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Diddy's ex-girlfriend ‘Jane' confirms he supported her financially

Diddy's ex-girlfriend ‘Jane' confirms he supported her financially

Yahoo11-06-2025
This is a free article for Diddy on Trial newsletter subscribers. Sign up to get exclusive reporting and analysis throughout Sean Combs' federal trial.
Today, defense attorney Teny Geragos cross-examined 'Jane,' a pseudonym for one of Diddy's ex-girlfriends. Geragos pressed her about the inner workings of her relationship with the hip-hop mogul and tried to complicate her wrenching allegations of forced sex, physical violence and abuse.
Here's what you need to know:
PRESSURE: 'Jane' said Diddy 'introduced me to this lifestyle, under a lot of emotional pressure.' She said that she originally 'didn't understand the terms of the relationship' but that she eventually learned the rapper expected frequent 'freak offs' with escorts. She described a 'pressure to do these things he desired,' as well as 'fulfill my duties as a girlfriend.'
MONEY: 'Jane' confirmed Diddy wire-transferred around $150,000 to her during their relationship. He sometimes used the offer to pay her rent as a 'tool,' she testified, implying that the gestures were a 'reminder' of his power.
DRUGS: Diddy's alleged reliance on drugs and alcohol concerned 'Jane,' she said. She recounted a trip to the Turks and Caicos when he appeared to have jaundice, graying gums and shaking hands. 'I felt like he was overdoing the partying,' 'Jane' said.
'Jane' repeatedly broke down crying during her direct examination yesterday. But she was markedly more reserved and less visibly emotional during today's cross-examination. In one notable moment, however, she became testy with Geragos during an exchange about luxury handbags.
Geragos asked her whether she had ever received Bottega bags. 'Jane' replied: 'I'm sure you have one.' Geragos then asked her how much a Bottega bag costs. 'Jane' responded: 'How much does my body cost?' The witness asked for a short break after the heated back and forth.
Diddy nodded and even smiled throughout 'Jane's' cross-examination. He nodded vigorously as she described putting on lingerie to please him.
'Jan'e may be a victim of Diddy's domineering cruelty. She may have been mistreated by him. She may have been under his Svengali hold. But she also may have credibility problems.
It's interesting that our justice system trusts jurors — no matter their backgrounds or educations — to decide whether witnesses are credible. In fact, the courts place few limits on a juror's ability to make credibility determinations.
The court can instruct the jury to view with caution the testimony of, say, an informer or a drug addict. The court will also tell jurors that if they believe a witness knowingly testified falsely about an important matter, they can distrust the witness' testimony about other matters. But these instructions mostly empower — not restrict — a juror from making credibility determinations.
In my view, 'Jane's' cross-examination gave the jurors reason to distrust her testimony. First, she was at times snarky with the defense counsel during cross-examination. Bad idea. It never looks good. But worse, she didn't own bad facts. She has an explanation for everything.
When she was confronted with the sexually explicit text messages she sent Diddy, she said she did it only to keep him happy. When witnesses don't own bad facts, it looks bad.
When witnesses fight with the counsel during cross-examination, it looks bad. It means that even if 'Jane' is telling the truth about everything, the jury may find she told the truth about nothing.
Tomorrow: 'Jane' is expected to return to the stand for more cross-examination. The proceedings will start later than usual, at 1 p.m. ET.
BTW: Every night during Diddy's trial, NBC's 'Dateline' will drop special episodes of the 'True Crime Weekly' podcast to get you up to speed. 'Dateline' correspondent Andrea Canning chats with NBC News' Chloe Melas and special guests — right in front of the courthouse. Listen here. 🎧
This article was originally published on NBCNews.com
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The Beach Boys' Brian Wilson regretted he wasn't involved with hit song due to ‘weak mental state,' book reveals
The Beach Boys' Brian Wilson regretted he wasn't involved with hit song due to ‘weak mental state,' book reveals

New York Post

time3 hours ago

  • New York Post

The Beach Boys' Brian Wilson regretted he wasn't involved with hit song due to ‘weak mental state,' book reveals

