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Éclair what? Explaining the word Faizan Zaki spelled to win

Éclair what? Explaining the word Faizan Zaki spelled to win

USA Today3 days ago

Éclair what? Explaining the word Faizan Zaki spelled to win
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Faizan Zaki is the National Spelling Bee champion
Last year's runner up, Faizan Zaki, takes home the 2025 National Spelling Bee championship.
The Scripps National Spelling Bee concluded with an exciting comeback this year, securing last year's second-place winner, Faizan Zaki, as this year's champion and making him one of only five runners-up ever to come back and win the first-place spot.
Zaki bested Sarvadnya Kadam in the 20th round to win the 2025 spelling bee on May 29 with the word éclaircissement, which he spelled without hesitation before collapsing to the floor as confetti fell, as USA TODAY reported.
Last year, Zaki was bested in a "spell-off," which entailed breaking a tie by having two contestants spell as many words accurately as possible in 90 seconds. That time, his 20 came just short of his opponent's 29. This time around, however, he secured the trophy and cash reward with a traditional moment of spelling excellence.
Zaki recognized the world and quickly and spelled it confidently. Some of us in the USA TODAY newsrooms, admittedly, could not do the same. Do you think you could have gotten the winning word? Do you know what it means or how to pronounce it?
Here's what to know.
Who won the Scripps National Spelling Bee?
Faizan Zaki, a 13-year-old Texas native, took home the winning title and $52,500 grand prize at the 2025 Scripps National Spelling Bee, beating out runner-up Sarvadnya Kadam. He came in second place himself in 2024, making this win a special redemption for the teen.
What does éclaircissement mean?
The winning word, éclaircissement, was one Zaki told news outlets he "instantly" recognized. While its prefix may conjure images of the chocolate-drizzled pastries known as éclairs, the term has nothing to do with sweet treats.
The French word, first used in 1667 according to Merriam-Webster, means to clear up or clarify something, or to explain or enlighten.
Using the word in a sentence, you may say something like, "The book provided an éclaircissement on the author's intentions" or "The detective's éclaircissement of the crime was crucial in solving the case."
How do you pronounce éclaircissement?
When it comes to pronunciation, hearing someone do it right tends to be the way to go, so we suggest listening to the video below if you intend to incorporate the winning spelling bee word into your daily vocabulary.
If you're more of a sounding-it-out type of person, the phonetic spelling, according to Cambridge Dictionary, is eklɛʀsismɑ̃.
What are previous winning spelling bee words?
In 2024, a tie-breaker between Zaki and the eventual winner, Bruhat Soma, entailed a lightning round in which Soma won by spelling 29 words correctly in 90 seconds, meaning there wasn't one singular winning word.
In 2023, 14-year-old Dev Shah correctly spelled psammophile, a plant or animal that lives in sandy areas, to become the 2023 champion.
In 2022, 14-year-old Harini Logan won the first-ever spell-off, again securing the title via the correct spelling of multiple words in rapid succession.
In 2021, 14-year-old Zaila Avant-garde spelled murraya, a genus of tropical trees, to win the title.

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Matt Vautour: Fenway Franks and Moneyball - What a French sportswriter saw at his first Red Sox game
Matt Vautour: Fenway Franks and Moneyball - What a French sportswriter saw at his first Red Sox game

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time22 minutes ago

  • Yahoo

Matt Vautour: Fenway Franks and Moneyball - What a French sportswriter saw at his first Red Sox game

