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Photo – Italy Star Hypes Up PSG Vs Inter Milan Champions League Final: ‘Munich, Milan, It Doesn't Matter Where You Are – We're All Together'

Photo – Italy Star Hypes Up PSG Vs Inter Milan Champions League Final: ‘Munich, Milan, It Doesn't Matter Where You Are – We're All Together'

Yahooa day ago

Photo – Italy Star Hypes Up PSG Vs Inter Milan Champions League Final: 'Munich, Milan, It Doesn't Matter Where You Are – We're All Together'
Tomorrow it will be time for the Champions League final between PSG and Inter Milan.
It will be an absolutely season-defining match for both teams.
For Inter, it will be a chance to right the wrong of the 2023 final. The Nerazzurri narrowly lost out to Manchester City two years ago.
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Meanwhile, Paris Saint-Germain are still hoping to win their first ever Champions League crown.
Inter Milan wingback Federico Dimarco took to Instagram ahead of the match with his message to the fans.
He wrote, 'In Munich, In Milan, at San Siro, or around the world. It doesn't matter where you are. Whoever you are, we'll be with you. All of us TOGETHER. Forza Inter.'

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A Complete Timeline of Taylor Swift and Scooter Braun's Feud: Music Ownership Battle and More
A Complete Timeline of Taylor Swift and Scooter Braun's Feud: Music Ownership Battle and More

Yahoo

time5 minutes ago

  • Yahoo

A Complete Timeline of Taylor Swift and Scooter Braun's Feud: Music Ownership Battle and More

