logo
GBH's Callie Crossley to be inducted into NABJ Hall of Fame

GBH's Callie Crossley to be inducted into NABJ Hall of Fame

Boston Globe3 days ago
Crossley's career has spanned radio, television, film, and online media. Her work has been recognized with numerous awards, including the Gold Baton DuPont Columbia award, a national Edward R. Murrow Award, and a national Emmy, according to her
Advertisement
She also received an Oscar nomination for her work as a producer, director, and writer on the PBS documentary series 'Eyes on the Prize: America's Civil Rights Years.'
Crossley's GBH biography describes her as 'a woman for all media,' highlighting her work as a commentator, public speaker, writer, broadcast journalist, and filmmaker.
Crossley, who graduated from Wellesley College and was a Harvard Nieman Fellow, also spent 13 years as a producer for the ABC News program '20/20,' where she reported on medical stories including male menopause, breast cancer in young women, and a potential link between viral infection and recycled air in airplanes, according to her biography.
This year's NABJ Hall of Fame class will be inducted Friday at the group's annual convention in Cleveland.
Advertisement
The other inductees are Pam Moore, a longtime anchor for KRON4 in San Francisco; Gregory L. Moore, the former top editor of The Denver Post and a former manager editor for The Boston Globe; Leon H. Carter, a former sports editor for the New York Daily News and ESPN vice president who is now editor-at-large for The Athletic; Cecil Williams, a photojournalist for more than six decades who 'owns the largest image collection of racial change in America'; Bob Reid, a winner of three national Emmys and the first broadcast journalist to serve as NABJ's president from 1979 to 1981; Leon D. Bibb, a Cleveland newscaster who has spent more than 50 years in television news; and Wayne Dawson, an 11-time Emmy winner and ordained minister who serves as co-anchor of WJW/Fox 8 New in the Morning in Cleveland.
Nick Stoico can be reached at
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Jamie Lee Curtis boldly calls out ‘harsh' review of ‘Freakier Friday'
Jamie Lee Curtis boldly calls out ‘harsh' review of ‘Freakier Friday'

New York Post

timean hour ago

  • New York Post

Jamie Lee Curtis boldly calls out ‘harsh' review of ‘Freakier Friday'

Jamie Lee Curtis is defending 'Freakier Friday.' The Oscar winner, 66, responded to Time magazine's negative review of her and Lindsay Lohan's body-swapping sequel. An excerpt of the review that was posted to Instagram on Friday read, 'No one, as far as we know, actually asked Disney for a sequel to 2003's buoyant, surprisingly unsyrupy generation-gap comedy 'Freaky Friday.'' 6 Lindsay Lohan, Jamie Lee Curtis in 'Freakier Friday.' ©Walt Disney Co./Courtesy Everett Collection The review also called out the film's 'ugly costumes' and 'humiliating scenarios,' adding, 'this is a sequel with the sole purpose of cashing in on the fondness people have for the original movie and nothing more.' Curtis reacted to the review by commenting, 'SEEMS a TAD HARSH. SOME people LOVE it. Me being one.' 6 Jamie Lee Curtis speaks during SiriusXM's Town Hall with the cast of 'Freakier Friday' on July 28. Getty Images for SiriusXM Her comment got over 17,000 likes as hundreds of fans responded with supportive messages. 'As long as you and Lindsay were happy making it and with it, I'm guaranteed it's iconic and a great watch,' one fan said. 'We all asked for it and we all love it,' a different fan wrote. 6 Jamie Lee Curtis, Lindsay Lohan in 'Freakier Friday.' ©Walt Disney Co./Courtesy Everett Collection Someone else responded, 'We can't wait to see it! People are so rude!' 'You should make part 3 to trigger Time magazine,' another fan said. Directed by Nisha Ganatra, 'Freakier Friday came out in theaters Friday and is a follow-up to Disney's 2003 comedy, in which mother-daughter duo Tess (Curtis) and Anna (Lohan) swap bodies. 6 Lindsay Lohan and Jamie Lee Curtis at Disney's 'Freakier Friday' press junket in Los Angeles. Miles Diggs for Disney Enterprises Inc./Shutterstock The sequel features a four-way swap that involves Anna's daughter (Julia Butters) and her soon-to-be-stepdaughter (Sophia Hammons). Along with Curtis and Lohan, Mark Harmon, Chad Michael Murray, Rosalind Chao, Ryan Malgarini, Stephen Tobolowsky and Lucille Soong returned for the sequel. On Rotten Tomatoes, 'Freakier Friday' has a 73% approval score from critis and a 93% approval score from the audience. 6 Jamie Lee Curtis and Lindsay Lohan in the 'Freaky Friday' sequel. ©Walt Disney Co./Courtesy Everett Collection The Post's critic Johnny Oleksinski gave the sequel 2.5 stars and called Curtis and Lohan 'the main attractions' of the film. ''Freakier' functions mostly as a nostalgia trip for 30-something ticket-buyers who can now legally enjoy a margarita,' Oleksinski wrote. 'But while massaging millennials, the movie also has a good time slinging mud at Gen Z.' During a recent interview with ABC 7, Curtis explained how she played a big part in getting the sequel made. 6 Jamie Lee Curtis attends the 'Freakier Friday' premiere in Australia on August 5. Brandon Voight / BACKGRID 'I kept saying, 'Well, you know what? We can't make a sequel until Lindsay's old enough to have a teenager,'' the actress said. 'They went, 'Jamie, she's 35.' I was like, 'She's not 35!' They were like, 'She's 35.' And I was like, 'Oh, sure! She could've had a baby at 20! Bob Iger!'' 'So when I got home, I called Bob and we talked about it, and now we're here,' she added.

