. We had a cup of tea, and as we were leaving, it caught on fire. Everybody was afraid it was going to burn down the whole set, and we would be shut down. We got out just in time. They used an unusual technique to get the opening scene. Quinn Jim said: 'Have you ever seen Man Ray's Lips, the painting?' 'Never.' He said: 'We could have your lips miming to Science Fiction.' They [erased] my face completely and painted my lips. I started to do it but the lips kept going out of frame. The lighting guy said: 'You see that lamp, that's clamped in that clamp? Bring it down and clamp her head.' So they brought over [the clamp] and screwed in the top and the sides so I was clamped … The most famous lips in cinema history. The intense shoot meant that no one had time to socialise. O'Brien We were there first thing in the morning at six o'clock. You went home, straight to bed, to get up the next day. We didn't have time to party. Bostwick I don't remember having dinner with anybody. I think I got to know the makeup guy better than anybody else … I was experiencing London for the first time. I spent my time at flea markets if I had a day off. Quinn We were exhausted. I never even got to know Susan. Barry said to me once: 'You never liked me.' And I said: 'No, I didn't, because I thought you were Brad' – you know, that dull person. There was no time for chit-chat. Bostwick There was a lot of pot going around in the ranks of the Transylvanians. The film flopped on its release in August 1975 and was panned by critics. O'Brien We had our first viewing of the movie. We all left a little bit depressed. It seemed slow to me. It was a fast 90 minutes on stage. The film seemed more dreamlike, languid. I thought: 'God, people should have picked up their cues a bit quicker.' Campbell It was my big break, so the fact that it disappeared without a trace was very disappointing. Bostwick It never opened in New York. Then I found out later that it hadn't been a big hit when it opened in London. The film was rereleased in midnight screenings in April 1976, with word-of-mouth spreading during its run at New York's Waverly Theater (now the IFC Center). Fans started to yell out their own responses to lines during screenings, and 'shadow casts' dressed up as the characters and lip-synced their own performances in front of the screen. The film was embraced by the queer community, who found a sense of belonging in these immersive screenings. O'Brien I was at home one day, and someone said to me: 'Have you heard about your movie?' I said: 'Yes, opened and closed.' 'No, it's doing this midnight business.' That was a surprise. Sharman In a funny way, I felt it would find that audience. Quite irrationally, because there was no reason why it would. But I always felt that there was something special about it. Lou understood the potential and persuaded people at Fox, who had more or less washed their hands of it, to start playing it at late night [screenings]; and so it grew. Quinn When I was in South Africa, people said it was being banned for corrupting the youth. They said it had been banned in Germany for cannibalism. I thought: 'Wow, we're going to be a hit.' The first Magenta [fan] ever to dress as me became one of my closest friends. Bostwick It started out as a gay event … The audience were outcasts, in a way, from their own society. They found their family there. They found someplace to go and be seen. They were exploring who they were authentically in the world, and they were witnessing something in the film that they had never seen before; that there is an alternative way of being. Campbell In the beginning, there weren't that many things [they would call out to the screen]. Now they pretty much call out after every line. The original things were very witty and hilarious. But now – and I know that my fellow cast members agree – it's too much because you can hardly hear anything without them screaming out. Sharman People said: 'Are you horrified that your film is being used as wallpaper for a party?' I said: 'No, it's fantastic.' Sharman and O'Brien teamed up again for Shock Treatment, a loose follow-up to The Rocky Horror Picture Show released in 1981, which featured several of the same characters. O'Brien The first draft had Rocky (a creature created by Frank-N-Furter and played by Peter Hinwood in the original film) rising from the grave, pulling Frank's body from the rubble and dragging him back to Dr Scott (Jonathan Adams) to get him reanimated. The producers liked it. Jim said: 'No, we're not doing that.' Everything was reworked and Shock Treatment came up. It's a flawed piece. I'm not happy with it, truthfully. Sharman I felt Rocky Horror Picture Show was self-contained and resisted the