
Square Enix should hire the Expedition 33 team for Final Fantasy 17
It's always sad when you feel yourself losing touch with something you used to love. Whether it's a film series or a hobby, sometimes you grow out of the thing or sometimes it evolves in a way that no longer interests you. That's where I am with Final Fantasy at the moment, at least in terms of the mainline games.
If I'm honest with myself, I haven't truly enjoyed any of them since Final Fantasy 12 and it's only the surprisingly good Final Fantasy 7 Remake trilogy that hasn't made me completely cynical about the whole series.
The final straw, so to speak, for me was Final Fantasy 16, which was the first one I actively hated and never finished. I do not want my Final Fantasy games to be some weird attempt to copy Games Of Thrones. These are Japanese games, and I'd like them to reflect that. If I wanted to play The Witcher 3 I'd go ahead and do so, not put up with a bad copy.
It's not even a question of whether 16 is a good game or not, it's just not a Final Fantasy game, in my opinion. And what's worse is that they've stripped so much out of what makes the series unique that I worry they're going to go even further with the next one, so that it's totally unrecognisable as being part of the franchise.
That's why I'd like to see Sandfall Interactive, the people behind Clair Obscur: Expedition 33, make the next Final Fantasy. I realise they're not Japanese, but I feel we'd get a more authentic experience if we let them make Final Fantasy 17 then if we had Square Enix do it.
You'd get a game that had a strong Western influence, probably lots of new and original ideas, but also a team that appreciate the older Final Fantasy games. One of the reasons I love Expedition 33 is that it has an old school overworld map and turn-based battles. Square Enix would never do that and yet Expedition 33 will probably end up outselling Final Fantasy 16 in the end.
Sign up to the GameCentral newsletter for a unique take on the week in gaming, alongside the latest reviews and more. Delivered to your inbox every Saturday morning.
That alone is crazy to me and all the reason Square Enix needs to talk to them. After all, if they don't they could end up becoming close competition.
I think it's probably unlikely to happen though, because Sandfall (kind of a boring name, don't you think?) will want to make their own games now. I imagine they'll want to have a career like Larian Studios but remember that their biggest hit was Baldur's Gate 3, a licensed game, so maybe Sandfall would be interested in making a Final Fantasy at least once, just to get some money rolling in.
Of course, Square Enix could just do it themselves, take Expedition 33 as proof that an older school approach can work and make it internally, but I'm just not sure they have the nerve. Final Fantasy 16 was their big experiment and as much as I'm enjoying the Final Fantasy 7 remakes they're not turn-based at all really. More Trending
But I do think that the answer for most of these big franchises, that are getting too expensive to make nowadays, is to go back to what they used to be, just with modernised graphics and features. Not only would it give fans what they want but they'd be cheaper to make and more profitable. After the failure of Final Fantasy 16, what have they go to lose?
By reader Lusk
The reader's features do not necessarily represent the views of GameCentral or Metro.
You can submit your own 500 to 600-word reader feature at any time, which if used will be published in the next appropriate weekend slot. Just contact us at gamecentral@metro.co.uk or use our Submit Stuff page and you won't need to send an email.
