
When Venus enters Taurus this week, these 3 signs should trust in lust
On Friday, June 6, Venus, our planet of attraction, attachment and aesthetics, is trading the flaming codpiece of Aries for the brocade bathrobe of Taurus.
Venus will loll around in these pleasured pastures until July 4.
Named for the Roman goddess of love and fertility, Venus is the fine, divine feminine counterpart to aggro jockstrap warlord Mars.
According to myth, Venus was born from sea foam and the severed member of Uranus, emerging fully formed and boobs busting out in a scallop shell — with pleasure as her governing principle.
Venus in Taurus 2025
6 On June 6, Venus, our planet of attraction, attachment and aesthetics, is trading the flaming codpiece of Aries for the brocade bathrobe of Taurus.
Rawpixel.com – stock.adobe.com
As the planetary ruler of Taurus, this transit is Venus coming home and basking in the typical and the tactile.
Here in the herd, the planet of love is rapturously incarnated.
Earth is luscious, movement is languid, the body is an altar — and in lust we trust.
Those born with Venus in Taurus are natural-born hedonists. The inclination here is to revel in the pleasures of the animal body; consuming and consumating are the orders of the day.
If Venus in Taurus were a fabric, it would be velvet.
Meaning of Venus in Taurus
6 Named for the goddess of love, Venus colors attraction and attachment, assets and aesthetics.
wowinside – stock.adobe.com
If Venus in Taurus were a sexual position, it would be 69, because everyone gets to feel good while lying down.
Venus in Taurus wants the delicious and the dependable, something or someone steadfast, cash, and/or a fairy tale ending.
In turn, this transit makes us hungry for the stable and the sensual: a devoted lover, a piece of fruit ripe and warm from the vine, a fistful of wildflowers, a lavish meal, an unhurried afternoon.
For the video embodiment of Venus in Taurus, see the recording of 'Rich Girl,' performed by Hall and Oates circa 1977.
In terms of aesthetics, Venus in Taurus is tactile luxury, statuary-inspired silhouettes, and a general invocation of a Renaissance painting. For evidence, see Venus in Taurus natives Lana Del Rey, Princess Diana, Deborah Harry and Megan Fox.
The great lesson of Taurus is that pleasure cannot exist without presence.
In the ugly, capitalist, 'more' motivated world in which we live and toil, pleasure is often cheapened to a quick thrill and disappearing dopamine; in other words, fast food and a swipe right.
In velvet revolt, Venus in Taurus refuses to rush what feels good, as it's not waiting for what's next or distracted by what's been — it's hungry for right now and exactly what it already has.
6 Venus in Taurus calls to mind the image of the horned Egyptian goddess Hathor, the patron saint of fertility, joy, dancing, drunkenness and, above all, gratitude for what gratifies.
Kristina – stock.adobe.com
The underbelly of the Venusian bull is indulgence that begets inertia and desire that becomes polluted by possessiveness.
We cross this threshold when we move from wanting to hold to needing to own.
Venus in Taurus calls to mind the image of the horned Egyptian goddess Hathor, patron saint of fertility, joy, dancing, drunkenness, and above all, gratitude for what gratifies. With this in mind, we are all called to not only take what we need but to honor the source of its delivery, be it the body of another or the earth itself.
While we'll all be under the influence of this decadent transit, three signs will feel the effects most acutely.
Read for your sun and rising sign.
6
Knstart Studio – stock.adobe.com
Venus has come home to your first of the self, Taurus.
A wise friend shared with me her philosophy that, as humans, we are meant to consciously create, not unconsciously consume, and when we lean into the latter, we are not only starved of the meat of what matters, but destined for depression.
As an embodied earth sign, a child of Venus, and ruler of the second house of values and valuables, this transit is here to remind you that the process of making is endlessly more nourishing than the state of having.
6
Knstart Studio – stock.adobe.com
You love hard and hold tight, Scorpio, preferring suffering to severance.
Yet, Venus in Taurus asks you to imagine that relationships can and should be a joyful pursuit, that devotion is not measured in sacrifices made but pleasure exchanged.
In this sense, every disaster that has befallen you, every fissure in your delicate heart, has brought you to the brink of right now and the knowledge that love is not a thing to hold or be held down by, but a constant resource for renewal.
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Knstart Studio – stock.adobe.com
Ahoy, Sagittarius!