idea of a sequel. Having moved on, I was also cautious about 'putting the band back together'. I was, however, keen to work with Richard again. We depicted an America enslaved by reality TV run by a megalomaniac. It didn't fly – maybe the satire seemed too dark and far-fetched for the time – though it has proved prophetic. The Rocky Horror Picture Show went on to gross more than $115m worldwide and is now the longest-running film release in cinema history. It continues to screen around the world. O'Brien I find it astonishing. People try forever to write something which has legs. It's like a musical that was written in a 13-year-old boy's bedroom … [LGBTQ+ fans] come and say that it was something that changed their lives. They found that they weren't alone, that somehow there was a place for them in the world. They weren't going to be laughed at, ridiculed. Bostwick I think that my kids, if they have children, will be able to take their children to it and say: 'That was your grandfather, and they used to call him 'asshole' [a common refrain called out by the audience during fan screenings] for his whole life. But he wasn't. He was a great dad. He was just associated with this iconic story.' I'm very proud of it, and I'm a champion for its worldviews. Campbell We're the only positive cult I can think of. The great joy has been what this film means to so many people. It is still difficult for a lot of people to come out as gay or cross-dressers or bisexual or trans. This 50-year-old film still brings people together because of the shadow casts. I've met so many people that have met their partners that way. Sometimes at a screening I will meet an entire family dressed up as the characters. It's just marvellous. The Rocky Horror Picture Show is screening at selected cinemas across the UK from 22 August
BBC News
a day ago
- BBC News
Rosa Taylor: Tributes to actress and 'dancing queen' after crash
The family and friends of a teenage performer from Lancashire who died in a car crash in Wiltshire have paid tribute to "the most beautiful person inside and out".Rosa Taylor, 19, from Upholland, died when the car she was in collided with a lorry on A4 in Corsham last Police said Rosa - who was due to begin studying musical theatre at London's prestigious Trinity Laban Conservatoire in September - was on her way to perform in a production in Corsham at the time of the crash. In a statement, her father, Gareth Taylor, said his daughter was "the very definition of a spirit that shines brightly and dies young, loved by anyone who met her". "She was at once the most talented, most beautiful, and most loving soul I've ever known," he said. Rosa "lived and breathed performing arts" and had played leading roles at the Artz Centre in Skelmersdale as a teenager, before going on to study musical theatre at Liverpool Institute for Performing Arts (LIPA) Sixth Form College. She was performing the lead role in SCRUMPTIOUS! - a production by the Lancashire-based theatre company Beggars Belief Collective, which was touring the country, at the time of her death. The tour has since been cancelled.A tribute to Rosa by the Collective's artistic directors was posted on the company's Instagram account. It read: "We are sad and devastated that our dear sweet Rosa, who played 'Sylvie' in our family show 'SCRUMPTIOUS!', tragically lost her life on Thursday."Like the cherry tree that blossoms in Spring, her short life has brought wonder and beauty to everyone who knew her."We will always be grateful to you, Rosa, for the time you gave us. Your memory will continue to sing and dance in our hearts." 'Forever 19' Rosa had also performed in productions with Liverpool Empire Youth Theatre and WOW Liverpool, as well as working as a children's party entertainer and at Briars Hall Hotel in Ormskirk. In a social media tribute, the hotel's team said it was "truly devastated at the tragic loss of our beloved Rosa".They said: "She was a fabulous soul who brought so much light, laughter and happiness to every person she encountered."We will all miss her tremendously, forever our dancing queen."A fundraiser set up to help her family with funeral costs has raised almost £15, fundraiser's organiser, Kelly Bryant-Cunningham, described Rosa as a "shining star, so full of life and talent".She said: "Rosa - your laughter, your kindness and your spirit will stay with us forever."Forever loved, forever cherished, forever 19." Listen to the best of BBC Radio Lancashire on Sounds and follow BBC Lancashire on Facebook, X and Instagram. You can also send story ideas to
The Sun
2 days ago
- The Sun
The West End Hercules is full of wit and energy – but Hades stole the show
