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JID Is Dropping a Mixtape on July 4

JID Is Dropping a Mixtape on July 4

Hypebeast02-07-2025
Summary
JIDis back with big news and new music. Continuing his infamous series of freestyles – first dropping off '30' in January of 2024 and then '31' back in October – the Dreamville rapper has delivered on '32.'
The high-octane cut hears the rapper run circles around any preconceived notions of him over the beat fromPlayboi Carti's 'HBA.' 'They be killin' me, sayin' they killin' me / Only leadin' by a couple of kilometers / I'm just here to compete for infinity / Interscope hit your boy with a twenty-piece,' he spits early on.
As for the visual, JID reminds us of his Division 1 athlete days, compiling footage of his high school football games as the official visualizer montage.
Most importantly, however, is that '32' ushers in the release of JID's new project, confirmed to drop this Friday:GDLU Preluxe.Presumed to be a lead-up to his August albumGod Does Like Ugly,the mixtape's tracklist has not yet been revealed.
GDLU Preluxedrops everywhere this Friday, July 4, while the studio albumGod Does Like Uglyis slated to release in full on August 8.
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Sex, lies and small-town scandal. No wonder ‘The Hunting Wives' is a Netflix hit.
Sex, lies and small-town scandal. No wonder ‘The Hunting Wives' is a Netflix hit.

Yahoo

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Sex, lies and small-town scandal. No wonder ‘The Hunting Wives' is a Netflix hit.

It's part soapy drama, part erotic thriller and a whole lot of fun. Don't take it too seriously. When The Hunting Wives star Jaime Ray Newman was on a small ferry outside of Vancouver Island last week, she learned firsthand just how much buzz the sexy drama has created. Newman, who plays fiery, red-haired Texan Callie, overheard a group of friends debating what to binge-watch next. When one of them mentioned The Hunting Wives, two women on the boat who weren't part of the group interjected: "Oh my God, we just finished that. Have you seen it yet?" "All of a sudden, the whole boat started talking about the damn Hunting Wives," Newman tells Yahoo. She had changed her hair since the show came out, so she wasn't immediately recognizable. But when a producer she was with pointed her out to the group, they started to freak out. "All of a sudden, I was Julia Roberts on the boat. Everyone wanted selfies." It's a clear sign of how The Hunting Wives is the show of the moment. Last week, it pulled in over 2 billion minutes viewed on Netflix, according to data analytics platform Luminate. That was more than double its debut week numbers, an impressive accomplishment for a show licensed for only U.S. streaming. It remains in Netflix's Top 10. Based on May Cobb's bestselling novel, the series follows Sophie (Brittany Snow), who moves with her family from Boston to Texas. As she settles into the small town, Sophie becomes dangerously entangled with a socialite named Margo (Malin Akerman), spiraling into obsession, seduction and murder. Politics, guns and a touch of campy dialogue are thrown in too. Beyond the premise, what's so resonant about this raunchy series? The shock factor From steamy scenes to unexpected plot twists, The Hunting Wives pushes the envelope. That's especially true with how the series explores sex. There's the unconventional marital arrangement between Margo and her husband, Jed Banks — a debauched oil tycoon played by Dermot Mulroney — which allows them both to sleep with other women. And they both do … a lot. Akerman's character ultimately shares intimate moments with both Snow's and Newman's. There's also a storyline of her sleeping with the son of her best friend, a barely legal teen. Aside from 2021's Sex/Life, this might be the most risqué original series Netflix has ever released. Up until just two months ago, The Hunting Wives was actually slated to premiere on Starz. As Snow told Glamour, the cast filmed the series believing it would land with a smaller audience and potentially become a 'cult classic.' But Netflix changed the equation — and with a much bigger streaming audience comes a lot more opinions. As for the nudity, yes, it's meant to be provocative. 'Nobody who puts this many naked people on TV does it entirely for educational or creative purposes,' Linda Holmes wrote for NPR, while also pointing out how 'everybody seems to be having a transparently great time.' Snow told Glamour she didn't find that nude scenes were 'gratuitously done, where we're showing this shot of a woman's body for no reason.' 'It's all part of the story that needs to be told, specifically because of Margo's coercion and power and making these moves on Sophie, the sex scenes need to happen because Margo uses her sexuality and prowess to make sure that Sophie feels like she's finally being seen,' she said. This show isn't just buzzy because of the sex, although Episode 7's pegging scene might be the most jaw-dropping moment of them all. "Respectfully, the entire meat of the series is its indescribable, inescapable, horniness,' Rolling Stone says. There are plenty of wild antics that make The Hunting Wives an unhinged binge. 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Sex, lies and small-town scandal. No wonder ‘The Hunting Wives' is a Netflix hit.
Sex, lies and small-town scandal. No wonder ‘The Hunting Wives' is a Netflix hit.

Yahoo

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Sex, lies and small-town scandal. No wonder ‘The Hunting Wives' is a Netflix hit.