In his poem 'The Body,' Charles Simic writes of the body as if it were a shore to be explored:
This last continent
Still to be discovered.
My hand is dreaming, is building
Its ship. For crew it takes
A pack of bones, for food
A beer-bottle full of blood.
It knows the breath that blows north.
With the breath from the west
It will sail east each night.
The scent of your body as it sleeps
Are the land-birds sighted at sea.
My touch is on the highest mast.
It cries at four in the morning
For a lantern to be lit
On the rim of the world.
As Venus in Taurus turns the lovelight on your sixth house of ritual, self-care and the body, I implore you to think of the latter, and the other, as a continent unto itself and devote yourself with a poet's ardor to your own edges.
Astrologer Reda Wigle researches and irreverently reports on planetary configurations and their effect on each zodiac sign. Her horoscopes integrate history, poetry, pop culture, and personal experience. To book a reading, visit her website.

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Promising review: "I'm a PCOS girly (so, super dry skin) and I have rosacea, and this serum is a ✨slay✨. It gives my skin the hydration it so desperately needs without feeling heavy or sticky. I confidently walk away from my bathroom mirror with skin that is as hydrated and bouncy as Moo Deng's, so this will forever stay in the skincare lineup. 10's across the board, hunty." —Ginny Sacrimoni's MoleGet it from Amazon for $15.99. A daily facial spray that'll help balance skin pH and help minimize irritation, redness, and flare-ups. Formulated to mimic the makeup of our bodies, this bad boy delivers ✨hypochlorous acid✨ (no, it's not a spell for incredible skin), which is found naturally in white blood cells. The Summer Fridays lip butter showing up in your life to help with your always cracked kissers: The reviews used in this post have been edited for length and clarity.


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10 hours ago
- Los Angeles Times
30 years of ‘Clueless,' plus the week's best movies in L.A.
Hello! I'm Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies. We are pleased to exclusively announce that the Egyptian Theatre will host the U.S. premiere of the new 4K restoration of Charlie Chaplin's 'The Gold Rush' on June 26, the 100th anniversary of the film's premiere at that same venue in 1925. The restoration premiered as part of the Cannes Classics section at the recent Cannes Film Festival. On June 26, the restoration will screen in more than 70 countries, with the Egyptian being the exclusive engagement in the U.S. Film historian Jeffrey Vance, author of the 2003 book 'Chaplin: Genius of the Cinema,' will introduce the screening. Reproductions of the original film program will be available for 25 cents, the same price that it cost in 1925. 'The Gold Rush' features Chaplin in his iconic Little Tramp character, searching for his fortune prospecting for gold, and features some of his most famous moments on-screen. The restoration, carried out by Cineteca di Bologna and L'Immagine Ritrovata, draws from materials sourced from archives all around the world, including the BFI Archive, George Eastman Museum and the Museum of Modern Art. Tickets are now available at On Saturday the Academy Museum will present a 30th anniversary screening of 'Clueless' in 35mm, with director Amy Heckerling, actors Alicia Silverstone, Elisa Donovan and Breckin Meyer, costume designer Mona May and casting director Marcia Ross all scheduled to attend for a Q&A. Written by Heckerling, the film is a loose adaptation of Jane Austen's 'Emma' relocated to affluent 1990s Beverly Hills. Cher Horowitz (Silverstone), a popular and fashionable teenager, sets about playing matchmaker for a new classmate, Tai (Brittany Murphy), enlisting her best friend Dionne (Stacey Dash) to help. Paul Rudd, in his feature debut, plays Cher's stepbrother. In his original review, Kenneth Turan called the film 'a wickedly funny teen-age farce from writer-director Amy Heckerling that, like its heroine, turns out to have more to it than anyone could anticipate. … Put together with verve and style, 'Clueless' is a sweet-natured satire of L.A.'s over-pampered youth that gets more fun out of high school than most people had attending it.' In the summer of 2020, Justin Chang interviewed Heckerling, who spoke about writing Cher's voice-over narration and getting into the mind of the character by saying, 'Once you get into her head, then it just goes. It's not the voice of God. It's the voice of that person. And you get into it, and it's not necessarily what the writer needs — it's what the writer wants you to think that person is thinking. And that's a lot of fun to do. It's like, as a writer, you're also playing a character.' The 