I scrolled through all the new Lululemon bags that just dropped — these are the ones I'm eyeing for summer
There's just something about a Lululemon bag — maybe it's the practicality, the trendiness or the way they somehow go with virtually everything. Each one I own has become a staple in my daily rotation. The retailer drops new styles and colours every week (very bad news for my wallet), and I'm always on the lookout for the next must-have.
I'm happy to report that this week's new arrivals did not disappoint. Just in time for summer, I browsed all the latest bags, and these 11 instantly made my wish list. However, I'm trying to show some restraint, so I figured I'd share them with you instead. But I suggest acting fast because, as you know, the good ones don't hang around for long.
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This roomy tote is utterly chic and, honestly, this is the bag I'm having the hardest time resisting. It's made of a light-coloured canvas, and the chestnut brown trim gives off a "summer in the Hamptons" energy. It comes with a handy removable zippered pouch to keep your small essentials secure.
The belt bag we all know and love is available in fun new summer colours. One standout is the "Citra Lime" shade. This vibrant lime green will add the perfect pop of colour to your warm-weather wardrobe and is sure to brighten up any casual outing.
Lululemon is clearly having a moment with their canvas pieces — and quite frankly, so am I. I'm loving the elevated, high-end vibe they're leaning into, especially with the addition of gold hardware. This bag also comes with a detachable nano pouch, perfect for keeping earbuds or a bit of cash within reach.
It's June — a.k.a. Pride Month — and this carry-all tote immediately caught my eye. It's roomy, casual and perfect for everything from beach days to running errands. What makes it special? It's adorned with Lululemon's "4ever Love" graphic, which is part of their Pride collection celebrating love and inclusion. Whether you're showing your support or just looking for a stylish tote, this one fits the bill either way.
Continuing with the Pride collection, the beloved Everywhere Belt Bag is now available in a new pixelated rainbow print. It's a fun, vibrant twist that will literally go with everything, thanks to the full spectrum of colours. As always, it will hold all your essentials, making it the ultimate grab-and-go bag for errands, travel, concerts and everyday duties.
How chic is this knit tote bag? I'm not going to lie, I might just have to add this one to my cart. It's spacious and trendy, and it even comes with a little pouch (similar to a designer tote). The knit material gives it a flexible yet substantial feel that'll definitely stand out from the rest of your bag collection.
If the knit tote feels a bit too big but you love the look, I have good news for you: a smaller version is available! This one comes with a detachable crossbody strap, so you can go hands-free whenever you want. It's perfectly sized to carry your essentials (and then some), making it a great everyday bag.
Now, if you're on the hunt for a versatile backpack that can be used for travelling, the office or school, this Everywhere Backpack is a great contender. Not only is it very roomy, but it also boasts an internal laptop sleeve, side water bottle pockets and a trolley sleeve to make things extra convenient.
Here's another Pride collection piece — the bestselling Multi-Pocket Crossbody is available in a fun purple hue with an eye-catching Pride graphic. If you want more colour in your bag collection, this one's for you.
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'Pride & Prejudice' directed by Joe Wright He added: ''Then there is an orchestra that starts coming in, but it's not the orchestra in the room, there's something new at that point that comes into the story between the two of them. This music is drifting into the room, from someplace very far away, maybe they hear it, maybe they don't, who knows?'' If you ask any fan of the film what their favorite moment is, more often than not, the answer will be when Mr. Darcy walks out of the morning mist in the field. This scene is gorgeously shot and paced, and it is a perfect combination of the breathtaking photography, Mr. Darcy's love confession and Marianelli's theme Your Hands Are Cold which is a higher, more epic reprise of Liz on Top of the World. Marianelli said, ''That particular scene when he is coming through the mist, that moment of butterflies in the stomach and the excitement, at some point it has to calm down. And they're in front of each other, eventually they will be holding hands, you know it's very British, there's actually no kiss, it's proper, they can't kiss.'' He added: ''I remember we were recording the music, I was in the control room of the studio with Joe, and Benjamin Wallfish was conducting the music, and I had to tell him 'You have to cool it down, you can't be too emotional now, if you overdo it, they're gonna kiss and we can't do that' which was a bit surreal because obviously the movie was already shot, they couldn't kiss even if they wanted to. But it felt like the music shouldn't push them too hard, it should be suspended, really, and make you feel like you weren't sure which way it was going to go.'' Keira Knightley as Elizabeth Bennet No, there is no kiss between Mr. Darcy and Elizabeth Bennet at the end, at least not in the original version. However, an alternative ending was shot for the U.S. audience, where the two main characters kiss -which is not something one could have found in a Jane Austen novel.- ''I think we really recorded two different versions, I vaguely remember both versions to score, I mean they were very similar, I can't remember the details but the one with the kiss was probably a bit longer. There was always that moment of release at the end where we could go back to the music that opened the movie. At the beginning it doesn't go that high, at the end it goes higher. But in my mind that was the release, the piano piece at the beginning should also come when the film ends.'' He added: ''But it's funny, I think the British audience wouldn't have been happy with a kiss.'' Marianelli declared that his main goal was to write a score that would feel fresh and modern. He said, ''Liz on Top of the World is no longer in that kind of late 18th century music language, it becomes more modern.'' So what was the first image that was on Marianelli's mind when he got the call for the job some 21 years ago, and what kind of atmosphere did he want to convey through his music? He said, ''You just reminded me about the atmosphere, the first time I went to see the film when it was shot, something really rare happened, which is that Joe convinced everybody to see the movie without any music at all. Usually when we go watch it for the first time, they put music on top of it, classical music from the time, and instead, he projected the film without anything. And that was the most beautiful thing, because it was a really gorgeous movie, so beautiful, and also you coud get a sense of the atmosphere of the scenes, before anybody made you try to feel something with the music. So, there were these empty spaces to go in and fill up with my ideas. That was quite beautiful, it happens so rarely. Actually it's only with Joe, that I'm able to watch the film without any music that had been put there as a temporary soundtrack.'' Composer Dario Marianelli won his first Oscar for 'Atonement' directed by Joe Wright Joe Wright and Dario Marianelli have worked together on four occasions, Pride & Prejudice, then Atonement, which won the composer his first Oscar, Anna Karenina, all three movies starred Keira Knightley and finally The Darkest Hour. The 20th anniversary of Pride & Prejudice is truly an event, the film was recently re-released in theaters and Marianelli's score got a special deluxe vinyl edition on top of all the merchandise released for the occasion, which is a testament of how timeless and beloved this film and Marianelli's score are. ''I'm sure that the scores that I have written and attracted the most attention were all the scores I have written for Joe, and it's his fault! He's just very precise about the space that he leaves in the films for the music. He doesn't make the film, and then calls the composer to paint it over, to decorate. It's absolutely the opposite of decoration, he's already thinking what the music is going to do before he even shoots the scene.''
