
Hallmark Tackles Personal Renovations In New Series ‘Home Is Where The Heart Is'
When Luke Macfarlane walks into a home, any home, even those of his friends, he immediately begins to assess the construction and décor.
'Anybody who knows me knows that when I come in I will immediately want to know, like, 'oh, how are these made? And what's this? Who helped you with this',' says Macfarlane
His inquisitiveness comes from a genuine love of construction and furnishings. 'I can speak a lot about design and woodworking, because those are things that I'm really interested in.'
Now, Macfarlane gets to use his knowledge, and passion, in the new series Home is Where the Heart Is. In Hallmark's first entry into the renovation genre, Macfarlane and designer Olivia Westbrooks take viewers inside homes that are overdue for a facelift and then proceed to use their talents to update the residence while still keeping the history and uniqueness of the home intact.
Most of Macfarlane's work has been as an actor, appearing in numerous Hallmark films, so switching to a reality series presents a new challenge for him. 'I mean, acting is really about responding to what's in front of you, so in that way acting is very similar to what it's like to be a human being. That being said, I remember our first day when we were meeting a family for the first time. We walked up to their house and I definitely remember when the doors opened and I was like, 'Oh, these are real people.''
Macfarlane says that once everyone got used to the equipment, 'The most important thing is it's just a conversation with somebody. And I was amazed at how quickly all our homeowners eventually came around to, 'oh, let's just look at each other.' They all became very comfortable.'
Before ever even raising a hammer or painting a wall, Westbrooks says that she and Macfarlane were guided in their choices by, 'leaning into the stories of the families.'
'We asked them about the history of the home and said, 'tell us about your fondest memories, what did you love about growing up in this house' and the things that,' she explains.
She adds that the hardest part for the duo was, 'deciding what do we touch and what don't we touch. I know how to modernize a space, make it look fresh and new, but this was different because we wanted to honor and respect the house and the memories of the people who live there.'
'I think some people have this idea that design is about going into a space and telling people what it is that they need,' says Macfarlane 'But this it's less about that, and more about figuring out together the way the space is going to make them feel the most comfortable.'
However, Westbrooks admits that this doesn't mean that she and Macfarlane were always in agreement right away. 'Yeah, there was a lot of give and take. With us, he's the woodworker, I'm the designer. He doesn't want to paint something and I do. And it's the same with deciding what to keep and what not to keep. You know, it's all a compromise, but in a good way. We would come to a happy resolution.'
The pair realize that there is a multitude of home renovation shows on the air but say Home is Where the Heart Is is different for several reasons.
'I feel like with this, the stakes are different,' says Macfarlane explaining, 'A lot of home design shows are driven by the concepts that, 'we're running out of time, we're running out of money,' and we are not driven by that. We're driven by the thought, 'Is what we're doing going to serve this family and tell their story'?' And, I think that what's unique here is that we spend just as much time with the family as we do at the house.'
Westbrooks says that, 'From a design perspective, I mean, let's be honest, not everybody has the budget or the desire to do a full gut renovation.. A lot of people are in situations where it's like, 'this is my house. I can't move walls. I can't move plumbing. But what can I do to update my house right now within the footprint that we have?''
In light of this, Westbrooks says that what viewers will see is, 'a lot of really big transformations just using paint, wall coverings, and decor.'
With every renovation, what Macfarlane and Westbrooks are hopefully doing, she says is, 'We want to inspire people to reflect on their own family history and their own life story in their homes. On our show, we ask, 'Who are you? Where do you come from? What's important to you?' Then we figure out how to make that the sole focus of your space. I just don't think a lot of other shows have that kind of soul.'