'Clueless' screening opens a series on teen movies that will run through July 10. Other titles include 'Bring It On,' 'Ferris Bueller's Day Off,' 'Adventures in Babysitting,' and 'Saved!' all in 35mm, along with 'Napoleon Dynamite,' 'Dope,' 'Love, Simon' and '10 Things I Hate About You.' Also on Saturday will be another 35mm 30th anniversary screening, with the UCLA Film & Television Archive showing writer-director Maria Maggenti's 'The Incredibly True Adventure of Two Girls in Love.' A charming example of '90s indie filmmaking, the movie follows the burgeoning relationship between Evie (Nicole Parker) and Randy (Laurel Hollomon), two girls from opposite sides of the tracks who shouldn't particularly even be friends, let alone romantically drawn to each other. In his original review of the film, Peter Rainer wrote, 'The experience of first love is a movie perennial but rarely is it believably rendered. The best thing going for 'The Incredibly True Adventure of Two Girls in Love' — an amateurish, sweet, little piddle of a movie — is that it captures a bit of the freshness, and the awkwardness, of the moment. … They seem like real people, and so their budding romance strikes a few remembered chords.' In a June 1995 profile of Maggenti by Chris Riemenschneider, the filmmaker talked about her inspirations in making the film. 'I didn't make a niche-market film,' Maggenti said. 'It wasn't about 'Let's make a lesbian film, and a bunch of lesbians will go see it.' I wanted to make a film that people would enjoy, a film about an authentic human experience, and it happens to be with someone of the same sex.' 'Death Becomes Her' in 35mm On Sunday the Academy Museum will host a 35mm screening of Robert Zemeckis' 1992 'Death Becomes Her,' starring Meryl Streep, Goldie Hawn, Isabella Rossellini and Bruce Willis. Made with still-dazzling special effects work that should look spectacular in the Academy's David Geffen Theater, the film is about two women who go to great lengths to maintain their youthful appearance, including competing for the romantic affections of a top plastic surgeon. In his original review of the film, Kenneth Turan wrote, ''Death' gets progressively darker and darker, forgetting all about humor in its attempts to push the more mordant limits of its story. The three principals are game enough about all this, soldiering on until the end, but their characters, not having much to do that they haven't done before, tend to sound the same single notes they have since Frame One. 'There is something regrettable in all this, because by industry standards this picture does take a few risks, and few enough pictures in today's Hollywood take any at all. But even though 'Death Becomes Her' has no fear of being out on the edge, brazenness alone is no guarantee of success.' The film is screening as part of a 'Summer of Camp' series, that will also include 'Valley of the Dolls,' 'Sleepaway Camp,' 'Flash Gordon,' 'The Birdcage,' 'Lifeforce,' 'Serial Mom,' 'Disco Godfather,' 'To Wong Foo, Thanks for Everything! Julie Newmar,' 'Showgirls' and 'Drop Dead Gorgeous' all in 35mm prints, plus 'Batman & Robin,' 'But I'm a Cheerleader' and more. There will also be triple features of the 'Austin Powers' movies and titles starring Joan Crawford and Elizabeth Taylor. Shock-A-Go-Go Film Festival The Shock-A-Go-Go Film Festival will settle into the Lumiere Cinema at the Music Hall on Saturday and Sunday. The highlight of this year's program will be the Saturday screenings of 1978's 'Piranha' and 1981's 'The Howling,' with director Joe Dante and star Belinda Balaski present for both. Dante is a masterful storyteller and unflinching in his recollections. Any opportunity to hear him talk is worth taking. Among the finest examples of the Roger Corman school of filmmaking (rooted in low-budget genre filmmaking but reaching unexpected heights), both 'Piranha' and 'The Howling' were written by John Sayles, who would go on to a notable career as a filmmaker in his own right. Also on Saturday will be will be a screening of 'Hellbound: Hellraiser II' with writer Peter Atkins and director Tony Randel present, as well as 'Return of the Living Dead 3' with director Brian Yuzna in person. Yuzna's 1989 cult classic 'Society' will also show. 'Personal Best' and 'Star 80' The New Beverly is featuring a double-bill of movies starring Mariel Hemingway on Monday and Tuesday: Robert Towne's 1982 'Personal Best' and Bob Fosse's 'Star 80' from 1983. 