Venus Williams, Irina Shayk, Tilda Swinton grace star-studded 2026 Perelli calendar
Venus Williams, Irina Shayk, Tilda Swinton grace star-studded 2026 Perelli calendar

USA Today

time4 hours ago

  • USA Today

Venus Williams, Irina Shayk, Tilda Swinton grace star-studded 2026 Perelli calendar

Tennis star Venus Williams, singer FKA Twigs, supermodel Irina Shayk, "Game of Thrones" actress Gwendoline Christie and Oscar winner Tilda Swinton are among the stars featured in Pirelli's 2026 calendar. The photographer for the 52nd edition of the calendar – known as The Cal – is London-based creative Sølve Sundsbø and photos were taken in England's Norfolk and Essex as well as New York City. In behind-the-scenes images that offer a preview of the star-studded spread, the forthcoming Cal models pose artistically among backgrounds that blend aquatics, the floral world and sky. The full slate of images are set to be released later this year. "For the 2026 Calendar, I want to capture emotions, instincts and states of mind that's central to human life so: longing for freedom, curiosity, thirst of knowledge, I guess you can call it," Sundsbø said in a press release. "Some kind of mystery, imagination, passions, the desire for emancipation, the connection with nature and our relationship with time and space." Padma Lakshmi, John Boyega, Hunter Schafer star in Pirelli's 2025 calendar: See the photos Other calendar stars in the 2026 edition include '90s supermodel Eva Herzigová, ex-Vampire's Wife designer Susie Cave, "Blink Twice" star Adria Arjona, groundbreaking model Du Juan, Italian actress Luisa Ranieri and Oscar nominee Isabella Rossellini who recently starred in "Conclave." Former "Top Chef" host Padma Lakshmi, "Queen & Slim" leading lady Jodie Turner-Smith, "Bridgerton" star Simone Ashley, "Star Wars" actor John Boyega and "Euphoria" breakout talent Hunter Schafer appeared in last year's calendar. Idris Elba, Bella and Gigi Hadid, Kristen Stewart, Rosalía, Emma Watson, Cher and Iggy Pop are among other famous faces who appeared on The Cal in recent years. The Cal "was born as an exclusive project" of the group's British subsidiary as they sought a marketing strategy to differentiate the brand from its competition in 1964, according to the company. The calendar was conceptualized as a gift to the tire maker's clients. The Cal's six-decade history features defining moments including noted British fashion photographer Terence Donovan photographing only Black models, including then-teen talent Naomi Campbell before she became a modeling superstar, in 1987. Former Chanel creative director Karl Lagerfeld – who died in 2019 – helmed the 2011 calendar and legendary portrait photographer Annie Leibovitz was behind the lens of the 2000 and 2016 editions. Per Perelli, the calendar aims to "mark the passing of time with images by the most highly acclaimed photographers of the moment – capturing and interpreting contemporary culture and often anticipating new trends."