'Home is Where the Heart Is' is streaming now on Hallmark+

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While not overtly political, they espoused generally culturally conservative values and a moral tradition that appealed to conservative viewers, with an emphasis on small-town living and heterosexual love stories. But as Hallmark has begun making some content about gay couples and hasn't committed to promoting unambiguously religious themes, a swath of its fans have gone looking for something else that more directly conforms with their politics and their values. That's where many of them find GAM and a growing slate of faith-based or avowedly conservative production companies. Longtime president of the Federalist Society Leonard Leo, for example, helped to bankroll Wonder Project, the Texas-based studio that produced House of David, the wildly popular retelling of the biblical shepherd's story that found a home on Amazon's Prime Video. Leo received a $1.6-billion gift that he's using with the express purpose of making culture more conservative. 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After the network hosted the show, he says he was told by his bosses at the Hallmark Channel's parent company, that 'you're either for humanity or you're against it,' chastising him for agreeing to host the event. Hallmark did not respond to requests for comment. Then, in 2020, Abbott departed the company after a December 2019 ad for wedding website that depicted a same-sex couple exchanging vows and kissing. After the conservative group One Million Moms objected to the ad, Abbott and his team pulled the ad from its programming — a move that prompted swift backlash. #BoycottHallmark trended on X, then Twitter, and public figures including Ellen DeGeneres called out Abbott directly. The company ultimately reversed course and reinstated the ad, and Abbott stepped down a little over a month after the fallout and the intense backlash to pulling the ad inside and outside the company. 'We made a decision to not take one commercial and that blew up everything on the planet,' Abbott said in April on the podcast of Moms for America, an organization that recently presented Trump with the 'Man of the Century' award at a gala held at Mar-a-Lago. He noted Hallmark was careful about the ads they took in general, not running ads for political campaigns, alcohol or drugs or feminine hygiene products. In his email, Abbott wrote, 'I am very proud of what we built at Hallmark, but their priority became creating content to align with political and social counterculture rather than staying focused on celebrating tradition and delivering what viewers wanted. My goal has always been to serve the audience with uplifting entertainment that creates trust.' So Abbott pivoted into the world of faith-based media. As Abbott tells it, actor Jon Voight — now Trump's Special Ambassador to Hollywood, who starred in the Hallmark film J.L. Family Ranch in 2016 — introduced Abbott to Tom Hicks, a Texas-based private equity investor who runs Hicks Equity Partners. In 2020, Hicks Equity Partners looked to raise $200 million for conservative alternatives to Fox News and explored buying Newsmax, as they sought to put their political imprimatur on American media. (Hicks' son, Thomas Hicks Jr., is a former co-chair of the Republican National Committee and a national finance co-chair for Trump's 2016 campaign.) The Newsmax acquisition never came to fruition, but Hicks Equity Partners helped Abbott get Great American Media off the ground, aiding in his acquisition of the cable network Great American Country in 2021 from Discovery which was subsequently rebranded to Great American Family. Their original programming airs on both linear cable and streaming. According to Great American Media, Hicks Equity Partners has been joined in their initial investment by several other sources, including Deason Capital (a Dallas-based family office run by conservative activist and donor Doug Deason) and Sony. Hicks Equity Partners did not respond to a request for comment. 'Right now, we're going through a period where religious conservatives are increasingly assertive and very energetic in funding and expanding their own cultural space,' said Anne Nelson, author of Shadow Network: Media, Money and the Secret Hub of the Radical Right. While it rejects an explicitly political label, Great American Media receives much of its funding from sources that also fund politically conservative organizations and candidates. They and other similar production companies believe they can power their growth through servicing a large swath of viewers who sound a lot like how Republican candidates describe their voters. 'We have people in our culture who very much want all aspects of their life to be consistent with family-centered values,' Leo says. 