'Personal Best' was the directorial debut for the Oscar-winning 'Chinatown' screenwriter Robert Towne, who died in July of last year. The film stars Hemingway as a rising track star who falls in love with an older athlete, played by real-life Olympic track and field athlete Patrice Donnelly. Both are training for the 1980 Olympics. The film was noteworthy at the time for its frank depiction of a lesbian relationship, as well as its focus on the athletes at work. A January 1982 profile of Towne by Dale Pollack found him in a suite at the Westwood Marquis Hotel (now the W) 'filled with typewriters, phones, vodka bottles and stacks of yellowing newspapers.' In a sign of the moment (and mindset) in which he was making it, Towne took some objection to classifying 'Personal Best' as a gay-themed film, saying, 'I don't think in any way this is a lesbian or homosexual movie. What I'm interested in is how you deal with a society that encourages competition, and still care about other people. These two women are in love with each other. In order to place emphasis on who they're making love to, you have to show it. But there are only two minutes of sex in the film; there are two hours of competition.' I know I've talked about Bob Fosse and 'Star 80' around these parts a number of times before, but for me it always rates a mention. Thinking of the film specifically in relation to 'Personal Best' is worthwhile, as both films meditate on the use and meaning of women's bodies. Few films are as unsparing and dispiriting in their depiction of the star machinery of Hollywood as 'Star 80.' Hemingway plays Dorothy Stratten, the Playboy Playmate turned actor who was brutally murdered by her ex-husband and manager, played with psychotic commitment by Eric Roberts. In her original review of the film, Sheila Benson called it 'creepy' and added, 'Worst of all, there is a feeling of complicity that is not far from voyeurism that you get as part of 'Star 80's' audience, sitting through the increasingly morbid tightening of the story.' Two local theaters are finding unique ways to support their communities this summer. Vidiots is launching Movie Den, a program of tween and teen-centric matinees focused on engaging a new generation of film lovers. Underwritten by Mubi and Golden Globe Foundation, screenings will take place in the venue's microcinema. Tickets are $2 and popcorn is free. Titles in the program include 'Scott Pilgrim vs. the World,' 'Princess Mononoke,' 'Rear Window,' 'La Bamba,' 'Hairspray,' 'The Half of It,' 'Hot Rod' and more. In a statement, Maggie Mackay, executive director of Vidiots Foundation, said, 'As a mom to teens and a member of a community that has been through so much this year, it was important to me and our team that we try to make what we know will be a hard summer for so many a little easier, by expanding programming with an intention to get us out of the house, off devices and reconnected.' The Gardena Cinema, the last family-run independent single-screen indoor movie theater in South Los Angeles, will have free screenings this weekend as part of Pluto TV's Free Movie Weekend at indie movie theaters across the country. Oscar-winning filmmaker Sean Baker — who did a Times interview from the Gardena last year and appeared there again just last weekend — has partnered with Pluto TV to support their program. Screening for free at the Gardena this weekend will be 'Grease,' 'Saturday Night Fever' and 1984's 'Ghostbusters.'

Elle
10 hours ago
- Elle
Beyoncé Effortlessly Recovered From a Slight Wardrobe Mishap During Her London Tour Stop
Beyoncé has taken the Cowboy Carter Tour across the pond. On June 5, the superstar took the stage for her first show in London. (She'll stay there for five more shows until the tour heads to Paris). But while performing the Renaissance opener 'I'm That Girl,' she suffered a slight wardrobe malfunction. In a video posted on TikTok, you can see that Beyoncé's gold chaps fell to the floor while she stomped in unison with her dancers. But like many Virgos, she was the epitome of professionalism and simply slid down to pick them up with a smile and a slight sway of her hips to mimic the choreography. One of her dancers even spotted the mishap and quickly walked over to adjust the chaps so she could continue performing. And that wasn't the only noteworthy moment from the London show. According to fans, she also added her song 'Energy' to the setlist and brought back the famous 'mute challenge.' Beyoncé also shared a sweet moment with her daughter Rumi onstage. The pair sang a few lines of 'Dangerously in Love' to each other before Rumi went in for a big hug and received a forehead kiss. In a recent interview with ELLE UK, Beyoncé's mom, Tina Knowles, shared how happy she is that Rumi gets to experience what it's like to perform. 'She has fun out there,' she said. 'She gets to be a kid, and when she gets off stage, she's right back to being Rumi, the little kid, you know, the little 7-year-old, adorable.' If you're still interested in attending the Cowboy Carter Tour before it wraps on July 26 in Las Vegas, there's still time to get tickets. For more info, click here.