The bad blood between Taylor Swift and Scooter Braun has inspired song lyrics, forced celebrities to take sides and incurred the wrath of Swifties. The drama came to a head in June 2019 when it was announced that Braun's media company, Ithaca Holdings, had acquired Scott Borchetta's Big Machine Label Group for $300 million. Through the deal, Braun became the new owner of Swift's first six albums with Big Machine Records: her self-titled debut, Fearless, Speak Now, Red, 1989 and Reputation. Swift condemned the business deal via Tumblr, calling it her 'worst case scenario' and claiming that she'd faced 'incessant, manipulative bullying' from Braun for years. That August, the singer announced her plans to rerecord her first six albums in an attempt to regain the rights to her masters. 'I think artists deserve to own their own work,' she told Robin Roberts during an appearance on Good Morning America. Scooter Braun's Ups and Downs Over the Years: Taylor Swift Feud, Divorce, Client Drama and More Keep scrolling for a complete timeline of Swift and Braun's feud: Justin Bieber shared a since-deleted photo via Instagram of him FaceTiming Braun and Kanye West, who was then a client of Braun's. 'Taylor Swift what up,' he captioned the snap. The post came amid Swift's infamous feud with West. After Braun's acquisition of Big Machine made headlines in July 2019, Swift slammed the business deal via Tumblr. In the lengthy blog post, the musician claimed that 'for years,' she'd 'pleaded for a chance to own my work' but was instead 'given an opportunity to sign back up to Big machine Records and 'earn' one album back at a time, one for every new one I turned in.' Swift, who became Big Machine's first client in 2005, continued: 'I walked away because I knew once I signed that contract, [Big Machine Records founder and CEO] Scott Borchetta would sell the label, thereby selling me and my future. I had to make the excruciating choice to leave behind my past.' The 12-time Grammy winner then claimed that she found out Braun had purchased her masters after the deal was made public. 'All I could think about was the incessant, manipulative bullying I've received at his hands for years,' she wrote. 'Now Scooter has stripped me of my life's work, that I wasn't given an opportunity to buy. Essentially, my musical legacy is about to lie in the hands of someone who tried to dismantle it. This is my worst case scenario." Scooter Braun Jokes About Not Receiving an Invite to Taylor Swift's Rhode Island House Swift also included a screenshot of Bieber's infamous 'Taylor Swift what up' Instagram post, writing, 'This is Scooter Braun, bullying me on social media when I was at my lowest point.' That same month, Bieber apologized for the post via Instagram saying that it was 'distasteful and insensitive.' He also defended Braun, claiming that the music executive 'didn't have anything to do with' the post. 'In all actuality he was the person who told me not to joke like that,' Bieber wrote. Swift shared an update on the feud and directly asked her fans for help. In a letter shared via Twitter, she claimed that Borchetta and Braun told her she wasn't allowed to perform any music from her first six albums during her American Music Awards performance. 'I've been planning to perform a medley of my hits throughout the decade on the show,' she wrote of the then-upcoming performance.. 'The message being sent to me is very clear. Basically, 'Be a good little girl and shut up. Or you'll be punished.'' Swift then asked fans to reach out to celebrities who work with Braun in hopes that they could help her get permission to play her songs. 'Scooter also manages several artists who I really believe care about other artists and their work,' she penned. 'Please ask them for help with this — I'm hoping that maybe they can talk some sense into the men who are exercising tyrannical control over someone who just wants to play the music she wrote.' Later that month, Big Machine denied Swift's claims in a lengthy statement. 'At no point did we say Taylor could not perform on the AMAs,' the label claimed. 'In fact, we do not have the right to keep her from performing live anywhere.' Less than a year and a half after acquiring them, Braun sold Swift's master rights to Shamrock Holdings for over $300 million. That same month, Swift shut down rumors that she'd purchased her catalog from Braun, revealing that the sale had occurred without her knowledge. 'He would never even quote my team a price. These master recordings were not for sale to me,' she claimed via Twitter. Swift made good on her promise to rerecord her first six albums and released Fearless (Taylor's Version) in April 2021. "I've spoken a lot about why I'm remaking my first six albums but the way I've chosen to do this will hopefully help illuminate where I'm coming from," she wrote in the album's prologue letter. "Artists should own their own work for so many reasons, but the most screamingly obvious one is that the artist is the only one who really knows that body of work." Swift went on to release Red (Taylor's Version) in November 2021 and Speak Now (Taylor's Version) in July 2023. In August 2023, she announced that 1989 (Taylor's Version) will be released in October 2023. Braun shared his side of the story during an interview for a Variety cover story. "I regret and it makes me sad that Taylor had that reaction to the deal,' he told the outlet, claiming that the details Swift shared about the acquisition were 'not based on anything factual.' He continued: "I don't know what story she was told. I asked for her to sit down with me several times, but she refused.' Braun added that he was most hurt by Swift's characterization of him as a bully. 