'When they're in the marketplace, or when they're in the political world, or when they're simply doing what people do in life to engage in leisure and entertainment, they look for that kind of family-values centered thinking and approach to life.' In the world of faith-based television and movie content, business is booming. Sound of Freedom, a 2023 thriller distributed by the faith-based network Angel Studios about child trafficking that critics called a vehicle for promoting conspiracy theories, minted over $184 million in North America. That made it one of the most successful independent movies ever. His Only Son, another 2023 Angel Studios film, made over $13 million on a $250,000 budget. The Chosen, an ongoing television series about Jesus by filmmaker Dallas Jenkins, claims to have crowdfunded almost $100 million and reached a quarter of a billion people via streaming. Crowdfunding is a popular tool for faith-based production companies that use their audience's enthusiasm — often around a particular political point — to raise cash. Since 2022, The Daily Wire, a conservative media company co-founded by commentator Ben Shapiro, has also produced multiple successful television shows and films and has become a big player in this space. House of David was a huge crossover hit for Wonder Studios, and a starting point for Leo's mission to get more traditional studios and streaming platforms to promote these types of stories. 'I don't see this as being in competition with big Hollywood. I see this as being an opportunity for big Hollywood to make targeted investments that make them money at a time when it's hard to make money in producing movies,' says Leo. Great American Family, meanwhile, grew its viewership by 20 percent between the fourth quarters of 2023 and 2024, making it one of the few networks achieving that sort of rapid growth, according to internal documents from GAM shared with POLITICO Magazine and Nielsen ratings. (Others include conservative media networks Fox News and Newsmax.) Over the same timespan, Hallmark's audience shrunk by 9 percent and Lifetime's by 13 percent, according to Nielsen ratings. Hallmark and Lifetime still maintain larger audiences in total than Great American Family, though. On the business side, many faith-based production companies follow a similar proposition to a channel like Hallmark: build out a slate of movies and TV shows that follow a tried and true formula of simple love stories and moral lessons. 'The reason the model works is because you keep budgets down. These are not genre films. These are not films that require an awful lot in terms of location. Often they're reusing actors,' says Adam Nayman, a Toronto-based film critic and professor at the University of Toronto. 'You kind of build up your own star system where these people are not stars, but they become recognizable to your audience.' GAM's streaming service is currently advertising 'Summer Romcoms' like Sweet Maple Romance, 'Military Heroes' like Peace River: God, Country & The Cowboy Way, and 'Stories of Faith' like Disciples in the Moonlight. The company also launched a specific childrens' hub on their streaming service this week. They are trying to build a catalog of films that fit together in one neat, Christian package. 'Sometimes you'll say, 'I love that show, but I don't know where it is — is this on Max? Is this on Netflix?'' said Kristen Roberts, Great American Media's chief revenue officer and executive vice president of programming, in a recent interview at GAM's New York offices. 'We want to be the complete opposite of that. We want people to say, 'I watch Pure Flix, I watch Great American Family,'' referencing two arms of GAM. The goal, she said, is for viewers to say, ''I watch that service' more than 'I watch that particular show.'' Faith-based networks also have the benefit of being able to position themselves in direct opposition with what they argue is a liberal agenda in Hollywood. The community of faith-based filmmakers can set themselves up as the antidote to cultural products that they see as inappropriate for children and adults alike. 'When you look at White Lotus and you look at situations where they're creating storylines that have incest in them and they're being applauded by the entertainment community, that's an intentional way of taking aberrant behavior and trying to normalize it,' Abbott said on the Moms for America podcast. 'We see it all the time in entertainment — every day. You can turn on almost any movie, any network, go to any movie, and I know it's a very intentional strategy.' The success of faith-based media companies is in large part a reaction to the kind of frustrations that Abbott elucidates. The industry is buoyed by the very thing that it rails against — and it's the response that drives some of the success. 'They've really not ever tried to pretend that they're for everyone,' says Nayman. 'Instead, they say, 'isn't this what you've been missing.' And if you're the one getting that message, and you're the one being reached by that advertisement, then your grievance is being stoked, even if it's underneath the guise of a warm hug.' 