John Mason knew that Brian Wilson needed help – but it came at a high price. 'Brian was in a weak mental state,' the entertainment lawyer, who once represented the fragile leader of the Beach Boys, told Fox News Digital. 'Brian often said to me, as sad as it sounds … 'I fried my brain. I took too many drugs.' Brian couldn't get up in the morning without somebody getting him up. He couldn't eat healthily without somebody giving him something healthy to eat.' 'So, the good and bad of Dr. Eugene Landy in Brian's life was that he motivated Brian to become a participant in his own life,' Mason shared. 'But the bad part was that, as time went by and years went by, Dr. Landy expected more and more to replace Brian in the Beach Boys… Brian wasn't allowed to do anything without a Landy handler being with him.' Mason, who has worked with Roy Orbison, Reba McEntire, Shakira and Quincy Jones, among others, has written a new memoir, 'Crazy Lucky.' It explores what it takes to defend the famous during career-defining moments. 8 John Mason, an entertainment lawyer who once represented Brian Wilson of the Beach Boys, discussed one if Wilson's regrets and mental state. FOX NEWS 8 Mason has written a new memoir, 'Crazy Lucky,' exploring what it takes to defend the famous during career-defining moments. The Unnamed Press The book delves into Wilson's relationship with Landy, a psychotherapist accused of holding a Svengali-like power over him. Mason said it led to one of the singer/songwriter's biggest regrets. 'Mike [Love] and Carl [Wilson] came into my office and said to Brian, 'Hey, we have the opportunity to write a song for this movie, [1988's] 'Cocktail,'' said Mason. ''It's going to be starring Tom Cruise. It's really great. We'd love you to join us. And Brian was really excited. He said, 'Oh, I'd love to do that.' But later in the evening, Brian called and said, 'I shouldn't do that. Dr. Landy said I shouldn't do that. Well, that turned out to be 'Kokomo,' the biggest hit the Beach Boys had had probably forever. And Brian felt really badly about not working on 'Kokomo.'' 8 'Mike [Love] and Carl [Wilson] came into my office and said to Brian, 'Hey, we have the opportunity to write a song for this movie, [1988's] 'Cocktail'' with Tom Cruise, said Mason, which Wilson turned down. ©Buena Vista Pictures/courtesy E 8 The project 'turned out to be 'Kokomo,' the biggest hit the Beach Boys had had probably forever. And Brian felt really badly about not working on 'Kokomo,'' Mason said. Getty Images 'When he heard it, and when I heard it, we went, 'Oh my gosh, was that a missed opportunity?'' Mason recalled. Mason wrote that Landy refused to let Wilson participate unless he, too, were listed as a writer on the song. However, Carl and Bruce Johnson, along with Love, refused. They went on to write 'Kokomo' without Wilson's input. It was a decision that Wilson deeply regretted over the years. 'Brian is truly a giant teddy bear and genius who regrets bad decisions and lives for better ones,' wrote Mason. According to Mason's book, Wilson's struggles began in 1968, when he quit performing and devoted himself to songwriting instead. While Wilson was determined 'to make the greatest music,' his mental health began to deteriorate. 8 The Beach Boys in 1964. From left to right: Dennis Wilson, Brian Wilson, Mike Love, Al Jardine and Carl Wilson. Getty Images Mason wrote that Wilson's experiments with drugs, specifically LSD and cocaine, had 'diminished his mental capacity.' He rarely left his bed and, according to reports, would go without brushing his teeth or showering for weeks. 'He eventually became so bizarre that he would sit at the piano in his living room surrounded by actual sand that had been dumped in big piles in a sort of playpen,' Mason wrote. 'He was forsaking his young family — wife Marilyn Rovell, a singer with the group the Honeys, and young kids Carnie and Wendy — for his strange kind of creative peace. Four years passed, and he never left the house. His weight ballooned to 350 pounds from eating entire birthday cakes as a late-night snack.' 8 Brian Wilson and Mike Love of The Beach Boys perform onstage at the 54th Annual GRAMMY Awards held at Staples Center on February 12, 2012 in Los Angeles, California. Getty Images In 1975, a 'devastated' Marilyn brought in Landy, a psychologist known for his unconventional 24-hour treatment of celebrities. Wilson, who reportedly feared being committed to a psychiatric hospital, completely surrendered. Their first session took place in Wilson's bedroom closet, where the artist felt safe, the Los Angeles Times reported. Landy was successful. He padlocked Wilson's fridge, put the star on a diet and shooed away drug-enabling pals, The Telegraph reported. 