BOSTON — From his seat high in Fenway Park's right field bleachers, Azad Rosay leaned forward, focused on the action he was only beginning to understand as the ball sailed off Pete Alonso's bat in the top of the first inning. Jarren Duran barehanded the carom off the wall, whirled and threw a strike to David Hamilton at second, who slapped the tag on the runner. Advertisement Azad turned to me, looking excited. 'People said this was going to be boring,' he said. 'There's more going on than I thought there was going to be.' Coming to the park that night, we had related concerns. Azad had never seen a baseball game before. Not even on TV. He'd been warned that the game was going to be slow. I was worried he'd think that baseball was boring. We were both pleasantly surprised. Azad is a part-time basketball blogger and podcaster who lives in France. He writes about the Celtics in English for the CelticsBlog and podcasts about the entire NBA in French for The Dreamcast Show. The growing number of fans in both countries, who are interested in X-and-O breakdowns and analytics, like his work. Advertisement I'd never met him until April 23 when we were eating at the same table in the media room before Game 2 of the Celtics-Magic series. Sportswriters are usually curmudgeons, so his enthusiastic energy and his French accent stood out. A native of Grenoble in the French Alps, Azad was in Massachusetts, staying with relatives to cover the Celtics playoff run. Someone asked him what else he hoped to in Boston while he was here. He said he wanted to go to a Red Sox game at Fenway Park, but knew nothing about baseball. 'Since I'm a big sports fan, people said 'you should go watch a game.' The Red Sox are a historic franchise,' he said. 'It's a once-in-a-lifetime opportunity when you come from Europe. You never know when you could be back.' Advertisement I saw an opportunity, too. What would baseball and its unique and complicated rules look like to a sports fan who had never seen it? 'I'll take you to the game if you let me write about it,' I said. Azad liked the idea. We decided to pick a game based on how quickly the Celtics eliminated the Knicks (oops). The Celtics' collapse in six games meant Azad's trip was getting cut short. So with no Game 7 on Monday, May 19, we decided to go to Red Sox-Mets that night instead. You don't have to love baseball to enjoy a late spring night at Fenway Park when the weather is warm and the sun is setting behind third base. Those nights are like sitting at an outdoor bar. Advertisement But May 19 was cloudy, cold and windy, the type of night when the demand for hot chocolate at the Dunkin' under the right field grandstand is much greater than for the helmet sundaes just across the concourse. Baseball would have to sell itself, and that worried me a little. What if he hated it? What if he was bored? What if the popular criticisms of our former national pastime stood out? But as Azad walked up the ramp from the dark tunnel and was greeted by Fenway Park's sea of green, his pace slowed as his eyes surveyed the scene in front of him. He smiled, took out his phone and snapped a picture to capture the moment. Advertisement That was a good sign. I bought two standing room tickets. Anytime the game-time temperature is below 65 degrees, there are lots of open seats. My plan was to bounce around, sitting in different sections so he could see the game and Fenway Park from lots of different angles. If someone showed up for the seats we were sitting in, we'd find new ones. Azad was on board with the plan and we started with two seats in the loge boxes between home and first base during the pregame. The pregame plan was to discover if Azad had picked up anything about baseball in his first 29 years. American ex-pats brought the sport to France before even World War I, but it hasn't caught on. Advertisement I asked some basic questions. Azad knew what a home run was and that the MLB championship was decided by the World Series. He knew there was a pitcher, but wasn't sure who that was. 'I know there are some players who throw balls and some players who use a bat to tap the ball,' he said. 'I know you can do a home run and keep running.' The only current major leaguer he knew was Shohei Ohtani. His knowledge of former players was only slightly larger — Billy Beane, Jason Giambi, Scott Hatteberg and David Ortiz. That list gives away that Azad had seen 'Moneyball.' At first, it seemed odd that he'd intentionally picked a movie about the inner machinations of a sport he knew nothing about. But for a guy who sees basketball, at least partially, through an analytical lens, 'Moneyball' wasn't advanced baseball, but a starting point. Azad not only saw the movie but liked it enough to have watched it several times, including the day before his Fenway trip as preparation. Advertisement From the film, he knew the Red Sox had gone a long time between championships and that when they eventually won, they did so with a team that used their version of Moneyball philosophies. 