One wahine's mission to uplift the homelessness crisis in Ōtautahi
Photo:
Layla Bailey-McDowell / RNZ
With the rise in homelessness across Aotearoa, one wāhine in Ōtautahi is taking matters into her own hands.
Florence Waaka (Te Arawa, Ngāi Tahu), known as Flow on TikTok, has spent close to 11 years dedicating herself to feeding and supporting people experiencing homelessness.
She started her grassroots kaupapa Feed a Bro after finding herself on the receiving end of judgement while seeking free kai for her whānau over a decade ago.
"I was looking after two of my moko, and I had a 14-year-old son. And I was struggling on a benefit," she said.
"One of my friends said to me, 'Hey Flow, come into town, there's some free feeds.' So I went in, and all I could hear was people saying, 'What's that lady doing here? She shouldn't be here. She's pulled up in a van'.
"After that, I said, that's it. I'm going to start my own free feeds and I haven't stopped since."
Waaka isn't aligned to any charity or organisation. She's doing it solo, with tautoko from the community.
"I'm always reaching out. So, it's the community that are supporting me and helping me to feed the people."
Waaka has built a strong online following, using social media to spread awareness and encourage others to do the same in their own towns.
"I'm seeing a lot of homelessness, especially with our people, our Māori people," she said.
"It really hurts seeing our people, so that's why I'm out here, to help our people."
Waaka said some of the individuals experiencing homelessness have no choice but to live in their cars because it's cheaper than paying rent.
"Everything is just skyrocketing. People are losing their jobs, food prices are going up, and some people can't even afford the rents in their houses."
Florence Waaka (right), known as Flow Feeds on TikTok, has spent close to 11 years dedicating herself to feeding and supporting people experiencing homelessness in Christchurch.
Photo:
Supplied / Flow Waaka
Waaka told RNZ that she believes systemic issues and government inaction are contributing to the growing crisis.
"All they do is talk. Talk, talk, talk, no action. That's why I'm out here on my own, doing it, I'm feeding the people. I'm an action person, not a talking person. If I see a need, I'm out here doing it."
She said much of the country still lacks compassion or understanding around the causes of homelessness.
"Yes, some choose it, but for many, it's circumstance, whether that's losing a job or rent going up," she said.
"A lot of people don't want to be here. They're better off out here living in the elements than paying all this rent."
Raised in a whānau of nine siblings, Waaka's feed a bro kaupapa extends beyond just handing out kai.
"I don't just feed and go. I sit with them. I talk. That's when they start trusting me, sharing their story. And if I can help, I do," she said.
She sets up in central Christchurch at Margaret Mahy Park every Monday and responds to tips from locals about where unhoused people are sleeping.
"It's never really planned. It's wherever there's a need."
Waaka saw a need in Christchurch's redzone, which in recent years, has become a place where some of the city's homeless have set up, sleeping in cars, vans, and tents.
Photo:
Layla Bailey-McDowell / RNZ
With a He Whakaputanga flag flying and bonfire lit each night, those living rough in the red zone share waiata, kōrero and kai.
One of those helped by Flow is 65-year-old Ngawai Timu, who spent years sleeping rough in Christchurch's red zone.
"She just makes our dreams come true," Timu told RNZ.
"There's sadness, there's a lot of hurting out here. But then Flow came into our lives. We've got much love for her, we really do. She's not in it for show, she's real."
Originally from Dannevirke and raised in Hamilton, Timu worked for years in nursing before a car accident took part of her leg.
"A drunk driver took my foot off," she said. "That was it. I knew I couldn't work anymore. I went on ACC."
She moved to Christchurch to be closer to her mokopuna but when her son lost his housing, Ngawai made a tough call.
"I chose to go homeless," she said. "I didn't want to be a burden. I'd rather be out here than watch them struggle."
She ended up sleeping rough in the red zone alongside others in their 40s, 50s, and 60s, often single, their kids and mokopuna long gone across the ditch.
"We realised wow, we're all over 40. And we're alone. Just waiting."
Some, including Timu, even chose to delay accepting housing to prioritise children on the street.
"There were three-year-old twins, an eight-year-old, a ten-year-old. So, some of us said no to houses. We said, 'Take the kids first.' That was more important."
She turned 65 at the end of July, a milestone that finally allows her to access the pension and apply for public housing.
With support from Emerge Aotearoa, she now has temporary accommodation in Woolston.
"It's beautiful. But that first night, I slept on the couch in the lounge. I didn't know how to be inside. I was sweating, in and out of the shower. I'm traumatised. I've been living outside too long. It's going to take time."
Even now, she still goes back to visit her street whānau in the red zone.
"We're tight. We all know each other's stories. Our hearts, our pain. We formed a family out there."
Photo:
Layla Bailey-McDowell / RNZ
Timu wants people to understand how broken the system is and how hard it is to even get seen, let alone helped.