MORE: I bought GTA 5 for the third time and it's still one of the best games ever - Reader's Feature
MORE: We have to accept the Nintendo Switch 2 is not for hardcore gamers - Reader's Feature
MORE: The 90s and 2000s were the best time for video game creativity – Reader's Feature
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Daily Mirror
3 hours ago
- Daily Mirror
Netflix fans so 'speechless' by film based on a true story they've watched twice
The Netflix film, directed by Angelina Jolie, is based on the powerful true story of Olympian Louis Zamperini and viewers say it's one of the most heartbreaking things they've ever watched Netflix enthusiasts are being encouraged to dive into a ' bingeworthy' true story that promises to keep you glued to your screen. TikTok's TV and film aficionado Eccy Reviews has hailed the Netflix offering Unbroken as a show that will render you "speechless". Directed by Angelina Jolie, the film chronicles the life of Olympian Louis Zamperini following his near-fatal plane crash during World War Two. Zamperini endured a gruelling 47 days adrift on a raft with two fellow crewmen before being captured by the Japanese navy and taken to a prisoner-of-war camp. The 2014 cinematic piece, featuring Jack O'Connell, Miyavi, and Domhnall Gleeson, has a runtime of 2 hours and 17 minutes and boasts 14 awards and 33 nominations The TikTok critic enthused: "You have to watch this true story on Netflix immediately. I promise you that this will be one of the most powerful and unbelievable things that you will ever watch. "I went into it completely blind and by the end of it, I was speechless. What this guy went through and how strong he is as a human being, it is one of the most heartbreaking things that I have ever watched. "I promise you that this story will stick with you. You will never ever forget this film so please get this film on your watch list." In response to his video, one viewer remarked: "The book and the film are both awesome." Another chimed in, saying: "Great film, watching it twice." A third user enthused: "Absolutely brilliant movie. I have watched it about five times. Jack O Connell should have received an Oscar love it." Another shared their thoughts, saying: "Omg what amazing film but very sad watch." On IMDb, a reviewer shared their experience: "I finally rented this movie which I had been avoiding since it was released over a year ago. I am glad I did because it kept my interest throughout. I thought the POW theme would be too depressing which it is but there is no glossing over that." They continued to praise the director: "Angelina Jolie has become an admirable director. I don't understand the hate directed towards her. This is an epic movie that is very well done. The film has won it's fair share of awards including three Oscar nominations." The same user was surprised by the lack of further recognition: "The acting is great. I am surprised the movie didn't receive more Oscar nominations for Best Picture, Best Lead Actor, Best Supporting Actor and Best Director. Also the Coen Brothers should have received more recognition for their screenplay." Another person reflected on the film's heavy content: "Unbroken was a hard movie to watch because of the torture that Louie Zamperini was put under. When he was taken as a prisoner of war and stuck in a foreign country with the other prisoners of war, it really hurt me to see the way that the human race can treat another person. "I think it is cool how at the end of the movie, it showed pictures and gave an update on Louie. For all that he endured, he went back to the people that tortured him and made amends with them. I loved how the movie ended on a semi-positive result even though it was kind of dark. "Also, It put me at ease to know that he finally got to run the race he was training for, for so many years. Lastly, I really liked how the graphics and how realistic every aspect of the movie was."


Time Out
12 hours ago
- Time Out
This display of traditional erotic art is one of Tokyo's most stimulating summer exhibitions
Traditional Japanese erotic art – shunga – flourished during the Edo period (1603–1867), along with the rise of ukiyo-e woodblock printing. Some of the greatest artists of the time, including Kitagawa Utamaro and Katsushika Hokusai, employed ukiyo-e to depict Edo's hedonistic 'floating world' of geisha, kabuki, sumo – and sex. Shunga was in great demand and widely available, despite an official ban, and developed into a highly sophisticated genre in which artists incorporated references to waka poetry and the Chinese classics while tiptoeing around taboos and government censorship. But once Japan opened itself up to the Western world after centuries of isolation, Shunga was deemed 'obscene' and purged from the culture – for nearly 150 years, it turned out. The first major contemporary display of Shunga wasn't held in Tokyo until 2013, but that landmark show cleared the way for similar exhibitions. And now, perhaps the most rousing (sorry) Shunga show to date has opened right here in the capital. On display until September 30, the Kabukicho Shunga Exhibition features around 150 pieces by the likes of Hokusai, Utamaro and Hishikawa Moronobu. Curated from the collection