'Billy Beane ended the curse,' Azad said matter-of-factly, oversimplifying the epilogue text at the end of the movie. We spent part of the pregame in those first base seats and the rest atop the Green Monster for Mets batting practice. Before going up to the right field roof for a beer, the national anthem and the first pitch, we stopped in the bar/museum tucked one flight up behind the right field bleachers. Azad studied the locker replications and then was immediately drawn to the Fenway Park replica in the back. The intricate model that's about 24-by-24 inches around and nine inches high has players on the field, making it perfect for asking baseball questions. Advertisement The game immediately made way more sense to Azad as soon as he realized the batter and pitcher were adversaries. 'I didn't expect that getting on first base would be so difficult,' he said. 'It's not just about a guy sending the ball and another guy trying to hit it with a stick. There's a matchup between the pitcher and the hitter.' Calling the officials 'umpires' was a source of amusement. 'Umpire? That sounds like Star Wars,' he said, chuckling and later referred to the guy calling balls and strikes as 'Darth Vader.' After we each grabbed an obligatory Fenway Frank (he opted for mustard/I'm a barbecue sauce guy) in the big concourse, we took the stairs up to the right field roof and bought beers. Advertisement We spent an inning in the bleachers, one on the right field roof, two in the pavilion boxes next to the press box and the rest of the game in the second row of loge boxes on the third baseline. Azad leaned in and paid attention from the first pitch and reacted when Francisco Lindor hit the game's fifth pitch in the air for a lazy fly out. Alonso's ill-advised attempt to stretch his single to a double came two plays later. The Red Sox scored twice in the bottom of the first. After Duran doubled, Azad, a novice Billy Beane disciple, appreciated Rafael Devers' ability to 'get on base' with a walk. The early action continued as both players moved up on a wild pitch and eventually scored. Azad asked smart questions and caught on quickly. Basketball and 'Moneyball' were the tentpoles for his questions and many of my explanations. Advertisement I explained to Azad that the game's devotion to analytics had evolved from and in some ways away from Beane's core Moneyball principles. Home runs and all the factors that contribute to them (launch angle, exit velocity, etc.) have changed the approach of many hitters. 'Trying for home runs is like shooting a lot of 3-pointers in basketball,' he said. He took new pictures at each new spot, admiring the park. 'It's beautiful. I love that you can see the city and the sky,' he said, motioning toward the Prudential Tower lit up beyond right field. 'There's a vibe that you know you're somewhere special.' Advertisement He was surprised to learn that ballparks didn't have uniform dimensions. 'Home runs are not always the same?' But his appreciation of the evening went beyond the venue. He liked the strategy. 'I like how much power the defense has,' he said, noting that it doesn't really happen in sports where the offense has the ball. He asked about defensive positioning when Trevor Story lined up directly behind second base and then was impressed when a ball was hit right to him. I explained the idea of a double play and why the second baseman and shortstop were playing back in the sixth. He spent the rest of the game looking for them. Advertisement When we moved to our seats off of third base for the final innings, it gave us a great look at the pitcher and batter up close. Azad got into a rhythm of watching the pitch, then looking for the velocity on the scoreboard. He was perplexed at why a camera or a computer didn't determine balls and strikes. 'It surprises me that it is just evaluated by the umpire guy behind the catcher, who says if it's good or not,' he said. 'It's based so much on human decisions.' In the bottom of the eighth, I pointed out Aroldis Chapman warming up in the bullpen and I explained the concept of a closer. 'What a great job,' he said, admiring the nature of a guy whose job it was to come in, shut down the opponent and end a game. 'I close.' Advertisement Chapman did his job, earning the save in the 3-1 win. He loved that the home team doesn't bat in the bottom of the ninth if they're winning. 'It's like a mic drop.' As the traffic-beating fans departed in the eighth, thinning the Monday night crowd, Azad was surprised to see them go. He was in for all nine innings. 'If I was watching on TV, I don't think I would have been hooked, but I can see why people love baseball,' he said. 'Like they said in Moneyball: 'How can you not be romantic about baseball?'' Read the original article on MassLive.

