
8 Tribal Crafts From Northeast India That Are Deeply Rooted In Culture & History
India's Northeast isn't just geographically remote — it's also culturally rich in a way that feels untouched by the rush of the modern world. Home to more than 200 tribes, the region's crafts are as diverse as its landscapes, and every weave, pot, or painting is grounded in daily life, ritual, and ancestry. These are crafts with a point of view. Whether it's a bold Naga shawl that once signified warrior status or a bamboo basket woven for practical farming needs, the handmade treasures of the Northeast offer a window into the cultural heartbeat of the region. Here's a look at some of the most iconic tribal crafts from Northeast India, sorted by state, that you'll want to know about.
Here Are 8 Noteworthy Tribal Crafts From Northeast India:
1. Naga Shawls — Nagaland
A Naga shawl isn't just clothing — it's an identity marker. Traditionally, the colours and motifs on these shawls reflect tribal affiliations, gender, and even social status. The Tsungkotepsu shawl of the Ao tribe, once exclusive to warriors, features fierce symbols like spears and buffalo horns. Woven on backstrap looms using wool or cotton, these textiles are now being integrated into modern fashion. But the meanings remain: Each line and motif is still tied to centuries of tradition.
2. Bamboo And Cane Craft — Assam, Tripura, Mizoram, And Manipur
Used in everything from tools to furniture, bamboo and cane are the lifeblood of utilitarian craft in the Northeast. In Tripura, Riang artisans create finely detailed cane stools and trays, while in Assam, bamboo is used for everything from household baskets to the decorative yet functional Japi hat. Manipur and Mizoram continue to produce an impressive array of woven goods, often combining traditional technique with clean, modern design-making them a hit among eco-conscious consumers.
3. Phanek And Innaphi Textiles — Manipur
Worn by Meitei women, the Phanek is a woven skirt, typically paired with a sheer stole called the Innaphi. These textiles are handwoven using traditional techniques, often passed down through generations within families. Each colour and design carries meaning-red symbolises strength, while white denotes purity. The fabrics are worn for everything from daily wear to religious ceremonies, and their quiet elegance is winning over global design houses.
4. Eri And Muga Silk — Assam
Assam is world-famous for two unique types of silk: Muga and Eri. Muga silk, with its natural golden hue, is exclusive to Assam and is known for its durability and sheen. It was once reserved for royalty and remains a marker of prestige. Eri silk, often called the 'peace silk', is produced without killing the silkworm, making it a favourite in sustainable fashion circles. Soft, breathable, and ethically made, Eri is commonly used in shawls and scarves, often dyed with natural pigments.
5. Black Pottery — Manipur
The village of Andro in Manipur is home to a rare form of black pottery made without a potter's wheel. Instead, the clay is beaten and moulded by hand, then fired in an open flame, giving it its distinctive black sheen. Used traditionally for cooking and storage, these pots are made from a mix of serpentine stone and weathered rock. The all-black aesthetic has recently caught the eye of interior designers and collectors who love its raw, minimal vibe.
6. Wood Carving And Bead Jewellery — Arunachal Pradesh
In Arunachal Pradesh, traditional crafts lean heavily on nature. The Monpa tribe carves wooden altars and ritual masks used in Buddhist ceremonies. The Apatani and Nyishi communities create elaborate bead jewellery, often incorporating bones, feathers, and seeds. These items aren't decorative in the conventional sense — they're ceremonial and symbolic, tied to rites of passage and tribal pride.
7. Thangka Paintings — Arunachal Pradesh & Sikkim
Though more widely associated with Tibetan Buddhism, Thangka paintings are also deeply rooted in Arunachal Pradesh (especially among the Monpa) and parts of Sikkim. These paintings are done on cotton or silk and depict Buddhist deities, mandalas, or life events of the Buddha. Highly detailed and spiritually significant, Thangkas require years of training to perfect. They're not just visual — they're devotional tools meant for meditation and prayer. In recent years, some are being adapted as wall art for global homes, but traditionally they're rolled and stored when not in use, like a scroll.
8. Puan Textiles — Mizoram
The Puan is more than a traditional garment — it's a symbol of Mizo identity. Handwoven with bold stripes, checks, and geometric motifs, it's worn during ceremonies, festivals, and formal events. Today, designers in Mizoram are incorporating Puan patterns into contemporary silhouettes — think bags, jackets, and even shoes — without losing the integrity of the original motifs.