'Dr. Eugene Landy [helped] Brian overcome his fears of everything,' Mason told Fox News Digital. 'I would call it an agoraphobia. . . . He feared going outside. . . . And he needed outside help.' 8 Mason's book explores the nature of the relationship between Wilson and Dr. Eugene Landy, accused of holding a Svengali-like power over the singer. Mark Sullivan Landy's strict methods worked. But in 1976, Landy was fired over a dispute involving fees, the Los Angeles Times reported. When Wilson was regressing into drugs and obesity, Landy was rehired six years later, the outlet shared. The 24-hour therapy resumed from 1983 to 1986. Landy said he was paid $35,000 a month. And as Wilson began recording and playing live again, Landy was a constant shadow looming over him. Manager Tom Hulett, who knew that Mason was friendly with the Beach Boys, suggested that he could be 'a strong, independent balance.' In 1984, Mason was hired. 'I was asked . . . if I would be Brian's lawyer, and I agreed,' said Mason. 'At that time, Brian was, I think, doing better, but he had a lot of issues. . . . Brian came to my office at least once a week. We started having Beach Boys meetings at my office once a month, and we all insisted that Brian come to those meetings without Landy.' 'Brian was my client. . . . [But] Brian did check in with Landy after our meetings, after our phone calls. Too often I would get a call back from Brian saying, 'I know I said that, but I have to change my mind.'' Mason wrote that Landy was eager to insert himself into every part of Wilson's life. Wilson was controlled by both prescription drugs and the 'Landy handlers' who 'secretly or openly recorded everything Brian and anyone else said' for the doctor. No decision was made without Landy's approval, leaving Mason bewildered and frustrated. 'Ultimately, it led me to say to Brian, 'I can't work with you if Dr. Landy is in a position to change your mind or to second-guess me,'' said Mason. 'And he said, 'I understand that.' But then, Dr. Landy called me and said, 'You told Brian that he can't work with me … so you are fired.' 'That's a shame, but that is the kind of control Dr. Landy had over Brian Wilson,' said Mason. After Mason was fired in 1990, Landy continued to tighten his grip. At one point, he was co-credited as a songwriter on several tracks. Wilson was 'an obsession' to Landy, Mason wrote. 8 Wilson died in June of this year at the age of 82. Getty Images But in 1991, the Wilson family took legal action to appoint an independent conservatorship. The goal was to stop Landy from further influencing Wilson both personally and financially, the Los Angeles Times reported. In 1992, Landy was barred by court order from contacting Wilson. 'The court ordered Landy to disassociate from Brian,' said Mason. 'Ultimately, Landy's license to practice psychotherapy in the state of California was revoked. And Brian's second wife, Melinda, was able to keep Brian motivated to perform.' 'He did a lot of shows,' said Mason. 'He wrote songs, he did a lot of work. His health seemed to be pretty good. I saw Brian a number of times after I wasn't his lawyer, and he looked good. He felt good. He was in a good mental state.' Landy passed away in 2006 at age 71. Wilson died in June of this year. He was 82. In his lifetime, Wilson admitted he didn't entirely regret his association with Landy. Mason doesn't either. 'I have to say that, in Brian's case, I don't think there was a better outcome,' Mason explained. 'Had Landy not become involved, Brian would have become an ineffective vegetable. He was taking too many drugs and couldn't find focus.' 'I don't think that, at that point, back when Landy came in, either Brian's ex-wife Marilyn or his daughters were able to motivate him to be independent. Drugs and alcohol have led to the demise of too many people. Many people we see end up dead from the process.' 'Saving Brian's life probably necessitated a Eugene Landy who could come in and force him to take control of himself,' Mason continued. 'I think they were the best years of his health, but the worst of his years with Dr. Landy.'

