What should win Triple J's Hottest 100 of Australian Songs? The choice is obvious
Our reward is a wonderful wander down musical memory lane: dodging glasses in the rowdy pubs of the '70s, bouncing in the sticky-floored warehouses of the '90s dance scene, sweating and shouting at the massive stages of the Big Day Out, cheering as 2010s indie giants blow up online and make waves overseas.
Inevitably, the top echelon of this special Hottest 100 will be dominated by classic Aussie anthems such as My Happiness by Powderfinger, Khe Sanh by Cold Chisel, Back in Black by AC/DC, and Am I Ever Gonna See Your Face Again? by the Angels. It will be fun, undoubtedly. It also might be a bit … predictable.
But the Hottest 100 is not supposed to be predictable. From its inception, the Hottest 100 has been a musical celebration primarily governed by chaos (lest we forget top-three finishes by Denis Leary, Chumbawumba, the Tenants, and Justin Bieber beaten only by the Wiggles). The novelty is part of the charm – the power of democracy to surprise, delight and horrify.
More importantly, Australian music is so much more than the pub rock sound we were defined by for so long. The winner of this Hottest 100 should be representative of the world-shaking, boundary-pushing music that Australian artists have proven capable of. It should be exciting. It should be weird. It should be Frontier Psychiatrist by Melbourne electronic pioneers the Avalanches.
There could be no more perfect winner of the Hottest 100 of Australian Songs than a groundbreakingly experimental, absurdly fun, enduringly influential and utterly bizarre breakout hit, a song so powerful it launched Australian music into the 21st century and set the tone for an era more creatively diverse and internationally renowned than any that came before it.
The most unexpected breakout hit in Australian music history, Frontier Psychiatrist is a work of insane genius. It kicks off with a horse whinny, then barrels into a story about a psychopathic school kid. It cuts up western movies and old comedy routines and wildly diverse musical bits and pieces, and somehow transforms them into a relatively coherent piece of manic surrealism. It's hilarious, unexpectedly epic and disarmingly danceable.
It also has Hottest 100 pedigree: it finished at No.6 in the 2000 countdown, and No.27 in the Hottest 100 of the Past 20 Years in 2013. It was track 13 on the Avalanches' debut record, Since I Left You, which was voted No.9 in the Greatest Australian Album of All Time Hottest 100 in 2011.
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