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NDTV
6 days ago
- NDTV
8 Tribal Crafts From Northeast India That Are Deeply Rooted In Culture & History
India's Northeast isn't just geographically remote — it's also culturally rich in a way that feels untouched by the rush of the modern world. Home to more than 200 tribes, the region's crafts are as diverse as its landscapes, and every weave, pot, or painting is grounded in daily life, ritual, and ancestry. These are crafts with a point of view. Whether it's a bold Naga shawl that once signified warrior status or a bamboo basket woven for practical farming needs, the handmade treasures of the Northeast offer a window into the cultural heartbeat of the region. Here's a look at some of the most iconic tribal crafts from Northeast India, sorted by state, that you'll want to know about. Here Are 8 Noteworthy Tribal Crafts From Northeast India: 1. Naga Shawls — Nagaland A Naga shawl isn't just clothing — it's an identity marker. Traditionally, the colours and motifs on these shawls reflect tribal affiliations, gender, and even social status. The Tsungkotepsu shawl of the Ao tribe, once exclusive to warriors, features fierce symbols like spears and buffalo horns. Woven on backstrap looms using wool or cotton, these textiles are now being integrated into modern fashion. But the meanings remain: Each line and motif is still tied to centuries of tradition. 2. Bamboo And Cane Craft — Assam, Tripura, Mizoram, And Manipur Used in everything from tools to furniture, bamboo and cane are the lifeblood of utilitarian craft in the Northeast. In Tripura, Riang artisans create finely detailed cane stools and trays, while in Assam, bamboo is used for everything from household baskets to the decorative yet functional Japi hat. Manipur and Mizoram continue to produce an impressive array of woven goods, often combining traditional technique with clean, modern design-making them a hit among eco-conscious consumers. 3. Phanek And Innaphi Textiles — Manipur Worn by Meitei women, the Phanek is a woven skirt, typically paired with a sheer stole called the Innaphi. These textiles are handwoven using traditional techniques, often passed down through generations within families. Each colour and design carries meaning-red symbolises strength, while white denotes purity. The fabrics are worn for everything from daily wear to religious ceremonies, and their quiet elegance is winning over global design houses. 4. Eri And Muga Silk — Assam Assam is world-famous for two unique types of silk: Muga and Eri. Muga silk, with its natural golden hue, is exclusive to Assam and is known for its durability and sheen. It was once reserved for royalty and remains a marker of prestige. Eri silk, often called the 'peace silk', is produced without killing the silkworm, making it a favourite in sustainable fashion circles. Soft, breathable, and ethically made, Eri is commonly used in shawls and scarves, often dyed with natural pigments. 5. Black Pottery — Manipur The village of Andro in Manipur is home to a rare form of black pottery made without a potter's wheel. Instead, the clay is beaten and moulded by hand, then fired in an open flame, giving it its distinctive black sheen. Used traditionally for cooking and storage, these pots are made from a mix of serpentine stone and weathered rock. The all-black aesthetic has recently caught the eye of interior designers and collectors who love its raw, minimal vibe. 6. Wood Carving And Bead Jewellery — Arunachal Pradesh In Arunachal Pradesh, traditional crafts lean heavily on nature. The Monpa tribe carves wooden altars and ritual masks used in Buddhist ceremonies. The Apatani and Nyishi communities create elaborate bead jewellery, often incorporating bones, feathers, and seeds. These items aren't decorative in the conventional sense — they're ceremonial and symbolic, tied to rites of passage and tribal pride. 7. Thangka Paintings — Arunachal Pradesh & Sikkim Though more widely associated with Tibetan Buddhism, Thangka paintings are also deeply rooted in Arunachal Pradesh (especially among the Monpa) and parts of Sikkim. These paintings are done on cotton or silk and depict Buddhist deities, mandalas, or life events of the Buddha. Highly detailed and spiritually significant, Thangkas require years of training to perfect. They're not just visual — they're devotional tools meant for meditation and prayer. In recent years, some are being adapted as wall art for global homes, but traditionally they're rolled and stored when not in use, like a scroll. 8. Puan Textiles — Mizoram The Puan is more than a traditional garment — it's a symbol of Mizo identity. Handwoven with bold stripes, checks, and geometric motifs, it's worn during ceremonies, festivals, and formal events. Today, designers in Mizoram are incorporating Puan patterns into contemporary silhouettes — think bags, jackets, and even shoes — without losing the integrity of the original motifs.