Kid Cudi Reveals He 'Hated Every Minute' Of Testifying In Diddy Trial
Kid Cudi Reveals He 'Hated Every Minute' Of Testifying In Diddy Trial

Black America Web

time2 days ago

  • Black America Web

Kid Cudi Reveals He 'Hated Every Minute' Of Testifying In Diddy Trial

Source: John Nacion / Getty Rapper Kid Cudi has always shied away from media attention and would rather let his catalogue speak for itself, but lately, he's been getting more time in the spotlight, whether he likes it or not. The 41-year-old is currently promoting his book, Cudi: The Memoir, and while doing so, he's also been asked about the last time he was peppered with questions, which was earlier this year when he was subpoenaed to testify against Diddy in his federal sex trafficking and racketeering case. During a recent conversation on the Call Her Daddy podcast, he admitted to host Alex Cooper that he felt uneasy on the stand. ' I was just there because I had to be,' he said . 'I hated every minute of it.' But he goes on to explain that he found solace in knowing that he was doing it for Cassie. We care about your data. See our privacy policy. 'I've always just wanted to see her thrive and do well and be happy because I know she was living a nightmare,' he said. 'And I was just there to support her. That's what kind of gave me peace with it when I sat down in that chair.' When he testified, he told the horrifying stories of how Diddy treated him when he found out he'd been dating Cassie. He remembers the Bad Boy CEO breaking into his home and locking his dog in a bathroom. During another incident, Cudi alleges that Diddy tossed a Molotov cocktail at his Porsche, which set it on fire. That's when Cudi decided to end his short-lived relationship with Cassie out of fear of continued violence, and remembers confronting Diddy about the attempted car bombing, saying he was standing 'with his hands behind his back like a Marvel supervillain.' At the trial's conclusion, Diddy was acquitted of sex trafficking and racketeering but found guilty on two counts of transportation to engage in prostitution, which carries a few years in prison. Despite several attempts to get out on a $50 million bond and remain confined to his Miami mansion, he is still in a Brooklyn jail cell awaiting an Oct. 3 sentencing date. See social media's reaction to him testifiying below. SEE ALSO Kid Cudi Reveals He 'Hated Every Minute' Of Testifying In Diddy Trial was originally published on

Unearthing the ‘peace riots': ‘An Unlikely Prospect' turns historical silence into a story of resistance
Unearthing the ‘peace riots': ‘An Unlikely Prospect' turns historical silence into a story of resistance

San Francisco Chronicle​

time2 days ago

  • San Francisco Chronicle​

Unearthing the ‘peace riots': ‘An Unlikely Prospect' turns historical silence into a story of resistance