of Mitsuru Uragami, one of Japan's foremost Shunga connoisseurs, the exhibition takes place across two venues: the Shinjuku Kabukicho Noh Stage and a disused 'host club' nearby. The hallowed atmosphere of the Noh stage makes a curious setting for the works, which though undoubtedly erotic also contain a strong element of humour. In fact, Shunga were sometimes referred to as warai-e, or 'laughing pictures'. Making your way through the exhibition, you're bound to notice another unique Shunga element. Both partners are usually fully (well, almost fully) clothed. Unlike in the West, where bare flesh was seen as simultaneously tantalising and taboo, the men and women of Edo-era Japan saw each other in the nude regularly at mixed baths and the like. If anything, it was more appealing to see men and women in Shunga clothed, as it helped to identify the characters' walk of life – and to emphasise the parts that were exposed. In the host-club section of the show, floor-level neon lights lead visitors from one intricate and dainty artwork to the next. The understated decor and layout successfully evokes an era where attitudes about sex were freer and erotica was widely accepted as a prominent art form. A corner of the host club has been converted into a gift shop, where you can pick up Shunga-tastic merch like totes, socks, cushions, cookies and collectible cards, all at reasonable prices. All in all, there's a distinct Kabukicho flair to the Shunga Exhibition, as you'd expect from a show organised by the Smappa!Group. Running an array of bars, clubs and other businesses in the neighbourhood, Smappa is the brainchild of Maki Tezuka, a former top host who's taken it upon himself to combine his core business of after-dark entertainment with cultural initiatives. 'Kabukicho still has a shady reputation, and Shunga is treated as porn,' Tezuka says. 'But both with the neighbourhood and the art form, just scratching the surface reveals a different picture: humanity, humour, soul. I hope this exhibition will inspire people to discover both Kabukicho and Shunga with new eyes.' So keep an open mind, leave your prejudices at home, and make your way to Kabukicho by September 30. Provided you're over 18, that is. Tokyo is getting a Pokémon theme park in spring 2026


Time Out
14 hours ago
- Time Out
Osaka Expo to host two sumo events with matches and exhibitions in August
Expo 2025, Osaka, Kansai, Japan is the place to explore the world as well as the latest advancements in science and technology. It's also a fantastic opportunity to experience Japanese culture, as the Expo hosts regular Japan-specific events ranging from a monthly fireworks showcase to an upcoming sumo special. The national sport of Japan, sumo is more than just a battle of physical strength; it's also a competition of mind, technique and discipline. Moreover, the sport is filled with rites and rituals that are deeply symbolic. And for two special days in early August, you'll get to experience all that at the Expo. The Expo Grand Sumo Tournament Sunday August 3, 9am-3pm, at Expo Exhibition Center Wasse The official Grand Sumo Tournament is making an exclusive stop at the Expo to celebrate the 100th anniversary of the Japan Sumo Association. This majestic spectacle will bring together 200 sumo wrestlers from the association, including the highest ranked Yokozuna athletes. For this one-day special, you get to witness not only authentic sumo matches but also events not typically seen at a regular tournament. There will be sumo chants, taiko drum performances, public sumo practices with children, sumo technique demonstrations as well as the sacred ring-entering ceremony. The highlight, however, will be the sumo matches: the third division (Makushita) and below grapples at noon, and the top division (Makunouchi) at 2pm. Note that you'll need more than an Expo admission ticket to attend the Expo Grand Sumo Tournament. Numbered tickets will be handed out on the day at 9am from a special reception counter near the Expo Exhibition Center Wasse entrance. There are three slots – 9.15am-11.30am, 12noon-1.15pm, 1.45pm-3pm – each capped at 720 spectators. For more information, check the event website. Sumo Expo 2025 Monday August 4, 9am-7.30pm, at Expo Exhibition Center Wasse While Sunday revolves around the tournament, the Sumo Expo 2025 on Monday is all about celebrating sumo culture. This time, you can expect to see not just local but also overseas wrestlers. Aside from international and women's sumo matches, you'll be able to explore exhibitions and partake in experiences hosted by the many local sumo associations across Japan. Moreover, if you're curious about how sumo wrestlers build up their enormous frame, check out the sumo food area for a mouthwatering look at chanko stew, sumo wrestler bento and more body-building dishes. Of course, make sure you pop by the sumo experience area to get a hands-on lesson on how to be a wrestler, from learning the special rites on how to enter the ring respectfully to fighting an opponent. For this event, there's no need for reservations or numbered tickets (except your regular Expo admission). However, entry may be limited for crowd control purposes. For more information, check the event website.