Hindustan Times
20-05-2025
- Hindustan Times
Manipur: Media persons say their route was blocked en route to Shirui Lily Festival
A media team en route to cover the opening ceremony of the 5th Shirui Lily Festival in Manipur was forced to return after personnel of the MAHAR Regiment and Border Security Force (BSF) allegedly blocked their bus at Gwaltabi in Imphal East district. The incident occurred on Tuesday morning, the day when the five-day festival is scheduled to commence in Ukhrul district. The festival is being held for the first time since ethnic violence erupted in the state in May 2023. On May 8, Manipur Governor Ajay Kumar Bhalla chaired the second organising committee meeting for the festival at Raj Bhavan in Imphal, where key issues including budget allocation, scheduling, security, transport logistics, crowd management, accommodation, cultural programming, and promotional strategies were discussed. As part of logistical arrangements, the Manipur State Transport (MST) had issued a notice on May 6 announcing dedicated bus services from Imphal to Ukhrul between May 20 and 24. Three buses were to operate between the Inter-State Bus Terminal (ISBT), Imphal, and Shirui Public Ground, Ukhrul, at a fare of ₹200 per passenger. According to an order issued by the Director of Information and Public Relations (DIPR), Manipur, on May 19, a dedicated transport service for media personnel covering the festival was arranged from the DIPR office at Nityaipat Chuthek, Imphal. Security on National Highway 202, which connects Imphal East to Ukhrul, has been handed over to BSF and Army personnel ahead of the festival. Although Ukhrul is a Naga-dominated district that remained largely unaffected by the ethnic conflict, a heavy security presence was deemed necessary since Meitei attendees would have to travel through six Kuki-Zo villages Mongneljang, Gwaltabi, Zalenbung, Mongot-Chepu, Litan, and Sareikhong located along the route. Two other villages, Thawai Kuki and Zaolen, are situated nearby. In a public notice issued on Monday, Ukhrul additional deputy commissioner Polly Makan advised all travellers to use the Yaingangpokpi route between 8am and 4pm. 'Visitors travelling after 4pm will be escorted by security personnel,' and noted that 'no movement will be permitted after midnight to ensure safety and order,' she said. When contacted, members of the media team claimed that they were being stopped at multiple checkpoints between Imphal and Ukhrul. 'When we reached near Gwaltabi, Imphal East, the BSF personnel told us to remove the 'Manipur State Transport' signage from the bus. We covered the MST markings with paper, but later, another team from the MAHAR Regiment arrived and said the bus could not proceed further,' a member of the media team said. 'We were scheduled to cover the festival's inaugural function at 11am. If we are detained until 10am, how are we supposed to report on the event? We were not going to Ukhrul to have were on assignment,' the journalist added. Eventually, the team hired a private vehicle and returned to Imphal. The other MST buses were also made to spray-paint on the 'Manipur State Transport' signage and were then allowed to proceed. Earlier, on March 8, the MST had resumed services following instructions from Union home minister Amit Shah, allowing free movement across all roads in Manipur. However, buses were attacked in Kangpokpi district by Kuki-Zo protesters demanding the suspension of MST services in their dominated areas until their demand for a separate administration, specifically a Union Territory, is fulfilled.


United News of India
17-05-2025
- United News of India
Manipur prepares for Shirui festival
Imphal, May 17 (UNI) Manipur is all set to organise the Shirui Lily festival after a gap of two years from May 20-24. A crisis had led to cancellation of major tourism festivals like Sangai, Shirui, Polo International in 2023 and 2024. The fifth edition of the Shirui Lily Festival will be celebrated from May 20 to 24, at Ukhrul district. Named after Shirui Lily a beautiful flower scientifically known as Lilium Mackliniae, the beautiful flower blooms at Shirui hill ranges in May and June. The Department of Tourism, Government of Manipur will organize the event with all the flavours of the festival, Rock music, indigenous music, food , adventure, Miss Shirui contest and showcase the beauty of Ukhrul district and majority Tangkhul tribe who settle in the district. The festival is organized despite challenges from Kuki militants who have warned people belonging to a particular community not to take part in the festival. Most tourists will land at Imphal airport and move towards Ukhrul district which is about 78 km, half of which are hill region. A little known Kuki organization issued threats which were immediately denounced by Manipur Police and Naga organizations. The Naga bodies of Ukhrul have asked all not to disturb the festival. Manipur Police said the press statement issued by one unknown organisation Kuki Zo Village Volunteer-Eastern Zone (KZVV-EZ), is being circulated on social media and local vernaculars. The unknown organization has warned members of the Meitei community against entering or crossing Kuki-inhabited areas for the upcoming Shirui Festival. The district police enquired into the organization. However, no such organization was found. The general public are requested not to believe such unfounded and baseless press note issued by unknown organizations. The district police will make adequate security arrangements to ensure and facilitate free movement of public for the Shirui Festival. The public are requested to cooperate with the Police Department in the security arrangement relating to Shirui Festival, police said. Director Tourism, Pooja Elangbam went to the district and informed from the venue itself that the road is safe and the festival will go on as scheduled. The main attraction will be ShiRock, a musical event with artists from India and abroad. Manipur government will also arrange special buses from Imphal to Ukhrul during the festival. Helicopter services will also be available from Imphal to Ukhrul for the safety and convenience of the tourists. UNI NS SSP BM