California, says author Shelley Blanton-Stroud, 'is everything for me.' The historical thriller writer is best known for a series of noir novels about Jane Benjamin, 'a tomato-picking, cross-dressing gossip columnist' working in the 1930s. Though Jane's 'a dust-bowl Okie immigrant to California,' Blanton-Stroud describes her as 'extremely ambitious, willing to do almost anything to achieve what she wants.' More Information But Blanton-Stroud's latest book, 'An Unlikely Prospect,' focuses on a new protagonist — though Jane does reappear — whose narrative arc represents a different kind of female empowerment. Sandy Zimmer is a young widow living in San Francisco who, after her husband's death, transitions from being his secretary to the publisher of the newspaper. 'She's been successful at using her estimable feminine wiles to achieve what she needs,' explains Blanton-Stroud, 'and she now feels somewhat trapped by those roles. I wanted to learn what it might be like for a woman like that to push her way out of the rules that have governed her interactions to date and to see how far she might go.' The Chronicle spoke to the Bakersfield native about the dark and relatively unknown chapter of San Francisco history that became a bit of an obsession — and inspired the new book. This conversation has been edited for length and clarity. Q: 'An Unlikely Prospect' is centered on the 1945 'peace riot' in San Francisco, an incident that involved multiple deaths and numerous rapes — yet no punishment for the perpetrators. Can you tell us about it? A: On Aug. 14, 1945, Japan unconditionally surrendered, ending World War II. Though celebrations broke out everywhere, San Francisco's Market Street celebration shifted into a wilding, what the newspapers called 'peace riots.' A mob of drunken sailors launched into a three-night spree, leaving 13 people dead, more than 1,000 injured and at least six women raped. Witnesses described the police and Navy Shore Patrol as failing to take control, including claims that five sailors sexually assaulted a woman while police neglected to respond. When the dust settled, no officials were held accountable, police never filed even one rape report, despite hospital evidence, and a two-week grand jury investigation concluded with commendations praising Police Chief (Charles) Dullea and other officials and dismissing the riots as the work of 'servicemen who didn't want to be in the service.' The city's establishment chose a kind of willful blindness rather than justice, whitewashing a disgraceful chapter in the city's history. Q: How did you uncover primary sources or oral histories on this incident? Were there firsthand accounts of the sort you include in the book? A: Because no rape victims were named, I couldn't mine their real stories. So I fixated on finding the grand jury report, completed Aug. 30, 1945. It should have been possible to find that record in the Digital Reel, the archive resource at the Public Viewing room of the San Francisco Courthouse, but not in this case for this particular year. Even when I've spoken to a handful of people who were on Market Street on (Victory over Japan) Day, they had no idea any of this had happened. The absence of this document made me wonder whether this was not just bureaucratic oversight but deliberate institutional silence. The gap in the historical record began to seem like a gift that actually gave me room to fictionalize more completely, so long as I made it clear that this was historical fiction. That's what I did. The absence of evidence gave me my direction — to imagine what if? Q: You mention in your afterword that the character of Sandy was inspired by figures like Katharine Graham, publisher of the Washington Post who took over after her father and husband both died, and Cissy Patterson, one of the first women to lead a daily newspaper. I was not familiar with her! A: I wish I'd had room for more Cissy. She was a flamboyant and controversial publisher, one of the first women to head a major daily newspaper, the Washington Times Herald. Born into newspaper royalty as granddaughter of Chicago Tribune owner Joseph Medill and sister to New York Daily News founder Joseph Medill Patterson, she was both celebrated as a pioneering female press baron and reviled for her feuds, political stances, and tumultuous personal life that included affairs, bitter rivalries and estrangement from her own daughter. She claimed her family's journalism motto was, 'When your grandmother gets raped, put it on the front page.' It seems likely this was her motto and not that of the Medill family. I think her role in the novel is to be a foil to Sandy, who is far less cantankerous. I wanted her to urge Sandy to be a little braver, and less thin-skinned, in order to survive in the publishing world. Q: Sandy and Jane, her colleague at the newspaper, have what feel like very contemporary views around rape and women's rights. How did you figure out the best way to balance contemporary attitudes with historical ones? A: I love this question. Recently I participated in a panel on the difficulty for historical fiction authors of striking a balance between historical authenticity and accuracy and modern readability. It's mainly the difficulty of creating characters who feel relatable without being anachronistic. I definitely fall into the camp of writers who want their characters to be both authentic to their time and place and also to possess universal qualities that readers today will recognize. A: I won't pretend to have suffered many obstacles in my life. But also, I was one of 25 women to enroll in the first freshman cohort of what was then called Claremont Men's College. (It was renamed Claremont McKenna College in my sophomore year.) It was an honor to be part of that group. But not every day was delightful. Most of us ran into some pretty naked misogyny (often) delivering the message that we didn't really belong. I think that experience developed a little defensiveness in me. I see that defensiveness in Jane and Sandy. And I understand from my own life that their desire to 'prove' themselves sometimes gets in the way of doing it. Q: What parallels do you see between Sandy's post-World War II fight for journalistic integrity and today's media environment? A: What's happening to the world of journalism is heartbreaking, the buckling, the promising not to report on what might offend readership or government. Clearly there's no linear progression toward the ideal circumstances we might expect.

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