I was a movie editor. Fighting for workers' rights made me quit the industry and go to law school.
I was a movie editor. Fighting for workers' rights made me quit the industry and go to law school.

Yahoo

time7 hours ago

  • Yahoo

I was a movie editor. Fighting for workers' rights made me quit the industry and go to law school.

After over a decade, Edward Wardrip is leaving documentary editing to attend UCLA Law School. Documentary and reality TV workers lack union protections, unlike many other film industry sectors. Wardrip aims to advocate for gig economy workers' rights, including healthcare and fair pay. This is an as-told-to essay based on a conversation with Edward Wardrip, who worked as a documentary editor for over a decade. He's planning to attend UCLA Law School to become a labor attorney. It's been edited for length and clarity. I graduated from college in 2012, which was shortly after the financial crash, but when things were starting to pick up again. I loved working in documentary. I mostly worked on PBS-style historical documentaries. That's always been my favorite. It always felt like I was in school, still learning. My first two mentors were both incredibly talented editors who lived solid, middle-class lives in New York. I was inspired by that. I think the industry has changed. It was more plausible to have a middle-class life 10 years ago than it is now. But despite documentary and reality TV production increasing over the years, many workers feel like they haven't reaped the benefits. I spent the last couple of years fighting to unionize our section of the industry, which has been left behind by other film and TV unions. Now, at 34 years old, I'm going to law school to learn how to fight for workers like myself. Movie and TV unions are strong — but documentaries and reality TV are left out The movie and TV industry is known for its strong unions. But it's less common for documentary and reality TV projects to have a unionized crew. People who work on documentaries are seldom given the same protections as those in other parts of the industry. We work long hours and don't always get overtime pay or healthcare, which is getting more expensive. It's upsetting to open a streaming app, see your documentary or a friend's documentary on the homepage, and know that none of the people who worked on it got healthcare. The industry unions haven't always adapted to the gig economy nature of documentary work. Even as documentary filmmaking and reality TV production have expanded dramatically, we rarely have a seat at the bargaining table with traditional unions. A group of us in the Alliance of Documentary Editors formed an organizing committee. We found the traditional model of flipping one show at a time didn't work for us. Documentaries are not multiple seasons. By the time you spend months organizing and negotiating a union contract for a documentary crew, it's over. You're on to the next thing. We found out about the non-majority union model, which we thought made more sense for the fast-paced film and TV industry of this era. The organizing campaign is still ongoing. Many documentary filmmakers work on both big projects and small, independent projects. And we wanted to find a way to ensure everyone could have healthcare all the time, not just on the giant studio productions. It was time for a change I've worked only one union job, for 17 months in 2015 and 2016: "Spielberg," an HBO documentary about Steven Spielberg. The healthcare was incredible. If there was an issue, you called the union and it was fixed. The claims above say that there is no healthcare for people in documentary films That was the last documentary union job I've seen listed anywhere. I haven't heard of anyone I know working another one since. By 2024, my documentary film work was getting really, really scarce. I mean, it was very dead for a lot of people. I had to completely eat through my retirement savings just to stay afloat. That's the reality of freelance life. No one's putting anything into a retirement check for me. I was doing it all myself. At 34, I looked around and thought, "This doesn't feel worth it to me anymore." I felt like I was on a dead-end road and I was never going to be able to retire. And I was still young enough that I could do something else. But organizing a union energized me. I was passionate about labor law. I just started studying at night and on the weekends for the LSAT. I did an online class with a bunch of 22-year-olds. I got a 174 on the LSAT, which is the 98th percentile. UCLA gave me the best offer. And since I already live in Los Angeles, I could keep my apartment and stay relatively close to my relatives in California. There's a whole class of people in our economy who are doing what we have not typically considered union work. I want to work and fight for Amazon workers, Whole Foods employees, Uber drivers, YouTube content moderators — you name it. Our jobs have really changed, and the gig economy has changed, and there's this huge group of people who deserve healthcare and who are not getting it. I want to fight for them. Read the original article on Business Insider

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store