'I'm firmly against anyone ever being bullied. I always try to lead with appreciation and understanding. The one thing I'm proudest of in that moment was that my artists and team stood by me. They know my character and my truth. That meant a lot to me,' he said. Demi Lovato, who previously defended Braun in July 2019 when Swift called him out for bullying, was one of several high-profile clients to reportedly cut ties with Braun in August 2023 along with Ariana Grande and Bieber. An insider with knowledge of the situation told Us at the time that 'all of Scooter Braun's clients are under contract and negotiations have been going on for several months as Scooter steps into his larger role as Hybe America CEO.' Swift's fans were quick to theorize that the reports were indicative of trouble ahead for Braun. 'How Taylor Swift is sleeping knowing Scooter Braun's empire is crumbling #karma,' one Twitter user wrote alongside a photo of the titular mouse from Tom and Jerry snoozing soundly in a bed. Another chimed in: 'Justin Bieber, Demi Lovato and Ariana Grande leaving Scooter Braun?????!!?!?! Oh honey, this is better than revenge,' referencing Swift's 2010 track of the same name. In June 2024, it was announced that Braun and Grande would be 'continuing their long-standing business partnership and pursuing creative opportunities in Weverse and REM Beauty,' adding, 'Grande in this new chapter will continue to be managed exclusively by Brandon Creed/Good World Management.' Swift reflected on her feuds with Braun and West in her TIME 2023 Person of the Year cover story, saying, 'Make no mistake — my career was taken away from me.' She continued, 'Nothing is permanent. So I'm very careful to be grateful every second that I get to be doing this at this level, because I've had it taken away from me before. There is one thing I've learned: My response to anything that happens, good or bad, is to keep making things. Keep making art. But I've also learned there's no point in actively trying to quote unquote defeat your enemies. Trash takes itself out every single time.' Swift went on to state she believed Braun purchased her masters for 'nefarious reasons,' adding, 'I was so knocked on my ass by the sale of my music, and to whom it was sold. I was like, 'Oh, they got me beat now. This is it. I don't know what to do.' … It's all in how you deal with loss. I respond to extreme pain with defiance.' Swift and Braun's drama was the subject of a Disney+ docuseries titled Taylor Swift vs. Scooter Braun: Bad Blood. Us Weekly confirmed a statement shown at the end of the series was issued by Swift's spokesperson. The message read, 'None of these men will ever be able to take anything away from Taylor's legacy as a songwriter, singer, director, philanthropist and advocate for artists' rights. Taylor has completely moved on from this saga, and has turned what started out as an extremely painful situation into one of the most fulfilling endeavors of her life.' Shortly before the show's premiere, Braun announced his retirement from music management, clarifying he would remain CEO of Hybe America. Braun addressed the Taylor Swift vs. Scooter Braun: Bad Blood docuseries at a Bloomberg Screentime event in Los Angeles, stating that he was urged to watch it by his parents after initially being hesitant to do so. 'Look, it's five years later,' he said. 'I think, everyone, it's time to move on. There were a lot of things that were misrepresented.' Braun also noted the importance of people communicating 'directly with each other' when dealing with conflict. He said, 'I think doing it out on social media and in front of the whole world is not the place. I think when people actually take the time to stand in front of each other and have a conversation, they usually find out the monster's not real. And that has not happened.' Amid fan demand for her final two rerecorded albums, Swift announced in a lengthy letter shared via her website that she had gained ownership of her masters. 'I almost stopped thinking it could ever happen, after 20 years of having the carrot dangled and then yanked away,' she wrote. 'But that's all in the past now. I've been bursting into tears of joy at random intervals ever since I found out that this is really happening. I really get to say these words: All of the music I've ever made … now belongs … to me.' In addition to her masters, Swift also gained full ownership of her concert films, album art and photography and unreleased songs. She also revealed that while she completed rerecording her self-titled debut album, she kept putting off finishing Reputation (Taylor's Version). 'There will be a time (if you're into the idea) for unreleased Vault tracks from that album to hatch,' she clarified. Braun reacted to the news in a statement to Us, simply stating, 'I am happy for her.'

