
Brazilian Airline Gol Wins Approval of Chapter 11 Restructuring
The company expects to exit Chapter 11 in early June, it said in a statement Tuesday. Gol added the restructuring significantly reduces its debt by eliminating upwards of around $850 million in other obligations. The airline, which sought court protection in January 2024, announced a sweeping restructuring deal that November.
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EXCLUSIVE: Spring Studios Restructures London Operations as AI Impacts Production Revenue
MILAN — Artificial Intelligence is replacing human expertise across the board. Spurred by its rapid evolution and impact on the fashion industry, multidisciplinary creative firm Spring Studios is restructuring its London-based production business. Spring Media Investments, parent company of Spring Group, said Tuesday that it has decided to close its U.K. e-commerce and studios department, both of which operate within its production vertical. Approximately 30 to 35 jobs are at risk. More from WWD Meet Gensmo, an AI Stylist With a Playful Edge EXCLUSIVE: Crocs and Hey Dude Brands Get Their Own Marketing Gurus The Washington Post's Robin Givhan Exits After 25 Years with the Company 'We decided to restructure, by way of an administration, our business and focus on what is best with the advent of AI. We have to react proactively and stay ahead of the curve on this and we have embraced technology in our business. It's important to embrace what is there and what will be best for Spring and in the next five to 10 years,' Navin Khattar, Spring Media Investments' chairman told WWD. Khattar added that upscale fashion and retail firms are increasingly embracing in-house AI solutions to save on production costs associated with everything from casting to locations. Spring Studios was founded London in the late '90s and started strictly as a studio space for still and motion shoots. As the studios hosted increasingly more leading photographers, publications and brands, the company expanded, building audiences within fashion, beauty and luxury and creating global prestige campaigns, content and high-end cultural events. In 2013, the agency expanded to New York, with full studio, events and production, and in 2017 Spring Studios opened offices in Milan. The list of clients of Spring Studios over the years has been varied, ranging from Victoria Beckham to Ginori 1735 and from Louis Vuitton to Toyota. Milan and New York City remain unaffected by the firm's restructuring. While the two cities have content production units, they don't have e-commerce operations. Both cities performed well in 2024 and helped the firm achieve a profit last year. Milan, for example, has distinguished itself with a string of new initiatives. In 2024, Spring Studios launched its emerging talent platform and in 2025, the firm turned it into an itinerant exhibit that debuted in Paris and Milan. Last June, the New York City-, London- and Milan-based multidisciplinary creative firm launched its first edition of 'Ode,' a limited annual publication that combined contemporary and visual art, photography and texts of forward-thinkers ranging in age from 26 to 45 — emboldening them with 'free artistic expression.' The first edition was named 'Ode to Rebirth' and brought together the work of photographers, designers and even a hairdresser who could be the next glossy go-tos. Going forward, Khattar said the group is focused on the performance of London's creative agency, which is a main driver for its London office. In the near term, Spring Studios will also announce a new creative director, chosen specifically to fortify the performance of its London-based creative agency. Its former executive creative director, Fred Paginton, left his post in July of this year. 'Spring Studios is made up of a few different silos. It's within our power to focus on what Spring does best and we can clearly see the quality of the services that we produce for the client and the caliber and type of clients that we have been servicing and based on our expertise,' Khattar added, noting that its experiential services in New York City are outperforming. Best of WWD Longtime Vogue Editor Grace Mirabella Dies at 91 First Lady Dr. Jill Biden Helps Forbes Celebrate Its 50 Over 50 List Mikaela Shiffrin Gets Personal in New Series for Outside+

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Dr. Phil's Upstart TV Network Abandons Its Chapter 11 Case
Merit Street Media, the television network and streaming service backed by TV personality Phil McGraw, is seeking to end its chapter 11 case, saying it can't pay the legal fees needed to stay under court protection. Merit said in court papers Monday that it can no longer administer its bankruptcy case because of mounting professional fees and inadequate funding to pay those bills. Merit's lawyers from the law firm Sidley Austin moved to withdraw as bankruptcy counsel, saying they were exposed to 'unreasonable and unjustifiable financial burden and risk.'