Doyel: Jim Irsay loved his daughters, his Colts and his music. And Indianapolis
Doyel: Jim Irsay loved his daughters, his Colts and his music. And Indianapolis

Indianapolis Star

time44 minutes ago

  • Indianapolis Star

Doyel: Jim Irsay loved his daughters, his Colts and his music. And Indianapolis

INDIANAPOLIS – They're telling Jim Irsay stories at his funeral service on Monday, and you don't know whether to laugh or cry. In the sanctuary of St. Luke's United Methodist Church, people are doing both. We're laughing to hear about Jim Irsay, owner of the Indianapolis Colts, power lifter of weights, being the Irsay family chef on Christmas morning, making omelets. His secret? Feta cheese. And laughing he'd get on the blender and make the best homemade chocolate shake anyone ever had. His secret? French vanilla creamer. Laughing, because when he was a boy in Winnetka, Illinois, he'd get permission to invite a friend — one friend — for a sleepover. As that kid was knocking on the front door, greeting Jim's parents, a handful of others would be sneaking around back and sneaking in through Jim's window. 'Late Night Action,' Irsay called those secret missions. Laughing, because when he became a father he'd sketch out happy little pictures for his girls. Irsay knew he wasn't much of an artist, so he'd include sticky notes on the pictures with arrows pointing out details like: 'This is a mountain!' Laughing, because he watched 'The Big Lebowski' and 'The Martian' so often he had them memorized. Laughing, because he was the same with musical lyrics. No, he was even better with lyrics, and had a knack for coming up with the perfect lyric for any situation. He'd encourage his three daughters — Carlie, Casey and Kalen — to learn the songs of his beloved Beatles like this: When a Beatles song started playing, the first girl to come up with the title and singer got a Tic Tac. Laughing, because so many speakers at the funeral can do a passable imitation of Irsay's slowly crooning voice, including some of his favorite catchphrases: 'Fire up,' he'd say to motivate someone. 'Really? Oh wow,' he'd say when he was told something of great importance, like McDonald's introducing its all-day breakfast menu. Laughing, because the house where he and Meg raised their girls — not far from St. Luke's, where the family walked to services — had an intercom, and you know Jim Irsay. He loved a microphone, didn't he? Any excuse to get on that intercom was sufficient. At the first sign of snow outside, even a single flake, the house filled up with his deep, gravelly, excited voice: 'Girls, no school tomorrow!' Crying, because every story comes with an unspoken afterward. Crying, because he's gone. Doyel obituary: Jim Irsay died and we're less for it; Indianapolis, the Colts, all of us Hey Jude, don't make it bad Take a sad song and make it better Those are the first lyrics from the first song on the Jim Irsay funeral playlist — 'Hey Jude,' by The Beatles — as guests are being seated and family photos are playing across a giant video screen. Here's one of Jim and Peyton Manning at Pebble Beach. Now he's holding the Super Bowl XLI trophy alongside coach Tony Dungy. Here he is, hoisting that same trophy after receiving it from NFL commissioner Roger Goodell. Pictures with Colts chief operating officer and dear friend of decades, Pete Ward — 'We're like Lennon and McCartney,' Irsay would tell Ward, who'd respond: 'More like Lennon and Ringo' — and John Madden, and Jerry Jones, and George Bush at the White House. Did you know Jim Irsay liked to play kickball? Or wear Rudolph's red nose? Or pull up his sleeves and growl as he compared biceps with his daughters? So many pictures, more than any other kind, of Jim with his favorite people on Earth: his three daughters, and his 10 grandchildren Ten people spoke, all of whom have known Jim for decades, with one admitting they'd been considering this eulogy for 20 years because, as most knew, 'He's had some brushes with death.' We are also told how Jim Irsay took a sad song and made it better, how he befriended players on his dad's Baltimore Colts as a teenager, lifting weights with them, defending them to his alcohol-fueled, rage-filled father and being watched over in return by those 1970s NFL players, 'Because they knew growing up was hell for Jim.' The crowd was the eclectic group you'd expect of a man who befriended rockers and poets and people experiencing homelessness. There were Colts past and present, quarterbacks and kickers, punters and tight ends, more. Every one of the Colts' past 25 years of coaches: Tony Dungy, Jim Caldwell, Chuck Pagano, Frank Reich and Shane Steichen. Every front-office leader too: Bill Polian, Ryan Grigson, Chris Ballard. An eclectic mix that included high-ranking members of IMPD and Pacers executives and a handful of media: local and national, print and television. One speaker introduced himself as having met Irsay 'at a meeting.' He doesn't say what kind of meeting, then invites the crowd to join him in the 'Serenity Prayer' and calls Irsay 'a calming voice offering hope, comfort and support' at meetings. People gravitated toward him afterward, the speaker told the crowd, and Jim stuck around, giving others 'the courage to keep going.' Jim built some clubs that would hold meetings and renovated others — new carpet, nice chairs, like that — so attendees of these meetings would have a place 'where they were could feel like home.' Jim Irsay was an addict, as he talked about freely. Were there occasional headlines? Yes. It happens. The disease is cruel, and it does not discriminate. The Eastern Star Church choir is here to sing