'You're assuming that people are fed up with anything that resembles something mainstream or something secular,' Nayman adds. 'And I think they really, really take advantage of a polarized moment.' There's tension between faith-based content and the rest of the media landscape. The faith-based films and television shows — when they're reviewed at all — are regularly panned by critics. Sound of Freedom, the film from this universe that was recently reviewed by the most mainstream critics, has a Metacritic score of 36 out of 100. 'It's bizarre, unsettling and yet — in the filmmaking equivalent of turning wine to water — bracingly dull to boot,' read a review in The Telegraph. 'The quality is a really big issue,' Leo acknowledges. He argues conservatives need to invest in incubating talent that can make family-values movies and shows that are more slick, better produced and appeal to a wider audience. The art in this space often has no real aspirations towards acclaim as it's connoted by an Oscar or Emmy. In fact, in some ways they've created a parallel industry, with their own critics and markers of success. The Movieguide Awards, which are held every year and which largely honor films and television that Movieguide — a service that brands itself as 'movie reviews for Christians' — believes connects with their values. In 2025, winners included the movie Reagan, actor Candace Cameron Bure for A Christmas Less Traveled and Americans With No Address, a documentary about the country's homelessness crisis narrated by actor William Baldwin. Movieguide rates Hollywood films and gives them a 'family content' rating. In the company's annual 'Report to Hollywood,' they argue that films with strong Christian values perform better at the box office. Their formula relies on the often strong performance of children's films and doesn't include every mainstream hit; both Barbie and Oppenheimer had low 'family content' ratings, for example. 'We have a new generation that's having kids, and they want faith and values, their generation does not want sex and violence.' says Ted Baehr, the publisher and editor-in-chief of Movieguide. He cites this year's Academy Awards Best Picture winner Anora, about a New York sex worker, which made a little over $20 million at the domestic box office. 'In Hollywood [that] is pathetic,' he says. 'It's worthless. And all the Academy Award winners were pathetic.' (The film was generally considered an indie success; it was made on a $6 million budget.) While Hollywood has long been a bastion of liberalism, there wasn't always such a stark divide between mainstream Hollywood and religious fare. But in today's political climate, the gap is widening. According to April 2024 research from Pew, 59 percent of Protestants align with the Republican Party compared to 38 percent who align with Democrats, and among white Evangelical Protestants, 85 percent lean Republican while only 14 percent lean Democrat. Christians of all faiths are more likely to be Republicans, where Jews, Muslims and anyone unaffiliated with a particular religion are more likely to be a Democrat. The large partisan split among white Evangelical Protestants in particular has grown steadily and significantly since the start of the Reagan era. And that gap has been reflected in available entertainment options. In the Facebook group 'Great American Family (GAC) Fan Community', users post every day about how the network is one of the only ones that represents their interests, values and politics. In a recent post, a fan wrote, 'GAC SEEMS TO HAVE SOME GREAT PROGRAMMING COMING UP FOR GOOD FRIDAY INTO EASTER. THANK YOU! I SAW SOME DISTURBING STUFF ON A MOVIE WITH HALLMARK OVER THE WEEKEND. ONLY TUNED IT IN WHEN IT WAS ALMOST OVER AND IT WAS 10 MINUTES OF AGENDA!' Her post was flooded with supportive comments. 'Stopped watching Hallmark movies when they cowered to the masses allowing same sex couples. Don't miss it and LOVE Great American Family!!,' another member of the group replied. Abbott uses and cultivates that sense of cultural alienation to market his content. Along with A Christmas Spark — where after two days on set Lopez's character has moved from a big-city office setup to charming small-town USA — GAM's offerings include the upcoming Home Sweet Christmas Wedding starring Cameron Bure and a slate of released Easter-themed productions including Forty-Seven Days with Jesus. Watching GAM is not only an escape from Hollywood, but also a signifier of your own values or politics. While spending your money or time with a Great American Media product, you're voting for something. It's not about artistic innovation or form, it's about sending a message. 'I think that 'Christian' is used by the media to downplay or to stereotype,' Abbott told Moms for America. 'It's reverse racism or however you want to define it. You get stereotyped and put in this box. And that's what they want to do, they want to put faith in a box and make it go away. And we will never let that happen.' — Tessa Berenson Rogers contributed to this report.