It's part soapy drama, part erotic thriller and a whole lot of fun. Don't take it too seriously. When The Hunting Wives star Jaime Ray Newman was on a small ferry outside of Vancouver Island last week, she learned firsthand just how much buzz the sexy drama has created. Newman, who plays fiery, red-haired Texan Callie, overheard a group of friends debating what to binge-watch next. When one of them mentioned The Hunting Wives, two women on the boat who weren't part of the group interjected: "Oh my God, we just finished that. Have you seen it yet?" "All of a sudden, the whole boat started talking about the damn Hunting Wives," Newman tells Yahoo. She had changed her hair since the show came out, so she wasn't immediately recognizable. But when a producer she was with pointed her out to the group, they started to freak out. "All of a sudden, I was Julia Roberts on the boat. Everyone wanted selfies." It's a clear sign of how The Hunting Wives is the show of the moment. Last week, it pulled in over 2 billion minutes viewed on Netflix, according to data analytics platform Luminate. That was more than double its debut week numbers, an impressive accomplishment for a show licensed for only U.S. streaming. It remains in Netflix's Top 10. Based on May Cobb's bestselling novel, the series follows Sophie (Brittany Snow), who moves with her family from Boston to Texas. As she settles into the small town, Sophie becomes dangerously entangled with a socialite named Margo (Malin Akerman), spiraling into obsession, seduction and murder. Politics, guns and a touch of campy dialogue are thrown in too. Beyond the premise, what's so resonant about this raunchy series? The shock factor From steamy scenes to unexpected plot twists, The Hunting Wives pushes the envelope. That's especially true with how the series explores sex. There's the unconventional marital arrangement between Margo and her husband, Jed Banks — a debauched oil tycoon played by Dermot Mulroney — which allows them both to sleep with other women. And they both do … a lot. Akerman's character ultimately shares intimate moments with both Snow's and Newman's. There's also a storyline of her sleeping with the son of her best friend, a barely legal teen. Aside from 2021's Sex/Life, this might be the most risqué original series Netflix has ever released. Up until just two months ago, The Hunting Wives was actually slated to premiere on Starz. As Snow told Glamour, the cast filmed the series believing it would land with a smaller audience and potentially become a 'cult classic.' But Netflix changed the equation — and with a much bigger streaming audience comes a lot more opinions. As for the nudity, yes, it's meant to be provocative. 'Nobody who puts this many naked people on TV does it entirely for educational or creative purposes,' Linda Holmes wrote for NPR, while also pointing out how 'everybody seems to be having a transparently great time.' Snow told Glamour she didn't find that nude scenes were 'gratuitously done, where we're showing this shot of a woman's body for no reason.' 'It's all part of the story that needs to be told, specifically because of Margo's coercion and power and making these moves on Sophie, the sex scenes need to happen because Margo uses her sexuality and prowess to make sure that Sophie feels like she's finally being seen,' she said. This show isn't just buzzy because of the sex, although Episode 7's pegging scene might be the most jaw-dropping moment of them all. "Respectfully, the entire meat of the series is its indescribable, inescapable, horniness,' Rolling Stone says. There are plenty of wild antics that make The Hunting Wives an unhinged binge. In one episode, the hunting wives load up for a boar hunt, and after Callie calmly finishes one off, the women celebrate with a boozy brunch of mimosas, gossip and a game of never-have-I-ever that ends with a manslaughter confession. That abruptly ends the party … until two characters embark on an alcohol-and-Xanax rager and invite younger men over for a game of spin the bottle. There's also enough political satire to ruffle both sides of the aisle. Akerman has said her character was inspired by Melania Trump, and an abortion storyline comes with a side of anti-abortion posturing. Critics have called it a 'bonkers, bisexual culture-war soap,' with each episode going further than expected. While all that chaos keeps the entertainment dialed all the way up, it's part of the show's charm. This isn't a prestige drama like Succession or The Crown — it's your new guilty pleasure, dripping in scandal and served with a cold glass of whiskey. Beneath the sex, power plays and whodunit murder mystery, The Hunting Wives knows exactly what it is: a glossy, high-octane escape that doesn't take itself too seriously. Escapism at its finest With its biting one-liners — "she's a coastal elite with a body count" or "open marriages are for liberals" — chaotic Southern style, The Hunting Wives is about having a good time. "There are serious things that we're dealing with, but we come off the [storylines] quickly. We want to entertain," Newman says, crediting showrunner Rebecca Cutter for this no-holds-barred approach. "Oftentimes shows pussyfoot a little bit. They're a little too scared to upset this group, a little scared to upset that demographic. So they end up just playing it so down the middle, and Rebecca has no fear," Newman continues. "She threads that very delicate needle. Every now and then, you get a writer who comes along who just speaks to everyone.' The Hunting Wives certainly speaks to a female audience. The show offers complex, unapologetic characters who break the mold, telling stories that entertain an often-overlooked demographic. Although Sex and the City paved the way in 1998, it's rare to find TV shows centered on female desire and ambition, especially when it comes to portraying women over the age of 40. SATC spin-off And Just Like That... was recently canceled after three seasons, highlighting the challenge of sustaining these narratives. The Hunting Wives rises to the occasion, offering a bold exploration of women navigating power, intimacy and self-discovery without hesitation. 'Why can't women talk about wanting to have sex and be pleased?" Newman asks. 