two songs, and its first selection is the 1929 hymn 'I'll Fly Away.' It starts like this: Some glad morning when this night is o'er I will fly away I will be free one day Jim Irsay is free now. Just yesterday morning they let us know you were gone… That's the third song on the pre-service playlist, that 1970 piece by James Taylor about life and death, addiction and fame. The crowd that files into the sanctuary walks past pictures of Irsay and his girls, Irsay and his grandkids, Irsay and his dog, a Maltese-Shih Tzu mix named Drake. The casket is near the pastor's pulpit, the lid a strong Colts blue, surrounded by nearly a dozen guitars and more pictures of Irsay and his family and a wreath of flowers shaped into a horseshoe. Another song: 'I am the Walrus' by The Beatles (1967). Another: 'What's Going On" by Marvin Gaye (1971). Another: 'Tired of Being Alone' by Al Green (1971). The songs are telling the story of Jim Irsay, a romantic and an optimist and a dreamer. And a realist who'd tell people, 'It's lonely at the top.' Soon John Mellencamp is playing, but not over the loudspeakers. He's right up there — next to the casket, in front of Irsay's prized drum set once played by The Beatles — having entered the sanctuary through a side door. Irsay was 24 when they met, shortly after the Colts came here from Baltimore in early 1984. Mellencamp was 32, and Irsay called him his 'big brother.' 'He was a dreamer,' Mellencamp says before he plays his first song. 'We all need to be dreamers. And he did that so well.' Mellencamp says he wrote the song he's about to play first, 'Longest Days,' for his mom. 'She lived to be 100,' he says. 'Wish I could say the same for Jimmy.' Then he's playing 'Pink Houses,' and if you're getting chills as you read those words, you're not the only one. All over St. Luke's, people in mourning are tapping their feet. Leather shoes, wing tips, high heels — they're keeping the beat. Irsay would've liked that. And this was a moment that Irsay, who talked about death quite a bit, had discussed with Mellencamp. 'He asked for this song to be played,' Mellencamp says. Doyel in 2014: Discovering Jim Irsay's private side — a heart of gold Doyel in 2022: Scars of Irsay family's mental health issues run deep. They share to heal, help. There is a time for everything and a season for every activity under the heavens: A time to be born and a time to die… Those are the first three lines from Ecclesiastes 3:1-8, a scripture the family asked Dungy to read. As the nearly two-hour service unfolded, speakers kept describing the misunderstood essence of Jim Irsay in bursts of one or two sentences. No need to identify the speakers; this wasn't a news conference. This was further illumination of this city's biggest champion: 'A proud student of the school of life.' 'I'm going to miss his innocent and loving eccentricities.' 'He loved the Colts, he loved the state, and boy did he love people.' 'He was wonderfully, perfectly imperfect.' 'He'd speak to a homeless person in New York like he'd speak to one of his fellow (NFL) owners.' 'He believed in God, he believed in angels who were looking after him, and he believed that one day those angels would lead him into the arms of God.' 'I wish I could've seen it last week when he met his beloved John Lennon: 'What's up, brother!'' 'If you wanted to get on his bad side, talk down to somebody in the (Colts) building. He hated that.' 'Twas in another lifetime, one of toil and blood When blackness was a virtue and the road was full of mud Those are the first two lines of 'Shelter in the Storm,' a 1975 song by Bob Dylan, another of Irsay's beloveds. The crowd is treated to audio of Irsay introducing that song at a club in Nashville, before he sings it in a passable rendition — better than that; the man had real talent — of Dylan himself. 'Three, two, one,' Irsay says, warming up before getting started on his introduction. 'Sometimes we can be trapped in this wilderness we call the world here…' Irsay continues in that gravelly smoker's voice of his, and while there is no video, you can hear him speaking around a smile. Then he is singing, and this is the end of the service. Jim Irsay is having the last word at the Jim Irsay funeral, and guests are holding candles as several of Irsay's grandchildren walk from row to row, lighting each candle at the edge of the row, the fire being passed from mourner to mourner until there are 1,000 or more flickering lights while Irsay sings to mourners in what the ceremony program calls a 'message from Jim in heaven.' He was a fascinating man, Jim Irsay, an intellectual who studied the lives of Teddy Roosevelt and George Halas, JFK and MLK. He was the Colts' No. 1 fan, celebrating with family the team's home victories — every one of them, for years — with takeout from Hollyhock Hill restaurant on the northside. He was a girl dad, writing the song 'Lily White' about the joy of watching his babies sleep. A grainy home video of Irsay singing that song played Monday at St. Luke's, with Irsay strumming his guitar and singing over audible conversations all over the room. Someone behind camera keeps giggling as he describes his girls, these future owners of the Indianapolis Colts, in hues of white and pink. He was a romantic, Jim Irsay. A man of music, a man of dreams. 'As we all go on,' Mellencamp had said before walking out the way he came in, 'think of Jimmy from time to time and what he did for this community. And let's hope his dreams come true.' Find IndyStar columnist Gregg Doyel on Threads, or on BlueSky and Twitter at @GreggDoyelStar, or at Subscribe to the free weekly Doyel on Demand newsletter.