Birmingham teen and double-amputee international race ending goes viral
Birmingham teen and double-amputee international race ending goes viral

Yahoo

time7 minutes ago

  • Yahoo

Birmingham teen and double-amputee international race ending goes viral

An inspiring double-amputee teenager from Birmingham has been praised by thousands of people after footage of her finishing an international race went viral. Daisy-May Demetre from Birmingham had both of her lower legs amputated at just 18 months old, but has spent her childhood showing that there is no limit to what she can achieve - including competing in races, modelling for major brands and doing talks to raise awareness. Last weekend, Daisy-May took part in Greece's Spetsathlon 2025, a mass sporting event that takes place on the island of Spetses, drawing international crowds. READ MORE: 'I swapped my high-flying role and company car to patrol the streets of Birmingham' Footage of the 14-year-old crossing the finishing line on May 17, cheered on by residents and and holiday-makers in cafes along the race route, has since gone viral, bringing Daisy-May's story to the world. You can watch the footage in the video at the top of this story. Daisy-May ran the 5k race within the three-day event, and footage of her crossing the finish line, aided by her dad Alex Demetre, racked up more than 161,000 views on her Instagram page, which has 125,000 people following her journey. "I like to inspire people that they can be themselves, we are normal people and we are exactly like everyone else" Daisy-May told BirminghamLive after the race. Daisy-May was born with born with fibular hemimelia – a birth defect in which the calf bone is missing. She shot to fame in 2018 when she became the face of River Island, and has since walked the catwalk at London Fashion Week and is starring in Birmingham Fashion Week later this year. The determined youngster also won the Child of Courage award at Pride of Birmingham 2019 - touching hearts across the region. Daisy-May's dad Alex told BirminghamLive his daughter completed the Spetses race with "strength, pride, and determination" and described an "electric atmosphere" as people watched her fight to make the finish line. "It was a crazy reaction, my dad was carrying me, I am glad, it was really hard and my dad carried me for some of it" Daisy-May said. "The atmosphere was amazing everyone was cheering her" added Alex. "Team work makes the dream work." Recalling the battle to get to the finish line, Daisy-May told BirminghamLive: "It was hard. "I like doing these sorts of challenges like climbing mountains. "I do acting, some modelling, I like giving talks to people." Despite having both of her lower legs amputated at just 18 months old, an issue that was picked up on her 20-week scan, Daisy-May began modelling and training gymnastics at a young age. Dad Alex, told BirminghamLive: "When she was born I ended up turning to drinking, we found out when my partner was pregnant that she would have to have amputations. "It broke me." Now in year 10, Daisy-May said she only models and runs on her blades so she can raise awareness and encourage others that they face no barriers. She spends her time between her mum and dad's houses in Birmingham and in her spare time, travels around Europe to complete competitions or give talks to community groups. Recently Alex and Daisy-May travelled to Tenerife to help with at an inclusive fitness retreat specifically tailored for amputees. Ahead of her appearance at Birmingham Fashion Week in September, Daisy-May said: "I love doing modelling and wearing new clothes. "I wear my blades so that it shows I am an amputee, I just want to show people that no matter what challenges you face you can still inspire people to believe in themselves." Daisy-May has now signed up with an agent to pursue acting, which she hopes will take her into the film and television industry, and will be sitting her GCSEs next year. "I use my prosthetic legs for school, for modelling and racing I use the blades" she added. On her future, dad Alex added: "She was amazing, we have climbed Mount Snowdon together. "The Spetsathlon team are amazing, we will probably go out there next year. "Daisy-May has that drive and determination, you can't teach that, I am always in her ear telling her how great she is. "When she has her prosthetics on they look like normal legs, you would not know it does not affect her life."

The ultimate Champions League final guide – PSG's pacy pressing vs Inter's intelligent defensive unit
The ultimate Champions League final guide – PSG's pacy pressing vs Inter's intelligent defensive unit

New York Times

time14 minutes ago

  • New York Times

The ultimate Champions League final guide – PSG's pacy pressing vs Inter's intelligent defensive unit