"I had to go through media, Stuff, Channel One, TikTok just to get acknowledged. Two years I was out there. Two years. And you can't even get your name on the list until you hit 65. You go from ACC to MSD and fall through the cracks in between."
She said the most painful part is how many kaumātua are in the same position.
"It's sad. We've worked our whole lives. Raised our tamariki, and now we're out here, sleeping in vans. Meanwhile, two-storey homes sit empty and get sold off."
Asked what gives her hope, she said "aroha".
"That's what keeps us going. The love we have for each other, we've got that."
Florence Waaka (Te Arawa, Ngāi Tahu) with John Aramakatu, who has spent the past few months sleeping in the boot of his car in Christchurch's red zone.
Photo:
Layla Bailey-McDowell / RNZ
Another member of that street whānau is 63-year-old John Aramakatu, who has spent the past five months sleeping in the back of his small car.
A former shearer, he was forced to stop working after what he calls a "funny, but not funny" accident, being run over by a sheep, which destroyed his hips.
"I had one hip operation thanks to ACC, but I still haven't had the second. That's the one that'll get me back to work."
With no income and rising rents, he had no choice but to live in his car.
"I'm living in my car because economics say that's my cheapest option," he said.
"At least I'm not in a tent or under a bush. And the car is mine."
He's been on the Kāinga Ora waiting list for months, number 2800 by his count, and said it's been a tough five months sleeping "crunched up in the boot" of his car.
"It don't help that I'm six foot tall," he said.
Aramakatu moved to Christchurch to be closer to his son, but is now grieving his death by suicide.
"What I would give to talk to one of my sons again... But they're gone now," he said. "Nobody understands unless you lose a child."
"The grief and what comes with that and how easy it is for them to walk into the dark. Because they don't believe that anyone wants to listen to them or help them."
He said there's little to no support for grieving parents and many fall through the cracks.
"A big percentage of this country is on that slippery slope to being like us," Aramakatu said.
"A couple mortgage payments missed... you've just lost your house. You've just lost your job because you don't have a house. And you're in the same sort of situation as we are. It's just too easy."
Despite everything, he's found a sense of whānau in the red zone.
"It's like a marae out here... not by building, but by spirit,"
"We look after each other," Aramakatu said, adding that Flow has been a massive help.
"She humbles us. She sees us as people... That's aroha."
Waaka has built a strong online following, using social media to spread awareness, uplift her kaupapa and encourage others to do the same in their own towns.
Photo:
Layla Bailey-McDowell / RNZ
Waaka's long-term hope is for more people across the motu to step up in their own communities.
"Even if it's something little," she said.
She encouraged New Zealanders to not just "walk away" when seeing people struggle.
"Jump in and try and do something for them. It doesn't matter even if it's just making a pot of food and taking it down to them, because the more people out throughout New Zealand that are doing it, it's going to help a lot of homeless people out there."
Sign up for Ngā Pitopito Kōrero
,
a daily newsletter curated by our editors and delivered straight to your inbox every weekday.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

RNZ News
21 hours ago
- RNZ News
Literacy experts say no problem with Māori words in book for learner readers
Te Aro School teacher Serah Mehrtens reads 'At the Marae' to her class. She says her pupils have not struggled with Māori words in the book. Photo: RNZ / John Gerritsen Literacy experts are challenging the Education Ministry's decision to discontinue a junior reading book that contains six Māori words . The ministry said it would not reprint 'At the Marae' in its small book or 'reader' version because it included a higher number of Māori words, "which present decoding challenges within the phonics sequence used in the series". "The primary challenge lies in the multisyllabic nature of many kupu Māori (e.g., karakia, wharenui), which have not yet been introduced at this stage of the series. Additionally, vowel sounds in these words differ from those specifically taught at this point, making them difficult for early readers to decode," it said. The ministry said the book would be reprinted in a large format for teachers to read with their classes. It said other books in the Ready to Read Phonics Plus series had Māori words and would continue to be printed as readers. "Given the high proportion of non-decodable words, At the Marae is best suited for shared reading. This informed the Ministry's decision to reprint it as a big book, supported by updated and expanded teacher guidance to ensure it continues to be a valuable resource in the classroom." The book's author, University of Canterbury senior lecturer in Māori education Jen Smith, said she was incredibly sad and disappointed because she wanted Māori children to see their culture reflected in their readers. "Te reo Māori was absent from my own literacy learning," she said. "And so I was thinking about all of the children that we've got out there, even though they're not learning in te reo Māori, still have a really unique relationship with it." The book was one of more than 75 in a series written specifically to help children learn to read through structured literacy - a sequential approach focused on matching sounds and letters. The books were written in tandem with Better Start, a structured literacy approach developed by Canterbury University and used by 1000 New Zealand schools Better Start's founder