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Dr. Phil's Distribution Partner Sues for Fraud, Breach of Contract Over $500 Million, 10-Year Deal
The talk show host's Merit Street Media is simultaneously suing Trinity Broadcasting while facing off in bankruptcy court Trinity Broadcasting is countersuing Dr. Phil McGraw's Merit Street Media in bankruptcy court for fraud and breach of contract. In a complaint filed Tuesday in U.S. Bankruptcy Court for the Northern District of Texas and obtained by TheWrap, Trinity Broadcasting, McGraw's distribution parter, alleges that he defrauded the Christian television network through a $500 million, 10-year distribution agreement—claiming he failed to deliver even a single episode of his new talk show. More from TheWrap How to Watch 'South Park' Season 27: When Is Episode 3 Streaming? Francis Ford Coppola's 'Megalopolis' Reborn: See Pages From the New Graphic Novel | Exclusive 'Sekiro: Shadows Die Twice' Video Game Gets Anime Adaptation at Crunchyroll Dr. Phil's Distribution Partner Sues for Fraud, Breach of Contract Over $500 Million, 10-Year Deal On the other hand, Merit Street (which is currently in bankruptcy court) argues that Trinity Broadcasting failed to uphold its end of their joint venture, primarily by not securing national distribution. Instead, the network abused 'its power as a controlling shareholder,' the company claims, by pressuring Merit Street into costly third-party distribution deals rather than using Trinity's existing network of local TV stations. While Merit's suit alleges 'shoddy production services' from TBN, the 'most egregious' issue, it says, is that Merit Street programs could not be seen nationwide due to 'withholding distribution payments despite repeatedlyacknowledging those distribution payments were 100% TBN's sole responsibility.' 'Simply put, as a result of TBN's conduct, Merit Street has nowhere to send its broadcast signal and nowhere to air its programming,' Merit's suit alleges. Trinity tells a different story. In its countersuit, the broadcaster says McGraw himself approached the company in 2022 after seeking a replacement for CBS as both production and distribution partner for his talk show. Trinity contends McGraw made key assurances about the show's financial health and continued popularity that ultimately proved misleading. The lawsuit alleges these assurances included McGraw's proposed cost-cutting measures: a 40 percent reduction in the show's $68 million annual production budget by relocating all operations to Texas from California and eliminating unionized staff. He also asserted ownership of the series, claiming CBS had already sold out its advertising inventory, and promised to deliver new, expanded 90-minute episodes. Through his production company, Peteski, McGraw allegedly told Trinity Broadcasting that it had to sign a deal with Peteski and pay him $20 million upfront as a show of good faith—or he would instead accept CBS' competing offer of $75 million per year. Anything less, he warned, would be a 'deal killer,' according to the lawsuit. According to the complaint, under a purported $500 million, ten-year agreement, Trinity Broadcasting was to provide production and distribution services to Merit Street, while Peteski would supply new content, including 160 episodes. 'TBN is confident that the truth will set it free, and result in Peteski and McGraw being held accountable for their reprehensible conduct,' the lawsuit reads. The partnership reportedly deteriorated last year when McGraw allegedly failed to deliver the promised viewership, product integrations, and advertising revenue to Trinity Broadcasting. The network claims it had spent over $100 million by the end of June (some of which was recorded as loans to Merit Street). The lawsuit states that amount continued to climb as Trinity Broadcasting funneled up to $13 million per month into production, even though McGraw had yet to produce a single episode. When Trinity Broadcasting stopped its payments, McGraw accused the network of breaching the contract and subsequently filed for bankruptcy. Trinity Broadcasting asserts multiple claims of fraud and breach of contract, seeking a court determination of both companies' rights and obligations under the agreement. It also asks the court to rule that McGraw had agreed to transfer his library of Dr. Phil episodes. McGraw's lawsuit requests Merit Street be awarded damages on all counts, legal fees, and 'such other and further relief as the Court may deem just and proper,' though no specific amount for such was listed. McGraw's media venture was founded just last year, after his 'Dr. Phil' TV show ended with the 2022-23 season. Merit Street Media did not immediately return TheWrap's request for comment. The post Dr. Phil's Distribution Partner Sues for Fraud, Breach of Contract Over $500 Million, 10-Year Deal appeared first on TheWrap.