With 188 Champions League games played, just one remains. Tonight's final between Paris Saint-Germain and Inter Milan provides an intriguing tactical battle between two styles of play. The omens look good for PSG as they look to lift the trophy for the first time — the previous four finals in Munich all provided a first-time winner and the only other time a French and Italian side met in the final (Marseille vs Milan, 1993 in Munich), the team from France came out on top. Advertisement However, Simone Inzaghi's Inter are competing in their second Champions League final in three years, and many of that 2022-23 squad remain, meaning they benefit from experience. This is the first time the two teams have faced each other in a competitive fixture, so there is no historical data to look at, but there are clues from the run-in to the final, so allow The Athletic to unpack some key tactical themes that might emerge. Last week, speaking at the UEFA media day ahead of the final, Luis Enrique was glowing in his assessment of PSG's pressing capabilities: 'You can see how many ball recoveries (the attackers) have. This is one of the concepts that is hardest to instil because attackers have to change their mindset. It's about working as a team. We did that last season, but we've been better this year.' He has coached them into becoming one of Europe's most aggressive pressing sides, often comfortable going man-for-man, though they have tweaked their scheme in deeper Champions League rounds — keeping an extra defender back and leaving No 9 Ousmane Dembele to cut the pitch in half while PSG lock on down one side. Their press was particularly excellent in the round of 16 first leg at home to Liverpool, forcing them long, and left-back Nuno Mendes shut down Mohamed Salah when he was targeted with direct balls. The challenge now is implementing that press against one of Europe's best sides at playing over and through opponents. Manchester City head coach Pep Guardiola summarised after the 2023 Champions League final that 'they bring you up (bait the press). They found the strikers, they link really well, (they) can keep it, and after they run for the other side.' Inter's opening goal in the quarter-final first leg away to Bayern Munich — the top-pressing team in the Champions League this season — proved that. Inzaghi's side built up in a 2-3 shape, pushing left centre-back Alessandro Bastoni on. When Bayern jumped, Sommer went over the press, targeting Lautaro Martinez, with Inter two-v-two against Bayern's centre-backs. Lautaro, only 5ft 8in (176cm) tall, beats Kim Min-jae in the air and flicks it on to Marcus Thuram. Immediately, he arcs a run in support as they play a one-two. The release pass to wing-back Carlos Augusto is not quite on — because he ran so early, he is offside — so Lautaro finds the advancing centre-back Bastoni. Bastoni then plays forward to Augusto, with both Inter wing-backs on the last line (Matteo Darmian is just in shot on the near side). The rest of the move has to be appreciated in video form, with Augusto's early, low cross trying to find a tap-in for Thuram. It ends up a little more behind him than he wants, and the France international reacts excellently to backheel it into Lautaro's path. He picks out the top-right corner with an outside-of-the-boot finish. Full-backs — or wing-backs — very rarely tend to be match-winners, but that could easily be the case in this final. Inter's 3-5-2 in possession is built on the attacking output of Federico Dimarco and Denzel Dumfries, with the latter involved in five of Inter's six goals (two goals, three assists) in the semi-final over Barcelona. Collectively, Inter have scored 10 times from crosses this Champions League season, the most in the competition. They showed their wide threat inside a minute of the semi-final when they baited the Barcelona press, played long to Thuram, and Nicolo Barella released Dumfries. After his first cross was cleared — with Dimarco attacking the back post — he crossed low for Thuram to backheel in. It's a dream start for Inter. Marcus Thuram gives the visitors the lead after just 30 seconds with a wonderful improvised finish. The Estadi Olimpic Lluis Companys is stunned.#UCL 🎥 @footballontnt — The Athletic | Football (@TheAthleticFC) April 30, 2025 PSG's full-backs are equally fundamental to their style. Right-back Achraf Hakimi is rarely right or back in the team, often taking up aggressive positions in the half-space in attack, as PSG's 4-3-3 really builds up as a 3-2-5. He provides plenty of underlapping runs to support and combine with the winger — either Desire Doue or Khvicha Kvaratskhelia — and a real box-crashing threat too. On the left, Nuno Mendes tucks in plenty to cover for Hakimi, often making a back three. In moments of settled possession, though, he will push forward too to overload the last line. Hakimi (eight) and Mendes (five) are second and fourth for goal involvements in the PSG squad this European term, and they either scored or assisted eight of their 19 knockout round goals. They combined for PSG's second in the quarter-final return leg away to Aston Villa, breaking from deep with Hakimi making the third-man run when Kvaratskhelia set a pass back to Joao Neves. PSG were four-versus-two, with