I WAS swept headfirst into Ancient Greece like a thunderbolt from Zeus himself - straight into a world of gods, grandeur and glittering choruses. Inspired by the iconic '90s cartoon, this modern revamp of Disney's Hercules was a visual feast packed with sass, sparkle and out-of-this-world vocals. 8 8 8 It's got laugh-out-loud comedy, whip-smart one-liners, and enough feel-good vibes to make even Hades crack a smile. It's a mythological mash-up bursting with energy, attitude and family-friendly fun - no matter your age, you'll leave grinning like Hercules after lifting Mount Olympus one-handed. It had all the songs you loved from the original film - plus fresh new tunes that hit harder than Hades' mood swings. While the show bursts with insane vocals and dazzling visuals - it's the villain who steals the limelight. With a devilish grin, razor-sharp one-liners and show-stopping swagger, Hades lights up the stage like the underworld on fire. Hades gave full pantomime villain - and I was living for it The sass, the sneers, the deliciously devilish energy - it all reminded me of another Disney icon: Scar from The Lion King. You know, the shady uncle with the silky voice, major superiority complex and a flair for the dramatic. So when I clocked that the actor Stephen Carile once played Scar on Broadway, it all made sense – the evil excellence was second nature. Sure, I missed the classic flaming blue hair - but the menacing energy was spot on and he owned that stage! The actor took Hades to a whole new level – becoming the ultimate scene-stealing baddie we love to hate. From the moment the Muses belted their first note - I was hooked Those talented ladies lit up the stage with god-tier vocals, sparkling stage presence and storytelling. They delivered powerhouse performances packed with soul, sass and serious talent. You felt like witnessing something truly magical. Pure vocal perfection - and easily the highlight of the whole night. Meanwhile, Hercules (Luke Brady) had the god-like charm and vocals to match - but let's just say emotional depth wasn't exactly his superpower. Meg (Mae Ann Jorolan), on the other hand, was a total scene-stealer. She brought back all the iconic sass we loved from the original - but dialled it up with killer sarcasm and added one-liners about dating that had the crowd howling. The sets were bigger and bolder than you can imagine They whisk you from the moody depths of the underworld to a rose garden so romantic it would make Cupid blush. It was a full-blown visual feast – a riot of colour, dazzling lights and eye-popping textures. The special effects were pure magic as mythical beasts were brought to life. And the character costumes? On point. Hera finally gets her moment Unlike the film - where she barely gets a word in - the stage version lets the queen of the gods strut her stuff. Dressed to slay, she delivers some brilliant banter with Zeus and even dishes out the advice that sets her son Hercules back on track. About time, eh? Meanwhile, Zeus is as helpful as a sunbed in the Sahara. Why not 5 stars? As a Disney superfan, I love it when an adaptation is faithful to the original story, but there were a couple of major moments from the animated classic that were nowhere to be seen in the stage show. Some of the magic got left behind - including the flying favourite Pegasus. The mythical winged horse is a huge part of the 1997 film, and I was hoping to see him soar above the stage. But no such luck. Sure, I get that it's tricky - but Wicked manages to levitate a broom, and Back To The Future has a flying DeLorean. They could've made it work. Also missing? The epic Titans battle, which was completely scrapped - despite being one of the film's most jaw-dropping sequences. It would've been a visual knockout - but instead, it felt like the show fizzled out just when it should've peaked. So, if you're expecting every magical moment from the film, prepare to be a little underwhelmed. The plot also felt a little rushed - sprinting through scenes faster than Hermes on a caffeine high. Although it was action-packed and bursting with brilliant one-liners, there was barely a second to breathe – or laugh – before we were hurtling into the next big moment. The pace was so full-on, I was scared to blink in case I missed something golden. The story missed those quiet, soul-searching moments where the characters could reflect and reveal more of their inner worlds. Still, if you like your theatre like a double espresso - quick, punchy and full of flavour - this one's for you. Disney might've hit pause on their live-action remakes, but thankfully, that rule doesn't apply to gods or stage shows - because Hercules was an absolute musical feast for the ears and eyes. Theatre Royal Drury Lane, London ★★★★ 8 8 8 8 8