Gail Gillon said discontinuing the reader version of 'At the Marae' was a "very odd decision". "There's absolutely no evidence to suggest children are finding this reader confusing. And in fact, our data would suggest the opposite," she said. Professor Gillon said the reader's focus was on words with "st" such as stuck and step and while it had a few more Māori words than other readers, that should not present any problems. "There's absolutely no evidence that by introducing two or three more kupu Māori that reader is confusing children." Professor Gillon said it was important children saw themselves and their cultures in the readers. "It's just one reader within the series, and I think it would be a shame to to pull it from print. I know they're looking to keep it as a large picture book, but it's also really important that children are taking these little readers home and reading with their whanau," she said. University of Waikato linguistics senior lecturer Julie Barbour said Māori's writing system was one of the least problematic of any language. "There's nearly a perfect one-to-one relationship between sounds of speech and letters which are used to represent those sounds," she said. "So when children are being taught to decode words sound by sound, te reo Māori is not going to cause problems for those children because there is a consistent regular pattern of one symbol reflecting one speech sound." Barbour said the five Māori vowels matched five of the 12 English vowel sounds so that should not confuse children either. She said children already knew the Māori words in the reader such as kai and whare and it was appropriate they learned to read them. Barbour said close to one-fifth of the population identified as Māori and generations of Māori had been denied access to their language. "So having children's books that have a sprinkling of kupu Māori is really the entry point for servicing any kind of education system for Māori children, so absolutely from the outset we need Māori words," she said. Jennie Watts from structured literacy advocates, Lifting Literacy Aotearoa, said te reo was important. She said teachers needed to prepare learner readers for words in Māori. "It's important that the proportion of te reo Māori words that do turn up on the page is managed carefully so that the words can be taught first or children can be exposed to those words prior to being required to read the text themselves," she said. Watts said books with a higher proportion of Māori words had a higher "cognitive load", meaning learners would find them more complicated. She said children could cope with a small number of "non-decodable" words if they were explicitly taught about them beforehand. "It's the skill of the teacher that is crucial here. Highly-skilled teachers can deliver the right texts at the right time for maximum effect." Sign up for Ngā Pitopito Kōrero , a daily newsletter curated by our editors and delivered straight to your inbox every weekday.

RNZ News
3 days ago
- RNZ News
Greening the garden city: Ōtautahi's regeneration through nature, art and gardening
Artist and landscape architect Bridget Allen wouldn't have known how appropriate the name of her gardening business was to be when she set it up, out of Ilam art school and working at the Christchurch Botanic Gardens. The name Regenerative Gardening Maintenance was prophetic given her city and its landscape was about to start regenerating. The 2010-2011 Canterbury earthquakes saw not only buildings turned to rubble, large tracts of land, including an area around Ōtākaro Avon River the size of two New York Central Parks, started to turn from suburbia back to nature. The red zone has been turning green ever since. In the wake of tragedy artists and gardeners came together to innovate and create new public spaces, with an eye on sustainability and community connection. Allen cofounded New Brighton sewing charity Stitch-o-Mat and retrained as a landscape architect. Since 2023 she has been the director of The Green Lab , which began after the quakes as Greening the Rubble, creating urban green spaces and events for connection, while also working with residents to make their own backyards more sustainable. Ever busy with working and planting bees, workshops to build habitats for plants and nature, and consultations to help people make their backyards more sustainable, on August 16 Bridget is running with The Green Lab Birds of Brighton printmaking workshops. It's at the Make Station in New Brighton Mall at 11am and 1pm. No experience is needed. She joined Culture 101 's Mark Amery.

RNZ News
3 days ago
- RNZ News
Lifting the tapu: Maori women who carve
It's commonly assumed that Māori women don't carve. Carving is a tapu occupation with its own tikanga and ritual. Women have often not been allowed to be present while a carver is working. It's a practice that continues on some building sites today. But tikanga varies and changes. The binary gender division with carving has often been broken. Last century, male mastercarvers like Pineāmine Taepa, Cliff Whiting and Paki Harrison taught women in toi whakairo, and women carvers have been written about by everyone from Sir Apriana Ngata to more recently art historian Ngaarino Ellis. But that doesn't mean it's easy. A new collective of wāhine Māori carvers, Te Ana o Hine , is creating a safe environment to support women who want to learn the craft. Te Ana o Hine - which can be translated as the cave of Hine - have recently established a carving studio with Tāmaki Makaurau art gallery Te Tuhi. Today Mark is joined by one of Te Ana o Hine's members, artist and curator Holly Tawhiao. Of Ngāti Tīpa, and Tainui descent, she is a Elam fine arts and Museum studies graduate. Known as a cultural advocate for Hamilton, she joins us from from the Kirikiriroa studio.