Mendes running — offside — straight through the centre and Dembele having pulled wide. Hakimi passed wide to Dembele, who dribbled. Hakimi's underlap took the defender with him… … and Dembele passed across to Mendes, who controlled with his first touch and curled past Emi Martinez, in off the post, with his second. Many neutrals might give PSG the edge in Saturday's final, given the blistering pace and intelligent interchange of their fluid attack. However, if there were one team in European football that you would back to stop them, it would be Inter. Inter's defensive unit has been incredible in the Champions League this season, conceding just one open-play goal in their opening 10 games. Granted, six goals conceded across two semi-final legs against Barcelona will give Luis Enrique confidence that he can inflict similar punishment on Inzaghi, but Inter are comfortable in their disciplined 5-3-2 block that can frustrate teams for long periods. Inter are not set up to be gung-ho in their pressing, but will shuffle across from left to right and block central spaces — forcing the opposition to circulate possession and do their best to find gaps in their structure. While PSG are not the most aerially dominant in attack, they could learn from Inter's semi-final clash with Barcelona — where crosses were a thorn in the side of the Nerazzurri. Running back the tape, Inter failed to deal with back-post crosses specifically, with Barcelona scoring three goals that way. Advertisement Given Inter's back-five defensive line, disruption can come from second-line runners or aggressive full-back position from the opposition (as was the case with Dani Olmo and Eric Garcia's finishes below), meaning that late runs from PSG's Hakimi, Nuno Mendes, or Fabian Ruiz could be crucial in unlocking Inter's defence. Crucially, Inter are not accustomed to chasing the game. Such defensive discipline and intelligent street-smarts have meant that Inzaghi's side have trailed for just 16 minutes across the whole Champions League campaign — just one per cent of their total time on the pitch. Considering they have played against Arsenal, Manchester City, Bayer Leverkusen, Barcelona and Bayern Munich, you can understand why caution is being encouraged when suggesting that PSG are the overwhelming favourites in Munich. When the margins are so tight between two elite sides, moments from set pieces could be integral in swinging the outcome of this final. Inter have had plenty of success from set-piece situations on the domestic stage this season, with 18 set-piece goals scored being comfortably the highest in Serie A. Meanwhile, goals from corners have been particularly lucrative for Inzaghi's side in the Champions League, with 9.5 goals per 100 corners being the highest rate of any team in the competition this season. Goals from Benjamin Pavard and Dumfries have been crucial in Inter's knockout phase clashes with Bayern Munich and Barcelona, with the Nerazzurri boasting seven different goalscorers from corner routines across league and European competition this season. Much of that threat stems from the delivery. While Dimarco can whip in an excellent cross from the left, Inter's best set-piece taker is undoubtedly Hakan Calhanoglu, with the Turkey international well placed to take corners from both sides of the pitch. Advertisement That explains Inter's asymmetry in corner style, where the majority of deliveries are from Calhanoglu's outswingers from the right — compared with a more equitable share between Dimarco and Calhanoglu from the left, varying the approach between inswinging and outswinging crosses. Irrespective of the taker, Inter's delivery is often placed perfectly towards the central zones — close to the penalty spot — for team-mates to attack. The battling approach from Inzaghi's side is borne out in the numbers, with a 54 per cent duel success rate in Europe this season — better than any other side since the start of the competition. Winning first contact and responding to second balls might not sound attractive, but such an agricultural part of the game could be crucial in deciding where the trophy ends up by the end of Saturday evening. For this answer, we can turn to The Athletic's match prediction model. This uses per-shot expected goals to create an attacking and defensive rating for each team, before employing a data model to simulate upcoming games. Here, the model is giving the edge to Luis Enrique's side, with PSG having a 53 per cent chance of victory (excluding penalties) compared with Inter's 27 per cent. If pushed for more detail, The Athletic's model predicts that a 2-1 PSG victory will be the most likely scoreline on the night. That would be a logical projection of events on Saturday evening in Munich — but as we know, football does not conform to logic. In a straight shootout at the highest level of European competition, all rules often go out of the window. Leave your predictions in the comments below. Where to watch the final: UK — TNT Sports 1 and Discovery+, 6pm BST; U.S. — CBS and Paramount+, 1.30pm ET (Illustration: Eamonn Dalton / The Athletic; Thibaud MORITZ / AFP, David Ramos, Jeroen van den Berg/Soccrates, Mattia Ozbot – Inter/Inter /Getty Images)

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