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CBS News Anchor Schooled For Saying 1 Word To Female Astronaut

CBS News Anchor Schooled For Saying 1 Word To Female Astronaut

Yahoo14-04-2025
The first Black woman to go into space made one small step for gender equality on Monday.
Dr. Mae Jemison, who spent eight days in space in September 1992, spent Monday morning commenting about the Blue Origin space flight featuring an all-female celebrity crew that included Katy Perry and Gayle King.
During a CBS News segment that aired before the rocket launch, Jemison noted how her own experience taught her that people can be so 'human-centric that we forget we are part of this greater universe.'
She also threw a little shade at her interviewer, Vladimir Duthiers, after he expressed surprise that scientific experiments would take place during the flight.
'I don't think a lot of people knew [that],' the CBS host said. 'They thought it was just six women going up into space for a joy ride.'
'What do you mean, just six women?' Jemison pushed back.
'Well, that's what I mean,' Duthiers said, before his fellow interviewer, Nate Burleson, attempted damage control.
'He's speaking to the perspective and some of the narratives that are out there,' Burleson said, and Duthiers took the lifeline.
'That's what I mean!' Duthiers added, 'I'm glad that you're here to help me correct that narrative.'
But Jemison had to correct the narrative again, almost immediately after Duthiers asked her to explain to viewers 'why even a trip like this one, all the trips that we take into space, benefit mankind.'
Jemison then gently reminded her interviewer, 'Uhh, so, it benefits humankind.'
She then promised to 'keep correcting the 'mankind,' and the 'man-made,' and the 'manned missions' because this is exactly what this mission is about, is expanding the perspective of who does space.'
Duthiers, understanding the gravity of using 'mankind' in a situation that was supposed to celebrate women, quickly corrected himself.
'Humankind. I'm sorry, I'm sorry,' he said.
Jemison then explained why space travel benefits everyone, regardless of gender.
'Why is space important?' she said. 'When you just look at it, when you go up, you get a perspective on this world that you can't get from looking down on the ground, and you can get it much faster.'
Blue Origin Launches An All-Female Celebrity Crew With Katy Perry, Gayle King And Lauren Sanchez
Katy Perry Channeling Her 'Feminine Divine' Ahead Of Space Flight
NASA Astronauts Speak Out In First Interview After 9 Months In Space — And Share A Surprising Message
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L.A. jazz legend Bobby Bradford lost his Altadena home to wildfire. At 91, music is ‘all I have left'
L.A. jazz legend Bobby Bradford lost his Altadena home to wildfire. At 91, music is ‘all I have left'

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time32 minutes ago

  • Los Angeles Times

L.A. jazz legend Bobby Bradford lost his Altadena home to wildfire. At 91, music is ‘all I have left'

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Still, he misses his home in Altadena — both the physical neighborhood where he'd run into friends at the post office and the dream of Altadena, where working artists and multigenerational families could live next to nature at the edge of Los Angeles. 'We knew who all the musicians were. Even if we didn't spent much time all together, it did feel like one big community,' Bradford said. 'We knew players for the L.A. Phil, painters, dancers.' These days, there's a weariness in his eyes and gait, understandable after such a profound disruption in the twilight of his life. He's grateful that smaller local institutions have stepped up to provide places for him to practice his craft, even as insurance companies dragged him through a morass. 'The company said they won't insure me again because because I filed a claim on my house,' he said, bewildered. 'How is that my fault?' But he draws resilience from his recent music, which evokes the gigantic accomplishments and withering abuse Robinson faced as the first Black player in Major League Baseball. As a child in 1947, Bradford remembers listening to the moment Robinson took the field, and while he has always admired the feat, his understanding of Robinson has evolved with age. 'It was such a revelation to me as a kid, but later I was more interested in who the person was that would agree to be the sacrificial lamb,' Bradford said. 'How do you turn that into flesh-and-blood music? I began to think about him being called up, with a kind of call-and-response in the music.' The challenge Bradford gave himself — evoking Robinson's grace on the field and fears off it — caps a long career of adapting his art form to reflect and challenge the culture around him. 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At both Pomona College and Pasadena City College (where Robinson attended and honed his athletic prowess), Bradford helped his students inhabit the double consciousness required of Black artists to survive, invent and advance their art forms in America — from slavery's field songs to Southern sacred music, to Louis Armstrong, Charlie Parker, Sarah Vaughan and into the wilds of modernity. 'You always had that one kid who thinks he knows more about this than I do,' he said with a laugh. 'But then you make him understand that to get to this new Black identity, you have to understand what Louis Armstrong had to overcome, how he had to perform in certain ways in front of white people, so he could create this music.' He's been rehearsing with a mix of older and younger local musicians at Healing Force of the Universe, a beloved Pasadena record store and venue that reminds him of the makeshift jazz club he owned near Pasadena's Ice House in the '70s. Places like that are on edge in L.A. these days. Local clubs such as ETA and the Blue Whale (where Bradford recorded a live album in 2018) have closed or faced hard times postpandemic. Others, like the new Blue Note in Hollywood, have big aspirations. He's hopeful L.A. jazz — ever an improvisational art form — will survive and thrive even after the loss of a neighborhood like Altadena displaced so many artists. 'I remember someone coming into our club in the '70s and saying he hated the music we were playing. I asked him what he didn't like about it, and he said, 'Well, everything.' I told him, 'Maybe this isn't the place for you then,'' Bradford laughed. 'You can't live in Los Angeles without that spirit. There are always going to be new places to play.' He's worried about the country, though, as many once-settled questions about who belongs in America are called into doubt under the current president. 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time32 minutes ago

  • Boston Globe

The profound irony of Trump's Kennedy Center honoring LGBTQ icon Gloria Gaynor

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