'Most stories are centered around men's pleasure, but finally, we get to be the forefront of these stories. So I think it's about time." This perspective in storytelling is speaking to audiences, especially as women are increasingly demanding their voices and experiences be heard. "Thank God we have writers like Rebecca to clear the way for us. People are so interested,' Newman says. 'You can see that [portraying] women in their 40s garners huge audiences." Will there be a Season 2? There's no official word yet on whether Netflix plans to greenlight a second season, but if the show stays at the top of the charts and the tip of everyone's tongues, it's hard to imagine why the streaming giant wouldn't invest. Newman says the cast and crew all hope it happens. "I cannot express enough the bond that we all had on this set. There was not a bad apple among the bunch. It's very rare to experience that. We all came into the show very seasoned,' she says. 'That is also the benefit of casting women who've been around for a long time. We've all seen good behavior and bad behavior on set." Newman is happy to leave the bad behavior on your TV screens. If that offends you, too bad. "Listen, maybe there are a few people that this angers, but whatever," she says. 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For Artists Like Sombr and Gigi Perez, Self-Producing Is ‘An Experiment and an Adventure'
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After self-releasing 'Please Be Rude' in May 2024, 'Sailor Song,' an ode to queer longing that Perez had teased on TikTok, followed in July and became a top 40 pop smash, peaking at No. 22 and spending 39 weeks on the Billboard Hot 100. 'Sailor Song' landed Perez a new label deal with Island Records and appeared on her debut album, At the Beach, in Every Life, which Island released in April; Perez is a credited producer on all 12 tracks and produced three songs, including 'Please Be Rude,' by herself. At a time when organic TikTok hits remain a fast track to major-label clout, countless unknown artists with access to production software and how-to videos are now using Perez's blueprint. While plenty of pop acts discovered on TikTok are paired with professional producers once they join label rosters, others have stuck with the DIY approach that got them that far — and have scored crossover hits with self-made singles. Meanwhile, pop superstars from Taylor Swift to Gracie Abrams to Charli xcx have increasingly been credited as co-producers on their songs, scoring hits with their fingerprints on every part of their track. 'It's authentic, straight from me,' says sombr, the 20-year-old alt-pop dynamo whose self-produced singles 'Back to Friends' and 'Undressed' have been concurrent top 40 Hot 100 hits for multiple months this year. Born Shane Boose, sombr was introduced to GarageBand at the end of elementary school, and figuring out how to layer tracks and harmonies quickly dominated his free time. As he moved on to YouTube tutorials and Logic Pro X in middle school and started thinking about music as a professional path in high school, he says he never considered relying upon another producer for his work. 'My songs will never be chasing something or come from a 'hit-making factory,' ' sombr adds. 'It's just me in my room, making stuff that I want to hear and based off what I feel. And that's why it works in my mind.' For his upcoming Warner Records debut album, sombr says he will write and produce each song at home, finish '50 to 70%' of the track and then bring them to Sound City Studios in Los Angeles for 'finishing touches' with his co-producer, Tony Berg. For sombr, beginning a production in a bedroom and then taking it to a professional studio provides an expanded tool kit to accentuate his original idea. 'When I first got into a real studio, I suddenly had access to so many different instruments, microphones, pedals,' sombr says. 'I learned a lot about the more traditional way of recording music, and my whole world opened up.' For artists to understand how to use that wider palette, it helps to have the right professional support, as sombr does with Berg. During her Interscope days, Perez says she felt compelled to help produce her songs but didn't yet have the studio know-how to assist her collaborators. For At the Beach, in Every Life, however, she worked with two main co-producers, Noah Weinman (aka indie-rock artist Runnner) and Aidan Hobbs, as well as a mixer, Matt Emonson, who all encouraged her to ask questions in the studio and helped draw out her vision for the album. 'I'm really grateful that I have a team that's been able to teach me — that builds your confidence,' Perez says. 'I could be vulnerable enough to be like, 'I don't know what that is.' ' Of course, artificial intelligence is fast becoming a trusted studio collaborator, too. As modern music-making increasingly integrates AI, more artists will turn to tools that streamline their solo productions — from stem separators and vocal changers that can tweak existing tracks to sample creators and full-song generators that replicate the entire creative process. Perez says she's open to learning more about the assistive ways in which AI can be used, but she's skeptical that production or songwriting can be one of them. 'We already struggle with connection,' she says, 'and I think the deeper that technology inserts itself into a part of human existence, it's going to be harder and harder for us to connect to each other.' 'I know that I am considered to be a young person, but I think I am old-fashioned in the way I like to make music,' sombr says. 'I like real instruments, real voices and a song with a bridge. I agonize over lyrics. I really have no interest in AI and how it relates to music.' And even if shrugging off AI tools makes a production process more painstaking, Perez says the journey is just as important as the finished product. She looks back on her time between major labels and as a production novice as essential to her becoming the artist she is today. 'It was an experiment and an adventure,' she says. 'I feel grateful that I could commit to waking up every day and seeing it through.' This story appears in the Aug. 16, 2025, issue of Billboard. 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