This classic '80s song just hit 1 billion streams on Spotify.
This classic '80s song just hit 1 billion streams on Spotify.

USA Today

timean hour ago

  • USA Today

This classic '80s song just hit 1 billion streams on Spotify.

This classic '80s song just hit 1 billion streams on Spotify. Show Caption Hide Caption Watch Rick Astley's reaction to the 'Ted Lasso' funeral scene Ahead of his slot on New Kids on the Block's The Mixtape tour, singer Rick Astley plays '80s trivia with USA TODAY's Melissa Ruggieri. Entertain This!, USA TODAY No, Mr. Astley, this isn't a fake-out. You're streaming royalty now. British pop star Rick Astley, whose inescapable '80s hit "Never Gonna Give You Up" found an unexpected renaissance in the digital age, has joined the ranks of Spotify's "Billions Club," according to a June 2 press release. The soulful synth-pop track, taken from Astley's 1987 debut album "Whenever You Need Somebody," has exceeded one billion streams on the music platform. "I never could have imagined back in 1987 that 'Never Gonna Give You Up' would still be going strong decades later," Astley, 59, said in a statement. "Thanks to streaming platforms, a whole new generation has been able to discover music like mine. Reaching one billion streams is something I never dreamed of and to everyone who's ever listened, thank you." Rick Astley memoir: Singer tackles Rickrolling, Dave Grohl and resurgent pop career in 'Never' The song, written and produced by the all-star dance-pop production team Stock Aitken Waterman, peaked at No. 1 on the Billboard Hot 100 for two weeks and has sold five million copies to date. In the late 2000s, "Never Gonna Give You Up" received an unlikely revival when the "Rickrolling" internet meme became a viral sensation. The digital prank consists of a bait-and-switch maneuver in which someone opens a disguised hyperlink containing the music video to Astley's song. When the individual opens the link and is confused to discover the song, they have been "Rickrolled." Thanks to the "Rickrolling" effect, "Never Gonna Give You Up" earned tens of millions of YouTube views (the music video currently has 1.6 billion), was played at various sporting events and was even referenced on X, formerly known as Twitter, by The White House during the Barack Obama administration. Rick Astley is no one-hit wonder, but these music stars are. "I don't know how my career would have turned out without Rickrolling," Astley reflected in his 2024 memoir "Never." "But it would be stupid to say it hasn't ultimately done me a lot of good." While "Never Gonna Give You Up" remains Astley's signature song, his other hits include "Together Forever," "She Wants to Dance with Me," "Cry for Help" and "It Would Take a Strong Man." His most recent album, 2023's "Are We There Yet?," peaked at No. 2 on the charts in his native U.K. Contributing: Melissa Ruggieri, USA TODAY

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